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Malcolm Crane: Medieval Royal Suite: Woodwind Ensemble: Score & Parts
12.00
Malcolm Crane: Medieval Royal Suite: Woodwind Ensemble: Score & Parts
Flûte, Hautbois, Clarinette et Basson
[Conducteur et Parties séparées]
Forton Music
Medieval Royal Suite
12.00 GBP - vendu par Musicroom GB
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Pelle Gudmundsen-Holmgreen: String Quartet No. 10 'New Ground': String Quartet:
29.99
Pelle Gudmundsen-Holmgreen: String Quartet No. 10 'New Ground': String Quartet:
Quatuor à cordes: 2 violons, alto, violoncelle
Wilhelm Hansen
Pelle Gudmundsen-Holmgreen's String Quartet No. 10 'New Ground' (2011). Set of...
(+)
Pelle Gudmundsen-Holmgreen's String Quartet No. 10 'New Ground' (2011). Set of parts: WH31462A Programme note: New Ground – No Ground – Green In 1986 I wrote Ground for the Kronos Quartet. I used the principle of the baroque ground and created a series of chords – going up and going down symmetrically. The material formed the basis for the quartet. In my next collaboration with Kronos I wrote the darker Last Ground – at the time supposed to be my last composition of the kind. After some years this seemed a bit pathetic and Idecided to write a new – lighter ground – New Ground. To disappoint my listeners as much as possible I based this piece on a very old and very well-known ground: Pachelbel’s Canon. The piece is tonal and that suggested another –atonal – composition – No Ground (based on another string quartet – no. 7 Parted from 1984 first performed by Kronos). I am very fond of the elaborated constructivism of the medieval or early renaissance music so in my view the two new quartets needed to be connected and combined. The two quartets can be performed in combination with the four-part vocal piece Green. The text is from medieval England. The pieces are written for the Kronos Quartet and Theatre of Voices.
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Bent Sørensen: String Quartet No.3 'Angel's Music': String Quartet: Instrumental
Quatuor à cordes: 2 violons, alto, violoncelle
Wilhelm Hansen
Parts for String Quartet No.3 'Angel's Music' by Bent Sørensen (1988) Premier...
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Parts for String Quartet No.3 'Angel's Music' by Bent Sørensen (1988) Premiered by the Arditti String Quartet at the Danish Radio Concert Hall 16 November 1988. Score available: KP00250The composer writes:'Even when I was writing 'Adieu' I knew that I wished to write 'Angel’s Music'. The title existed in an incomplete form in my mind and gradually more and more ideas and a few outlines became clear. The actual work on 'Angel’s Music' was started in Rome where I spent the autumn of 1987 staying at 'The Danish Academy'. Whether this stay has influenced the quartet or not is impossible to say. however it is true to say that inthe Roman churches I visited I saw countless angels playing in the top of frescoes and altars. Without these angels together with the many crackled-gold paintings in this city and my general fascination with the Italian renaissance painter Fra Angelico (in fact there are only a few paintings by him in Rome but even his name..!) I am not sure my quartet would have been what it is. Anyway I do feel that there is a bit of Italy in the piece. The angels apart there are in the short rhythmic agitating part of the quartet reminiscences of the Italian medieval Trotto dance and in the most expressive part of the piece there are flashes of Puccini-like music. From the very beginning of my work on the quartet the distant extremely muted sound in the high register which opens the piece was on my mind. A sound satiated with a dense heterophonic and polyphonic texture of elegiac melody and vibrating trills. I imagined that 'little songs' (maybe angel songs) could be created in this density these songs constantly echoing themselves. Gradually as this sound got a more and more concrete musical and instrumental form I felt that not only should the 'little songs' be created played and die out in an echo but also that the general pattern of the quartet should give the feeling of music which from the distance is getting closer and closer
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Erik Bergman: Lament & Incantation Op. 106 for Soprano and Cello: Soprano:
15.99
Erik Bergman: Lament & Incantation Op. 106 for Soprano and Cello: Soprano:
Voix Soprano, Violoncelle
[Partition]
Novello & Co Ltd.
The three-movement Quo vadis by Erik Bergman is a typical example of his recent ...
(+)
The three-movement Quo vadis by Erik Bergman is a typical example of his recent coloristic-improvisatory style. It is a dialogue-like duo in which the instruments speak both in turn and together. Their voices grow in a wedge of volume — from silence to passionate outbursts and from the middle to the outer registers. Each rejoinder is usually dominated by a particular mode of playing and figure the most marked being the highly dissonant crashes on the piano and the cello tremoli. The themes of the second movement are based on a medieval Dies irae melody. But their melodic type oscillating backwards and forwards over a small interval is characteristic of Bergman andaccordingly makes its appearance in the other movements too.
15.99 GBP - vendu par Musicroom GB
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Gian Francesco Malipiero: Rispetti E Strambotti String Quartet: String Quartet:
4.99
Gian Francesco Malipiero: Rispetti E Strambotti String Quartet: String Quartet:
Quatuor à cordes: 2 violons, alto, violoncelle
[Sheet music]
Chester
Gian Francesco Malipiero (1882-1973) was an Italian composer musicologist and ...
(+)
Gian Francesco Malipiero (1882-1973) was an Italian composer musicologist and editor. He drew on his extensive research into Italian musical history when he wrote his first String Quartet Rispetti EStrambotti in 1920. It pays tribute to the two forms of early Italian poetry in the title but also depicts wider themes from Renaissance music from free polyphony to operatic recitatives. However the structure of thepiece is distinctly modern deliberately attempting to break with the all-pervading Sonata form and the wider Romantic Movement in general. The result is a memorable mesmerising construction that is modern and dramatic butwith a fusion of undeniably medieval flavours.
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Patrick Hawes: Gloriette (Cello/Piano): Cello: Instrumental Work
8.99
Patrick Hawes: Gloriette (Cello/Piano): Cello: Instrumental Work
Violoncelle, Piano
[Partition]
Novello & Co Ltd.
Gloriette was first performed at Leeds Castle Kent on 4th August 2008 by Julian...
(+)
Gloriette was first performed at Leeds Castle Kent on 4th August 2008 by Julian Lloyd Webber.Commissioned by the Leeds Castle Foundation and named after the medieval building in which it was first performed on 5th August 2008.Includes both a score for the Piano and a separate Cello part.
8.99 GBP - vendu par Musicroom GB
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Bent Sørensen: Adieu - String Quartet No. 2: String Quartet: Study Score
Quatuor à cordes: 2 violons, alto, violoncelle
[Partition]
Wilhelm Hansen
Study score to Bent Sørensen's Adieu for String Quartet (1986).The slow chora...
(+)
Study score to Bent Sørensen's Adieu for String Quartet (1986).The slow choral-like music which initiates 'Adieu' was the result of an image or almost a dream that I had. Without being able to explain why I imagined a procession of people maybe medieval monks wearing large gray mantles with Ku-Klux-Klan-like white cowls on their heads something like a funeral procession. The title Adieu is partly a comment on this funeral procession but also used because the piece is split up by three slow-ascending glissandi a kind of 'farewell glissandi' which removes the intervening music. The first absorbing glissando is soft and removes both the slow funeral choral andthe agitating figures in the first half of the piece. The second glissando is given only to the cello and crawls out from the elegiac melodies in the middle part. The third and 'final' glissando is intense and agitating and prepares the way for the end of the piece. This end primarily deals with the relationship fast - slow. This relationship is turned topsy turvy: the music gets faster and faster until it is so fast that it suddenly becomes slow so slow in fact that it is very quickly able to become extremely fast again.Bent Sørensen
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Ola Gjeilo: Dark Night of the Soul: Mixed Choir: Score and Parts
56.00
Ola Gjeilo: Dark Night of the Soul: Mixed Choir: Score and Parts
Quatuor à cordes: 2 violons, alto, violoncelle
[Partition]
Walton Music
Full Score String Quartet and Piano-Inspired by the grace and passion of a medi...
(+)
Full Score String Quartet and Piano-Inspired by the grace and passion of a medieval poem this extended work offers intense dramatic exchanges between choir piano and string quartet. Sentiments of stillness and peace are beautifully portrayed making this a memorable work for both singers and audience!Duration: ca. 14:00.Also available:Vocal Score: HL08501791Full Score only: HL08501826
56.00 GBP - vendu par Musicroom GB
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Christmas Round The World
25.63
Christmas Round The World
Violon, Violoncelle, Alto et Contrebasse
[Conducteur et Parties séparées]
Faber Music Limited
Christmas round the world brings together carols from five countries, in setting...
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Christmas round the world brings together carols from five countries, in settings which explore the vivid national characteristics of each country through the ages. Ideal for both string orchestra and quartet use, the arrangements exploit all the techniques and colours of the school or amateur ensemble. There is plenty of melodic interest for the inner parts and cello, while jazz, Latin-American and medieval music provide the inspiration for the up-beat accompaniments. The beginners' line (suitable for violin, viola and cello) allows everyone to join in the fun of festive music making at Christmas. / Ensemble Music / Recueil / Violon, Violoncelle, Alto et Contrebasse
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Edward Huws Jones: Christmas Round the World. Stringsets ps: String Ensemble
Trio à Cordes: violon, alto, violoncelle
[Sheet music]
Faber Music Limited
Christmas Round The World brings together carols from five countries in setting...
(+)
Christmas Round The World brings together carols from five countries in settings which explore the vivid national charateristics of each country through the ages.Ideal for both string orchestra and quartet use the arrangements exploit all the techniques and colous of the school or amatuer ensemble. There is plently of melodic interest for the inner parts and cello while jazz latin-american and medieval music provide the inspiration for the up-beat accompaniments. The beginners' line (suitable for Violin Viola and Cello) allows everyone to join in the fun of festive music making at Christmas.
10.99 GBP - vendu par Musicroom GB
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Bent Sørensen: String Quartet No.2 'Adieu': String Quartet: Instrumental Work
Quatuor à cordes: 2 violons, alto, violoncelle
Wilhelm Hansen
Score available: KP30120 The composer writes:The slow choral-like music which in...
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Score available: KP30120 The composer writes:The slow choral-like music which initiates 'Adieu' was the result of an image or almost a dream that I had. Without being able to explain why I imagined a procession of people maybe medieval munks wearing large gray mantles with Ku-Klux-Klan-like white cowls on their heads something like a funeral procession. The title Adieu is partly a comment on this funeral procession but also used because the piece is split up by three slow-ascending glissandi a kind of 'farewell glissandi' which removes the intervening music. The first absorbing glissando is soft and removes both the slow funeral choral and the agitating figures inthe first half of the piece. The second glissando is given only to the cello and crawls out from the elegiac melodies in the middle part. The third and 'final' glissando is intense and agitating and prepares the way for the end of the piece. This end primarily deals with the relationship fast - slow. This relationship is turned topsy turvy: the music gets faster and faster until it is so fast that it suddenly becomes slow so slow in fact that it is very quickly able to become extremely fast again.
34.99 GBP - vendu par Musicroom GB
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Peter Maxwell Davies: Quartet Movement: String Quartet: Miniature Score
4.50
Peter Maxwell Davies: Quartet Movement: String Quartet: Miniature Score
Quatuor à cordes: 2 violons, alto, violoncelle
[Partition]
Chester
This is - so far - the earliest composition by Davies to be available for perfor...
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This is - so far - the earliest composition by Davies to be available for performance and mighty interesting it is. Written while he was still a young student it provides a candid glimpse of the thing that concerned him: howmusic could be both forward-moving in the classical Western sense (this is after all a piece for a wholly conventional medium) and repetitive in the manner of the Indian and medieval music in which he was interested. Whatresults is a singular machine geared to an intermittent ostinato in the first violin.This movement for string quartet was first performed by the Arditti Quartet in May 1983 as part of the 40th Anniversary Gala concert of theSociety for the Promotion of New Music at the Barbican Hall London.Score (miniature). Duration c. 5mins.
4.50 GBP - vendu par Musicroom GB
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Bent Sørensen: Angels' Music String Quartet No.3: String Quartet: Study Score
26.99
Bent Sørensen: Angels' Music String Quartet No.3: String Quartet: Study Score
Quatuor à cordes: 2 violons, alto, violoncelle
[Partition]
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Intermédiaire/avancé
Wilhelm Hansen
The full score for String Quartet No.3 'Angel's Music' by Bent Sørensen (1988...
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The full score for String Quartet No.3 'Angel's Music' by Bent Sørensen (1988) Premiered by the Arditti String Quartet at the Danish Radio Concert Hall 16 November 1988. Parts available: KP00249The composer writes:'Even when I was writing 'Adieu' I knew that I wished to write 'Angel’s Music'. The title existed in an incomplete form in my mind and gradually more and more ideas and a few outlines became clear. The actual work on 'Angel’s Music' was started in Rome where I spent the autumn of 1987 staying at 'The Danish Academy'. Whether this stay has influenced the quartet or not is impossible to say. however it is true tosay that in the Roman churches I visited I saw countless angels playing in the top of frescoes and altars. Without these angels together with the many crackled-gold paintings in this city and my general fascination with the Italian renaissance painter Fra Angelico (in fact there are only a few paintings by him in Rome but even his name..!) I am not sure my quartet would have been what it is. Anyway I do feel that there is a bit of Italy in the piece. The angels apart there are in the short rhythmic agitating part of the quartet reminiscences of the Italian medieval Trotto dance and in the most expressive part of the piece there are flashes of Puccini-like music. From the very beginning of my work on the quartet the distant extremely muted sound in the high register which opens the piece was on my mind. A sound satiated with a dense heterophonic and polyphonic texture of elegiac melody and vibrating trills. I imagined that 'little songs' (maybe angel songs) could be created in this density these songs constantly echoing themselves. Gradually as this sound got a more and more concrete musical and instrumental form I felt that not only should the 'little songs' be created played and die out in an echo but also that the general pattern of the quartet should give the feeling of music which from the distance is getting closer and
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Butt-Chen: Cellowise: Cello: Instrumental Album
11.99
Butt-Chen: Cellowise: Cello: Instrumental Album
Violoncelle, Piano
[Conducteur et Parties séparées + CD]
Spartan Press
CELLOWISE is an exciting new collection of arrangements from the popular classic...
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CELLOWISE is an exciting new collection of arrangements from the popular classics. The standard is from Grade 3 upwards and included are Bach Badinerie Handel Sarabande Haydn Gipsy Rondo Gossec Gavotte and Tambourin Brahms Hungarian Dance and other favourites with attached CD of top quality performances making a pleasant and varied recital programme both to listen to and of course to play. Cellowise is featured on the 2014 Bauhinia Cup String Competition in Hong Kong and is on the current syllabuses of Trinity College London the Musik-PrüfungsKommission in Vienna and the Royal Irish Academy of Music in Dublin 2015-2018.FOOTNOTE TO CONTENTSOriginally a folk-dance from Medieval Spain the Sarabande became the spiritual centre-point of the 18th. Century dance suite and well-known to cellists through the Bach Suites.The Badinerie is a musical haiku stunning in its precision and economy of means and like a poem condenses much meaning and expression into few words.Sir Yehudi Menuhin once called the 'Erbarme Dich' solo the most beautiful piece of music ever written for the violin. This poignant duet for voice and obligato is about remorse betrayal and the universal theme of suffering. It is one of the centre-pieces of the St. Matthew Passion and is sung after Peter has denied Christ betraying him to the authorities and to his Crucifixion.Gavotte and Tambourin. These two Dances reflect the political opposites of the French Revolution - one a popular dance for partying and celebration the other more courtly and considered a favourite of Marie Antoinette.Rondo all'Ongarese and Hungarian Dance.Hungarian Folk music is fiery and impassioned with virtuoso techniques of embellishment and improvisation. Haydn and Brahms incorporated these elements into Classical forms.Like other Romantic and early-Romantic composers (Mendelssohn and Schubert) Brahms was attracted to Scotland as a wild and beautiful country of myth and
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Peter Maxwell Davies: Quartet Movement: String Quartet: Instrumental Work
19.99
Peter Maxwell Davies: Quartet Movement: String Quartet: Instrumental Work
Quatuor à cordes: 2 violons, alto, violoncelle
[Partition]
Chester
This is - so far - the earliest composition by Davies to be available for perfor...
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This is - so far - the earliest composition by Davies to be available for performance and mighty interesting it is. Written while he was still a young student it provides a candid glimpse of the thing that concerned him: how music could be both forward-moving in the classical Western sense (this is after all a piece for a wholly conventional medium) and repetitive in the manner of the Indian and medieval music in which he was interested. What results is a singular machine geared to an intermittent ostinato in the first violin.Duration c. 5mins.Set of parts. This is a special item which is made to order. Please e-mail our Mail Order Department for furtherinformation.
19.99 GBP - vendu par Musicroom GB
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Suite Medievale Conducteur
En Français
Orchestre de chambre
Durand
/ Musique De Chambre
28.58 EUR - vendu par LMI-partitions
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2-5 jours - En Stock Fournisseur
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Suite Medievale Flûte/Violon/Alto/V ioloncelle/Harpe
En Français
Orchestre de chambre
Durand
/ Musique De Chambre
28.58 EUR - vendu par LMI-partitions
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Prelude Medieval Cor 3 Trp 2 Trb Et Tuba
Orchestre de chambre
Salabert
/ Musique De Chambre
15.76 EUR - vendu par LMI-partitions
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Medieval Scene (CAPODAGLIO LEONELLO)
20.26
Medieval Scene (CAPODAGLIO LEONELLO)
Ensemble à vent
[Conducteur et Parties séparées]
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Débutant
Soldano
Par CAPODAGLIO LEONELLO. / Niveau : 1er Cycle / Répertoire / Ensemble à Vent...
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Par CAPODAGLIO LEONELLO. / Niveau : 1er Cycle / Répertoire / Ensemble à Vent
20.26 EUR - vendu par LMI-partitions
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Superstudies (LEGG PAT)
9.90
Superstudies (LEGG PAT)
Violoncelle
[Partition]
-
Facile
Faber Music Limited
Par LEGG PAT. This collection of sixteen original, imaginative studies for solo ...
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Par LEGG PAT. This collection of sixteen original, imaginative studies for solo cello has been specially designed for young players of Grades 1-3 ability. Throughout the book, progressive technical points go hand-in-hand with musical development. The studies cover a variety of keys, modes, rhythmic patterns and styles, including jazz, while also encouraging self-expression. The descriptive titles are intended to help the cellist play in a style appropriate to each study. Teachers and pupils will find this invaluable yet light-hearted collection both enjoyable and stimulating. / Niveau : Facile / Répertoire d'Examen / Etude / Violoncelle
9.90 EUR - vendu par LMI-partitions
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