An American classic fiddle tune and standard repertoire in the world of bluegrass, Cold Frosty Morning is transformed into an energy-filled showpiece for strings with this clever setting by Larry Moore. Play it for the winter season and holidays, or on any program that needs a pickin-grinnin audience pleaser. / Ensemble A Cordes

This suite of nine short movements describes a cycle of sleep and the moods of its dreams. It ends with the morning bells and the bright E major daylight of the Epilogue.

22 airs traditionnels anglais, irlandais, écossais et gallois pour apporter un certain plaisir de jouer à des violoncellistes qui maîtrisent les notes et les schémas de doigts en première position, et qui commencent à explorer les positions suivantes. Les mélodies sont courtes, leur style et leur caractère sont variés ; une excellente opportunité d'explorer de nouveaux territoires. (Avec compact disc et accompagnements de piano). 1 - Afton Water 2 - Begone, Dull Care 3 - The Coockle Gatherer 4 - David of the White Rock 5 - Down by the Sally Gardens 6 - Drink to me only 7 - Early One Morning 8 - Land of my Fathers 9 - The Lark in the Morn 10 - Lewis Bridal Song 11 - Lilliburlero 12 - Loudly Proclaim 13 - Men of Harlech 14 - The Minstrel Boy 15 - My Love's an Arbutus 16 - O Waly, Waly 17 - O Sleep, My Baby 18 - Pretty Poly Oliver 19 - The Road to the Isles 20 - The Rising of the Lark 21 - Robin Adair 22 - Skye Boat Song

Par ADES THOMAS. Thomas Adès’s second work for string quartet, The Four Quarters was written for the Emerson Quartet and was premiered by them at Carnegie Hall in 2011. The winner of the 2012 British Composer Award for Chamber Composition, the 20-minute work charts the progress of a day. Glassy harmonics typify the opening movement Nightfalls, whilst playful pizzicati abound in Serenade – Morning Dew. A sombre third movement, Days, is underpinned by a searching ostinato before the work breaks free from conventional time in The Twenty-Fifth Hour, the glittering finale which swings and dances in the unusual time signature of 25/16. / Ensemble Music / Répertoire / Quatuor à Cordes

Tunes from The American Civil War worked into a medley including Marching Through Georgia The Battle Hymn of the Republic and Dixie. Marching songs were sung to boost morale on both sides. On occasions when the armies of the North and South were camped within earshot they would sing songs in an attempt to demoralise the opposition before battle the following morning.Grade: 5

Light And Matter was jointly commissioned by the Library of Congress, Britten Sinfonia, Norrbotten NEO and the Aeolian Chamber Players in honour of the 50th anniversary of the Bowdoin International Music Festival. Composed in 2014 by Finnish composer Kaija Saariaho, the piece is for Violin, Cello and Piano.Saariaho states that her inspiration for this work came from looking out of her window in New York at the changing lights and movements of Morningside Park. The piece manages to accurately represent the dynamism of movement and kinetic energy through the musical interplay of the three instruments.The piece saw its world premiere at Bowdoin International Festival on July 30th 2014 with Renee Jolles on Violin, Nicholas Canellakis on Cello and Benjamin Hochman on Piano. / Violon, Violoncelle Et Piano

Through the centuries, the Christmas season has inspired composers, poets, lyricists and hymn writers to apply their craft in devotion to this event. This book presents 100 arrangements of favorite Christmas carols and advent hymns for cello solo with guitar accompaniment. Suggested chordal accompaniment is included for each solo so that any chordal instrument can accompany the cello. Where appropriate, capo chords are shown.The author has also indicated whether the guitarist should use fingerstyle or strum accompaniment. The music in this book spans centuries and represents a wonderful assortment of solos which may be used as preludes or offertories throughout the various seasons in the church year. / Niveau : Intermédiaire / Musique religieuse / Date parution : 2018-05-04/ Recueil / Violoncelle et Guitare

Intermediate-level arrangements of well-known Classical and Romantic works. Par AUTEURS DIVERS / BROOKER DAVID (Arr.). In his preface to 'Piano Trios on Stage”, the arranger, David Brooker, reminds us that, just as the string quartet, the piano trio has always been one of the pillars of chamber music. In the 19th and early 20th century, it was almost like the later invention of the gramophone record, allowing larger works, in arrangement, as well as lighter pieces to be presented to small audiences, often as background music. David comments that string players have plenty of easy material to introduce them to the pleasure of making music with other instrumentalists but when it comes to piano parts these are usually written or arranged with a teacher or more advanced student in mind. David sets out to rectify that imbalance and his arrangements aim to put all three players on an equal footing. Of easy to intermediate standard, they are ideal for violinists, cellists and pianists who are now ready to try their hand at proper chamber music. The music is fun and instantly recognizable, drawing on Grieg's 'Peer Gynt”, Tchaikovsky's 'Nutcracker” and Leopold Mozart's 'Musical Sleigh Ride”./ Recueil / Violon Ou Flûte, Violoncelle Et Piano

Enfin une collection moderne de mélodies populaires pour violoncelle! Les chansons viennent de l'Angleterre, l'Irlande, l'Ecosse, la Russie, l'Italie, la France, l'Espagne et les Etats-Unis. Mélodies populaires tels que 'Auld lang syne' et 'Oh Happy Day' sont définies dans des arrangements simples et peut être joué à plusieurs reprises, que ce soit à la maison, à l'école, ou dans un ensemble. Les arrangements peuvent également être joué avec une pièce supplémentaire seconde. / 1 Ou 2 Violoncelle(s) / 24 pages / niveau : Facile / Partition

Arrangement: Naulais Jérôme. Par NAULAIS JEROME. / Niveau : Assez Facile / Répertoire / Orchestre à Cordes

Par TRADITIONNEL. Individual String Parts Available Separately / Niveau : Facile / Auton / Répertoire / Orchestre à Cordes

La musique de chambre est un élément essentiel d'apprendre à jouer d'un instrument, et ces quatuors polyvalents sont écrits de sorte qu'ils peuvent être effectuées par n'importe quelle combinaison de quatre instruments à cordes. Organisé par l'éminent pédagogue chaîne Doris Gazda, ces pièces se fera entendre pleine et satisfaisante avec seulement quatre joueurs tout le chemin jusqu'à un orchestre à cordes.La sélection de la musique dans cette collection couvre une grande variété de styles musicaux qui offrent des heures de plaisir et de la performance des options. Progressivement organisé par niveau de difficulté que l'avance les artistes dans leurs compétences, ces quatuors sont un ajout bienvenu au répertoire de tous les instrumentistes à cordes. / Violoncelle

Arrangement: Naulais Jérôme. Par NAULAIS JEROME. / Niveau : Assez Facile / Répertoire / Quintette à Cordes