Par SNEDECOR PHIL. Many years ago, on a suggestion from Marine Band tubist John Cradler, I wrote a quirky collection of tunes set in the lower register of the tuba That book, published in 1991, 'mimics to be popular beyond my wildest dreams with players of all age levels and ability. Its success exposed a void in studies with actual music in the extreme lower part of the tuba range, a part of the instrument that is so important in the music of Prokofiev, Wagner and other composers. The ability to read notes (on sight!) of 4 and 5 ledger lines had only been previously addressed with repetitive exercises and academic method books. The embarrassing gap between that first volume and today's long-awaited and requested second book is only the fault of yours truly, who until recently didn't think there was a sincere desire for a second book. When I did decide to start writing, I was conflicted over which direction to go: Low Vol. 2? Low(er!) Etudes? Higher Lyrical? Orchestral Excerpt-Based Etudes? Duets? I finally decided on this combination of Lou/(er!) Etudes with accompanying duets that give the player a break from the ultra low writing, and provide a chance to revisit the well-loved tunes of the first book with fresh harmonies. I hope you enjoy what I've finally come up with and accept my apologies for taking so long to do it! My sincere thanks to tubists everywhere for making these tunes part of your music-making over the years. This long-awaited Low(er!) Etudes for Tuba includes more of the melodies Phil Snedecor is known for composing. Always harmonically fresh and melodically surprising, these tunes pose challenges beyond the ultra low notes and offer new discoveries upon each reading. Also included are companion duets to the original Low Etudes for Tuba. A great book to keep on the music stand in your studio! / Niveau : 4 / Etudes et exercices / Etude / Trompette

Ten newly arranged intermediate level solos of Christmas classics. The CD features individual members of the Canadian Brass playing solos (tuba-Charles Daellenbach trombone-Eugene Watts horn-David Ohanian trumpet-Fred Mills andRonald Romm) plus accompaniment tracks. Songs include: Angels We Have Heard on High ? The First Noel ? Gesu Bambino ? I Saw Three Ships ? O Holy Night ? Silent Night ? and more.

Features Ken Curtis Trumpet; Evan Avery 2nd trumpet; Ted Weed trombone; Mitch Mocilnikar french horn; Carlie Warreen tuba. Songs: Bugler's Holiday - The Barber of Seville Overture - In the Dark - Big Band Motage - Woodchopper's Ball - Cherry Pink and Apple Blossom White - Begin the Beguine - Opus One - Dream - I Wanna Be like You - Operatic Rag - Take Five - Flower Duet from Lakme - When the Saints Go Marchin' In.

Trompete/Flügelhorn/Tenorhorn/Euphonium In B Tc. Hören, lesen and spielen ist die bewährte Bläserschule für dreizehn verschiedene Instrumente, die im Einzel- oder Gruppenunterricht eingesetzt werden kann. Sie ist gemäß den aktuellen Erkenntnissen und Ansprüchen der Musikerziehung konzipiert. Die perfekte Ergänzung zur Methode in drei Bänden bilden diverse Bücher mit Spielliteratur. Sie sind genau auf den Lernfortschritt in Hören, lesen and spielen abgestimmt, können aber auch unabhängig von der Schule eingesetzt werden. Im Beatles-Spielbuch unternehmen die Schüler eine Zeitreise in die sechziger Jahre und lernen eine der wichtigsten Bands der Rock-Geschichte kennen: die Beatles. Fünfzehn ihrerberühmtesten Songs sind hier in ansteigendem Schwierigkeitsgrad angeordnet und können parallel zu allen drei Bänden von Hören, lesen and spielen verwendet werden. Authentisch klingende Begleit-Tracks zum Mitspielen stehen online zum direkten Abspielen oder Herunterladen zur Verfügung. / Niveau : Facile à Intermédiaire / Pop and rock / Date parution : 1905-07-10/ Recueil / Trompette en Sib ou Bugle ou Baryton ou Tuba

Trumpet Play-Along Pack-Performed by Alphonse 'Doc' Cheatham trumpetAccompaniment: Kenny Davern clarinet and soprano sax; Vic Dickenson trombone; Dick Wellstood piano; George Duvivier bass; Gus Johnson Jr. drumsSuch jazz legends asDick Wellstood Alphonse 'Doc' Cheatham and George Duvivier and more back you up in this amazing collection of New York-style Dixieland standards. After the break-up of the big-band era around 1950 many of the finest 'swing' ormainstream players found themselves without an outlet for their abilities and took to playing 'Dixieland' in New York clubs such as Eddie Condon's and the Metropole. And so was born a new style of Dixieland jazz minus the banjos tubas steamboats and magnolias! It is this version we celebrate on this album. We encourage you the soloist to invent counter-melodies rather than mere harmony parts. This is a music of loose weaving parts not one of precisionensemble figures. And in short it is one of the greatest improvisational experiences any jazz player could hope to have. Includes a high-quality printed music score and compact disc featuring stereo accompaniments to each piece.