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Sound Innovations For String Orchestra : Sound Development - Advanced
13.26
Sound Innovations For String Orchestra : Sound Development - Advanced
Violoncelle
Alfred Publishing
Sound Innovations: développement sain for Advanced String Orchestra poursuit l'...
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Sound Innovations: développement sain for Advanced String Orchestra poursuit l'accent sur ??la lecture avec une caractéristique, belle sonorité, mais aussi met l'accent sur ??des échelles 3 d'octave, en particulier les échelles que les étudiants auront besoin pour les auditions régionales et tous-Etats. Compétences techniques avancées sont présentées en quatre niveaux, conformément à la structure des innovations de son révolutionnaire: (1) Tone Sound, (2) Son archet, (3) Son décalage et (4) Balances sonores et arpèges. Les niveaux peuvent être utilisés dans l'ordre qui est le mieux pour vos élèves, comme chaque warm-up, ou sous forme d'unités structurées. Le livre idéal pour suivre un développement judicieux pour Intermediate String Orchestra, ou pour tout étudiant avancé ou ensemble de cordes, vos élèves perfectionnera la bonne utilisation de l'arc, coups d'archet, déplacement, et les échelles 3 d'octave. / Violoncelle
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Janice Tucker Rhoda: Complete Technique for Cello Book 1: Cello: Instrumental
22.95
Janice Tucker Rhoda: Complete Technique for Cello Book 1: Cello: Instrumental
Violoncelle
Carl Fischer
417 Exercises include 63 Musical Studies in Positions 1 through 5-From the autho...
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417 Exercises include 63 Musical Studies in Positions 1 through 5-From the author of the popular ABCs of Strings method Janice Tucker Rhoda's Complete Technique for Cello Book 1 suits the advanced beginner to upper level student wishing to learn or improve left hand and right bow-arm skills.Starting in first position and proceeding carefully through the higher positions this method book uses studies and exercises to demonstrate specific technical ideas. 417 Exercises include 63 Musical Studies in Positions 1 through 5.Technique Highlights:Positions 1 through 5Extended positionsHalf PositionBass tenor and treble clefs3 octave CMajor Scale to IV and VII positionAdvanced chromatic scale to IV V and VII positionBasic thumb positionWorksheets for note-readingScales arpeggios broken thirdsImprovisational melodiesDouble-Stops chords octavesHarmonicsArm Swing left-hand and bow-arm techniqueBow balancing exercisesBallet of Shifting exercisesQuick Finger exercisesFinger Substitution exercisesLeft-hand pizzicato exercisesTeaching points throughout
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Jacques Ibert: Trio for Violin Cello and Harp: Violin & Cello: Parts
42.50
Jacques Ibert: Trio for Violin Cello and Harp: Violin & Cello: Parts
Harpe, Violon, Violoncelle
[Partition]
Leduc, Alphonse
Jacques Ibert (1890-1962) studied at the Paris Conservatoire before embarking up...
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Jacques Ibert (1890-1962) studied at the Paris Conservatoire before embarking upon a successful composing career. The composer wrote for a variety of instrumentations and his works remain popular to this day Trio for Violin Cello and Harp being no exception. Composed in 1944 Trio is suitable to advanced level violinists cellists and harpists. Ibert was a unique composer who did not associate himself with any particular style. His music is generally lighthearted often reflecting the composer's wit and humour. Containing a variety of musical aspects and techniques and significantly composed for anunusual arrangement of Violin and Cello with Harp accompaniment Ibert's Trio is an exciting addition to the advanced level Violin Cello and Harp ensemble repertoire.
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Kanack Alice Kay - Fun Improvisation + Cd - Cello And Piano
29.30
Kanack Alice Kay - Fun Improvisation + Cd - Cello And Piano
Violoncelle, Piano
[Partition + CD]
Alfred Publishing
In a speech at the 1984 Matsumoto Summer Conference, Dr. Shinichi Suzuki nicknam...
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In a speech at the 1984 Matsumoto Summer Conference, Dr. Shinichi Suzuki nicknamed Alice Kanack Mozart's mother in response to her innovative work in the development of the creative part of the brain. He added to this his hope that as a result, someday all children might create their own music. After twelve years of research and testing, the Fun Improvisation for... series was developed. Each book contains philosophical and practical advice on how to use the 28 musical exercises to develop a child's innate creative ability to its highest level. The basic instructions allow even a twinkler to use these exercises, while the advanced instructions provide a challenge to the most advanced player.
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Suite Op. 28 (CALLIGARIS SERGIO)
21.68
Suite Op. 28 (CALLIGARIS SERGIO)
Violoncelle
-
Intermédiaire
Ricordi
Per Violoncello Solo. Par CALLIGARIS SERGIO. Sergio Calligaris was born in Rosar...
(+)
Per Violoncello Solo. Par CALLIGARIS SERGIO. Sergio Calligaris was born in Rosario (1941), Argentina. He is one of the last musicians to incarnate the traditional 19th century figure of pianist, teacher and composer, inaugurated at the beginning of the 19th century by Muzio Clementi and carriedon after that by a sequence of famous names that the history of music has handed down to us. As a pianist, he began to give public performances at the age of 13, making his debut in his home town Rosario. Following this success, he embarked upon an extremely busy career as a soloist, giving numerous recitals in Buenos Aires and other citiesin Argentina. He continued to take advanced lessons with eminent exponents of the most prestigious international piano schools. In 1974 he became an Italian citizen and settled in Rome, teaching piano as principal instrument at the S. Pietro a Majella StateConservatory in Naples, the Luisa DAnnunzio Conservatory in Pescara and the Alfredo Casella Conservatory in Aquila. As a composer, he began - at just 9 years of age - to study in the rigorous school of Paul Hindemith, under the guidance of Father Luis Machado, from whom he inherited a love of counterpoint and a strong taste for harmony. He took a diploma incomposition, counterpoint and fugue at the age of 16 at the Amigos del Arte Society in Rosario, going on in 1964 to do an advanced course in 12-tone counterpoint at the Cleveland Institute of Music. The catalogue of his compositions, which has nowreached Op. 55, encompasses a huge range of instrumental/vocal chamber music and symphonic works: a vast and articulated catalogue, in which Sergio Calligaris’s composition expresses its inspiration through the dramatic development of a dialecticalcontrast between the two natures of the composer’s personality - the elegiac and the dithyrambic - which confront and interact with each other giving rise to artistic outcomes of a deeply moving nature. / Niveau : Intermédiaire / Date parution : 1905-06-13/ Répertoire / Violoncelle
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Martin Norgaard: Jazz Cello/Bass Wizard Junior Book 2 Book/Cd Set: Cello:
14.99
Martin Norgaard: Jazz Cello/Bass Wizard Junior Book 2 Book/Cd Set: Cello:
Violoncelle
[Partition + CD]
Mel Bay
Jazz Cello/Bass Wizard Junior 2 is a continuation of Jazz Cello Wizard Junior (M...
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Jazz Cello/Bass Wizard Junior 2 is a continuation of Jazz Cello Wizard Junior (Mel Bay 2002) and is designed for upper middle school and high school string students. JCWjr 2 uses the same basic approach as JCWjr; students learnmainly through imitation the same way we learn to speak our native tongue. It also introduces very easy optional chord theory but only AFTER the student has experienced improvising with chords aurally. The books come in threeversions???violin viola and cello/bass???designed to be used together in studio and classroom situations. This volume introduces three basic concepts that are prerequisites to advanced jazz improvising: solo development modes andinner melodies - the single most potent technique to get students to improvise on advanced progressions immediately. ???
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Quintette A Cordes N02 (MILHAUD DARIUS)
76.90
Quintette A Cordes N02 (MILHAUD DARIUS)
2 Violons, Alto, Violoncelle et Contrebasse
Heugel
Par MILHAUD DARIUS. Composed in 1952, String Quintet No. 2 is an alternative, ex...
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Par MILHAUD DARIUS. Composed in 1952, String Quintet No. 2 is an alternative, exciting String Quintet for 2 Violins, Viola, Cello and Double Bass. Milhaud makes use of variation in bowings, complex rhythms, chromaticism, altering tempos, double stops, harmonics, variation in dynamics and a wide tessitura, among other aspects. Milhaud`s String Quintet No. 2 is essential to all advanced String Quintets seeking modern and exciting repertoire. French composer and teacher, Darius Milhaud (1892-1974) was a prolific composer of the 20th Century as a member of 'Les Six'. His compositions remain highly regarded, String Quintet No. 2 being no exception. Milhaud 's compositions are influenced by jazz and polytonality, as exemplified in String Quintet No. 2, which is the second of four String Quintets by the composer. Composed in 1952, String Quintet No. 2 is an alternative, exciting String Quintet for 2 Violins, Viola, Cello and Double Bass. Milhaud makes use of variation in bowings, complex rhythms, chromaticism, alteringtempos, double stops, harmonics, variation in dynamics and a wide tessitura, among other aspects. Milhaud 's String Quintet No. 2 is essential to all advanced String Quintets seeking modern and exciting repertoire./ Répertoire / 2 Violons, Alto, Violoncelle et Contrebasse
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Friedrich Dotzauer: Forty Studies: Cello: Instrumental Work
9.50
Friedrich Dotzauer: Forty Studies: Cello: Instrumental Work
Violoncelle
Stainer and Bell
This volume consists of forty advanced studies for Cello by talented German comp...
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This volume consists of forty advanced studies for Cello by talented German composer Justus Johann Friedrich Dotzauer. Though he wrote many successful symphonies and concertos it was as a teacher that he found most success and his most enduring work is his 180 Studies for Cello Violoncellschules which are still used today. This set is from the latter part of his studies and are suitable for advanced players or as exercises for skilled cellists.
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Tema E Variazioni Op. 5B (CALLIGARIS SERGIO)
44.36
Tema E Variazioni Op. 5B (CALLIGARIS SERGIO)
Piano Trio: piano, violon, violoncelle
[Conducteur et Parties séparées]
-
Intermédiaire
Ricordi
Per Violino, Violoncello E Pianoforte. Par CALLIGARIS SERGIO. Sergio Calligaris ...
(+)
Per Violino, Violoncello E Pianoforte. Par CALLIGARIS SERGIO. Sergio Calligaris was born in Rosario (1941), Argentina. He is one of the last musicians to incarnate the traditional 19th century figure of pianist, teacher and composer, inaugurated at the beginning of the 19th century by Muzio Clementi and carriedon after that by a sequence of famous names that the history of music has handed down to us. As a pianist, he began to give public performances at the age of 13, making his debut in his home town Rosario. Following this success, he embarked upon an extremely busy career as a soloist, giving numerous recitals in Buenos Aires and other citiesin Argentina. He continued to take advanced lessons with eminent exponents of the most prestigious international piano schools. In 1974 he became an Italian citizen and settled in Rome, teaching piano as principal instrument at the S. Pietro a Majella StateConservatory in Naples, the Luisa DAnnunzio Conservatory in Pescara and the Alfredo Casella Conservatory in Aquila. As a composer, he began - at just 9 years of age - to study in the rigorous school of Paul Hindemith, under the guidance of Father Luis Machado, from whom he inherited a love of counterpoint and a strong taste for harmony. He took a diploma incomposition, counterpoint and fugue at the age of 16 at the Amigos del Arte Society in Rosario, going on in 1964 to do an advanced course in 12-tone counterpoint at the Cleveland Institute of Music. The catalogue of his compositions, which has nowreached Op. 55, encompasses a huge range of instrumental/vocal chamber music and symphonic works: a vast and articulated catalogue, in which Sergio Calligaris’s composition expresses its inspiration through the dramatic development of a dialecticalcontrast between the two natures of the composer’s personality - the elegiac and the dithyrambic - which confront and interact with each other giving rise to artistic outcomes of a deeply moving nature. / Niveau : Intermédiaire / Répertoire / Violon, Violoncelle et Piano
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Tema E Variazioni Op. 5A (CALLIGARIS SERGIO)
44.36
Tema E Variazioni Op. 5A (CALLIGARIS SERGIO)
Clarinette, Violoncelle et Piano
[Conducteur et Parties séparées]
-
Intermédiaire
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Per Clarinetto, Violoncello E Pianoforte. Par CALLIGARIS SERGIO. Sergio Calligar...
(+)
Per Clarinetto, Violoncello E Pianoforte. Par CALLIGARIS SERGIO. Sergio Calligaris was born in Rosario (1941), Argentina. He is one of the last musicians to incarnate the traditional 19th century figure of pianist, teacher and composer, inaugurated at the beginning of the 19th century by Muzio Clementi and carriedon after that by a sequence of famous names that the history of music has handed down to us. As a pianist, he began to give public performances at the age of 13, making his debut in his home town Rosario. Following this success, he embarked upon an extremely busy career as a soloist, giving numerous recitals in Buenos Aires and other citiesin Argentina. He continued to take advanced lessons with eminent exponents of the most prestigious international piano schools. In 1974 he became an Italian citizen and settled in Rome, teaching piano as principal instrument at the S. Pietro a Majella StateConservatory in Naples, the Luisa DAnnunzio Conservatory in Pescara and the Alfredo Casella Conservatory in Aquila. As a composer, he began - at just 9 years of age - to study in the rigorous school of Paul Hindemith, under the guidance of Father Luis Machado, from whom he inherited a love of counterpoint and a strong taste for harmony. He took a diploma incomposition, counterpoint and fugue at the age of 16 at the Amigos del Arte Society in Rosario, going on in 1964 to do an advanced course in 12-tone counterpoint at the Cleveland Institute of Music. The catalogue of his compositions, which has nowreached Op. 55, encompasses a huge range of instrumental/vocal chamber music and symphonic works: a vast and articulated catalogue, in which Sergio Calligaris’s composition expresses its inspiration through the dramatic development of a dialecticalcontrast between the two natures of the composer’s personality - the elegiac and the dithyrambic - which confront and interact with each other giving rise to artistic outcomes of a deeply moving nature. / Niveau : Intermédiaire / Répertoire / Clarinette, Violoncelle et Piano
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Classical Vienna (Piano Trio)
27.35
Classical Vienna (Piano Trio)
Piano Trio: piano, violon, violoncelle
[Conducteur et Parties séparées]
Alfred Publishing
A delightful collection of well-loved piano solos (and one song) by Haydn, Mozar...
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A delightful collection of well-loved piano solos (and one song) by Haydn, Mozart, and Beethoven; arranged - with equal difficulty parts - for violin, cello and piano. Whether just for pleasure, or a public concert, or as GCSE/A-level ensembles, these pieces will be very useful, with the added bonus of having familiarity in another form. They would also make appealing encores for amateur or professional chamber musicians. Level: Grades 6-7; Early Advanced-Advanced. / Ensemble Music, Instrumental Music / Recueil / Piano, Violon et Violoncelle
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Great Orchestral Solos For Cello: Cello: Instrumental Album
14.99
Great Orchestral Solos For Cello: Cello: Instrumental Album
Violoncelle
Kevin Mayhew
Each of the solos in this collection has been carefully selected from the most p...
(+)
Each of the solos in this collection has been carefully selected from the most popular of the great orchestral pieces and expertly arranged for the intermediate to advanced cellist with Piano accompaniment. The arranger Geoffrey Pratley has included performance notes for each piece.The 8 pieces in Great Orchestral Solos For Cello - Book One include movements from Carmen Haydn's Symphony No. 95 Beethoven's Die Geschopfe Des Prometheus Tchaikovsky's Sleeping Beauty and others. Pull-out part for Cello.
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Piano Trios on Stage (AUTEURS DIVERS / BROOKER DAVID (Arr)
23.25
Piano Trios on Stage (AUTEURS DIVERS / BROOKER DAVID (Arr)
Violon Ou Flûte, Violoncelle Et Piano
[Partition]
Universal Edition
Intermediate-level arrangements of well-known Classical and Romantic works. Par ...
(+)
Intermediate-level arrangements of well-known Classical and Romantic works. Par AUTEURS DIVERS / BROOKER DAVID (Arr.). In his preface to 'Piano Trios on Stage”, the arranger, David Brooker, reminds us that, just as the string quartet, the piano trio has always been one of the pillars of chamber music. In the 19th and early 20th century, it was almost like the later invention of the gramophone record, allowing larger works, in arrangement, as well as lighter pieces to be presented to small audiences, often as background music. David comments that string players have plenty of easy material to introduce them to the pleasure of making music with other instrumentalists but when it comes to piano parts these are usually written or arranged with a teacher or more advanced student in mind. David sets out to rectify that imbalance and his arrangements aim to put all three players on an equal footing. Of easy to intermediate standard, they are ideal for violinists, cellists and pianists who are now ready to try their hand at proper chamber music. The music is fun and instantly recognizable, drawing on Grieg's 'Peer Gynt”, Tchaikovsky's 'Nutcracker” and Leopold Mozart's 'Musical Sleigh Ride”./ Recueil / Violon Ou Flûte, Violoncelle Et Piano
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Geoffrey Pratley: Great Orchestral Solos for Cello Book 2: Violin & Cello:
10.99
Geoffrey Pratley: Great Orchestral Solos for Cello Book 2: Violin & Cello:
Violon, Violoncelle (duo)
Kevin Mayhew
Each of the solos in this collection has been carefully selected from the most p...
(+)
Each of the solos in this collection has been carefully selected from the most popular of the great orchestral pieces and expertly arranged for the intermediate to advanced cellist with Piano accompaniment. The arranger Geoffrey Pratley has included performance notes for each piece.The 8 pieces in Great Orchestral Solos For Cello - Book Two includePiano Concerto No 2 and Swan Lake byTchaikovsky Symphony No 8 Le Soir and Symphony No 13 by Haydn Poet and Peasant Overture (Suppé) Sous les Tilleuls (Massenet) St Matthew Passion (Bach) and Tosca (Puccini).Pull-out part for Cello.
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Hot Vol.1 - 16 Easy Pop Pieces in 1st Position
19.42
Hot Vol.1 - 16 Easy Pop Pieces in 1st Position
Violoncelle
[Partition + CD]
Schott
An absolute must for modern cello lessons: Hot Cello is a varied mixture of piec...
(+)
An absolute must for modern cello lessons: Hot Cello is a varied mixture of pieces from pop, rock, blues and jazz music. Volume 1 is very easy and limited to the first position. Students are gradually introduced to technical and musical problems. The second part is intended for the teacher or advanced students. The pieces in Volume 2 are musically and technically more demanding and assume an ability to play in 1st-4th position. All pieces are included on the accompanying CD. / Violoncelle
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Maria Linnemann: Kleine Streiche: Cello Duet: Instrumental Work
7.99
Maria Linnemann: Kleine Streiche: Cello Duet: Instrumental Work
2 Violoncelles (duo)
Ricordi
für 2 Celli (1. Cello sehr leicht 2. Cello mittel)-The Small Tricks are a deli...
(+)
für 2 Celli (1. Cello sehr leicht 2. Cello mittel)-The Small Tricks are a delight for cello beginners especially when accompanied by a more advanced student or their tutor (1st cello: very easy; 2nd cello: intermediate). A separate guitar accompaniment is available and can replace the second cello. Guitar accompaniment: SY 2883
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P. Such: New School Of Cello Studies 1: Cello: Instrumental Tutor
9.00
P. Such: New School Of Cello Studies 1: Cello: Instrumental Tutor
Violoncelle
Stainer and Bell
Set for the Trinity College examinations Grades 1/2.See Intermediate Section fo...
(+)
Set for the Trinity College examinations Grades 1/2.See Intermediate Section for Books 2 & 3 (Refs. 7761B and C) and Advanced Section for Book 4 (Ref. 7761D).
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Principal Cello: Cello: Instrumental Album
13.25
Principal Cello: Cello: Instrumental Album
Violoncelle
[Partition + CD]
-
Intermédiaire/avancé
ABRSM Publishing
12 repertoire pieces for cello Grades 6-8-Principal Cello is an exciting collec...
(+)
12 repertoire pieces for cello Grades 6-8-Principal Cello is an exciting collection of 12 pieces for more advanced cellists. Covering Grades 6–8 it features music in a range of styles with works by Janá ek Debussy and Grieg sitting alongside hidden gems by William H. Squire and Georg Goltermann. Cello arrangements of popular recital pieces such as Borowski’s Adoration are also included making this the ideal companion for exploring new repertoire in practice concerts or exams. Key features: pieces from Lists B and C of ABRSM’s Cello syllabus at Grades 6–8 newly created editions of rarely-played repertoire recordings ofcomplete performances and playalong tracks available for download at www.abrsm.org/principalcello Other publications for Cello: More Time Pieces for Cello 2 Spectrum for Cello Spectrum for String Quartet
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Scottish Folk Tunes: Cello: Instrumental Album
16.99
Scottish Folk Tunes: Cello: Instrumental Album
Violoncelle
[Partition + CD]
Schott
69 Scottish tunes for solo cello including slow airs & laments marches strath...
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69 Scottish tunes for solo cello including slow airs & laments marches strathspeys reels jigs polkas hornpipes and a quickstep. Intermediate to advanced standard (grades 4 to 8). Includes CD featuring Kevin McCrae's 'Bonnie' recorded by the composer and all other tunes performed by Neil Johnstone. Ideal for concert performances and informal sessions.
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Luigi Boccherini: Sonata: Violin & Cello: Instrumental Work
11.99
Luigi Boccherini: Sonata: Violin & Cello: Instrumental Work
Violon, Violoncelle (duo)
[Partition]
Leduc, Alphonse
Sonata for Violin and Cello and composed by Luigi Boccherini was transcribed and...
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Sonata for Violin and Cello and composed by Luigi Boccherini was transcribed and annotated by Paul Bazelaire a professor at the National Conservatoire. Ideal for a recital or for a contest this sonata in four parts is quite challenging for both instruments and would require advanced skills. The Cello score is written over the C and the F key and each of the four parts includes numerous repetitions and fast sections. These four parts are 1. Allegretto Spiritoso 2. Vivace 3. Grave and 4. Allegro Assai. This really nice Sonata will be a delight to play and to listen to. LuigiBoccherini (1743-1806) composed numerous pieces for various instruments including Cello duets chamber music cantatas ballets orchestral music masses and a large amount of music for strings.
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Mohammed Fairouz: Lamentation And Satire: String Quartet: Part
18.99
Mohammed Fairouz: Lamentation And Satire: String Quartet: Part
Quatuor à cordes: 2 violons, alto, violoncelle
Peermusic Classical
A grim commentary on the contemporary Middle East Lamentation and Satire is in...
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A grim commentary on the contemporary Middle East Lamentation and Satire is in the composer's words born out of a reaction to a part of the world that is over the edge. Advanced Level.
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Johann Sebastian Bach: Bach J. S.: Duets For Two Cellos: Cello: Instrumental
13.99
Johann Sebastian Bach: Bach J. S.: Duets For Two Cellos: Cello: Instrumental
2 Violoncelles (duo)
[Partition]
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Facile
Mel Bay
J. S. Bach’s two-part keyboard pieces form a significant body of musical ...
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J. S. Bach’s two-part keyboard pieces form a significant body of musical literature but only occasionally have they been arranged for strings. This carefully transcribed collection of cello duets and its two companion volumes Duets for Two Violins (MB # 21437) and Duets for Two Violas (MB # 21438) bring many additions taken from Bach’s suites preludes and inventions to the string player’s repertoire. Intermediate and advanced instrumentalistswill delight in the musical complexity contrapuntal dialogue and variety of moods in these pieces. Since bowing and fingering preferences vary greatly among string players editorial marks have been kept to a minimum. These arrangements are an attractive valuable addition to string ensemble work.
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Doreen Smith: Cello Sight-reading Book 1: Cello: Instrumental Tutor
10.50
Doreen Smith: Cello Sight-reading Book 1: Cello: Instrumental Tutor
Violoncelle
Oxford University Press
A fabulous training and practice manual with one hundred melodies for Grades 1 t...
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A fabulous training and practice manual with one hundred melodies for Grades 1 to 5 by Doreen Smith. These graded sight-reading pieces for Cello are designed to provide practice material at all stages. This first book begins with the first position and covers the usual examination expectations of the earlier grades. More advanced Cello players will find more suitable exercises in the second volume.
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Frank Bridge: Three Pieces For String Quartet: String Quartet: Score and Parts
Quatuor à cordes: 2 violons, alto, violoncelle
[Partition]
S J Music
Frank Bridge wrote these three light-hearted and fairly easy String Quartets for...
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Frank Bridge wrote these three light-hearted and fairly easy String Quartets for the English String Quartet of which he was a member to play at the Annual General Meeting of the Royal College of Music Union in 1904. Accessible for advanced school students they are published with the kind permission of the Frank Bridge Trust and transcribed from the original manuscript.
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6 Caprices Op. 109
16.65
6 Caprices Op. 109
Violoncelle
Schott
The 6 Caprices by the famous 19th-century teacher and virtuoso are aimed at adva...
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The 6 Caprices by the famous 19th-century teacher and virtuoso are aimed at advanced pupils and students. They are intended to focus on improving technique and virtuosity. The accompaniment of a second violoncello is optional. / Violoncelle
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Bernhard Cossmann: Violoncello Studien: Cello
13.50
Bernhard Cossmann: Violoncello Studien: Cello
Violoncelle
[Partition]
Schott
The Violoncello Studies by Bernhard Cossmann (1822-1910) provide specific exerci...
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The Violoncello Studies by Bernhard Cossmann (1822-1910) provide specific exercises for the development of the left hand such as double stop trill studies finger dexterity exercises chord scale and thumb position studies which intensively include the use of the fourth finger in particular. This is what gives these studies their special value and make them indispensable to the training as a cellist. They are aimed at the advanced pupil and student but also at the professionally trained cellist who wants to improve and maintain the dexterity and velocity of the left-hand fingers by means of short exercises.
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CELLO TIME JOGGERS (BLACKWELL KATHY / DAVID)
11.19
CELLO TIME JOGGERS (BLACKWELL KATHY / DAVID)
Violoncelle
[Partition]
Oxford University Press
Par BLACKWELL KATHY / DAVID. This book contains cello accompaniments for the tun...
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Par BLACKWELL KATHY / DAVID. This book contains cello accompaniments for the tunes in Cello Time Joggers. These fun, characterful duet parts are suitable for a teacher or more advanced student, and will enhance lessons by providing an alternative accompaniment option for these popular pieces. / Date parution : 2023-01-06/ Recueil / Violoncelle
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Max Bruch: Adagio Op.56: Cello: Instrumental Work
Violoncelle
Simrock
This is an interesting piece for advanced performers and makes a good showpiece....
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This is an interesting piece for advanced performers and makes a good showpiece. Piano accompaniment included.
15.50 GBP - vendu par Musicroom GB
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Quintett (WALTER BRUNO)
79.37
Quintett (WALTER BRUNO)
Quintette avec Piano
Universal Edition
The score (UE 35757) also serves as the piano part.. Par WALTER BRUNO. Better kn...
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The score (UE 35757) also serves as the piano part.. Par WALTER BRUNO. Better known as one of the foremost conductors of the 20th century, Walter also found a place in contemporary composition in Vienna in the early part of the 1900s. Of particular importance is the Quintet, which was premiered by the Rosé Quartet, with the composer at the piano, and described as a resounding success. Universal Edition was an early publisher of Walter works, and they are pleased to publish this first edition of the Quintet, in cooperation with the Bruno Walter estate at the University of Music and Performing Arts of Vienna. For advanced performers./ Répertoire / Quintette avec Piano
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Romance, Elegy And Prelude
27.74
Romance, Elegy And Prelude
Quatuor à cordes : 4 altos
Boosey and Hawkes
Arrangements for string quartet of Romance for string orchestra, op 11 (1928), E...
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Arrangements for string quartet of Romance for string orchestra, op 11 (1928), Elegy for violin and piano, op 22 (1940), and Prelude for string orchestra, op 25 (1940s). Romance (8 mins) was first performed in 2009 by the Finzi Quartet at London's Wigmore Hall, and has been recorded by them on Resonus Classics RES 10109. Elegy (9 mins) and Prelude (5 mins) were first performed in 2014 by the Marilla Quartet at Downe House School, Berkshire, UK. The arrangements are presented as three separate works and form an attractive addition to the string quartet repertory.Difficulty:Prelude: intermediateRomance and Elegy:intermediate/advanced. / Quatuor De Cordes
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