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Easy Pop Melodies
15.20
Easy Pop Melodies
Violoncelle
[Partition + CD]
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Facile
Hal Leonard
Play 50 of your favorite pop tunes on your instrument of choice! This collection...
(+)
Play 50 of your favorite pop tunes on your instrument of choice! This collection features arrangements written in accessible keys and ranges with lyrics and chord symbols. Songs include: All My Loving · Blowin' in the Wind · Clocks · Don't Stop Believin' · Every Breath You Take · Fireflies · Hey, Soul Sister · In My Life · Love Story · My Girl · Nights in White Satin · Sweet Caroline · Unchained Melody · Viva La Vida · What a Wonderful World · You've Got a Friend · and more. / Violoncelle
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Melody Op. 3/1
6.70
Melody Op. 3/1
Violoncelle, Piano
Schott
Composé à l'origine pour piano solo, 'Melody' de Rubinstein OP 3/1 est le oeuv...
(+)
Composé à l'origine pour piano solo, 'Melody' de Rubinstein OP 3/1 est le oeuvre la plus connue écrit par le compositeur russe. Grâce à la mélodie simple, mais tendre et son harmonie expressive, le nom du compositeur se souviendra pour toujours. La pièce a fait un excellent encore pour un concert. / Violoncelle Et Piano
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Birkett: Melody: Cello: Instrumental Work
Violoncelle
Alfred Lengnick
Melody
8.99 GBP - vendu par Musicroom GB
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Eccentric Melody (KNUSSEN OLIVER)
16.30
Eccentric Melody (KNUSSEN OLIVER)
Violoncelle
Faber Music Limited
Par KNUSSEN OLIVER. Oliver Knussen's concise and effervescent Eccentric Melody o...
(+)
Par KNUSSEN OLIVER. Oliver Knussen's concise and effervescent Eccentric Melody occupies a small but important place in the solo cello repertoire, and would enliven any recital. Composed as a double tribute - for cellist Fred Sherry, in his 50th birthday year, to play to Elliott Carter on his 90th birthday - the 2-minute work is presented here in manuscript facsimile. / Classique / Répertoire / Violoncelle
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Melody Op. 3/1
24.90
Melody Op. 3/1
Trio à Cordes: violon, alto, violoncelle
Schott
Composé à l'origine pour piano solo, 'Melody' de Rubinstein OP 3/1 est le oeuv...
(+)
Composé à l'origine pour piano solo, 'Melody' de Rubinstein OP 3/1 est le oeuvre la plus connue écrit par le compositeur russe. Grâce à la mélodie simple, mais tendre et son harmonie expressive, le nom du compositeur se souviendra pour toujours. La pièce a fait un excellent encore pour un concert. / Trio A Cordes
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C. Baxendale: Plaintive Melody: Cello: Instrumental Work
6.50
C. Baxendale: Plaintive Melody: Cello: Instrumental Work
Violoncelle
Bosworth
C. Baxendale: Plaintive Melody
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Ballads of Britain: String Quartet: Instrumental Album
6.95
Ballads of Britain: String Quartet: Instrumental Album
Quatuor à cordes: 2 violons, alto, violoncelle
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Intermédiaire/avancé
Spartan Press
A selection of folk ballads from England Ireland Scotland and Wales.A ballad ...
(+)
A selection of folk ballads from England Ireland Scotland and Wales.A ballad is the blending of words the beauty of melody tone rhythm and expression. They reflect the history of a people their legends religion love and work. British ballads are renouned for their verse melodic construction and for the enormous range of expression.1 The Lass of Richmond Hill is a poem by Leonard McNally a barrister about a lass who became his wife in 1787. The music is by James Hook (1746 1827).2 Sally in our Alley. The words are by Henry Carey who also wrote the original music but this was replaced by the tune we now know an English traditionalmelody in 1790.3 Caller Herrin'. The poem is by Lady Nairne (1766 1845). Nathaniel Gow the famous Scottish violinist wrote the music in 1798 as a harpsichord piece combining the traditional Edinburgh fish wives cry Caller Herrin' with the bells of St Andrew's Church Edinburgh.4 Men of Harlech. The music is traditionally Welsh and the ballad probably originated from North Wales where the native princes had ruled the longest.5 David of the White Rock (Dafydd y Garres Wen). Sir Walter Scott (1771-1832) wrote the words to this ballad The Dying Bard. David Owen the Welsh bard of the ballad composed the tune on his death-bed on awakening from a trance in which be believed himself to have heard the tune in heaven.6 Oft in the Stilly Night. The words describe an old man's memories of the smiles the tears of boyhood years. The eyes that shone now dimmed and gone and how oft in the stilly night he remembers other days. The ballad is by the Irish poet Thomas Moore (1779 1852) who set the words to a traditional air.7- The Meeting of the Waters. Written by Thomas Moore music Irish traditional.The Meeting of the Waters is the confluence of the rivers Avonmore and Avonberg in a beautiful valley near Avoca County Wicklow.8 Oh! Charlie is my Darlin'. The
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Karsten Fundal: Figure and Ground Study I: Cello: Score
17.99
Karsten Fundal: Figure and Ground Study I: Cello: Score
Violoncelle
[Partitions]
Wilhelm Hansen
The image and concept of this piece is easiest to describe by using the visual i...
(+)
The image and concept of this piece is easiest to describe by using the visual images of the Dutch artist M. C. Escher. He made many woodcuts where the whole surface of the picture has a figurative function often just in black and white. For example a row of white ducks 'transversing' the painting which are described by black ducks transversing in the opposite direction. In this way the two figures describe each other so to speak.In this piece melody has been approached in a similar way: a melody is used which can be framed in rhythmically different groupings - in groups of fours or fives etc- thus creating new hierarchical melodies which grow more and moreobvious to the ear. The initial melody then becomes background to the new melody until disappearing and a new rhythmical pattern is imposed on the second melody and so forth. Later the different 'rhythm melodies' are woven together creating a new perceptual image one that is at the same time actually a 'holographic' reproduction of the initial melody. The latter situation is similar to the way Bach makes hidden 3- or 4-part counterpoints in his Cello suites by intersecting the parts successively into beautifully interwoven patterns.The very static sections of the piece are chiefly inspired by the powerful singing of the buddhist-monks of Tibet who are able to relax their vocal chords to such an extent that they create an overpowering deep note not normally thought to be produced by a human voice. Figure and Ground Study I was first performed by Mats Olofson at the Numus Festival 1995.
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Five Nordic Melodies for string orchestra (SONNINEN AHTI)
83.40
Five Nordic Melodies for string orchestra (SONNINEN AHTI)
Orchestre à Cordes
Fennica Gehrman
Viisi pohjoismaista sävelmää jousiorkesterille. Par SONNINEN AHTI. Ahti Sonni...
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Viisi pohjoismaista sävelmää jousiorkesterille. Par SONNINEN AHTI. Ahti Sonninen's brisk arrangements of Nordic melodies are set for string orchestra without violas (violin I, II, III, cello I, II and double bass). Idiomatic, variable writing and short movements make the the five-movement-series perfect for for young string players. This product includes the full score and a set of parts (3-3-3 violin parts, 2-2 cello parts and 1 double bass part). Movements: I Merimiestanssi ? Folk melody from Iceland II Je beder eder, alle mine maend ? Folk song from Denmark III Pål sine høner ? Folk song from Norway IV Värmlandsvisan ? Folk melody from Sweden V Karjalan kisa ? Folk melody from Finland / Date parution : 2022-12-12/ Répertoire / Orchestre à Cordes
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Distant Voices (HOSOKAWA TOSHIO)
43.60
Distant Voices (HOSOKAWA TOSHIO)
Quatuor à cordes: 2 violons, alto, violoncelle
Par HOSOKAWA TOSHIO. In my sixth work for a string quartet, there is a very simp...
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Par HOSOKAWA TOSHIO. In my sixth work for a string quartet, there is a very simple melody concealed in the background. That melody (distant voices) is played within an extremely slow tempo, and the notes which form the melody gain different textures by becoming disassembled, and played by different techniques. In our daily lives, our inner voices become concealed by our daily customs. The act of composing, to me, is to find out that concealed distant voices, make those voices spatialized and construct them within the musical time. This work is dedicated to Alois Lageder. Toshio Hosokawa / Date parution : 2023-06-01/ Répertoire / Quatuor à Cordes
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Barcarolle (OFFENBACH JACQUES / RIEM JULIAN (Arr)
17.00
Barcarolle (OFFENBACH JACQUES / RIEM JULIAN (Arr)
2 Violoncelles, Piano
[Partition]
Bote and Bock
aus 'Les Contes d’Hoffmann'. Par OFFENBACH JACQUES / RIEM JULIAN (Arr.). This ...
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aus 'Les Contes d’Hoffmann'. Par OFFENBACH JACQUES / RIEM JULIAN (Arr.). This arrangement was written in Offenbach's anniversary year 2019 for the highly acclaimed CD (Sony) of the young star soloist Raphaela Gromes with chamber music for cello, the instrument the composer loved and played like none other. In addition to unknown, sometimes virtuoso, sometimes contemplative new discoveries, the album should not be without the master's hit melody: Barcarolle from The Tales of Hoffmann, which begins with the immortal cello solo. And so Gromes' piano partner Julian Riem created this delightful new version for two cellos and piano especially for this CD. What some people do not know is that the melody actually comes from an earlier work by Offenbach, the romantic opera Les Fées du Rhin, where it is the musical hallmark of the eponymous nature spirits./ Répertoire / 2 Violoncelles et Piano
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Folk Strings - Cello Ensemble
11.60
Folk Strings - Cello Ensemble
Ensemble de Violoncelles
Alfred Publishing
Folk Strings is a collection of folk melodies from around the world arranged for...
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Folk Strings is a collection of folk melodies from around the world arranged for strings. Unlike classical music, which normally has an authentic version, folk music often exists in many versions, with differences in the melody or lyrics. Sometimes several countries lay claim to a melody because a group of people moved to a new country and took their music with them. Most folk songs were sung and played for many years before they were written down, and their original composer is usually unknown. This collection includes melodies in a variety of moods and with rhythmic patterns which are representative of their country of origin. The arrangements in Folk Strings can be effective with players at a variety of levels. In order to provide maximum flexibility, the collection is available in a number of instrumentations.
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Intermezzo Per Quartetto D'Archi
23.20
Intermezzo Per Quartetto D'Archi
Quatuor à cordes: 2 violons, alto, violoncelle
EMB (Editio Musica Budapest)
The four parts of the piece originate from the piano cycles of Johannes Brahms. ...
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The four parts of the piece originate from the piano cycles of Johannes Brahms. The identical nature of the themes is implied in their descending direction, while their differences lie in their distinct meters, key signatures and tempo. I further developed the differences through the use of different musical alterations (of melody, rhythm and timbre) while the melodic contours are always constant. Depending on the listeners attention, the melody lines written above one another will be audible separately or appear to be in unison. / Quatuor A Cordes
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Waiting On A Miracle (from Encanto) (MIRANDA LIN-MANUEL)
75.90
Waiting On A Miracle (from Encanto) (MIRANDA LIN-MANUEL)
Orchestre à Cordes
[Conducteur et Parties séparées]
Hal Leonard
Par MIRANDA LIN-MANUEL. Written in the traditional triple-meter bambuco style of...
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Par MIRANDA LIN-MANUEL. Written in the traditional triple-meter bambuco style of Colombia, this arrangement for string orchestra by Robert Longfield captures the main character\'s yearning to be more like the rest of her family while maintaining her unique identity. The infectious melody and rhythm will leave the audience members singing this melody as they leave the performance! / Date parution : 2022-09-14/ Répertoire / Ensemble de Cordes
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This Land Is Your Land (Medium/Advanced Version)
75.90
This Land Is Your Land (Medium/Advanced Version)
Orchestre à Cordes
[Conducteur et Parties séparées]
Hal Leonard
for String Orchestra Score and Parts. Par GUTHRIE WOODY. After a brief introduct...
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for String Orchestra Score and Parts. Par GUTHRIE WOODY. After a brief introduction the violas introduce the first melodic theme then pass it to the first violins in octaves as This Land Is Your Land by Woody Guthrie, Level 4 arrangement by Ethan Epple develops. Epple sets the Americana stage in This Land Is Your Land through staccato, shifting to 5th position, creating a broad pitch range, pizzicato, syncopation and a key change moving seamlessly from D Major to G Major, while each instrument carries the melody and counter melody. Ethan Epple\'s version of This Land Is Your Land must be in your library for recruitment, Veterans Day, Flag Day, the Fourth of July, or just because This Land Is Your Land creatively rounds out your next concert. / Date parution : 2022-07-30/ Répertoire / Orchestre à Cordes
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Dorian Album: Chamber Ensemble: Instrumental Album
13.99
Dorian Album: Chamber Ensemble: Instrumental Album
Violon, Violoncelle (duo)
Rubank Publications
These 30 easy level (grade 2) string trios from the masters arranged by Rubank ...
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These 30 easy level (grade 2) string trios from the masters arranged by Rubank legends Harvey Whistler and Herman Hummel are the ultimate way to introduce your youngest players to ensemble playing. Songs average 30-40 measureslong with optional repeats to create a longer piece at your discretion. Includes a treasure trove of titles:Abendlied (Schumann) ? Allegro from Der Freischutz (Weber) ? Ave Verum (Mozart) ? Carnivalof Venice ? Chanson Triste (Tchaikovsky) ? Cielito Lindo ? Country Dance (Beethoven) ? Liebestraum (Liszt) ? Drink to Me Only with Thine Eyes ? New World Symphony Excerpts (Dvorak) ? Jesu Joy ofMan's Desiring (students play the melody not the triplet pattern) ? Jolly Coppersmith ? Melody for Strings (Rubinstein) ? Men of Harlech ? Menuet from Symphony No. 7 (Haydn) ? Procession (Handel) ?Theme from Fantasie Impromptu (Chopin) ? Rondo (Schubert) ? Theme from Symphony No. 1 (Brahms) ? Vienna Life (Strauss) ? Volga Boatman ? Waltz from HMS Pinafore
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Helen Grime: Into The Faded Air (Parts): String Quartet: Parts
21.99
Helen Grime: Into The Faded Air (Parts): String Quartet: Parts
Quatuor à cordes: 2 violons, alto, violoncelle
[Partition]
Chester
Into the faded air was commissioned by Britten Sinfonia for first performance at...
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Into the faded air was commissioned by Britten Sinfonia for first performance at Filharmonic Hall Krakow Poland on Sunday 13th January 2008 with Jacqueline Shave (Violin) Miranda Dale (Violin) Clare Finnimore(Viola) Catherine Musker (Viola) Caroline Dearnley (Cello) and Banjamin Chappell (Cello).Scoring: String Sextet (2 Violins 2 Violas and 2 Cellos)Duration: 10 minutes Composer'sNotes 'Into The Faded Air is cast in four movements although the last three movements are played without a break.In the first movement the sextet is divided into twogroups. The first group consisting of violin viola and cello plays a sustained melody while the second group (also violin viola and cello) contributes more jagged and intricate material. The second movement is an extended duetfor two violas accompanied by the other instruments. As the movement progresses the accompanying instruments become more prominent. The third movement is the only fast movement in the piece with rapid semiquavers and much useof pizzicato throughout. This leads into a serene chorale where the three upper instruments (two violins and first viola) are set against the second viola and two cellos.' - HelenGrime
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Bent Sørensen: String Quartet No.3 'Angel's Music': String Quartet: Instrumental
Quatuor à cordes: 2 violons, alto, violoncelle
Wilhelm Hansen
Parts for String Quartet No.3 'Angel's Music' by Bent Sørensen (1988) Premier...
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Parts for String Quartet No.3 'Angel's Music' by Bent Sørensen (1988) Premiered by the Arditti String Quartet at the Danish Radio Concert Hall 16 November 1988. Score available: KP00250The composer writes:'Even when I was writing 'Adieu' I knew that I wished to write 'Angel’s Music'. The title existed in an incomplete form in my mind and gradually more and more ideas and a few outlines became clear. The actual work on 'Angel’s Music' was started in Rome where I spent the autumn of 1987 staying at 'The Danish Academy'. Whether this stay has influenced the quartet or not is impossible to say. however it is true to say that inthe Roman churches I visited I saw countless angels playing in the top of frescoes and altars. Without these angels together with the many crackled-gold paintings in this city and my general fascination with the Italian renaissance painter Fra Angelico (in fact there are only a few paintings by him in Rome but even his name..!) I am not sure my quartet would have been what it is. Anyway I do feel that there is a bit of Italy in the piece. The angels apart there are in the short rhythmic agitating part of the quartet reminiscences of the Italian medieval Trotto dance and in the most expressive part of the piece there are flashes of Puccini-like music. From the very beginning of my work on the quartet the distant extremely muted sound in the high register which opens the piece was on my mind. A sound satiated with a dense heterophonic and polyphonic texture of elegiac melody and vibrating trills. I imagined that 'little songs' (maybe angel songs) could be created in this density these songs constantly echoing themselves. Gradually as this sound got a more and more concrete musical and instrumental form I felt that not only should the 'little songs' be created played and die out in an echo but also that the general pattern of the quartet should give the feeling of music which from the distance is getting closer and closer
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Kraus: Kammermusik I. Musikalische Werke, Bd. Vi/1 (KRAUS JOSEPH MARTIN)
229.90
Kraus: Kammermusik I. Musikalische Werke, Bd. Vi/1 (KRAUS JOSEPH MARTIN)
Orchestre de chambre
[Partition]
Carus Verlag
Par KRAUS JOSEPH MARTIN. The first volume of the new scholarly edition contains ...
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Par KRAUS JOSEPH MARTIN. The first volume of the new scholarly edition contains the complete chamber music without a keyboard instrument. The most important group of works comprises the string quartets, 10 of which have survived. They were composed during the 1770s, whenHaydn was developing this class of music. The differing balance between such contrasting musical elements as entries in imitation, courtly melody, swift changes of tempo and unexpected modulations gives each of the quartets its special charm. Thefact that six of them were published in 1784 as Krauss 'Opus 1' by the publisher J. J. Hummel shows that the composer himself was convinced by his quartets. With the Flute quintet this volume alsocontains another key work in Kraus’s chamber music. Composed in Vienna about 1783 and also issued in manuscript copies, this work was printed by Ignaz Pleyel in Paris in 1799./ Répertoire / Ensemble de Chambre
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Grande Polka
9.80
Grande Polka
Orchestre à Cordes
[Conducteur]
Hal Leonard
for String Orchestra Score. This toe-tapping polka is originally for piano solo ...
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for String Orchestra Score. This toe-tapping polka is originally for piano solo and transposed to the keys of A and E major. The melody and harmony float between the violins, with a brief appearance for cello and bass. The viola section provides a strongrhythmic drive. This work was written and published in 1860 while Bares was still enslaved. Not only is it a strong example of a composition by a black composer, but also a playable introduction to more complicated key signaturesfor your orchestra./ Répertoire / Orchestre à Cordes
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Erik Bergman: Lament & Incantation Op. 106 for Soprano and Cello: Soprano:
15.99
Erik Bergman: Lament & Incantation Op. 106 for Soprano and Cello: Soprano:
Voix Soprano, Violoncelle
[Partition]
Novello & Co Ltd.
The three-movement Quo vadis by Erik Bergman is a typical example of his recent ...
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The three-movement Quo vadis by Erik Bergman is a typical example of his recent coloristic-improvisatory style. It is a dialogue-like duo in which the instruments speak both in turn and together. Their voices grow in a wedge of volume — from silence to passionate outbursts and from the middle to the outer registers. Each rejoinder is usually dominated by a particular mode of playing and figure the most marked being the highly dissonant crashes on the piano and the cello tremoli. The themes of the second movement are based on a medieval Dies irae melody. But their melodic type oscillating backwards and forwards over a small interval is characteristic of Bergman andaccordingly makes its appearance in the other movements too.
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Latin Philharmonic
14.50
Latin Philharmonic
Violoncelle, Contrebasse (duo)
Alfred Publishing
Bring the excitement of traditional Latin dance to the string orchestra with thi...
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Bring the excitement of traditional Latin dance to the string orchestra with this collection. Explore the 'clave,' or rhythmic groove styles, such as the Merengue, Tango, Mambo, and others in a flexible format. All instruments have the melody, a harmony part, and an accompaniment/bass line. Easy hand percussion parts are included for the string players to perform or the optional drumset part can be used. The use of piano and guitar is recommended for authenticity but not necessary. All text appears in both English and Spanish. / Violoncelle Et Contrebasse
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If Thou But Suffer God Guide (PFAUTSCH ALVIN)
19.50
If Thou But Suffer God Guide (PFAUTSCH ALVIN)
En Français
Quatuor de Cuivres et Orgue
Leduc, Alphonse
Par PFAUTSCH ALVIN. A glorious and rejoiceful chorale prelude by Lloyd Pfautsch ...
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Par PFAUTSCH ALVIN. A glorious and rejoiceful chorale prelude by Lloyd Pfautsch based on a 1657 melody by Neumark. Set for a Brass ensemble made of two Trumpets, trombone (or horn) and a second Trombone./ Répertoire / Quatuor de Cuivres et Orgue
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STRING QUARTET NO. 2 OP. 17 (BARTOK BELA) (BARTOK BELA)
17.00
STRING QUARTET NO. 2 OP. 17 (BARTOK BELA) (BARTOK BELA)
Quatuor à cordes: 2 violons, alto, violoncelle
[Partition]
G. Henle
Par BARTOK BELA. Bartók?s Second String Quartet was composed ? with several lon...
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Par BARTOK BELA. Bartók?s Second String Quartet was composed ? with several long interruptions ? between 1915 and 1918, after he had spent several years almost solely devoted to collecting folk music. The melody and rhythms of the riotous middle movement ?Allegro, molto capriccioso? provide impressive testimony of how his research trips had taken him as far as North Africa. The first edition of this quartet, published in Vienna in 1920, contains a conspicuous number of errors that were only partially corrected in a later revision undertaken by Bartók. As late as the 1940s he noted changes in his personal copy of the score that have never previously appeared in print. These late changes by Bartók are taken into account in this definitive edition of the string quartets supervised by Bartók scholar László Somfai, with problematic passages in the sources carefully documented. It is the first-ever Urtext edition of this work. Sensible page turns and cue notes in the parts mean that this edition is ideal for exploring Bartók?s sound world in performance. / Date parution : 2023-05-06/ Répertoire / Quatuor à Cordes
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Per Nørgård: String Quartet No.3 'Three Miniatures': String Quartet: Score and
Quatuor à cordes: 2 violons, alto, violoncelle
Wilhelm Hansen
String Quartet No.3 'Three Miniatures' was composed by Per Nørgård in 1959...
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String Quartet No.3 'Three Miniatures' was composed by Per Nørgård in 1959. Manuscript copy. Programme Note: The spectrum of sound the gesticulation in short the very nature of the strings has always had a central place in my output demonstrated by the numbers of string quartets concertos with string soloist chamber and solo works. The interest dates back to my school years when I was fortunate to be able to compose for a cello-playing schoolmate and to accompany him on the piano. I discovered then the innumerable nuances of sound and playing varieties offered by just one bow four strings and fivefingers... The Three Miniatures for string quartet has a consequent experimental structure that dictates every note in the three extremely short movements. Each member of the quartet thus plays his own little melody a certain (but different) number of times so that the brand new soundscopes constantly appear in spite of the unchanging parts due to their different length. Per Nørgård
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Viertes Streichquartett Op. 86 Score (SCHLEE THOMAS DANIEL)
47.90
Viertes Streichquartett Op. 86 Score (SCHLEE THOMAS DANIEL)
Quatuor à cordes: 2 violons, alto, violoncelle
[Partition]
Barenreiter
Par SCHLEE THOMAS DANIEL. For composer Thomas Daniel Schlee, the 'intimate sound...
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Par SCHLEE THOMAS DANIEL. For composer Thomas Daniel Schlee, the 'intimate sound possibilities of the string quartet” have the potential 'to formulate an, albeit 'only' individual, solution to the somewhat forlorn condition of new art music within society that we are unfortunately experiencing today.” Schlee's Fourth String Quartet opens with a pure C major sound, out of which he develops a harmonically free band of voices: 'The pure as a source, not pleasing”! After a melodically dominating episode and a continuation of the 'swinging tone-motion from the beginning”, a thematically solidified section follows. It is met by a second, more extensive melodic episode, followed by a 'nightly scene”. Coming full circle, the opening music of the piece finds its continuation, leading into a lament – first articulated by the ensemble, then finally as 'the viola's long, forlorn search for the melody symbolizing a farewell.”/ Répertoire / Quatuor à Cordes
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String Quartet No. 2 (LINJAMA JYRKI)
44.70
String Quartet No. 2 (LINJAMA JYRKI)
String Quartet
Fennica Gehrman
Allerheiligentag Iii. Par LINJAMA JYRKI. Jyrki Linjama's second string quartet (...
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Allerheiligentag Iii. Par LINJAMA JYRKI. Jyrki Linjama's second string quartet (2018) is subtitled Allerheiligentag III. The material for the Allerheiligentag cycle is a Finnish folk chorale for All Saints' Day (no. 146 in the Finnish Hymn Book). The first work in the cycle is a string trio (2007), the second a piece for orchestra (2009), and the fourth and fifth are solo works for viola da gamba and violin.The composer tells: “The choice of topic and material for the string trio was originally prompted by the venue at which it was to be premiered: the old church on the island of Seili (Själö). The bleak history of the island's leper and mental hospital evoked images of suffering and death. I got so attached to the harsh and beautiful melody that it began to generate a whole cycle.” The string quartet is in three movements (slow-quick-slow) tensed in different ways by contrasts. The first movement has both swinging softness and cutting sharpness, the Scherzo the wildness of a dance of death and lyricism, and the finale the irrevocability of a funeral march and tender melodiousness./ Répertoire / String Quartet
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Applebaum Samuel - String Builder 1 - Cello
10.50
Applebaum Samuel - String Builder 1 - Cello
Violoncelle
Alfred Publishing
The Belwin String Builder is a string class method in which the violin, viola, c...
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The Belwin String Builder is a string class method in which the violin, viola, cello, and bass play together throughout. Each book, however, is a complete unit and may be used separately for class or individual instruction. The material in this book is realistically graded so that only a minimum of explanatory material is required. Each melody is interesting and will provide the basis for a fine left hand technic and bow arm. Available in three levels for violin, viola, cello, bass, piano accompaniment, and teacher's manual.
10.50 EUR - vendu par Woodbrass
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Luigi Boccherini: Concerto No. 1 C Major G 477: Cello: Instrumental Work
17.50
Luigi Boccherini: Concerto No. 1 C Major G 477: Cello: Instrumental Work
Violoncelle
Schott
Boccherini one of the greatest violoncellists of the 18th century left numerou...
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Boccherini one of the greatest violoncellists of the 18th century left numerous concertos for his favourite instrument. In the very first of these works the personal style of the composer is unmistakable. Transparency and classical sense of form easily remembered melody in which the tendency of Boccherini towards brilliant form is at once recognizable as well as the masterly perfect compositional technique are some of the most important features of his art.The edition is part of the ABRSM syllabus (grade 8)
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