Written for cello harp and celeste.Clear Music (after John Taverner) was written at the request of the cellist Wendy Law during the summer of 2002. Clear Music is an extended exploration of a single measure in John Taverner’s (1490 1545) motet Mater Christi Sanctissima. What I attempted to do in Clear Music was to suspend this measure for as long as I could imagine in a single texture: the bright clarity of the celeste and harp. As in the Taverner I have structured Clear Music into a series of peaks featuring the highest registers of the treble voice—here the cello. I remember very vividly performing this piece and being struck by how distant the treble was fromthe other voices - sometimes there are spaces of over an octave between the treble and the alto - and I attempted to recreate the somewhat terrifying and exposed contours of these lines. The end result is I hope a prolonged and transparent recollection of the Taverner which exposes not only my appreciation for the music itself but also my response to performing it.Nico Muhly.

Songs And Poems For Solo Cello is a work in seven movements by Philip Glass written for Wendy Sutter and first performed on February 13th 2007 by her at the Howard Gilman Performance Space of theBaryshnikov Arts Center New York. Originally based on the music of Glass’ film score to 'Chaotic Harmony'.  A full performance of this work lasts around 27 minutes.

Arrangement: Max. Par CARSE ADAM. Cello part and Piano part A favourite with violinists for nearly 80 years, The Fiddler's Nursery is now available for cellists as well. Wendy Max, one of Britain's most highly respected specialist teachers of young players, has edited the transposed solo part with bowings and fingerings to reflect contemporary approaches to early-stage learning for the instrument, but leaving the music unaltered. No less suited to the cello than to the violin, the results offer ideal material for individual or group tuition of players at pre-grade 1 and elementary level./ Répertoire / Violoncelle et Piano