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Quatuor à cordes: 2 violons, alto, violoncelle (13)
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String Quartet #6 (Score) (SCULTHORPE PETER)
14.80
String Quartet #6 (Score) (SCULTHORPE PETER)
Quatuor à cordes: 2 violons, alto, violoncelle
[Partition]
Faber Music Limited
Par SCULTHORPE PETER. '. . .the most evocative and moving piece of chamber music...
(+)
Par SCULTHORPE PETER. '. . .the most evocative and moving piece of chamber music composed by an Australian. It is tragic and deeply felt, terse, shattering in its impact.'The Bulletin (Kenneth Robins), 27 September 1969/ Répertoire / Quatuor à Cordes
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String quartet no. 1 (2015) (FREEMAN ALEX)
47.52
String quartet no. 1 (2015) (FREEMAN ALEX)
Quatuor à cordes: 2 violons, alto, violoncelle
Fennica Gehrman
Par FREEMAN ALEX. Alex Freeman found initial inspiration for his string quartet ...
(+)
Par FREEMAN ALEX. Alex Freeman found initial inspiration for his string quartet (2015) in a series of photographs a geologist friend showed him of en échelon veins in rock formations. The open strings punctuated with pizzicato unisons that begin the single-movement work call to mind something crystalline and shimmering, which is immediately infused with tumbling lyrical lines in something of a rapid caccia technique throughout. The middle of the work becomes more suspended in slower material loosely based on a technique of prolation canon, comprises layers of free, expressive, lyrical, and even elegiac music moving at different speeds. As the work concludes, the materials converge in a rhythmically pulsating stasis and an almost chorale-like statement. Duration: c. 13' This product includes the score and the parts (A4 sized). American-Finnish composer Alex Freeman (b.1972) has established himself among the foremost composers of choral music in Finland. A dedicated citizen of his musical community, a teacher, and a choral singer himself, he composes music that reflects an appreciation for a wide range of aesthetics and a passion for communicating with listeners and performers. In his choral works, in particular, we find music that aims to be sonorous, melodic, and resonant, but is always crafted to carefully avoid the cliches that can burden conventional tonality. His instrumental works run the gamut: a cantata with orchestra based on poetry of Whitman; a significant body of solo piano works that reveal deep roots in everything from austere absolute music to soaring elegaic rhetoric (see Albany Records, Inner Voice); his chamber work Blueshift (Navona Records), which is a kind of paean to Reich and Adams in miniature; open-ended modular works, like various iterations of his Slow All Clocks for electronic media, solo clarinet, and mixed choirs of kanteles; and, recently, some new directions in microtonal music. / Date parution : 2022-05-31/ Répertoire / Quatuor à Cordes
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Kevin Volans: String Quartet No.9 - Shiva Dances (Parts): String Quartet: Parts
24.99
Kevin Volans: String Quartet No.9 - Shiva Dances (Parts): String Quartet: Parts
Quatuor à cordes: 2 violons, alto, violoncelle
[Partition]
Chester
Kevin Volans' String Quartet No. 9: Shiva Dances was commissioned by BBC Radio 3...
(+)
Kevin Volans' String Quartet No. 9: Shiva Dances was commissioned by BBC Radio 3 and first performed by the Smith Quartet at the 2004 Huddersfield Contemporary Music Festival.Kevin Volans (the composer) notes on the piece:In the past I have been interested in trying to go beyond historicism (1970s) beyond style(1980s) and beyond form (1990s) in my work. Looking back over the music of the twentiethcentury I was struck by the fact the nearlyall of it is extremely 'busy' almost cluttered. Italmost seemed that composers felt compelled to look industrious. In the new millennium Ithought it would be interesting to try and eliminate content. I also aspired to movingfrommusic (sound as art) to art (art as sound). This of course has already been done by a numberof composers (many from New York Phil Niblock and La Monte Young to name but two) butit was something I had never tried.AlthoughI found it annoying that the label 'minimalist' was given to my African-based work and fearing this would make the label stick I set out to write a piece which reflected my loveof minimal painting and architecture. The Japanesehave a term 'wabi' meaning 'voluntarypoverty' or 'emptiness' to describe their restrained minimal aesthetic an aesthetic which however pays greatest attention to the quality of material and fine detail. I like to think thatthelack of excessive pitch material in this piece reflects a kind of voluntary poverty.When Shiva is portrayed dancing (as Nataraj) He is depicted in a circle of flames crushing asmall figure the ego underfoot.You get theimpression He dances on the spot not movingaround at all. I like that.The piece is dedicated to Pablo Pascual Cilleruelo.
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Kevin Volans: String Quartet No.9 - Shiva Dances: String Quartet: Score
16.99
Kevin Volans: String Quartet No.9 - Shiva Dances: String Quartet: Score
Quatuor à cordes: 2 violons, alto, violoncelle
[Partition]
Chester
Kevin Volans' String Quartet No. 9: Shiva Dances was commissioned by BBC Radio 3...
(+)
Kevin Volans' String Quartet No. 9: Shiva Dances was commissioned by BBC Radio 3 and first performed by the Smith Quartet at the 2004 Huddersfield Contemporary Music Festival.Kevin Volans (the composer) notes on the piece:In the past I have been interested in trying to go beyond historicism (1970s) beyond style(1980s) and beyond form (1990s) in my work. Looking back over the music of the twentiethcentury I was struck by the fact the nearlyall of it is extremely 'busy' almost cluttered. Italmost seemed that composers felt compelled to look industrious. In the new millennium Ithought it would be interesting to try and eliminate content. I also aspired to movingfrommusic (sound as art) to art (art as sound). This of course has already been done by a numberof composers (many from New York Phil Niblock and La Monte Young to name but two) butit was something I had never tried.AlthoughI found it annoying that the label 'minimalist' was given to my African-based work and fearing this would make the label stick I set out to write a piece which reflected my loveof minimal painting and architecture. The Japanesehave a term 'wabi' meaning 'voluntarypoverty' or 'emptiness' to describe their restrained minimal aesthetic an aesthetic which however pays greatest attention to the quality of material and fine detail. I like to think thatthelack of excessive pitch material in this piece reflects a kind of voluntary poverty.When Shiva is portrayed dancing (as Nataraj) He is depicted in a circle of flames crushing asmall figure the ego underfoot.You get theimpression He dances on the spot not movingaround at all. I like that.The piece is dedicated to Pablo Pascual Cilleruelo.
16.99 GBP - vendu par Musicroom GB
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Billy Joel: And So It Goes: String Quartet: Score & Parts
13.99
Billy Joel: And So It Goes: String Quartet: Score & Parts
Quatuor à cordes: 2 violons, alto, violoncelle
Hal Leonard
A simple and reflective song And So It Goes is one of Billy Joel's signature so...
(+)
A simple and reflective song And So It Goes is one of Billy Joel's signature songs from his legendary career. This new treatment for strings gives moving flowing and melodic lines for each section. A terrific number for most any program or special occasion.
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Esa-Pekka Salonen: Homunculus: String Quartet: Score
17.99
Esa-Pekka Salonen: Homunculus: String Quartet: Score
Quatuor à cordes: 2 violons, alto, violoncelle
[Partition]
Chester
Homunculus is a short (circa 12 minutes) work for string quartet which the comp...
(+)
Homunculus is a short (circa 12 minutes) work for string quartet which the composer wrote during the Autumn months of 2007 for the Johannes Quartet.He wanted to compose a piece that would be very compact in form andduration but still contain many different characters and textures. In other words a little piece that behaves like a big piece.He has long been fascinated (and amused) by the arcane spermists’ theory who held the beliefthat the sperm was in fact a 'little man' (homunculus) that was placed inside a woman for growth into a child. This seemed to them to neatly explain many of the mysteries of conception. It was later pointed out that if the spermwas a homunculus identical in all but size to an adult then the homunculus may have sperm of its own. This led to a reductio ad absurdum with an endless chain of homunculi. This was not necessarily considered by spermists afatal objection however as it neatly explained how it was that 'in Adam' all had sinned: the whole of humanity was already contained in his loins.He decided to call my piece Homunculus despite the obvious weaknesses of thespermists’ thinking as he found the idea of a perfect little man strangely moving.
17.99 GBP - vendu par Musicroom GB
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Giacinto Scelsi: String Quartet No. 1 (1944): String Quartet: Score and Parts
57.50
Giacinto Scelsi: String Quartet No. 1 (1944): String Quartet: Score and Parts
Quatuor à cordes: 2 violons, alto, violoncelle
Schirmer
Score and Parts-The Full Score and Parts for Scelsi's String Quartet No.1 from t...
(+)
Score and Parts-The Full Score and Parts for Scelsi's String Quartet No.1 from the Composer's Autograph Series. One of his earlier and more popular pieces it is an extremely powerful and moving work following a Classical tradition.
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Peter Maxwell Davies: Quartet Movement: String Quartet: Miniature Score
4.50
Peter Maxwell Davies: Quartet Movement: String Quartet: Miniature Score
Quatuor à cordes: 2 violons, alto, violoncelle
[Partition]
Chester
This is - so far - the earliest composition by Davies to be available for perfor...
(+)
This is - so far - the earliest composition by Davies to be available for performance and mighty interesting it is. Written while he was still a young student it provides a candid glimpse of the thing that concerned him: howmusic could be both forward-moving in the classical Western sense (this is after all a piece for a wholly conventional medium) and repetitive in the manner of the Indian and medieval music in which he was interested. Whatresults is a singular machine geared to an intermittent ostinato in the first violin.This movement for string quartet was first performed by the Arditti Quartet in May 1983 as part of the 40th Anniversary Gala concert of theSociety for the Promotion of New Music at the Barbican Hall London.Score (miniature). Duration c. 5mins.
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Esa-Pekka Salonen: Homunculus: String Quartet: Parts
19.99
Esa-Pekka Salonen: Homunculus: String Quartet: Parts
Quatuor à cordes: 2 violons, alto, violoncelle
[Partition]
Chester
Homunculus is a short (circa 12 minutes) work for string quartet which the comp...
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Homunculus is a short (circa 12 minutes) work for string quartet which the composer wrote during the Autumn months of 2007 for the Johannes Quartet.He wanted to compose a piece that would be very compact in form andduration but still contain many different characters and textures. In other words a little piece that behaves like a big piece.He has long been fascinated (and amused) by the arcane spermists’ theory who held the beliefthat the sperm was in fact a 'little man' (homunculus) that was placed inside a woman for growth into a child. This seemed to them to neatly explain many of the mysteries of conception. It was later pointed out that if the spermwas a homunculus identical in all but size to an adult then the homunculus may have sperm of its own. This led to a reductio ad absurdum with an endless chain of homunculi. This was not necessarily considered by spermists afatal objection however as it neatly explained how it was that 'in Adam' all had sinned: the whole of humanity was already contained in his loins.He decided to call my piece Homunculus despite the obvious weaknesses of thespermists’ thinking as he found the idea of a perfect little man strangely moving.
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Peter Maxwell Davies: Quartet Movement: String Quartet: Instrumental Work
19.99
Peter Maxwell Davies: Quartet Movement: String Quartet: Instrumental Work
Quatuor à cordes: 2 violons, alto, violoncelle
[Partition]
Chester
This is - so far - the earliest composition by Davies to be available for perfor...
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This is - so far - the earliest composition by Davies to be available for performance and mighty interesting it is. Written while he was still a young student it provides a candid glimpse of the thing that concerned him: how music could be both forward-moving in the classical Western sense (this is after all a piece for a wholly conventional medium) and repetitive in the manner of the Indian and medieval music in which he was interested. What results is a singular machine geared to an intermittent ostinato in the first violin.Duration c. 5mins.Set of parts. This is a special item which is made to order. Please e-mail our Mail Order Department for furtherinformation.
19.99 GBP - vendu par Musicroom GB
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Edward Elgar: Nimrod from 'Enigma' Variations Op. 36: String Quartet: Score &
13.99
Edward Elgar: Nimrod from 'Enigma' Variations Op. 36: String Quartet: Score &
Quatuor à cordes: 2 violons, alto, violoncelle
Fentone Music
This movement from the Énigma Variations' contains some of the most moving a...
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This movement from the Énigma Variations' contains some of the most moving and passionate music that Elgar wrote. Donald Fraser has created this beautiful arrangment for string quartet.
13.99 GBP - vendu par Musicroom GB
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