Par . 34 pop songs, movie hits, and classic standards arranged for violin and cello. Full scores and individual pull-out parts included. / Date parution : 2022-07-20/ Recueil / Violon et Violoncelle

23 classic pop hits: Africa · Alone · Can't Smile Without You · Centerfold · Dancing Queen · Dust in the Wind · Every Breath You Take · Eye of the Tiger · I Melt with You · I Still Haven't Found What I'm Looking For · Imagine · Jessie's Girl · Lean on Me · Piano Man · Right Here Waiting · Silly Love Songs · The Sound of Silence · Stand by Me · Sweet Caroline · Take on Me · Time After Time · We Built This City · You Are So Beautiful · / Niveau : Facile / Pop and rock / Recueil / 2 Violoncelles

29 tubes de pop : Africa · Alone · Can't Smile Without You · Centerfold · Dancing Queen · Dust in the Wind · Every Breath You Take · Eye of the Tiger · I Melt with You · I Still Haven't Found What I'm Looking For · Imagine · Jessie's Girl · Lean on Me · Piano Man · Right Here Waiting · Silly Love Songs · The Sound of Silence · Stand by Me · Sweet Caroline · Take on Me · Time After Time · We Built This City · You Are So Beautiful · et bien davantage.

Par DUNCAN CRAIG. Celtic Gems for Cello contains 68 of the most played and loved melodies from the Celtic tradition including 25 reels, 31 jigs, 8 slip jigs and 4 Irish hornpipes. Tunes of similar style are grouped with melodies that work well in sets, or medleys. Stylistic bowing and ornament ideas as well as suggested chord changes are included to give options in interpreting the tunes. / Date parution : 2022-06-08/ Recueil / Violoncelle

Par . Learn the contemporary techniques and practices of the modern cello. The collection is a vital exploration of 21st-century cello techniques that every contemporary cellist should know when playing music outside of the standard classical repertoire. By exploring techniques such as chopping, pizzicato, improvisation, chords, ornaments, modes, polyrhythmic playing, and more, you will be prepared to play in a variety of contexts, including folk, rock, funk, jazz, world music and accompanying yourself while singing. Compiled and edited by Mike Block, this volume of etudes contains pieces composed by: Ashley Bathgate · Mike Block · Stephen Braun · Rufus Cappadocia · Rushad Eggleston · Erik Friedlander · Eugene Friesen · Natalie Has · Giovanni Sollima · Mark Summer · Jacob Szekley · Matt Turner · Jeffrey Zeigler. / Date parution : 2022-09-13/ Etude / Violoncelle

Par SPECKERT GEORGE A.. Speckert’s popular “The Roots of Jazz” collection of jazz pieces and styles for violin and violoncello now comes in an edition for two violoncellos. Whether it be arrangements of originals such as “The Entertainer” (Scott Joplin), “Hot Tiger Rag” (Nick la Rocca), “St Louis Blues” (W. C. Handy), “Nobody Knows The Trouble I've Seen” (trad) or original compositions by George Speckert, these pieces not only have catchy tunes and snappy rhythms, they’re also easy to play. Exciting stuff! With skill and sensitivity Speckert, who actually was born in New Orleans, captures the typical melodic, harmonic and rhythmic style of each genre, whether ragtime, blues, boogie woogie, gospel, folksong or early jazz. Equally suitable for music-making fun in lessons, recitals or your own living room./ Recueil / 2 Violoncelles

George Speckert a une fois de plus créé une collection de pièces faciles qui sont amusantes à réaliser et sembler attrayant. Les duos sont agréables à jouer, ont un jazz authentique se sentent à eux et sont pleins de nuances- musiciens et professeurs apprécieront autant que l'auditeur. Rythmes marqués et les mélodies distinctifs donnent les morceaux que quelque chose de spécial.Du contenu'The Entertainer' (Scott Joplin), 'Nobody Knows the Trouble j'ai vu' (trad.), 'When the Saints Go Marching In' (trad.) ', Saint-Louis Blues '(WC Handy),' Tiger Rag '(Hold que Tiger) (Nick La Rocca),' New Orleans '(Alexander Newton) et des compositions originales de George Speckertl'auteurGeorge Speckert est reconnu pour ses arrangements faciles pourtant sonore pour ensembles à cordes mixtes. Il est compositeur, auteur et professeur à la production multimédia et e-learning. / Violon Et Violoncelle

String Quartet No.4 by Poul Ruders dating from 2012. Programme Note: It might be of interest for some to note that a gap of only six months separates the writing of my second and third quartets (1979) but a 33 year interval stands between the third and the present piece String Quartet No. 4.Which is in five movements and is about nothing but itself. The first movement 'Adagio - Presto alla breve - Adagio' is an overture of sorts lifting the lid as it were on the odd bit of what happens later on in the other movements.A portal into: The second movement 'Vivo scherzando' which is justthat: a short (2 minutes only) fast and jocular piece leading up to the next movement: 'Adagio sognante' a slow and hushed dream-world paving the way for the pièce de resistance of the entire quartet: 'Presto alla breve' a ferociously fast tour de force for the four players who with that one under their belts can lean back a little (but only a little) and put the whole thing gently to bed in the fifth and final movement: a simple 'Adagio'. Off the record: my first string quartet (1972) has been withdrawn and is no more a fact that renders the numbering of the subsequent quartets a matter of personal conviction. Poul Ruders November 2012

e minor-Edward Elgar's concerto for violoncello his last major work is a cleanly structured and emotionally charged composition. It is no wonder that this work is of central importance in the cello literature. Jonathan Del Mar's editorial skills show themselves in the exacting placement of dynamics articulation and expression markings.The edition restores all Elgar's solo cello fingerings and bowings and offers a facsimile of the original solo cello part in the critical commentary. Jonathan Del Mar also documents the performing tradition of the work and its recording under Elgar's baton. This is the last word on this famous work a reference edition for everycellist!First ever critical editionAll existing sources consultedFirst ever critical commentary'I highly recommended this purchase even if you own a well-worn copy of another edition.'(American String Teacher vol. 56 No. 3 August 2006)'Ownership of this fine masterly authoritative and elegantly printed edition coupled with the fascinating Critical Commentary must be obligatory for all cellists!'(ESTA News and Views Autumn 2006)

C Major. Par BEETHOVEN LUDWIG VAN. In Beethoven’s Triple Concerto, a piano trio provides the soloists – a first in the history of music. Beethoven’s treatment of the trio is pioneering: he does not apply a typical piano trio setting in contrast to the orchestra, but varies his treatment of the solo parts, allowing each instrument to play alone with the orchestra (particularly the cello), using two solo instruments together in ever new combinations, and finally bringing together all three instruments with the orchestra. Beethoven weaves a complex web – the orchestral, piano, violin and cello voices interplaying and entwining – and he produces a true masterpiece. Bärenreiter’s new Urtext edition of Beethoven’sTriple Concerto is a completely fresh revision of this warm and beautiful showpiece. Errors abounded in all previous editions, but with the assistance of three newly-discovered sources, editor Jonathan Del Mar has cleaned up the text, corrected wrong notes and rhythms and (for the first time since 1807) presented the work in a way that a musician of Beethoven’s day might have recognized, with all necessary information for directing the piece included in the solo piano part. Piano reduction with separate parts for all three soloists Draws on three new sources Correction of many errors found in previous editions/ Répertoire / Piano, Violon, Violoncelle et Orchestre

Vagn Holmobe's Vivace - Tempo di Ardeleana for String Quartet. From 'Døgnets Timer' Op. 128. Score: WH31825