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Simply String Vol.3 Romantic / Arr. C.Weston - Ensemble A Cordes
29.30
Simply String Vol.3 Romantic / Arr. C.Weston - Ensemble A Cordes
Orchestre à Cordes
Fentone Music
La série simplement des chaînes est un ensemble de dispositions d'airs connus ...
(+)
La série simplement des chaînes est un ensemble de dispositions d'airs connus pour orchestres à cordes débutant ou groupes de chambre dans les écoles et les centres de la musique. Une partie de piano facile en option (et en option une partie contrebasse) est inclus pour aider les enseignants en répétition. Accords de guitare sont également inclus.Contient: La Danse des tuyaux à anche (Tchaïkovski), Largodu Nouveau Monde (Dvorak) et Can-Can (Offenbach) / Ensemble A Cordes / 16 pages / niveau : Elementaire / Set (Conducteur et parties séparées)
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One for the Birds (OTT DAVID)
40.70
One for the Birds (OTT DAVID)
Orchestre à Cordes
[Conducteur]
Hal Leonard
for String Orchestra Full Score. Par OTT DAVID. Composer David Ott takes a music...
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for String Orchestra Full Score. Par OTT DAVID. Composer David Ott takes a musically captivating look at four types of birds in his highly creative series entitled, One for the Birds. Movements: I. Relentless Woodpecker (driving and infectious); II. High-Gliding Gossamer(haunting, delicate); III. Song of the Nightingale (romantic serenade); IV. Penguins at Play (lighthearted, capricious)/ Répertoire / Orchestre à Cordes
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Elegie For String Orchestra (BRANDER SIRI)
63.50
Elegie For String Orchestra (BRANDER SIRI)
Orchestre à Cordes
Fennica Gehrman
Par BRANDER SIRI. Siri Brander (1866-1934) was one of the first female composers...
(+)
Par BRANDER SIRI. Siri Brander (1866-1934) was one of the first female composers to be played by the Helsinki Philharmonic Orchestra. Elegie (originally for piano) was arranger for string orchestra by A. E. Westerlind and first performed in 1894. More than 120 years later it was recovered in the archives. The small treasure of pure salon romanticism has the duration of 4 minutes. The package includes a full score and a set of string parts (2+2.3.2.2.1)./ Répertoire / Orchestre à Cordes
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Piano quartet (1925-26, rev. 1935) (LEIVISKA HELVI)
64.00
Piano quartet (1925-26, rev. 1935) (LEIVISKA HELVI)
Piano Quatuor: piano, violon, alto, violoncelle
Fennica Gehrman
Par LEIVISKA HELVI. Finnish composer Helvi Leiviskä (1902-1982) created a broad...
(+)
Par LEIVISKA HELVI. Finnish composer Helvi Leiviskä (1902-1982) created a broad-based output of orchestral works, solo songs and chamber music. Her style could be described as moderate modernism, deriving influences from multiple sources such as late Romanticism, Symbolism, Expressionism, Existentialism and Neo-Classicism. Leiviskä's output is characterised by philosophical and religious themes, images of nature and narrative structures. Many of her works focus on human existential angst and spiritual searching and growth. Helvi Leiviskä originally completed her Piano Quartet in A major op. 1 in 1926 but revised it a decade later, in 1935. Written for the traditional piano quartet lineup (violin, viola, cello and piano), the work is in three movements and has a duration of about 25 minutes. It features religious and ecstatic imagery such as may be found in French, German or Russian neo-Romantic styles. Leiviskä's Piano Quartet is considered one of the cornerstones of her chamber music output. Its early version was premiered in two parts at student recitals of the Helsinki Music Institute (the 1st movement in 1925 and the 2nd and 3rd movements in 1926). The revised version was performed in full by Timo Mikkilä (piano), Sulo Aro (violin), Ilmo Ranta (viola) and Pentti Rautawaara (cello) on Finnish radio in 1939. The work was also on the programme of Leiviskä's second composition concert in 1945, being performed on that occasion by Jussi Jalas (piano), Erik Cronvall (violin), Erik Karma (viola) and Yrjö Selin (cello). Two commercial recordings have been released (Finlandia Classics 2012 and Telos Music 2016). It is published for the first time 2022 with an extensive foreword by Susanna Välimäki. The product includes the full score (piano part) and a set of string parts. Duration: c. 25'. Have a look inside by clicking 'sample'. / Date parution : 2022-05-31/ Répertoire / Quatuor avec Piano
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Ave Maria/Cello Concerto (SCHUBERT / WINER)
21.50
Ave Maria/Cello Concerto (SCHUBERT / WINER)
Violoncelle
[Partition + CD]
Hal Leonard
Par SCHUBERT / WINER. New composer Ethan Winer\'s concerto is bursting with bold...
(+)
Par SCHUBERT / WINER. New composer Ethan Winer\'s concerto is bursting with bold ideas and fresh orchestration, the album also contains a chamber-music version of Schubert\'s Ave Maria and an energetic pop-orchestrated version of Saint-Saëns\' Alegro Appassionata - this album presents an exciting synthesis of modern-day and Romantic-era compositional ideas. Includes complete printed music score on high-quality ivory paper, including extensive performance notes by the composer, and a compact disc containing a complete performance with soloist in digital stereo, then performed again minus you, the soloist. Performed by Steven Thomas, violoncello Accompaniment: (orchestral accompaniment)/ Répertoire / Divers
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Trio For Piano, Clarinet (Violin) And Violoncello In D Minor Op. 3
38.20
Trio For Piano, Clarinet (Violin) And Violoncello In D Minor Op. 3
En Français
Clarinette, Violoncelle, Piano (trio)
G. Henle
Alexander Zemlinsky is mainly known for his operas and orchestral songs with the...
(+)
Alexander Zemlinsky is mainly known for his operas and orchestral songs with their opulent late Romantic orchestration. His earlier, inspired hit, the Trio for Clarinet op. 3, written in 1896, owes a great deal to his first important role model Johannes Brahms as far as inflection and instrumentation are concerned. And it was none other than Brahms himself who enthusiastically recommended the trio to his publisher Simrock, following the first performance in Vienna. As the autograph has disappeared, our edition follows the musical text in the first edition. It underwent careful examination and was cleared of numerous, partly blatant engraver's errors. Alongside the piano score, our edition comprises a part for clarinet in Bb/A, an authentic alternative part for violin as well as a cello part. / Trio De Pianos
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Mark Tanner: French Baguettelles: Cello: Instrumental Album
12.95
Mark Tanner: French Baguettelles: Cello: Instrumental Album
Violoncelle
-
Facile
Spartan Press
Favourtie French Melodies-In creating these dozen arrangements I am unashamedly ...
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Favourtie French Melodies-In creating these dozen arrangements I am unashamedly cherry-picking from a long and rich seam of French music. I feel confident that younger players and those relatively new to the cello will enjoy my selection. Forgive my tongue-in-cheek title for the book French Baguettelles (I'm half French so I don't feel too guilty!) for the music herein has more than a hint of garlic about it. Although there are certainly serious overtones to one or two pieces there is a healthy dollop of silliness to lighten the mood. Apart from Sur la Pont d'Avignon which was reportedly written in the 15th century Frère Jacques which was a popular 18th century song and Tambourin which wasin all probability also written in the 18th century (Gossec did however live well into the 19th century) all of the pieces come from composers who lived in the Romantic period. Ravel and Debussy were of course known for their impressionistic colours though for the most part it is the accompaniments which reveal this characteristic most fully. I have endeavoured to keep the piano parts playable by mere mortals conscious of the fact that cello teachers may not possess a virtuosic piano facility but may nevertheless wish to turn their hand to accompanying pupils for concerts festivals exams etc. Many of the pieces were originally written for the piano either in its solo capacity (Ravel's Pavane Pour une Infante Défunte Chabrier's Idylle Satie's Gymnopedie 1 Debussy's La Fille aux Cheveux de Lin) or in duet form (Fauré's Berceuse from 'Dolly Suite'). Three orchestral pieces Bizet's L'Arlésienne Offenbach's Can-Can and Saint-Saëns's Danse Macabre lend a welcome dramatic overtone to the book while Franck's exquisite Panis Angelicus originally conceived as a choral piece rounds off the selection admirably. In the main it is the cello's capacity for lyricism that has steered my choice of music so really open up your sound and enjoy yourself with these ageless melodies.I wish you bonne chance!Baguette: a thin loaf of
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Frederick Delius: Creole Dance: Cello: Instrumental Work
6.99
Frederick Delius: Creole Dance: Cello: Instrumental Work
Violoncelle, Piano
[Partition]
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Intermédiaire
Thames Publishing
Koanga - La Calinda-The Creole Dance La Calinda from Koanga arranged for Cello...
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Koanga - La Calinda-The Creole Dance La Calinda from Koanga arranged for Cello and Piano by Christopher Palmer. Delius’ romantic third opera Koanga produced a number of interesting pieces infused with sensuality and notable for its nostalgic and folkish languor. Fenby’s orchestral arrangement was a stripped down affair and it is this version that is most performed and recorded and forms the basis of Palmer’s arrangement.
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X'Three for violoncello (KOSKELIN OLLI) (KOSKELIN OLLI)
16.20
X'Three for violoncello (KOSKELIN OLLI) (KOSKELIN OLLI)
Violoncelle
[Partition]
Fennica Gehrman
Par KOSKELIN OLLI. X'Three (2003/2021) by Olli Koskelin is the third piece of a ...
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Par KOSKELIN OLLI. X'Three (2003/2021) by Olli Koskelin is the third piece of a solo cello suite consisting of seven compositions. Each of the seven pieces can be performed individually or detached with other X'-compositions. Different works are yet to be performed chronologically. The X'-works are composed by using the same material viewed from many different angles. Their structure can be seen as a film starting several times from the beginning and from the same settings always looked from a new perspective. In some compositions of the X'-suite seemingly random fragments are joined together organically in other works of the suite. The story, tale, or plot of the music and the gestures and figures of it trans-form in a new context but remain identifiable. Olli Koskelin's (born 16 April 1955) compositional output reflects a wide range of interests. The vast area covered by his style encompasses the neo-impressionism of the piano work Courbures (1989) to the post-expressionist echoes of his Music for String Quartet (1981) as well as the breakneck virtuosity of his clarinet piece Exalte (1985/1991) and the rich romantic textures of his orchestral piece ... like a planet silently breathing... (1993). He often uses the overtone series like the French spectral composers and avoids dramatic culmination. Soft harmonics, tranquil arching melodies, a leisurely rhythmical pulse and a coherence of mood are in evidence in his later works as in Uurre (1997) for chamber ensemble, Miniatures (1997) for string quartet and Circles within for 19 solo strings. / Date parution : 2023-01-24/ Recueil / Violoncelle
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Luigi Boccherini Bruch: Violoncello Concerto No. 9 in B-flat Major G482: Cello
19.99
Luigi Boccherini Bruch: Violoncello Concerto No. 9 in B-flat Major G482: Cello
Violoncelle
[Partition + CD]
Music Minus One
Music Minus One Cello Deluxe 2-CD Set-We bring you on this MMO album two pieces ...
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Music Minus One Cello Deluxe 2-CD Set-We bring you on this MMO album two pieces from diverse ends of the repertoire: Boccherini's beautiful D-major concerto for violoncello with its Baroque themes and Bruch's famous 'Kol Nidrei' with its melding of late Romantic and traditional Hebrew melodies. A great album filled with music to test your abilities in technique and in interpretation. Includes a high-quality printed music score and a compact disc containing a complete performance with soloist then a second version with the orchestral accompaniment minus you the soloist. Performed by Marcy Chanteaux violoncello Accompaniment: Stuttgart Symphony Orchestra Conductor: Emil Kahn
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