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Sonata E Minor, Op. 38/1
13.87
Sonata E Minor, Op. 38/1
Violoncelle, Piano
Schott
Bernhard Romberg (1767-1841) probably was the greatest cello virtuoso of his tim...
(+)
Bernhard Romberg (1767-1841) probably was the greatest cello virtuoso of his time and compared to Paganini in his lifetime. He gave cello lessons at the famous Conservatoire de Paris among others.Romberg's popular Trio in E minor originally was the first part of the Trois Trios d'une Difficulté Progressive pour le Violoncelle Viola et Violoncelle Op. 38. The solo violoncello was accompanied by a viola and a second violoncello. The two other trios are much more difficult, with a lot of passage work, thumb position, tenor and violin clef.The Trio in E minor Op. 38/1 was arranged many times and scored for various combinations of instruments. This edition refers to the popular arrangement for violoncello and piano by Friedrich Gustav Jansen (1837-1910) which is ideal for music lessons and concerts.Also available is another arrangement of the Trio Op. 38/1 for three violoncellos (SE 1008). The easy bass part can be played by another student.This edition is part of the new Schott Student Edition series which offers varied literature at five different levels of difficulty, from 1 (easy) to 5 (difficult), for instrumental lessons:In print or electronic formatAvailable as printed editions or PDF downloadPractising - efficiently and with pleasureAccompanying tracks of the pieces available as downloads / Violoncelle Et Piano
13.87 EUR - vendu par LMI-partitions
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Sonata E Minor, Op. 38/1
26.64
Sonata E Minor, Op. 38/1
Violoncelle, Piano
Schott
Bernhard Romberg (1767-1841) probably was the greatest cello virtuoso of his tim...
(+)
Bernhard Romberg (1767-1841) probably was the greatest cello virtuoso of his time and compared to Paganini in his lifetime. He gave cello lessons at the famous Conservatoire de Paris among others.Romberg's popular Trio in E minor originally was the first part of the Trois Trios d'une Difficulté Progressive pour le Violoncelle Viola et Violoncelle Op. 38. The solo violoncello was accompanied by a viola and a second violoncello. The two other trios are much more difficult, with a lot of passage work, thumb position, tenor and violin clef.The Trio in E minor Op. 38/1 was arranged many times and scored for various combinations of instruments. This edition refers to the popular arrangement for violoncello and piano by Friedrich Gustav Jansen (1837-1910) which is ideal for music lessons and concerts.Also available is another arrangement of the Trio Op. 38/1 for three violoncellos (SE 1008). The easy bass part can be played by another student.This edition is part of the new Schott Student Edition series which offers varied literature at five different levels of difficulty, from 1 (easy) to 5 (difficult), for instrumental lessons:In print or electronic formatAvailable as printed editions or PDF downloadPractising - efficiently and with pleasureAccompanying tracks of the pieces available as downloads / Violoncelle Et Piano
26.64 EUR - vendu par LMI-partitions
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Sonata C Major, Op. 40/1
13.87
Sonata C Major, Op. 40/1
Violoncelle, Piano
Schott
It is impossible to imagine today's cello lessons without the works by Jean-Bapt...
(+)
It is impossible to imagine today's cello lessons without the works by Jean-Baptiste Bréval (1753-1823).This sonata is the first of the Six Sonates non difficiles pour le violoncelle Op. 40 (1795). To this day it remains popular among cello teachers and pupils alike. Because of its comfortable tonality and technical simplicity, it is an interesting classical sonata for cello students who are experienced in playing in first position and do not shy away from occasional excursions into other positions.As a performance piece, the sonata can be accompanied either by a second cello, as in Bréval's original version, by piano, or even by both instruments. The sonata is particularly suitable for music lessons and concertos in the popular version for violoncello and piano by Joachim Stutschewsky, which was revised for the Schott Student Edition by Rainer Mohrs and edited and prefaced by Beverly Ellis.The new Schott Student Edition series offers varied literature at five different levels of difficulty, from 1 (easy) to 5 (difficult), for instrumental lessons:In print or electronic formatAvailable as printed editions or PDF downloadPractising - efficiently and with pleasureAccompanying tracks of the pieces available as downloads / Violoncelle Et Piano
13.87 EUR - vendu par LMI-partitions
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6 Easy Concert Pieces Op. 12
13.87
6 Easy Concert Pieces Op. 12
Violoncelle, Piano
Schott
Hugo Schlemüller (1872-1919), pianist, teacher and music writer, taught violonc...
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Hugo Schlemüller (1872-1919), pianist, teacher and music writer, taught violoncello in the preparatory school of Dr. Hoch's Conservatoire in Frankfurt. During this time, he wrote numerous works for violoncello lessons for beginners, among them the easy performance pieces Op. 12.The pieces with piano accompaniment are playable in the first close position throughout and are suitable for students at the end of the first year of training who also wish to master a few little musically demanding challenges from time to time.This edition is part of the new Schott Student Edition series which offers varied literature at five different levels of difficulty, from 1 (easy) to 5 (difficult), for instrumental lessons:In print or electronic formatAvailable as printed editions or PDF downloadPractising - efficiently and with pleasureAccompanying tracks of the pieces available as downloads / Violoncelle Et Piano
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Robert Schumann: Concerto for Cello and Orchestra (Concertstück): Cello and
52.00
Robert Schumann: Concerto for Cello and Orchestra (Concertstück): Cello and
Violoncelle, Orchestre
Peters
Original Version. Schumann?s Cello Concerto Rediscovered In her first Urtext edi...
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Original Version. Schumann?s Cello Concerto Rediscovered In her first Urtext edition for Edition Peters, internationally renowned cellist Josephine Knight reveals Robert Schumann?s original version of his Cello Concerto in A minor Op. 129 ? a piece he actually called a ?Concertstück? ? removing generations of inauthentic editorial interventions. This is the only available modern scholarly edition of the work as Schumann originally conceived it, and restores the text from October 1850, based on the composer?s manuscript held in the Biblioteka Jagiello?ska in Kraków. This Full Score matches the separately available edition for Cello and Piano (EP 73488). Matching orchestral material is also available from the publisher. Only modern Urtext edition based on Schumann?s original 1850 manuscript Many new corrections and clarifications, especially to the cello part Scholarly preface detailing history of the work and this edition by editor Josephine Knight, Piatti Professor of Cello at the Royal Academy of Music London Cello Part contains Josephine Knight's fingering and bowing suggestions Critical Commentary Cello and piano edition available separately from Edition Peters: orchestral parts available for rental Recording of the Concertstück featuring Josephine Knight available from Dutton Robert Schumann?s tragic last years have mired many of his greatest works in unnecessary doubt. The story of the suppression of his Violin Concerto by well-meaning friends is relatively well-known. Few, however, know that the version of the Cello Concerto that is routinely heard today is so far from Schumann?s original conception of the work ? not only in details of phrasing and articulation, but also featuring a different ending with a bold final flourish from the cello. Composed in a burst of inspiration in two weeks in October 1850 shortly after he and Clara had moved to Düsseldorf, Schumann (who in 1850 was still in good health) never heard the piece performed. In an effort to promote a performance of the work, he gave the score to the cellist Robert Emil Bockmühl. Bockmühl made revisions that Schumann resisted, and the hoped-for performance never happened. Schumann?s health failed and he died aged just 46 in 1856. The Concerto, in an already substantially revised form, was premiered in 1860 but it was not given significant recognition until it was championed by Pablo Casals in the 20th century by which time (and since) the text for the work had accreted additions and alterations from generations of soloists. Now Josephine Knight, Piatti Professor of Cello at the Royal Academy of Music, London has returned to the original 1850 manuscript of the work, which is in the Biblioteka Jagiello?ska in Kraków, to reveal Schumann?s original thoughts for the first time in a modern Urtext edition. The edition reflects Schumann?s original conception of the work as a Concertstück and restores Schumann?s musical text, free of posthumous interventions. ?My ultimate wish,? says the editor, ?is to give performers both access to, and confidence that they are playing from, an edition which is a true representation of the piece in its original form, no matter how much more difficult this might be. I found that incorporating the changes enabled the piece to take on a completely different character ? one that is lighter and happier, even ?cheerful?, as Schumann himself described the work.'
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Concerto for Cello and Orchestra (Concertstück)
21.05
Concerto for Cello and Orchestra (Concertstück)
Violoncelle, Piano
[Partition]
Peters
Original Version - Edition for Cello and Piano. Par SCHUMANN ROBERT. Schumann’...
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Original Version - Edition for Cello and Piano. Par SCHUMANN ROBERT. Schumann’s Cello Concerto Rediscovered In her first Urtext edition for Edition Peters, internationally renowned cellist Josephine Knight reveals Robert Schumann’s original version of his Cello Concerto in A minor Op. 129 – a piece he actually called a ‘Concertstück’ – removing generations of inauthentic editorial interventions. This is the only available modern scholarly edition of the work as Schumann originally conceived it, and restores the text from October 1850, based on the composer’s manuscript held in the Biblioteka Jagiellonska in Kraków. This Full Score matches the separately available edition for Cello and Piano (EP 73488). Matching orchestral material is also available from the publisher. Only modern Urtext edition based on Schumann’s original 1850 manuscript Many new corrections and clarifications, especially to the cello part Scholarly preface detailing history of the work and this edition by editor Josephine Knight, Piatti Professor of Cello at the Royal Academy of Music London Cello Part contains Josephine Knight's fingering and bowing suggestions Critical Commentary Cello and piano edition available separately from Edition Peters: orchestral parts available for rental Recording of the Concertstück featuring Josephine Knight available from Dutton Robert Schumann’s tragic last years have mired many of his greatest works in unnecessary doubt. The story of the suppression of his Violin Concerto by well-meaning friends is relatively well-known. Few, however, know that the version of the Cello Concerto that is routinely heard today is so far from Schumann’s original conception of the work – not only in details of phrasing and articulation, but also featuring a different ending with a bold final flourish from the cello. Composed in a burst of inspiration in two weeks in October 1850 shortly after he and Clara had moved to Düsseldorf, Schumann (who in 1850 was still in good health) never heard the piece performed. In an effort to promote a performance of the work, he gave the score to the cellist Robert Emil Bockmühl. Bockmühl made revisions that Schumann resisted, and the hoped-for performance never happened. Schumann’s health failed and he died aged just 46 in 1856. The Concerto, in an already substantially revised form, was premiered in 1860 but it was not given significant recognition until it was championed by Pablo Casals in the 20th century by which time (and since) the text for the work had accreted additions and alterations from generations of soloists. Now Josephine Knight, Piatti Professor of Cello at the Royal Academy of Music, London has returned to the original 1850 manuscript of the work, which is in the Biblioteka Jagiellonska in Kraków, to reveal Schumann’s original thoughts for the first time in a modern Urtext edition. The edition reflects Schumann’s original conception of the work as a Concertstück and restores Schumann’s musical text, free of posthumous interventions. ‘My ultimate wish,’ says the editor, ‘is to give performers both access to, and confidence that they are playing from, an edition which is a true representation of the piece in its original form, no matter how much more difficult this might be. I found that incorporating the changes enabled the piece to take on a completely different character – one that is lighter and happier, even “cheerful”, as Schumann himself described the work.'/ Répertoire / Violoncelle et Piano
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Album De Pièces Pour Jeunes Violoncellistes (KABALEVSKY DIMITRI)
26.10
Album De Pièces Pour Jeunes Violoncellistes (KABALEVSKY DIMITRI)
En Français
Violoncelle, Piano
[Partition]
Chant du Monde
Par KABALEVSKY DIMITRI. Available in France and Belgium only! Dmitry Kabalevsky'...
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Par KABALEVSKY DIMITRI. Available in France and Belgium only! Dmitry Kabalevsky's Album De Pieces Pour Jeunes Violoncellists. Available in France and Belgium only! Dmitry Kabalevsky's Album De Pieces Pour Jeunes Violoncellists./ Répertoire / Violoncelle et Piano
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Johannes Brahms: Double Concerto A Minor Op. 102: Piano Trio: Score and Parts
38.25
Johannes Brahms: Double Concerto A Minor Op. 102: Piano Trio: Score and Parts
Piano Trio: piano, violon, violoncelle
G. Henle
Double Concerto in a minor op.102-The cellist Robert Hausmann had actually reque...
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Double Concerto in a minor op.102-The cellist Robert Hausmann had actually requested a Cello concerto - but Brahms paired the Cello with a Violin in his 'Double Concerto'. The unusual work has already been available as part of the newBrahms Complete Edition for several years.Using Brahms? original Piano reduction Johannes Umbreit has produced a playable Piano setting that optimally renders the colourfulness of the score. The fingerings andbowings for the string parts have been supplied by the experienced soloists Frank Peter Zimmermann and Heinrich Schiff. The orchestral parts based on the Complete Edition are available from Breitkopf & Härtel (PB/OB 16104).
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Hugh Wood: String Quartet No.4 Op.34: String Quartet: Score
34.99
Hugh Wood: String Quartet No.4 Op.34: String Quartet: Score
Quatuor à cordes: 2 violons, alto, violoncelle
Chester
Commissioned by the BBC and premiered by the Chilingirian String Quartet. Score ...
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Commissioned by the BBC and premiered by the Chilingirian String Quartet. Score available separately. Score and Parts available: CH60931
34.99 GBP - vendu par Musicroom GB
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Trio, En Ré Mineur (KHACHATURIAN ARAM)
53.81
Trio, En Ré Mineur (KHACHATURIAN ARAM)
En Français
Clatinette, Violon et Piano
[Partition]
Chant du Monde
Par KHACHATURIAN ARAM. Available in France and Belgium only! Aram Khachaturian's...
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Par KHACHATURIAN ARAM. Available in France and Belgium only! Aram Khachaturian's Trio In C Minor for Clarinet, Violin and Piano. Available in France and Belgium only! Aram Khachaturian's Trio In C Minor for Clarinet, Violin and Piano./ Répertoire / Clatinette, Violon et Piano
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The Lord Is My Shepherd (Psalm 23) (GOODALL HOWARD)
3.45
The Lord Is My Shepherd (Psalm 23) (GOODALL HOWARD)
Violoncelle
[Partition]
Faber Music Limited
Par GOODALL HOWARD. This is the cello part for The Lord is My Shepherd (Psalm 2...
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Par GOODALL HOWARD. This is the cello part for The Lord is My Shepherd (Psalm 23), available as a special print-on-demand copy. This piece is best known as the theme tune to the award-winning BBC TV series The Vicar of Dibley starring Dawn French. Goodall's setting of Psalm 23 is warm and melodious and has been, and will continue to be, popular with choirs everywhere. Alternative accompaniments for strings have been made available and complement the SATB version that can be found in the Faber Choral Signature Series (0571520480). / Choral Music, Instrumental Music / Répertoire / Violoncelle
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Felix Mendelssohn Bartholdy: Romance sans paroles op. 109: Cello: Instrumental
7.99
Felix Mendelssohn Bartholdy: Romance sans paroles op. 109: Cello: Instrumental
Violoncelle, Piano
G. Henle
for Violoncello and Piano with marked and unmarked string part-The ?Romance san...
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for Violoncello and Piano with marked and unmarked string part-The ?Romance sans paroles dédiée Mlle. Lise Christiani? thus described in the surviving autograph was only published as op. 109 from the composer?s estate in 1868. The French cellist Lise Christiani gave several concerts inLeipzig in October 1845 where she met with Mendelssohn and presumably commissioned him to write this charming work. It is the only ?Song without words? that Mendelssohn wrote for two instruments not piano solo. It was previouslyonly available as part of a collection of works for this instrumentation (HN 669). However the ?Romance sans paroles? a favourite with cellists is now also available as a single Henle Urtext edition.
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Concerto Pour Violoncelle Et Orchestre (KHACHATURIAN ARAM)
38.50
Concerto Pour Violoncelle Et Orchestre (KHACHATURIAN ARAM)
En Français
Violoncelle, Piano
[Partition]
Chant du Monde
Par KHACHATURIAN ARAM. Available in France and Belgium only! Aram Khachaturian's...
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Par KHACHATURIAN ARAM. Available in France and Belgium only! Aram Khachaturian's Concerto Pour Violoncello Et Orchestre. Available in France and Belgium only! Aram Khachaturian's Concerto Pour Violoncello Et Orchestre./ Répertoire / Violoncelle et Piano
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Johann Sebastian Bach: Cantata No.143 Lobe den Herrn meine Seele: Mixed Choir:
2.50
Johann Sebastian Bach: Cantata No.143 Lobe den Herrn meine Seele: Mixed Choir:
Violoncelle, Contrebasse (duo)
Barenreiter
Cantata for soloists choir and orchestra-Lobe den Herrn meine Seele (Praise th...
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Cantata for soloists choir and orchestra-Lobe den Herrn meine Seele (Praise thou the Lord o my spirit) BWV 143Little is known about the genesis of “Lobe den Herrn meine Seele” (Praise thou the Lord o my spirit BWV 143.A transcription from the 19th century was for a long time considered the only source; the musical text of the “New Bach Edition” was based on this material. Recently however a copy of the score from 1762 has become available. It offers a more reliable musical text rendering a complete revision of the cantata necessary.On the basis of this new source the work is presented here as part of the“New Bach Edition – Revised” in what is presumably its original form in C major with three trumpets. This orchestration is more typical of Bach’s writing than the version for three horns in the surviving B-flat major version. Revised Urtext edition of the Weimar Cantata Urtext of the New Bach Edition Performance material (BA10143) vocal score (BA10143-90) & study score format 22.5 x 16.5cm (TP1143) available for sale
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5 Etudes En Mineur Et En Majeur (KABALEVSKY DIMITRI)
18.07
5 Etudes En Mineur Et En Majeur (KABALEVSKY DIMITRI)
En Français
Violoncelle
Chant du Monde
Par KABALEVSKY DIMITRI. Available in France and Belgium only! Dimitri Kabalevsky...
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Par KABALEVSKY DIMITRI. Available in France and Belgium only! Dimitri Kabalevsky 5 etudes en mineur et en majeur, pour violoncelle seul. Available in France and Belgium only! Dimitri Kabalevsky 5 etudes en mineur et en majeur, pour violoncelle seul./ Répertoire / Violoncelle
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Karel Husa: Concerto for Violoncello and Orchestra: Cello and Accomp.:
19.99
Karel Husa: Concerto for Violoncello and Orchestra: Cello and Accomp.:
Violoncelle
Associated
Scored for Solo Cello 3 Flutes 3 Oboes 2 Clarinets in B-flat Bass Clarinet ...
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Scored for Solo Cello 3 Flutes 3 Oboes 2 Clarinets in B-flat Bass Clarinet 2 Bassoons Contrabassoon 4 Horns in F 3 Trumpets in C 3 Trombones Tuba Timpani (5 Drums) Percussion (three players) Harp (doubled) Strings. Full score is available for purchase separately. Performance material is available on rental from the publisher. Duration: c.27 minutes.
19.99 GBP - vendu par Musicroom GB
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Doris Gazda: Progressive Trios For Strings: Cello: Score
15.95
Doris Gazda: Progressive Trios For Strings: Cello: Score
Violoncelle
[Partition]
Carl Fischer
These versatile trios are written so that they can be performed by any combinati...
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These versatile trios are written so that they can be performed by any combination of three string instruments. With books available for Violin Cello Viola and Bass there will always be an opportunity to play no matter what instruments are available!The arrangements and compositions by prominent string pedagogue Doris Gazda will sound full and satisfying with only three players all the way up to a full string orchestra. The music selection covers a wide variety of musical styles that will provide hours of enjoyment and performance options. There is even an arrangement of the 'Bridal Chorus' from the opera Lohengrin should you have the opportunity to play at awedding!The trios are progressively organized by level of difficulty to enable the performers to gradually advance in skill.
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Hugh Wood: String Quartet No.4 Op.34: String Quartet: Score
54.99
Hugh Wood: String Quartet No.4 Op.34: String Quartet: Score
Quatuor à cordes: 2 violons, alto, violoncelle
[Conducteur d'étude / Miniature]
Chester
Commissioned by the BBC and premiered by the Chilingirian String Quartet. Score ...
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Commissioned by the BBC and premiered by the Chilingirian String Quartet. Score available separately. Score and Parts available: CH60931
54.99 GBP - vendu par Musicroom GB
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Concerto #2 Pour Violoncelle Et Orchestre, Op. 77 (KABALEVSKY DIMITRI)
48.10
Concerto #2 Pour Violoncelle Et Orchestre, Op. 77 (KABALEVSKY DIMITRI)
En Français
Violoncelle, Piano
[Partition]
Chant du Monde
Par KABALEVSKY DIMITRI. Available in France and Belgium only! Dmitry Kabalevsky'...
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Par KABALEVSKY DIMITRI. Available in France and Belgium only! Dmitry Kabalevsky's Concerto No. 2 Op. 77 for Cello and Piano. Available in France and Belgium only! Dmitry Kabalevsky's Concerto No. 2 Op. 77 for Cello and Piano./ Répertoire / Violoncelle et Piano
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Cello Position Handbook, Volume 1 (FEASTER HALLEY)
23.42
Cello Position Handbook, Volume 1 (FEASTER HALLEY)
Violoncelle
[Partition + Accès audio]
Mel Bay
Par FEASTER HALLEY. New cello students nearly always start in first position aid...
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Par FEASTER HALLEY. New cello students nearly always start in first position aided by finger tapes or guides for accurate finger placement. As they advance, they are expected to learn to shift out of first position, but the focus is on the movement of the shift rather than on note locations or pitch accuracy.In this book, author and versatile cellist Halley Feaster introduces a step-by-step approach to understanding each position, leading to thorough comprehension of the cello fingerboard and a more confident and well-rounded player.Together with its engaging video component, Cello Position Handbook shows advanced beginners and intermediate students what notes are available in each of 12 positions. Short exercises and excerpts are provided for practice in each location, ultimately enabling fluid performance without excessive shifting.On completion of this volume, students will be familiar with what notes are available in each position and be able to move comfortably between them while expanding their repertoires. Includes access to online video. / Date parution : 2022-06-08/ Etude / Violoncelle
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Concerto #1 Pour Violoncelle Et Orchestre, Op. 49 (KABALEVSKY DIMITRI)
38.50
Concerto #1 Pour Violoncelle Et Orchestre, Op. 49 (KABALEVSKY DIMITRI)
En Français
Violoncelle, Piano
[Partition]
Chant du Monde
Par KABALEVSKY DIMITRI. Available in France and Belgium only! Dmitry Kabalevsky'...
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Par KABALEVSKY DIMITRI. Available in France and Belgium only! Dmitry Kabalevsky's Concerto No. 1 Op. 49 for Cello and Piano. Available in France and Belgium only! Dmitry Kabalevsky's Concerto No. 1 Op. 49 for Cello and Piano./ Répertoire / Violoncelle et Piano
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Cello Exam Pack 2020-2023 Initial Grade: Cello: Instrumental Album
9.50
Cello Exam Pack 2020-2023 Initial Grade: Cello: Instrumental Album
Violoncelle
-
Facile
ABRSM Publishing
Cello Exam Pack 2020-2023 Initial Grade. As part of the 2020-2023 syllabus, ABRS...
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Cello Exam Pack 2020-2023 Initial Grade. As part of the 2020-2023 syllabus, ABRSM is introducing a new Initial Grade exam for Violin, Viola, Cello and Double Bass with first exams taking place from 1 January 2020. The Initial Grade is a pre-Grade 1 assessment, following the same structure, content and assessment criteria as ABRSM?s existing graded music exams (three pieces, scales, sight-reading and aural tests). It?s designed to allow learners at the earliest stages of their musical journeys to celebrate their achievement, and is an ideal qualification for those who want a mark as well as helpful feedback. The Cello Exam Pack for Initial Grade contains nine pieces (three per list) from the syllabus, the scales requirements and sample sight-reading tests. Audio recordings of the nine pieces in each book are included with the pack and will be available via a download and streaming code. A separate Specimen Aural Tests book is also available for Initial Grade.
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Britta Byström: Images From The Floating World: String Ensemble: Score
23.99
Britta Byström: Images From The Floating World: String Ensemble: Score
Quatuor à cordes: 2 violons, alto, violoncelle
Wilhelm Hansen
Dedicated to the Taïga String Quartet and commissioned by AUT (Aarhus Unge To...
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Dedicated to the Taïga String Quartet and commissioned by AUT (Aarhus Unge Tonekunstnere) Parts available: WH33246A Dedicated to the Taïga String Quartet and commissioned by AUT (Aarhus Unge Tonekunstnere) Parts available: WH33246A
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Peter Maxwell Davies: Naxos Quartet No.1: String Quartet: Score
19.99
Peter Maxwell Davies: Naxos Quartet No.1: String Quartet: Score
Quatuor à cordes: 2 violons, alto, violoncelle
[Conducteur d'étude / Miniature]
-
Intermédiaire/avancé
Chester
The first in a series of Ten quartets commissioned by the Naxos recording compan...
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The first in a series of Ten quartets commissioned by the Naxos recording company. First performed at Wigmore Hall London in Oct 2002 by the Maggini Quartet. A convenient miniature-sized version of the score intended for study.Performance parts are available available: CH65648-01
19.99 GBP - vendu par Musicroom GB
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Dan Davison: Laudate Dominum: String Quartet: Parts
12.00
Dan Davison: Laudate Dominum: String Quartet: Parts
Quatuor à cordes: 2 violons, alto, violoncelle
Walton Music
Psalm 117-Modeled on the classics with easy counterpoint teaching opportunities...
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Psalm 117-Modeled on the classics with easy counterpoint teaching opportunities. Based on the keyboard accompaniment optional string parts are available. Available separately: SSA(T)B TB String Quartet. Duration: ca. 2:50.
12.00 GBP - vendu par Musicroom GB
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Trio #2, Op. 67 (CHOSTAKOVITCH DIMITRI)
53.81
Trio #2, Op. 67 (CHOSTAKOVITCH DIMITRI)
En Français
Trio avec Piano
[Partition]
Chant du Monde
Par CHOSTAKOVITCH DIMITRI. Available in France and Belgium only! Dmitri Shostako...
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Par CHOSTAKOVITCH DIMITRI. Available in France and Belgium only! Dmitri Shostakovich's Trio No. 2 Op. 67 In E Minor for Violin, Cello and Piano. Available in France and Belgium only! Dmitri Shostakovich's Trio No. 2 Op. 67 In E Minor for Violin, Cello and Piano./ Répertoire / Trio avec Piano
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44 Duos (BARTOK BELA)
28.31
44 Duos (BARTOK BELA)
2 Violoncelles (duo)
[Conducteur]
Universal Edition
Aus Den 44 Duos Für Zwei Violinen. Par BARTOK BELA. 44 Duos' by Béla Bartók -...
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Aus Den 44 Duos Für Zwei Violinen. Par BARTOK BELA. 44 Duos' by Béla Bartók - the complete collection available for the first time in one edition for two celli. The '44 Duos' by Béla Bartók were written in 1931 and were originally included in a tutor for the violin, written by the teacher Erich Doflein (1900-1977). Since then they have become an indispensable key to the understanding of twentieth century music. Until now a version for two celli was limited to 18 selected duos. The present edition for two celli is the first to include them all. The arrangements are based either on the possibility of a downwards transposition by an octave, or, where the original makes use of the violin's open E string, downwards by a twelfth. • Introduction to Béla Bartók‘s musical world and to the most important elements of the folk music of Hungary and the neigbouring regions • All of the Duos are available for the first time in one edition arranged for two celli by Hans Erik Deckert • Provides aspiring cellists the chance to experience the musical partnership required by chamber music/ Répertoire / 2 Violoncelles
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Sonate Pour Violoncelle, Op. 119 (PROKOFIEV SERGEI)
38.50
Sonate Pour Violoncelle, Op. 119 (PROKOFIEV SERGEI)
En Français
Violoncelle, Piano
[Partition]
Chant du Monde
Par PROKOFIEV SERGEI. Available in France and Belgium only! Sergei Prokofiev's S...
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Par PROKOFIEV SERGEI. Available in France and Belgium only! Sergei Prokofiev's Sonate Op. 119 for Cello and Piano. Available in France and Belgium only! Sergei Prokofiev's Sonate Op. 119 for Cello and Piano./ Répertoire / Violoncelle et Piano
38.50 EUR - vendu par LMI-partitions
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