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Triple Set (JALBERT PIERRE)
78.81
Triple Set (JALBERT PIERRE)
Flûte Traversière, Clarinette et Piano
[Conducteur et Parties séparées]
Schott
For Flute, Clarinet In Bb, and Piano. Par JALBERT PIERRE. Triple Set was commiss...
(+)
For Flute, Clarinet In Bb, and Piano. Par JALBERT PIERRE. Triple Set was commissioned by the Flute/Clarinet Duos Consortium, an organization of 17 groups which will give the premiere performances of the work. I’ve always been fascinated by the flute and clarinet, and when I was approached by my colleagues at Rice (Leone Buyse and Michael Webster) to write a piece for flute, clarinet and piano (I’m a pianist myself), for the Flute/Clarinet Duos Consortium, I was happy to oblige. Both of my sons also play the clarinet, so many of these sounds are around me all the time. The piece is in three contrasting movements. The first movement, Driving, marked “With great energy”, is rhythmically propelled forward by the piano’s muted strings and the flute and clarinet playing at first in rhythmic unison, then each taking a turn at solos while the other participates in the accompanimental syncopations. The second movement, Still, is marked “Timeless” and slowly unfolds its melodic and harmonic ideas. The third movement, Relentless, is a kind of 6/8 scherzo, which vigorously and relentlessly propels itself forward to the end, with just two minor interruptions of quasi-cadenza like passages for flute and clarinet duo. - Pierre Jalbert/ Répertoire / Flûte Traversière, Clarinette et Piano
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Duo Concertante (JALBERT PIERRE)
44.34
Duo Concertante (JALBERT PIERRE)
Alto et Contrebasse
[Conducteur]
-
Avancé
Schott
Par JALBERT PIERRE. Duo Concertante contains five brief movements of contrasting...
(+)
Par JALBERT PIERRE. Duo Concertante contains five brief movements of contrasting character. The first movement functions as a short prelude, with the viola and bass combining to form alternating high and low harmonies and trading off solo lines. The second movement is a playful scherzo, played pizzicato by both instruments, while the third movement is the central, lyrical movement of the work, with undulating natural harmonic tremolos and a rhythmically driving interruptive middle section. The fourth movement consists almost entirely of quickly bowed natural harmonics with fleeting rhythmic tremolos on both instruments. The final movement contains rapidly driving music in constant motion, interrupted twice by cadenza-like free sections which are non-synchronized. The two instruments then come together for the final push to the end. Duo Concertante was written for James and Deborah Dunham on the occasion of their 35th anniversary, with support from the Shepherd School of Music, Rice University. Pierre Jalbert / Niveau : Avancé / Répertoire / Alto et Contrebasse
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Wind Dances (JALBERT PIERRE)
207.57
Wind Dances (JALBERT PIERRE)
Flûte Traversière (Piccolo), Hautbois, Clarinette,
[Conducteur et Parties séparées]
-
Avancé
Schott
for piano and woodwind quintet. Par JALBERT PIERRE. Wind Dances is in seven shor...
(+)
for piano and woodwind quintet. Par JALBERT PIERRE. Wind Dances is in seven short contrasting movements, each containing dance-like rhythms, both slow and fast. Having two sons who both play the clarinet, I've heard many a woodwind quintet, so I've been wanting to write for the medium for quite a while. In this instance, I also added my own instrument, the piano. The work opens with a fast movement containing driving rhythms in the winds, which are then answered by the piano. The second movement features colorful effects in the winds and piano (slap tongue, air sounds, muted tones) leading to a long extended lyrical line, gradually orchestrated to involve all the winds. The third movement is a dynamic scherzo, with a separate middle section similar to a traditional Trio section. The slowly unfolding fourth movement is the longest of the piece and anchors the middle of the work. The fifth movement is a kind of echo of the third movement, though this time the dynamic scherzo is high and light, rather than low and dark. The sixth movement is related to the second movement, and is basically a solo cadenza for the clarinet, with a few accompanimental gestures in the piano. The seventh and final movement reprises material from the first movement, this time with new and driving dance-like gestures added. - Pierre Jalbert / Niveau : Avancé / Répertoire / Flûte Traversière (Piccolo), Hautbois, Clarinette,
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The Joy of Freedom (SAMITZ NICO)
35.21
The Joy of Freedom (SAMITZ NICO)
Quintette de Cuivres
[Conducteur et Parties séparées]
Symphonic Dimensions Publishing
Par SAMITZ NICO. 'Nico Samitz has been composing for chamber ensembles since his...
(+)
Par SAMITZ NICO. 'Nico Samitz has been composing for chamber ensembles since his school days. For over ten years he has been writing works in a wide variety of genres for the „BlechReiz BrassQuintett“ ensemble, in which he himself plays trumpet and piano. His field of expertise ranges from classical pieces to jazz and meditative music—and even to pop-oriented compositions. While honing his skills in ear-training and composition at the Mozarteum, Salzburg, Nico became acquainted with a wide repertoire of works as a trumpet player with the Munich Symphony Orchestra, The Munich Philharmonic Orchestra, and the Bavarian State Opera, all of which have influenced his writing style. The driving force behind his creative work is a winning combination of passion, the fun of music-making and a desire to express, through the medium of music, feelings that are difficult to put into words. Like many of his works, Nico composed The Joy of Freedom for the „BlechReiz BrassQuintet“. The catchy tune is reworked in a variety of styles throughout the entire work, giving it the quality of a true ‘earworm’. ' / Date parution : 2021-12-09/ Répertoire / Quintette de Cuivres
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Nico Muhly: Diacritical Marks: String Quartet: Score and Parts
22.99
Nico Muhly: Diacritical Marks: String Quartet: Score and Parts
Quatuor à cordes: 2 violons, alto, violoncelle
St Rose Music Publishing
'Diacritical Marks was written for the Chiara Quartet in 2011 and is in eight s...
(+)
'Diacritical Marks was written for the Chiara Quartet in 2011 and is in eight short movements. I have a huge anxiety about string quartets; they are normally meant to be giant expressions of a composer’s emotional life. Here I focused on details: a tiny dot above a letter a tiny swivel of the bow. The first and last movements are energetic and driving and the middle movements are more lyrical rhapsodic and/or floating. The quartet is bound together by a piece of drone music found in movements 3 5 and 7 in which the second violin and the viola play an interlocking repeating pattern ad infinitum while the cello and first violin spin very long outrageous lines on top. The piece lasts just under 20 minutes.' —Nico Muhly
22.99 GBP - vendu par Musicroom GB
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Asiago op. 107 b (HUMMEL BERTOLD)
25.53
Asiago op. 107 b (HUMMEL BERTOLD)
Percussion et Violoncelle
[Conducteur et Parties séparées]
Schott
for Percussion and Violoncello. Par HUMMEL BERTOLD. In summer 2001, Bertold Humm...
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for Percussion and Violoncello. Par HUMMEL BERTOLD. In summer 2001, Bertold Hummel composed the present work as a commission for the 'Asiago Festival' and brought together in the grand dimensions of his 'Fantasy in one movement' - as he himself termed it - for the first time the instruments he had always loved much during his life. Asiago - the letters a-s-a-g, corresponding to the notes a, e-flat, a, g in the German musical scale, open and close the work - is a successful excursion into the complex sound combinations of percussion instruments and the mystical, sensuous tone of the violoncello, whereby the stringed instrument occasionally takes on a percussive role and the percussion is sometimes treated like a bowed. Driving rhythms pursue each other, alternating with meditative moments. Chorale fragments lead to a grand cadenza, in which the instrumentalists have the opportunity, following patterns provided, for free improvisation. The première of this work took place on 5th August, 2001 in the Duomo di S. Matteo in Asiago in northern Italy and was in the hands of Peter Sadlo and Julius Berger, who are amongst the most committed exponents of Bertold Hummel's works./ Répertoire / Percussion et Violoncelle
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Joan Tower: In Memory: String Quartet: Score and Parts
31.50
Joan Tower: In Memory: String Quartet: Score and Parts
Quatuor à cordes: 2 violons, alto, violoncelle
[Sheet music]
-
Intermédiaire/avancé
Associated
The second String Quartet by Joan Tower is a short but complex work addressing t...
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The second String Quartet by Joan Tower is a short but complex work addressing thoughts of death and loss written in memory of an old friend. The piece was commissioned by and is dedicated to the Tokyo String Quartet who firstperformed the piece in February 2002 at the 92nd Street Y New York City.Further inspired by the events in New York on September 11th 2001 the writing contains high sustained celestial material which slowly descends. Thiswriting is paired with more forceful driving and repetitive musical ideas that attempt to express the anger and pain that results from the loss of people in one's life.
31.50 GBP - vendu par Musicroom GB
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A Little Duo op. 156 (KAPUSTIN NIKOLAI)
18.87
A Little Duo op. 156 (KAPUSTIN NIKOLAI)
Flûte, Violoncelle
[Conducteur et Parties séparées]
Schott
Par KAPUSTIN NIKOLAI. This short duet by contemporary Russian composer Nikolai K...
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Par KAPUSTIN NIKOLAI. This short duet by contemporary Russian composer Nikolai Kapustin has a driving syncopated rhythm and edgy harmonic palette. Kapustin makes good use of both the cello?s rich sonority and its more hard-edged character to underpin the flute?s almost incessant virtuosic outpourings. There is tense rhythmic interplay between the instruments, making it a hugely enjoyable piece for two ambitious performers, as well as for any audience./ Répertoire / Flûte Traversière et Violoncelle
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String Quartet No. 6 (JALBERT PIERRE)
119.88
String Quartet No. 6 (JALBERT PIERRE)
Quatuor à cordes: 2 violons, alto, violoncelle
[Conducteur et Parties séparées]
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Avancé
Schott
Canticle. Par JALBERT PIERRE. Canticle (String Quartet No. 6) was commissioned b...
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Canticle. Par JALBERT PIERRE. Canticle (String Quartet No. 6) was commissioned by the Chiara String Quartet. It consists of seven movements, highly contrasting in character, with movements I and VII serving as similar bookends to the overall arch of the work. The piece opens with the quartet members striking various crotales, producing bell sounds that eventually blend with the string quartet – evoking the title, Canticle. The faster, pulse-oriented music requires the players to use glass rods on their instruments and at one point quickly moves back and forth between alternating rhythmic subdivisions, producing extremely rapid metric modulations. The last movement blends the string quartet with the bowing of the crotales to produce an ethereal, other-worldly finale to the canticle. Pierre Jalbert / Niveau : Avancé / Répertoire / Quatuor à Cordes
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Fly-Driving
43.90
Fly-Driving
Quatuor à cordes: 2 violons, alto, violoncelle
Jobert
/ Quatuor A Cordes
43.90 EUR - vendu par LMI-partitions
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Viola Position 1 (DEZAIRE NICO)
27.60
Viola Position 1 (DEZAIRE NICO)
Alto seul
[Partition + CD]
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Facile
De Haske Publications
Fingerings, scales and triads. Par DEZAIRE NICO. Position 1 couvre les quatre do...
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Fingerings, scales and triads. Par DEZAIRE NICO. Position 1 couvre les quatre doigtés de la première position et examine le rapport entre ces doigtés et les différentes tonalités - jusquà trois dièses ou bémols. Cet ouvrage contient 38 exercices pour les divers doigtés, 7exercices de gammes et de triades, et 68 morceaux de concert dans une diversité de styles. Ces morceaux peuvent être exécutés avec l´accompagnement du CD, mais aussi accompagnés au piano. Des versions intégrales et de démonstration figurent surles CD 1 et 2, ce dernier comprenant aussi les partitions du piano sous forme de fichiers PDF. / Niveau : Facile / Etude / Alto
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