Essential short pieces for the cello selected and edited by Julian Lloyd Webber in one attractive volume.

pour quatuor à cordes - parties séparées. Par CANAT DE CHIZY EDITH. French / Niveau : Avancé / Classique / Répertoire / Quatuor à Cordes

Par SEALEY RAYMOND. / Niveau : Avancé / Répertoire / Guitare, Voix, Flûte à Bec

Par ATTAHIR BENJAMIN. French / Niveau : Avancé - Très Difficile / Classique / Répertoire / Quatuor à Cordes

Arrgt: Sarah Labrousse-Baert. Par VIVALDI ANTONIO. Formation : Musique de Chambre, Quatuor - Instrumentation :Quatuor à Cordes : 2 Violons 1 Alto 1 Violoncelle - Niveau de Difficulté : 6/6 - Avancé - Durée : 3 mn 00 s - Style Musical : Classique - Catégorie : Arrangement - Compositeur : Antonio VIVALDI - Arrangeur : Sarah LABROUSSE-BAERT / Niveau : Avancé / Classique / Répertoire / 2 Violons, Alto et Violoncelle

Par CANAT DE CHIZY EDITH. French / Niveau : Avancé / Classique / Répertoire / Quatuor à Cordes

Par DAMASE JEAN-MICHEL. / Niveau : Difficile / classique / Répertoire / Flûte Traversière et Orchestre de Chambre

Arrgt: Sarah Labrousse-Baert. Par VIVALDI ANTONIO. Formation : Musique de Chambre, Quatuor - Instrumentation :Quatuor à Cordes : 2 Violons 1 Alto 1 Violoncelle - Niveau de Difficulté : 6/6 - Avancé - Durée : 3 mn 30 s - Style Musical : Classique - Catégorie : Arrangement - Compositeur : Antonio VIVALDI - Arrangeur : Sarah LABROUSSE-BAERT / Niveau : Avancé / Classique / Répertoire / 2 Violons, Alto et Violoncelle

Arrgt: Eric Vireton. Par MENDELSSOHN-BARTHOLDY FELIX. Formation : Musique de Chambre, Orchestre - Instrumentation : Violons 1 (6 partitions) Violons 2 (6 partitions) Altos (4 partitions) Violoncelles (3 partitions) Contrebasses (2 partitions) - Niveau de Difficulté : 6/6 - Avancé - Durée : 2 mn 55 s - Style Musical : Classique - Catégorie : Arrangement - Compositeur : Felix MENDELSSOHN - Arrangeur : Eric VIRETON / Niveau : Avancé / Classique / Répertoire / Violon 1 (6 parts) Violon 2 (6 parts) Alto (4 part

Par BERNAUD ALAIN. / Niveau : Difficile / classique / Répertoire / Violoncelle

Rising for Flute and String Quartet was commissioned by Backshore Artists Project Inc. on the occasion of Carol Wincenc's 60th birthday; underwritten by a generous grant from Linda and Stuart Nelson.Thefirst performance took place on the 31st March 2010 by Carol Wincenc and the Juilliard String Quartet at the Juilliard School New York NY.A recording by Carol Wincenc with Kevin Lawrence Carolyn Stuart Sheila Browne and Brooks Whitehouse is available on Bridge Records (CD 9373). Duration: ca. 16 minutes.

The first movement of Mozart's second clarinet quintet-Mozart's Sonata Allegro For Clarinet And String Quartet is certainly an exciting addition to the Clarinet repertoire. The first movement of Mozart's projected Second Clarinet Quintet the 'fragment' that is the basis of this work had been known about for many years and was always considered a trial run for the great K581; however recent dating has shown the two pages of manuscript date from after the Clarinet Quintet.The distinguished Mozart scholar Timothy Jones has proved this to be the beginning of a response to the popularity of K581. It was only as a result of his early death that the workremained incomplete. Jones has completed the work using his deep knowledge of late Mozart and we have now a very important new addition to the Clarinet Quintet repertoire.

This is an Edition Peter's German language edition of Vivaldi's Concerto In A Minor. Whilst not one of Vivaldi's more popular Cello concertos this is still a wonderful piece full of grace and energy.

The French composer Camille Saint-Saëns endowed the music world with a multitude of masterpieces for violoncello including concertos sonatas and miniatures such as The Swan and the Allegro appassionato Op.43.This first publication of the Sonata in D major is based on Bärenreiter?s Camille Saint-Saëns ?uvres instrumentales complètes. Although we know from correspondence that two complete autographs existed only an incomplete autograph source containing the 1st movement and part of the 2nd movement which breaks off have come down to us. In his final work for violoncello Saint-Saëns juxtaposes highly rhythmical episodes with more poetic ones. These contrasts arereinforced by bold shifts of harmonic colouring and a highly inventive thematic development.These movements are destined to become standards for cellists.First ever Urtext edition of this incomplete work based on Camille Saint-Saëns ?uvres instrumentales complètesInformative Introduction (Fr/Eng/Ger)