Cello Play-Along Volume 8-The Cello Play-Along Series will help you play your favorite songs quickly and easily. Just follow the printed music and play along using the original backing tracks available online for download or streaming.This volume includes Another One Bites the Dust ? Bohemian Rhapsody ? Crazy Little Thing Called Love ? Don't Stop Me Now ? Killer Queen ? Somebody to Love ? We Are the Champions and Who Wants to Live Forever.

Solo arrangements instrumentaux avec accompagnement CD pour 14 chansons de Queen séminales. / Violoncelle / 24 pages / niveau : Facile / Partition + Cd

23 classic pop hits: Africa · Alone · Can't Smile Without You · Centerfold · Dancing Queen · Dust in the Wind · Every Breath You Take · Eye of the Tiger · I Melt with You · I Still Haven't Found What I'm Looking For · Imagine · Jessie's Girl · Lean on Me · Piano Man · Right Here Waiting · Silly Love Songs · The Sound of Silence · Stand by Me · Sweet Caroline · Take on Me · Time After Time · We Built This City · You Are So Beautiful · / Niveau : Facile / Pop and rock / Recueil / 2 Violoncelles

as performed by Queen-Emmené par le charismatique Freddie Mercury le groupe Queen a marqué et marquera encore de nombreuses générations. We Are the Champions connaît un immense succès dès sa sortie en 1977. Aujourd?hui on ne compte plus le nombre de références à ce titre dans les championnats sportifs mais également au cinéma à la télévision dans des spots publicitaires etc. Anthony Gröger a ecrit un arrangement énergique de cet hymne rock pour quatuor à cordes.

The arrangement for string quartet was made at the request of Alexander Balanescu for the Bicentenary of Mozart's death in 1991. It was first performed by the Balanescu Quartet at the Queen Elizabeth Hall London 1991.Duration 3 minutes. A set of parts is available for sale.

This work was commissioned by the Naxos Recording Company and is the eighth in a series of ten quartets. It was first performed on 10th March 2006 by the Maggini Quartet at St. Gregory’s Centre Canterbury Christ ChurchUniversity Canterbury as part of the Sounds New Festival.Naxos Quartet No. 8 is dedicated to Her Majesty the Queen on her 80th birthday.

Set of Parts for Nyman's 'In Re Don Giovanni' for amplified string quartet. The arrangement for string quartet was made at the request of Alexander Balanescu for the Bicentenary of Mozart's death in 1991. It was first performedby the Balanescu Quartet at the Queen Elizabeth Hall London 1991. Duration 3 minutes. Full score also available on sale.

8 Favourite Pieces Arranged for String Quartet-This unique collection of 8 pieces is the latest addition to the popular Schott String Quartet series. Arranged by Barrie Carson Turner the romantic repertoire including Wagner's 'Bridal Chorus' 'Arrival of the Queen of Sheba' by Handel and Mendelssohn's celebrated 'Wedding March' is ideal for commemorating that special day.The Schott String Quartet SeriesWith the first books in the series focusing on baroque classical and romantic styles The Schott String Quartet series has expanded to cover music ranging from traditional pieces through to Eastern-influenced works. Aside from 'Indian Summer' which features original compositions each book contains originalarrangements of well known themes which have often never been arranged for string quartet before. An important characteristic of these arrangements is that they allow all four instruments to demand the attention throughout the music. The pieces are suitable for amateur musicians or school students and are ideal for public performance.

This work for soprano and cello soloists SATB chorus and chamber orchestra was commissioned by the London Sinfonietta. the first performance was given in the Queen Elizabeth Hall London in March 1978 by Elise Ross ChristopherVan Kampen the London Sinfonietta Chorus and the London Sinfonietta conducted by Simon Rattle.Vocal Score. Duration c. 45mins.

as performed by Queen-La collection Pops for String Quartet des Éditions De Haske présente des arrangements originaux de pièces stupéfiantes sans jamais dépasser un degré de difficulté élémentaire. Laissez-vous surprendre par ces quatuors d'un genre nouveau !

29 tubes de pop : Africa · Alone · Can't Smile Without You · Centerfold · Dancing Queen · Dust in the Wind · Every Breath You Take · Eye of the Tiger · I Melt with You · I Still Haven't Found What I'm Looking For · Imagine · Jessie's Girl · Lean on Me · Piano Man · Right Here Waiting · Silly Love Songs · The Sound of Silence · Stand by Me · Sweet Caroline · Take on Me · Time After Time · We Built This City · You Are So Beautiful · et bien davantage.

This quartet collection of 13 keyboard, vocal and instrumental pieces covering the Baroque to the 20th Century periods can be played together in harmony by any number or combination of instruments. Woodwinds, brass, strings and percussion can play in like-instrument or mixed instrumentation. It's an all-purpose folio that makes classical music fun! Contains: Calm Sea, Opus 3, No. 2 (Schubert) * Dedication, Opus 14, No. 1 (Franz) * Frolicher Landmann (Schumann) * March (Mozart) * Minuet (Mozart) * Music For Queen Mary (Purcell) * Prayer (Humperdink) * Promenade (Mussorgsky) * Salute (Byrd) * Spanish Dance No. 1 (Granados) * Stoptime Rag (Joplin) * Waltz (Schubert).

String Quartet No.3 was written for and first performed by the Balanescu Quartet February 1990 at the Queen Elizabeth Hall London. Duration 16 minutes. Instrumental parts are available on sale.Quoting composer: In thesummer of 1989 I composed a choral work Out of the Ruins for Agnieszka Piotrowska’s BBC2 documentary which dealt with the physical and emotional responses of some inhabitants of Leninakhan to the earthquake whichdevastated Armenia the previous December. When he heard the recording of the work that I made with the Holy Echmiadzin Chorus under the fervent conducting of Khoren Meykhanejian Alex Balanescu suggested turning Out of the Ruinsinto a string quartet. There seemed no reason or opportunity to do this until I felt the need to add to the intensity of my experiences in Armenia the no less profound experience of witnessing the images of the Romanianrevolution on television during the later part of December 1989.The compositional procedure was as follows: to take Out of the Ruins as a template on which the Romanian vocal or instrumental music would be superimposed quite often stretched into new intervallic shapes though the demands of the completely performed harmonic structure.