Cantata for soloists choir and orchestra-Lobe den Herrn meine Seele (Praise thou the Lord o my spirit) BWV 143Little is known about the genesis of “Lobe den Herrn meine Seele” (Praise thou the Lord o my spirit BWV 143.A transcription from the 19th century was for a long time considered the only source; the musical text of the “New Bach Edition” was based on this material.  Recently however a copy of the score from 1762 has become available.  It offers a more reliable musical text rendering a complete revision of the cantata necessary.On the basis of this new source the work is presented here as part of the“New Bach Edition – Revised” in what is presumably its original form in C major with three trumpets.  This orchestration is more typical of Bach’s writing than the version for three horns in the surviving B-flat major version. Revised Urtext edition of the Weimar Cantata Urtext of the New Bach Edition Performance material (BA10143) vocal score (BA10143-90) & study score format 22.5 x 16.5cm (TP1143) available for sale

The setting of Psalm no. 42 op. 42 ?Wie der Hirsch schreit nach frischem Wasser? (?As the hart pants after the waterbrooks?) for soloists mixed choir and full orchestra dates back to 1837.The well-known Mendelssohn specialist John Michael Cooper has evaluated the first printed edition of the score prepared by the composer himself as well as taking all other important sources into account.This Urtext edition is rounded off by a detailed critical commentary (Ger/Eng). The piano reduction is by Mendelssohn and is an authentic part of this edition.Psalm with a large orchestral scoring in a Urtext editionBilingual foreword(Ger/Eng)Original German as well as English textIncludes a piano reduction by the composer

Sing Out Dear Children-This edition of the work from the early 1600s offers great versatility for the singers. The SSAATTB setting for young choirs and beyond allows the treble parts to be sung by soloists or a smaller mixed choir. Instruments may also be substituted for voices. For a bigger performance you may combine several choirs and add optional strings to the continuo. Available separately: SSAATTB Instrumental Accompaniment (Score and Parts for Strings). Duration: ca. 4:00.

for string quartet. Par VASKS PETERIS. In 2013, Peteris Vasks set Mother Teresa’s peace prayer “The fruit of silence is prayer” for the Schleswig-Holstein Music Festival. The piece is for mixed choir however the versions for piano quintet and string quartet now make this musical expression of Mother Teresa's words accessible to two traditional genres of chamber music without the help of a choir. / Niveau : Intermédiaire / Répertoire / 2 Violons, Alto, Violoncelle et Piano

Three arrangements including Ave Verum Corpus and the Lacrimosa from the Requiem.During the year 1771 when Mozart was 15 years old he and his father Leopold were touring Italy which was at that time the most formidable citadel of the music world. In the following four years the young Mozart was received at the homes and villas of Italy's aristocracy. He met the most famous musicians of the time including Niccolo Piccinni operatic rival to Gluck and Padre Martini from whom he was to benefit from studies in counterpoint. He also met many noted male soprano singers and for one the celebrated Venanzio Rauzzini he wrote in 1773 the motet Exsultate Jubilate from whichcomes the well known Alleluia.At the end of his life only 19 years later in Vienna 1791 Mozart was very ill and working on a number of massive works such as the operas The Magic Flute and Titus also the Requiem. Titus was completed in 18 nerve-shattering days as it had to be performed in Prague in September 1791. At its premiere it was a complete flop. This affected the now overworked almost penniless composer's spirit and he returned to Vienna suffering from mental and physical exhaustion. Rest was denied him. The Magic Flute had to be finished for its premier on September 30th 1791. The task of the Requiem still faced him. In this weakened state Mozart thought that he was in fact writing his own requiem reading evil omens into the commissioning of the work. He thought someone had calculated the precise time of his death and was thus troubled with sombre thoughts. He completed the first two of the twelve parts. The next six parts were in an unfinished state and his manuscript ceased at the Lacrimosa. Süssmayer who was working closely with Mozart at the time was given the task of finishing the Requiem.Ave Verum Corpus is also one of his final works. It is a setting of an anonymous hymn written as a motet for Anton Stoll the choirmaster at Baden in June 1791.Mozart was a composer of great genius who

Prayer To A Guardian Angel is a work by Patrick Hawes for SSAATTBarB Choir and Violoncello. This is the Cello Part. Featured on Hawes' album 'Angel' this song reflects the thoughts and feelings of a human as they pray to their guardian angel in times of need. 

- SATB Soli, SATB Choir, Orchestra- Piano-Vocal Score (Latin)- Revised Edition (2005)- Full Score and Instrumental Parts are also available for purchase / Violoncelle

Mod Aften for Cello solo was composed by Per Nørgård in 2009. Based on 'Aftonland' for choir from 1954.

First edition of the original version for Orchestra. Urtext based on the Complete Works of Gabriel Fauré.Large format orchestral parts (25.5 x 32.5 cm)Bärenreiter?s new scholarly-critical edition of Gabriel Fauré?s evergreen the Pavane Op.50 has been edited by Robin Tait as part of the Complete Works of Gabriel Fauré. The popularity of the work is mostly attributed to its many arrangements but the original version for Orchestra is being published here for the first time. Shortly after completing the Orchestral work Fauré began work on a version for Choir which was actually premiered before the Orchestralversion.This Bärenreiter edition offers conductors and Orchestras a reliable Urtext edition of the Pavane?s original Orchestral version which will surely enhance symphonic concert programmes everywhere.

String Quartet Score and Parts-Ola Gjeilo's three-work set of Ubi Caritas settings is now complete with “Sacred Heart.” Musically independent from his other two Ubi Caritas settings “Sacred Heart” can stand alone or be performed with the two previous works. A lovely string quartet accompaniment balances with the choir making this a stunning and peaceful adaptation of such a thoughtful text. Duration: ca. 4:45

A Welsh Prayer (cello and piano). For cello and piano. The original version of A Welsh Prayer for SATB choir and two harps was commissioned by Holywell Music and the North Wales International Music Festival as a gift to celebrate the 65th birthday of His Royal Highness The Prince of Wales.

Nico Muhly's Let All The World In Every Corner Sing for SATB chorus Cello and Organ. Part for Cello.Let All The World In Every Corner Sing was commissioned by Graham Ross and the Choir of Clare College Cambridge and first performed on 27 May 2014 by them with Peter Harrison Organ and Benjamin Michaels Cello.

Programme Note This short one-movement quartet is a kind of modernization of the 14th century French motets a cadeau to this weird and fantastic music whose abstract and almost deprecatory introvert expression appears unaccountably modern and incredibly ancient at the same time. MOTET is a sober cool treatise on rhythm and statics depicted in a Gothic crypt-like atmosphere. The almost completely non-vibrato movement is suggestive of boys’ choir monks’ processions and the piercing sound of musical glasses. An ancient world is reborn and becomes the world of today. Poul Ruders 1979

Commissioned by Sospiri for their CD A Multitude of Voices this evocative setting of Edward Thomas’s 1916 poem showcases Alexander L’Estrange’s unique choral voice at its best. Combining classic choral textures flavours of jazz harmony and moments of rhythmic suspense Alexander has crafted a beautiful bitter-sweet work that perfectly complements the wistful nature of this moving text. An ideal choice for services and concerts of remembrance.Features a baritone (or tenor) solo. Faber Music's exciting Choral Signature Series introduces a wealth of new or recently written choral music to choirs in search of fresh repertoire. The series draws in a richdiversity of living composers offering a thrilling array of varied styles.

Cheryl Frances-Hoad's Songs and Dances for Cello and Piano.Commissioned by the Three Choirs Festival.Duration: 12 minutes