Score Parties. Par BEETHOVEN LUDWIG VAN. When Beethoven wrote these three quartets he was 15 years old and a composition student of Christian Gottlob Neefe in Bonn. They reveal a strong Mozartian influence while the brilliant piano writing already gives a sense of the mature Beethoven. He may conceivably have written the works for the wealthy Mastiaux family in Bonn, as he gave piano lessons to one of the daughters and the other three siblings played violin, viola and violoncello. The sole source for the quartets is the autograph score which contains many overwritings that shed light on the works' original conception and possible alternative readings. Although Beethoven never published the pieces in his lifetime and is not known to have performed them, he reused their melodic and thematic material in later compositions. Beethoven preserved the autograph score to the end of his days ? perhaps an indication that the quartets meant a great deal to him. The first edition was published by Artaria in Vienna one year after his death, albeit with the pieces in a different order and with many errors in the musical text. Bärenreiter's scholarly performing edition of the Piano Quartets WoO 36 is edited by the Italian pianist Leonardo Miucci, a specialist in the performance practice of keyboard music from this period. The edition not only presents the correct readings, it also sheds light on the young Beethoven's expressive notation and provides a plausible explanation for the distinction he made between dots and strokes to indicate staccato./ Répertoire / Quatuor pour Piano, Violon, Alto et Violoncelle

Incarnant le classicisme viennois tout comme Mozart et Beethoven, le compositeur autrichien Franz Joseph Haydn, a eu une carrière musicale couvrant tout la période baroque en allant jusqu'au début du romantisme. A travers cette partition Concertini for Piano (Harpsichord) with 2 Violins and Violoncello écrite et composée pour Piano et plus précisément pour Piano (Ou Clavecin), 2 Violons Et Violoncelle vous retrouverez tout le talent de ce compositeur. Ce sont les éditions Henle qui ont eu le privilège d'imprimer cette oeuvre. / Piano (Ou Clavecin), 2 Violons Et Violoncelle / Partition

Ed. E. Bonelli - Per 2 Violini, Viola E Violoncello. Par ROSSINI GIOACHINO. / Répertoire / 2 Violons, Alto et Violoncelle

Voici une des nombreuses partitions de Wolfgang Amadeus Mozart. Ce génie, mort à l'âge de 35 ans, a révolutionné la musique classique. Vous retrouverez à travers la partition Zwei Duos für Violine und Violoncello tout le talent de Mozart. Cette partition a été composée pour Violon Et Violoncelle. C'est l'éditeur Bärenreiter qui a publiée cette oeuvre. / Violon Et Violoncelle / Partition

for Piano, Violin and Violoncello. Par SCHUBERT FRANZ. Ausgaben Für Die Praxis Nach Der Neuen Schubert-Ausgabe. Urtext/ Répertoire / Piano, Violon et Violoncelle

10 Duets. Par DIVERS AUTEURS (ARR.IGUDESMAN ALEKSEY). A violinist and a cellist having fun together! Whoever heard of such a thing? But that is exactly what Alexey Igudesman has provided for in his 'Violin and Violoncello and More”. He has responded to popular demand and arranged - no, recreated! - duets from his previous publications for two violins. These encompass many different styles but always with Alexsey's own individual and quirky touch. The contents list reads like a world tour, passing through Scotland, Ireland, Israel, Khazakhstan and many other countries. Igudesman took great care to 'custom make” the cello part as he wanted these arrangements to be as musically valuable as his original versions. He encourages the players to be creative, adding improvisation or even choreography but, above all, to have fun. These pieces will suit intermediate players who want to be stretched or more advanced students who simply want to let their hair down!/ Répertoire / Violon et Violoncelle

Lubo? Fi?er (1935?1999) was one of the most distinctive figures of Czech music in the 20th century and composed the Variations on an Unknown Theme in 1976. The ?unknown theme? was a prankish eight-bar theme from Fi?er?s student days. In the elation following the home-team win over Canada on 15 March 1959, he made a bet with his colleague Kalach to compose a concert piece for violin and orchestra with the working title ?Canada-Rondo?. The whimsical contest was abandoned, but Fi?er did not forget the theme and he later created variations on it for his new composition for the Talich Quartet. The Variations on an Unknown Theme have now been published for the first time ever. This edition is based on the autograph of the score which is housed in the Czech Museum of Music in Prague.

Strolling Strings Vol. 1-A collection of some of the most popular tunes of all-time for String Orchestra. Violin part.

Unlike some of his other late works, Franck's Violin Sonata (HN 293), composed in 1886, was well-received by the public and critics from the very start. The beautiful arrangement for cello published in January 1888 distinguishes itself from the numerous other arrangements in that Franck expressly authorised it. The cellist Jules Delsart, who had heard a performance of the sonata in Paris in December 1887, was so delighted by it that he asked Franck's permission to make a transcription of the violin part for his own instrument. Delsart remained close to the original- he left the piano part unaltered and transposed the violin part only where necessary and appropriate into the lower register. / Violon

Arrangeur: Philip Heseltine. Par DELIUS FREDERICK. Frederick Delius' Double Concerto for Violin, Cello and Orchestra with orchestral Piano reduction by Philip Heseltine. Frederick Delius' Double Concerto for Violin, Cello and Orchestra with orchestral Piano reduction by Philip Heseltine./ Répertoire / Violon, Violoncelle et Piano

Judith Weir's Night is a work for Violin and Cello. Commissioned by Enterprise Music Scotland Night was written for High Heels and Horse Hair - comprised of Alice Rickards (Violin) andSonia Cromarty (Cello) who gave the first performance on 3rd November 2015 at Cottiers Theatre in Glasgow. Please note this item comes with two scores - one for the violinist and another for thecellist. Night was written for a late evening concert which aimed to use lighting design to explore aspects of life in the dark in three distinct but interrelated parts - NightMenagerie Night Anxiety and Late Night Radio.

POD-Hugh Wood's Ithaka for Violin Viola and Cello. Score. Inspired by C. P. Cavafy's poem this work was commissioned by the Florin Ensemble and generously supported by the Britten-PearsFoundation the RVW Trust and the Swaledale Festival which hosted the first performance at St. Andrew's Church Grinton on 2nd June 2016. The performers were Charles Mutter (Violin) Alastair Scahill (Viola) and Catherine Rimer(Cello).

Ursula Mamlok was born in Berlin in 1923, but was forced to emigrate via Ecuador to New York in 1939 because of her Jewish descent. In 2006 she returned to the city where she was born.Fünf Phantasiestücke, composed in 2012/13 for a small mixed ensemble consisting of oboe, violin, viola and violoncello, draws its appeal from the broad spectrum of emotions, feelings and states described musically in a minimum of time: Unruhig [Anxious] - Schwebend [Floating] - Munter [Lively] - Wie im Traum [Like a Dream] - Spielerisch [Playful] are the headings of the individual sections. Pieces as colourful as life: They are bursting with ingenuity and vital energy, coupled with a healthy dose of humour. / Hautbois, Violon, Violoncelle Et Alto