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Ian Venables: The Song Of The Severn - String Quartet Parts: String Quartet:
20.99
Ian Venables: The Song Of The Severn - String Quartet Parts: String Quartet:
Quatuor à cordes: 2 violons, alto, violoncelle
[Partition]
Novello & Co Ltd.
Ian Venables' The Song Of The Severn is a cycle of songs in celebration of Worce...
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Ian Venables' The Song Of The Severn is a cycle of songs in celebration of Worcestershire scored for Baritone Voice String Quartet and Piano. “The Song of the Severn…clothes poems by Masefield Housman John Drinkwater and Philip Worner in sharply memorable music of bewitching lyricism idiomatic grace and rapt instinct…No lover of the early-20th-century English art song or pastoral tradition should fail to investigate this notable issue.” - Andrew Achenbach Gramophone “These five songs for voice with piano and string quartet accompaniment take the Severn Riverand its historical and natural associations as a common theme. They are absolutely stunning in their poignant beauty their profoundly noble and moving sense of tragedy and desolation that never turns sentimental or lachrymose and their perfect union of text and music to a level that rivals Schubert and Mahler.” - James A. Altena Fanfare Magazine
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Go Fourth - Position Changing For The Cello
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Easy to follow, structured material to teach pupils whatever their age, 4th position and the process of shifting between 1st and 4th positions. See also 'Taylor Made'.Complete with Cello part, pull-out piano accompaniment and CD. Easy to follow, structured material to teach pupils whatever their age, 4th position and the process of shifting between 1st and 4th positions. These cello tunes have fairly easy but effective piano accompaniments. See also 'Taylor Made'. / Violoncelle Et Piano
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String Trios From Around The World (DIVERS AUTEURS (ARR)
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Universal Edition
10 Intermediate-Level Arrangements. Par DIVERS AUTEURS (ARR.BROOKER DAVID). Sinc...
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10 Intermediate-Level Arrangements. Par DIVERS AUTEURS (ARR.BROOKER DAVID). Since graduating from the Guildhall School of Music and Drama, David Brooker has been a performer on the viola and a music educator with a special interest in using ensemble music in instrumental teaching. His first two books, 'Stringplay” and 'Stringplay Around the World” reflected this, providing resources for elementary string orchestra and now 'String Trios from Around the World” takes the idea to the smaller ensemble of violin, viola and cello. This book of folk music from four continents, with an emphasis on love songs, keeps to the spirit of the original pieces while making the music idiomatic and fun to play. The parts are equal in difficulty (easy to intermediate) - in fact, David says that, as a violist himself, he has made sure that the violinist doesn't get all the tunes! The arrangements include a few unusual techniques but David promises they are not as hard as they look or sound./ Recueil / Trio à Cordes
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Take The Lead Plus. Pop Hits
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Eight great flexible arrangements in two parts, for Bass Clef Instruments, inclu...
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Eight great flexible arrangements in two parts, for Bass Clef Instruments, including Cello, Trombone and Bassoon with specially recorded arrangements. The CD includes full backing tracks, professionally arranged and recorded. The Book contains carefully selected and editied Bass Clef arrangements for two parts in score format. Compatible with other editions in the series. / Pop and rock / Recueil / Basse Continue
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Par BACEWICZ GRAZYNA. Studying the sketches for works which a composer considers to be finished, perfected, is a fascinating activity. It enables one to penetrate the secrets of creative work, to compare the initial outline of a composition with its final version. A sketch is generally left untitled, but it does occur that a composer enhances the status of such a draft by giving it a title, before creating an improved version of that title on the basis of the finished work. The list of compositions by Grazyna Bacewicz, the full catalogue of which is held in the National Library in Warsaw, includes a work for string quartet entitled Quatuor. The manuscript was left undated, but analysis of the music allows us to date this work to the mid-1960s. In the composer?s output from that period, the instrumental tone colouring, often an element that helps to forge a work, takes on particular significance. The first movement of the Quatuor [à cordes] opens with three fifth-tritone chords ?cast forth?, in succession, in saltando-gettato technique by the cello, second violin and first violin. When we look at the beginning of the Seventh String Quartet, from 1965, such a chord appears in the second bar of the cello part. Further comparisons lead to interesting conclusions. The two opening movements are almost identical, built from the same elements, only spatially arranged in a different way. In the structure of the first movement of the Seventh Quartet, one distinguishes two thematic planes, which shape the narrative after the fashion of a sonata allegro. The first theme is a series of episodes of changing texture ? from passagework to chords and short glissandos repeated with varying intensity. The second theme (Meno mosso) displays an imitative form. Both works feature an inverted reprise. For the first 25 bars of the second movement, a nostalgic Grave, the two works sound identical. The continuation of this movement in the Quatuor [à cordes] is more modest than in the analogous segments of the Seventh Quartet, in terms of both changing textures and the use of differentiated means of articulation. Towards the end, a motif from the beginning of this movement returns in modified form. Both the third movements (Capriccioso in the Quatuor [à cordes], Con vivezza in the Seventh Quartet) take the form of a rondo, and appearing in each of them is the same ?warbling? theme, based on scattered notes with grace notes. The Seventh String Quartet is in three movements. The presumed prototype consists of four movements. The last movement of the Quatuor [à cordes] is a Maestoso resembling a mine of textural ideas for other works of a sonoristic provenance from this period. The introduction, constituting a closed narrative whole and a reference point for the rest of the movement, is followed by segments that are dominated by ostinatos of various kinds, including with the use of harmonics, passages built on the progressive shifting of short motifs, and unevenly spread chords. Grazyna Bacewicz used material from earlier works more than once in her compositions. Her oeuvre also includes ?twin? pieces merely scored for a different set of instruments. Yet the self-quotation that occurs in the case of the Quatuor [à cordes] and the Seventh String Quartet ? lengthy passages from another of her works reused with minor modifications ? is an unusual situation. It undermines the former?s status as an independent work. Malgorzata Gasiorowska/ Répertoire / Quatuor à Cordes
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Cheryl Frances-Hoad's Excelsus for solo Cello. 'Excelsus takes the form of a sui...
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Cheryl Frances-Hoad's Excelsus for solo Cello. 'Excelsus takes the form of a suite each movement being based on a passage from the Requiem mass text. Although I spent many hours refining my interpretation of the words the work is ultimately a more instinctive reaction to the evocative language of the excerpts. However my stance was always totally atheistic and this infiltrates everything from the mood through the disregard for the text’s order to the instrumentation (the use of a lone figure which I viewed as a musical equivalent to the ‘first person’ offending against the liturgical norms which areconcerned with people as a community). Musically the entire work is based on two themes one melodic (the Rex Tremendae or ‘King of Awful Majesty’ theme which is heard at the very opening) and one chordal (the Lux Aeternum (Light eternal) chords not revealed in their pure form until the pizzicato passage that concludes the suite). The order ofthe movements is as follows: Requiem Aeternum (Grant them eternal rest)Kyrie (Lord have mercy)Tuba Mirum (Hark the Trumpet)Sanctus (Holy holy)Dies Irae (Day of Wrath)Agnus Dei (Lamb of God)Quid Sum Miser (What shall I a wretch say then?)' - Cheryl Frances-Hoad
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This eclectic collection for solo Flute will delight film fans of all ages! 101 ...
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This eclectic collection for solo Flute will delight film fans of all ages! 101 Movie Hits contains a dazzling selection of favourites from the silver screen, including Diamonds Are A Girl's Best Friend (Gentlemen Prefer Blondes), Eye Of The Tiger (Rocky III), Hallelujah (Shrek), Happy (Despicable Me 2), Mrs. Robinson (The Graduate), The Dreame (Sense And Sensibility), Let It Go (Frozen), Summer Nights (Grease), The Music Of Goodbye (Out Of Africa) and more. / Violoncelle
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The Snowman is a beautifully composed piece for the traditional Christmas time film of the same title. The composer Howard Blake takes the music through the cold wintery sky, floating blissfully as if it was all a dream.The sheet music is beautifully arranged for a string quartet. The perfect addition to anyones festive collection. / Quatuor A Cordes
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[Partition]
Hal Leonard
40 Of His Greatest Hits. Par LLOYD WEBBER ANDREW. 40 of the most memorable songs...
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40 Of His Greatest Hits. Par LLOYD WEBBER ANDREW. 40 of the most memorable songs composed by the inimitable Andrew Lloyd Webber are gathered in this value-packed instrumental solo collection. Songs include: Amigos Para Siempre (Friends for Life) - Any Dream Will Do - Don't Cry for Me Argentina - I Believe My Heart - I Don't Know How to Love Him - Learn to Be Lonely - Love Changes Everything - Memory - No Matter What - The Phantom of the Opera - Pie Jesu - Starlight Express - Stick It to the Man - Tell Me on a Sunday - 'Til I Hear You Sing - Whistle Down the Wind - With One Look - You Must Love Me - and many more./ Recueil / Violoncelle
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Take Your Bow: String Ensemble: Score
23.95
Take Your Bow: String Ensemble: Score
Quatuor à cordes: 2 violons, alto, violoncelle
[Partition + Accès audio]
Trinity College London
Take Your Bow is a collection of 20 concert pieces for beginner string players w...
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Take Your Bow is a collection of 20 concert pieces for beginner string players written by Celia Cobb and Naomi Yandell. Years of string teaching have given them the inspiration to produce pieces which will both delight and engage. Their imaginative writing strengthens rhythmic and stylistic concepts whilst employing a variety of adventurous playing techniques that students will find to be a fun and achievable challenge. Each piece is compatible with any of the other instruments in the series in any combination making it an excellent resource for individual or group teaching. Take Your Bow is available in 4individual editions — for violin viola cello and double bass each with piano accompaniment — and as a separate full score.
23.95 GBP - vendu par Musicroom GB
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Take Your Bow: Cello: Instrumental Album
15.45
Take Your Bow: Cello: Instrumental Album
Violoncelle, Piano
[Partition + Accès audio]
-
Débutant
Trinity College London
Take Your Bow is a collection of 20 concert pieces for beginner string players w...
(+)
Take Your Bow is a collection of 20 concert pieces for beginner string players written by Celia Cobb and Naomi Yandell. Years of string teaching have given them the inspiration to produce pieces which will both delight and engage. Their imaginative writing strengthens rhythmic and stylistic concepts whilst employing a variety of adventurous playing techniques that students will find to be a fun and achievable challenge. Each piece is compatible with any of the other instruments in the series in any combination making it an excellent resource for individual or group teaching. Take Your Bow is available in 4individual editions — for violin viola cello and double bass each with piano accompaniment — and as a separate full score.
15.45 GBP - vendu par Musicroom GB
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A Grand Tour Of Cello Technique (SHERRY FRED)
32.50
A Grand Tour Of Cello Technique (SHERRY FRED)
Violoncelle
Peters
A practice guide for the modern cellist. Par SHERRY FRED. A Grand Tour of Cello ...
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A practice guide for the modern cellist. Par SHERRY FRED. A Grand Tour of Cello Technique is a thought-provoking practice guide, enabling cellists at all levels to develop their own style through an exploration of different ways of fingering and bowing. The book not only helps cellists improve their playing, but also promotes an understanding of musical art, through nine stimulating chapters. With a particular emphasis on music of the 20th and 21st centuries, and its connections with earlier music, Fred Sherry takes the reader on a voyage of discovery of the art and science of cello technique, informed by music ranging from Bach all the way through to Berio.Fred Sherry has introduced audiences on five continents and all fifty UnitedStates to the music of our time for more than five decades. He has had close working relationships with Charles Wuorinen, Lukas Foss, Oliver Knussen, Elliott Carter, Milton Babbitt, Toru Takemitsu, Chick Corea, Pierre Boulez, Mario Davidovsky and others whose works he has premiered and recorded. He has been soloist and 'sideman' on hundreds of commercial and esoteric recordings: his discography ranges from Schütz, Bach, Mozart, Beethoven and Brahms through Schoenberg and Stravinsky to the 20th and 21st century works written for him. He is a member of the cello faculty of The Juilliard School, the Mannes College of Music and the Manhattan School of Music. A Grand Tour of Cello Technique is a thought-provoking practice guide, enabling cellists at all levels to develop their own style through an exploration of different ways of fingering and bowing. The book not only helps cellists improve their playing, but also promotes an understanding of musical art, through nine stimulating chapters. With a particular emphasis on music of the 20th and 21st centuries, and its connections with earlier music, Fred Sherry takes the reader on a voyage of discovery of the art and science of cello technique, informed by music ranging from Bach all the way through to Berio. Fred Sherry has introduced audiences on fivecontinents and all fifty United States to the music of our time for more than five decades. He has had close working relationships with Charles Wuorinen, Lukas Foss, Oliver Knussen, Elliott Carter, Milton Babbitt, Toru Takemitsu, Chick Corea, Pierre Boulez, Mario Davidovsky and others whose works he has premiered and recorded. He has been soloist and and lsquo - sideman and rsquo - on hundreds of commercial and esoteric recordings - his discography ranges from Sch and uuml - tz, Bach, Mozart, Beethoven and Brahms through Schoenberg and Stravinsky to the 20th and 21st century works written for him. He is a member of the cello faculty of The Juilliard School, the Mannes College of Music and the Manhattan School of Music. / Pédagogie / Etude / Violoncelle
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Mozart: Triosonaten Kv 10-15 (MOZART WOLFGANG AMADEUS)
50.30
Mozart: Triosonaten Kv 10-15 (MOZART WOLFGANG AMADEUS)
Piano Trio: piano, violon, violoncelle
[Partition]
Carus Verlag
Par MOZART WOLFGANG AMADEUS. Since their publication in the New Mozart Edition, ...
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Par MOZART WOLFGANG AMADEUS. Since their publication in the New Mozart Edition, Mozart's sonatas K. 10–15 count as piano trios. Furthermore, the title of the first edition, published by father and son Mozart in 1765 reads 'Six Sonates pour le Clavecin qui puevent se jouer avec l'accompagnement de Violon ou Flaute Traversiere”. In other words, these pieces are harpsichord sonatas that may be accompanied at will by a violin or a transverse flute. In a partial press run of the first edition a cello part was included. Our new edition is the first to take these conflicting formats into account by presenting two separate versions, one being the unaltered harpsichord part, the other a full score with separateinstrumental parts for violin/flute and cello. The harpsichord part [CV 51. 010/10] is indeed capable of standing by itself and requires no instrumental expansion. The melody instrument, in contrast, merely function as an accompaniment or contribute brief interjections, or, in the case of the cello, reinforce the left hand of the keyboard. In other words, K. 10–15 are not only Mozart's earliest piano trios, they are also his earliest keyboard sonatas to survive intact./ Répertoire / Violon, Violoncelle et Piano
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Encanto for Cello (MIRANDA LIN-MANUEL)
20.60
Encanto for Cello (MIRANDA LIN-MANUEL)
Violoncelle
[Partition + Accès audio]
Hal Leonard
Instrumental Play-Along. Par MIRANDA LIN-MANUEL. Get ready to have a blast playi...
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Instrumental Play-Along. Par MIRANDA LIN-MANUEL. Get ready to have a blast playing all the fun tunes from Disney's smash hit Encanto! These books feature instrumental solos with online recordings of both demonstration and professional backing tracks so you can practice and then take the lead and sound like a pro! Songs include: All of You · Colombia, Mi Encanto · Dos Oruguitas · The Family Madrigal · Surface Pressure · Waiting on a Miracle · We Don't Talk About Bruno · What Else Can I Do' Audio is accessed online using the unique code inside the book and can be streamed or downloaded. The audio files include PLAYBACK , a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right. / Date parution : 2022-04-12/ Recueil / Violoncelle
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Per Nørgård: String Quartet No.9 - Into The Source: String Quartet: Score
Quatuor à cordes: 2 violons, alto, violoncelle
Wilhelm Hansen
PrefaceThe three movements of the quartet may be perceived as three different ex...
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PrefaceThe three movements of the quartet may be perceived as three different expressions of an unstable core: an inherent unrest leads to frequent changes of direction. The first movement is full of dramatic contrasts; it is followed by a second movement whose basic mood of meditative rest is challenged by occasional centrifugal utbursts while the third movement takes the inherent conflicts to a higher level contrasting material of introspective lyricism with excessively pathetic moods.The final ?way out? is a retrograde one (back) ?into the source?: through a constant accelerando-diminuendo the piece disappears into a vanishing point. The ?into thesource? of the title may be visualized as a reversed fountain-action: the broad fan-like spread of the first movement a more coherent-solid second movement and finally - in the third movement - a return-run ever more vehemently like a suction into the spring itself ?The musical motifs are varied; there are traffic-situations (which I heard!) with stomping and machine-like rhythms in different but simultaneous tempi and there are more abstract upwards and downwards half-tone-scales with changing accents creating glimpses of melodies.INTO THE SOURCE String Quartet No. 9 was composed on a double-commission from the Orion Quartet and the Vertavo Quartet. The premiere performances took places in Santa Fé in 2002 and in Oslo in 2003.Per Nørgård
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Per Nørgård: String Quartet No.9 - Into The Source: String Quartet: Parts
Quatuor à cordes: 2 violons, alto, violoncelle
Wilhelm Hansen
PrefaceThe three movements of the quartet may be perceived as three different ex...
(+)
PrefaceThe three movements of the quartet may be perceived as three different expressions of an unstable core: an inherent unrest leads to frequent changes of direction. The first movement is full of dramatic contrasts; it is followed by a second movement whose basic mood of meditative rest is challenged by occasional centrifugal utbursts while the third movement takes the inherent conflicts to a higher level contrasting material of introspective lyricism with excessively pathetic moods.The final ?way out? is a retrograde one (back) ?into the source?: through a constant accelerando-diminuendo the piece disappears into a vanishing point. The ?into thesource? of the title may be visualized as a reversed fountain-action: the broad fan-like spread of the first movement a more coherent-solid second movement and finally - in the third movement - a return-run ever more vehemently like a suction into the spring itself ?The musical motifs are varied; there are traffic-situations (which I heard!) with stomping and machine-like rhythms in different but simultaneous tempi and there are more abstract upwards and downwards half-tone-scales with changing accents creating glimpses of melodies.INTO THE SOURCE String Quartet No. 9 was composed on a double-commission from the Orion Quartet and the Vertavo Quartet. The premiere performances took places in Santa Fé in 2002 and in Oslo in 2003.Per Nørgård
57.50 GBP - vendu par Musicroom GB
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Polichinelle (KREISLER FRITZ)
23.60
Polichinelle (KREISLER FRITZ)
Trio à Cordes
[Conducteur et Parties séparées]
Schott
Serenade. Par KREISLER FRITZ. Apart from the collection of Classical Manuscripts...
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Serenade. Par KREISLER FRITZ. Apart from the collection of Classical Manuscripts composed by the violin virtuoso Fritz Kreisler (1875-1962) which he had passed off as transcriptions of settings of old masters, the violinist published original works early on as well. Kreisler himself liked to play them as encore pieces, thus sweetening many a concert with this 'musical confectionery'. Famous tunes are, for example, Liebesfreud, Liebesleid and Schön Rosmarin, his old Viennese dance tunes, in which Kreisler evoked the coffee-house atmosphere of his home town with beautiful melodies and mellifluous harmonies. Another wonderful example is his Marche miniature viennoise, with its humorous theme and a rather march-like middle section - and everywhere, Kreisler takes the audience by surprise with a little Viennese snide humour. Kreisler's original compositions are lovely miniatures, lively and catchy, even with a touch of melancholy - yet full of charm and elegance. Arranged for string trio, they are enjoyable to play and worth listening to and a valuable addition to the repertoire - ideal for sociable music-making or as pieces to end a 'serious' concert./ Répertoire / Trio à Cordes
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Marche miniature viennoise (KREISLER FRITZ)
23.60
Marche miniature viennoise (KREISLER FRITZ)
Trio à Cordes: violon, alto, violoncelle
Schott
Par KREISLER FRITZ. Apart from the collection of Classical Manuscripts composed ...
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Par KREISLER FRITZ. Apart from the collection of Classical Manuscripts composed by the violin virtuoso Fritz Kreisler (1875-1962) which he had passed off as transcriptions of settings of old masters, the violinist published original works early on as well. Kreisler himself liked to play them as encore pieces, thus sweetening many a concert with this 'musical confectionery'. Famous tunes are, for example, Liebesfreud, Liebesleid and Schön Rosmarin, his old Viennese dance tunes, in which Kreisler evoked the coffee-house atmosphere of his home town with beautiful melodies and mellifluous harmonies. Another wonderful example is his Marche miniature viennoise, with its humorous theme and a rather march-like middle section - and everywhere, Kreisler takes the audience by surprise with a little Viennese snide humour. Kreisler's original compositions are lovely miniatures, lively and catchy, even with a touch of melancholy - yet full of charm and elegance. Arranged for string trio, they are enjoyable to play and worth listening to and a valuable addition to the repertoire - ideal for sociable music-making or as pieces to end a 'serious' concert./ Répertoire / Trio à Cordes
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The Piano Guys - Simplified Favorites Vol.1
36.90
The Piano Guys - Simplified Favorites Vol.1
Violoncelle, Piano
Hal Leonard
With their clever and inspiring takes on popular music and creative videos, The ...
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With their clever and inspiring takes on popular music and creative videos, The Piano Guys serve up an eclectic mix of classical, film score, rock and pop favorites that resonates with a wide variety of audiences. Play 12 of their most popular songs in these arrangements for easy piano with optional cello. Includes separate pull-out cello part. / Piano
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String Quartet No.5 'The Time That Has Passend' (BARGIELSKI ZBIGNIEW)
54.50
String Quartet No.5 'The Time That Has Passend' (BARGIELSKI ZBIGNIEW)
Quatuor à cordes: 2 violons, alto, violoncelle
[Conducteur et Parties séparées]
PWM (Polskie Wydawnictwo Muzyczne)
Par BARGIELSKI ZBIGNIEW . After the first performance of my Fourth Quartet, in S...
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Par BARGIELSKI ZBIGNIEW . After the first performance of my Fourth Quartet, in Salzburg in 1997, the artists of the excellent Hugo Wolf Quartett approached me with the appealing proposition that I write a new quartet. Rather problematic, however, proved to be the musicians’ delicate suggestion that I invest the work with elements of a more pungent expression and elements of folklore – ideally Polish. That suggestion meant that I did not immediately come to a decision, since folklore had not been (with the exception of a few works for accordion) the object of my interest. However, in defiance of my aesthetic outlook at that time, I decided to take up this interesting invitation and tackle what was for me a difficult problem. Ultimately, I found a way out of this rather ambiguous situation by employing a sort of dodge: I gave the new work a title. In a way, ‘The time that has passed’ substantiates the current to which I referred while writing this composition. The title and the subtitles of the work’s movements, which sound quite exotic in our day and age (there are as many as nine movements), justify the curious marriage between the somewhat nostalgic past and a present that has not yet been particularly well ‘assimilated’. I hope that these feuilles d’album will discharge their ‘toning’ function well. - Zbigniew Bargielski/ Répertoire / Quatuor à Cordes
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Easy Pop Melodies
15.20
Easy Pop Melodies
Violoncelle
[Partition + CD]
-
Facile
Hal Leonard
Play 50 of your favorite pop tunes on your instrument of choice! This collection...
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Play 50 of your favorite pop tunes on your instrument of choice! This collection features arrangements written in accessible keys and ranges with lyrics and chord symbols. Songs include: All My Loving · Blowin' in the Wind · Clocks · Don't Stop Believin' · Every Breath You Take · Fireflies · Hey, Soul Sister · In My Life · Love Story · My Girl · Nights in White Satin · Sweet Caroline · Unchained Melody · Viva La Vida · What a Wonderful World · You've Got a Friend · and more. / Violoncelle
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Stringworks String Quartet Jazz Standards 1
40.10
Stringworks String Quartet Jazz Standards 1
Quatuor à cordes: 2 violons, alto, violoncelle
[Sheet music]
Chester
Une série de musique populaire pour quatuors à cordes de travail. La lumière ...
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Une série de musique populaire pour quatuors à cordes de travail. La lumière des pièces de répertoire agréable et divertissants encores. Chaque folio contient cinq pièces. Table des matières : 'Chelsea Bridge', 'Fly Me To The Moon', 'Satin Doll', 'Prendre le Train de ' A'', ' The Girl From Ipanema '. / Scores
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Trois Poèmes de Chûya Nakahara (NEMOTO TAKENORI)
31.70
Trois Poèmes de Chûya Nakahara (NEMOTO TAKENORI)
En Français
Clarinette, Violoncelle, Piano (trio)
[Partition]
Klarthe
Par NEMOTO TAKENORI. / Date parution : 2023-03-21/ Répertoire / Clarinette, Vi...
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Par NEMOTO TAKENORI. / Date parution : 2023-03-21/ Répertoire / Clarinette, Violoncelle et Piano
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Andante, E Tema Con Variazioni Per Flauto, Clarinetto, Corno E Fagotto (ROSSINI GIOACHINO)
34.00
Andante, E Tema Con Variazioni Per Flauto, Clarinetto, Corno E Fagotto (ROSSINI GIOACHINO)
Flûte Traversière, Clarinette, Cornet ou Basson
[Partition]
Barenreiter
Par ROSSINI GIOACHINO. Taken from Bärenreiter’s first volume in the “Works ...
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Par ROSSINI GIOACHINO. Taken from Bärenreiter’s first volume in the “Works of Gioachino Rossini”, this brilliant chamber music composition for winds belongs to a little known genre of Rossini ’s output. “ Andante, e Tema con Variazioni ” was allegedly written in Bologna in 1812. Rossini deftly sculpts the theme to fit each instrument i. e. all players take their turn with the tuneful theme. This publication with reference score and parts is destined to become a hit with school ensembles as well as with professionals. This is the first critical edition of the work. - Urtext based on the “Works of Gioachino Rossini”. - First criticaledition of this work. - Reference score with parts. - With a detailed foreword (Ger/Eng/Ital) and Critical Commentary (Eng)./ Répertoire / Flûte Traversière, Clarinette, Cornet ou Basson
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Ultimate Beginner: Cello: Cello: Instrumental Tutor
18.25
Ultimate Beginner: Cello: Cello: Instrumental Tutor
Violoncelle
[DVD]
Warner Bros
The Ultimate Beginner Series has helped many aspiring musicians take their first...
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The Ultimate Beginner Series has helped many aspiring musicians take their first step toward experiencing the fun of playing music. Now you can experience both volume 1 and 2 together for the first time on DVD! This disc isperfect for beginning students for students who are changing to another instrument or as a refresher for player returning to the instrument after many years. You will learn about Care and Maintenance Posture and HandPositioning Simple Bowing and Plucking Techniques Basic Finger Patterns For Major Scales. Special features include: Getting To Know The Instrument Feature; Beginning Music Theory Interactive; Printable Reference Materials.
18.25 GBP - vendu par Musicroom GB
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