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Couverture
Fiddle Tunes (AUTEURS DIVERS)
19.14
Fiddle Tunes (AUTEURS DIVERS)
Quatuor à cordes: 2 violons, alto, violoncelle
Barenreiter
Irish Music for Strings Score + Parties. Par AUTEURS DIVERS. The cheerful and of...
(+)
Irish Music for Strings Score + Parties. Par AUTEURS DIVERS. The cheerful and often melancholic melodies of Ireland lend themselves well for easy string quartet or ensemble repertoire. Wonderful tunes such as 'A Lovely Lass” and 'The Foggy Dew” have been arranged by Speckert for two violins, viola and cello. In all pieces the viola can be replaced by a third violin. 'Fiddle Tunes” forms part of the 'Easy String Ensemble” series./ Répertoire / Ensemble à Cordes
19.14 EUR - vendu par LMI-partitions
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POD-Hugh Wood's Ithaka for Violin Viola and Cello. Parts. Inspired by C. P. Cav...
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POD-Hugh Wood's Ithaka for Violin Viola and Cello. Parts. Inspired by C. P. Cavafy's poem this work was commissioned by the Florin Ensemble and generously supported by the Britten-PearsFoundation the RVW Trust and the Swaledale Festival which hosted the first performance at St. Andrew's Church Grinton on 2nd June 2016. The performers were Charles Mutter (Violin) Alastair Scahill (Viola) and Catherine Rimer(Cello).
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POD-Hugh Wood's Ithaka for Violin Viola and Cello. Score. Inspired by C. P. Cav...
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POD-Hugh Wood's Ithaka for Violin Viola and Cello. Score. Inspired by C. P. Cavafy's poem this work was commissioned by the Florin Ensemble and generously supported by the Britten-PearsFoundation the RVW Trust and the Swaledale Festival which hosted the first performance at St. Andrew's Church Grinton on 2nd June 2016. The performers were Charles Mutter (Violin) Alastair Scahill (Viola) and Catherine Rimer(Cello).
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Double Concerto Transcribed By Philip Heseltine For Violin, Cello And Piano (DELIUS FREDERICK)
29.41
Double Concerto Transcribed By Philip Heseltine For Violin, Cello And Piano (DELIUS FREDERICK)
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Arrangeur: Philip Heseltine. Par DELIUS FREDERICK. Frederick Delius' Double Conc...
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Arrangeur: Philip Heseltine. Par DELIUS FREDERICK. Frederick Delius' Double Concerto for Violin, Cello and Orchestra with orchestral Piano reduction by Philip Heseltine. Frederick Delius' Double Concerto for Violin, Cello and Orchestra with orchestral Piano reduction by Philip Heseltine./ Répertoire / Violon, Violoncelle et Piano
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Thea Musgrave: Elegy For Viola And Cello: Viola & Cello: Score
20.99
Thea Musgrave: Elegy For Viola And Cello: Viola & Cello: Score
Alto, Violoncelle (duo)
[Partition]
Chester
Elegy for viola and cello was written in April 1970 for Peter Mark and Geoffrey ...
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Elegy for viola and cello was written in April 1970 for Peter Mark and Geoffrey Rutlowski while the composer was guest professor at the University of California at Santa Barbara. Duration 8 minutes.
20.99 GBP - vendu par Musicroom GB
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Nico Muhly: Duet No.1 - Chorale Pointing Downwards: Viola & Cello: Instrumental
13.99
Nico Muhly: Duet No.1 - Chorale Pointing Downwards: Viola & Cello: Instrumental
Alto, Violoncelle (duo)
[Partition]
St Rose Music Publishing
Duet No.1: Chorale Pointing Downwards is a work by contemporary composer Nico Mu...
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Duet No.1: Chorale Pointing Downwards is a work by contemporary composer Nico Muhly for Viola and Cello. The piece received its premiere at the Tenri Cultural Institute in New York in February 2004. Muhly himself writes of the work that it's the first in a series of short string pieces that serve simultaneous purposes as harmonic and technical studies for both composer and performers. Duet No.1 is constructed around a cycle of fourteen chords repeated almost without cessation. This drone-like cycle is subject to a few rhythmic alterations as well as two interruptions keeping thingsdynamic and exciting. The middle of the piece becomes in Muhly's words 'a sort of fervent perpetual-motion perseverance' in an attempt to combine harmonic beauty with what sounds like a musical exercise.
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Datura op. 57 (YE XIAOGANG)
37.74
Datura op. 57 (YE XIAOGANG)
Flute, Violin, Cello and Piano
[Conducteur et Parties séparées]
Schott
Par YE XIAOGANG. 'Datura was commissioned by Accessible Contemporary Music and w...
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Par YE XIAOGANG. 'Datura was commissioned by Accessible Contemporary Music and was written in a unique way. I composed the piece in installments over the summer of 2006 and emailed them to Seth Boustead who forwarded them on to the ensemble. In this unique way of working I was able to have time between each installment to think about what would come next and to get feedback from the performers about the music. This is a very new and different way for a composer to work. Usually I write the piece in solitude and then hand it to the performers but writing in installments allows more communications between the performers and the composer and allows the audience to hear the piece as its created. Datura is another series of pieces composer written about Asian plants and flowers. Datura is a very common houseplant in south China and very beautiful but it can also be used as a hallucinogen, usually with unpleasant results. In this piece the composer juxtaposed the other beauty of the plant with the intense inner would it can create by using alternately tranquil and intense musical passages.' (Xiaogang Ye)/ Répertoire / Flute, Violin, Cello and Piano
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M. Cohen: Bags Of American Folk: Cello: Instrumental Album
5.99
M. Cohen: Bags Of American Folk: Cello: Instrumental Album
Trio à Cordes: violon, alto, violoncelle
Faber Music Limited
Presents an introduction to the wonderful world of traditional music - favourite...
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Presents an introduction to the wonderful world of traditional music - favourite tunes passed down from one generation to the next many from the early pioneer days. This collection available for violin viola and cello includes music of many different styles and moods.
5.99 GBP - vendu par Musicroom GB
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James Mcleod: A Night in Vienna - Cello: String Quartet: Instrumental Work
4.95
James Mcleod: A Night in Vienna - Cello: String Quartet: Instrumental Work
Quatuor à cordes: 2 violons, alto, violoncelle
Kjos Music Company
Strolling Strings Vol. 2-Arranged for Intermediate level Cello with Piano accomp...
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Strolling Strings Vol. 2-Arranged for Intermediate level Cello with Piano accompaniment by James 'Red' McLeod.
4.95 GBP - vendu par Musicroom GB
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David Baker: Quintet for String Quartet and Cello: String Quintet: Score & Parts
106.99
David Baker: Quintet for String Quartet and Cello: String Quintet: Score & Parts
Quatuor à cordes: 2 violons, alto, violoncelle
Lauren Keiser Music Publishing
Written for his colleague Janos Starker David Baker's Quintet (also called the ...
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Written for his colleague Janos Starker David Baker's Quintet (also called the Two Cello Quintet) was premiered at Indiana University's Eva Janzer Memorial Concert. The Bloomington press wrote of the performance: a romantic work...eclectic and conservative but in this instance (Baker's) writing had a special sense of urgency that grabbed one's attention and kept it focused on the piece.
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Carols Of Christmas For String Quartet Cello: String Quartet: Part
10.99
Carols Of Christmas For String Quartet Cello: String Quartet: Part
Quatuor à cordes: 2 violons, alto, violoncelle
Southern Music Ltd
Carols Of Christmas For String Quartet Cello
10.99 GBP - vendu par Musicroom GB
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A Musical Buffet of All-Time Favorites - Cello: String Quartet: Instrumental
4.95
A Musical Buffet of All-Time Favorites - Cello: String Quartet: Instrumental
Quatuor à cordes: 2 violons, alto, violoncelle
Kjos Music Company
Strolling Strings Vol. 1-A collection of some of the most popular tunes of all-t...
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Strolling Strings Vol. 1-A collection of some of the most popular tunes of all-time arranged for easy level Cello with Piano accompaniment by James 'Red' McLeod.
4.95 GBP - vendu par Musicroom GB
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John Joubert: Trio For Violin Viola And Cello (Parts): String Ensemble:
8.99
John Joubert: Trio For Violin Viola And Cello (Parts): String Ensemble:
Trio à Cordes: violon, alto, violoncelle
[Partition]
Novello & Co Ltd.
Trio For Violin Viola And Cello (Parts)
8.99 GBP - vendu par Musicroom GB
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Trio per viola e violoncello | for viola and cello
7.88
Trio per viola e violoncello | for viola and cello
Alto, Violoncelle (duo)
[Partition]
Ricordi
a cura di | edited by Italo Vescovo. Par PAGANINI NICCOLO. Nicolò Paganini?s Tr...
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a cura di | edited by Italo Vescovo. Par PAGANINI NICCOLO. Nicolò Paganini?s Trio in G major for viola and cello ? the autograph manuscript of which is preserved in the Biblioteca Casanatense in Rome ? represents the only work of the Genoese composer expressly scored for these instruments. In addition to expanding Paganini?s treasured catalogue, its rediscovery could provide scholars with new insights into the famed virtuoso?s chamber music output. / Date parution : 2023-07-31/ Répertoire / Alto et Violoncelle
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Schubert F. - Complete Chamber Music For Strings
33.00
Schubert F. - Complete Chamber Music For Strings
Quatuor à cordes: 2 violons, alto, violoncelle
Dover Publications
QUINTET in C Major for 2 Violins, Viola and 2 Violoncellos, Op. 163
QUARTET...
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QUINTET in C Major for 2 Violins, Viola and 2 Violoncellos, Op. 163
QUARTETS for 2 Violins, Viola and Violoncello
N°1
N°2 in C Major
N°3 in B-flat Major
N°4 in C Major
N°5 in B-flat Major
N°6 in D Major
N°7 in D Major
N°8 in B-flat Major, Op. 168
N°9 in G Minor
N°10 in E-flat Major, Op. 125 No. 1
N°11 in E Major, Op. 125 No. 2
N°12 (Quartett-Satz) in C Minor
N°13 in A Minor, Op. 29
N°14 in D Minor ( Death and the Maiden )
N°15 in G Major, Op. 161
TRIOS for Violin, Viola and Violoncello
In B-flat Major
In B-flat Major
33.00 EUR - vendu par Woodbrass
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Helen Grime: Into The Faded Air (Parts): String Quartet: Parts
21.99
Helen Grime: Into The Faded Air (Parts): String Quartet: Parts
Quatuor à cordes: 2 violons, alto, violoncelle
[Partition]
Chester
Into the faded air was commissioned by Britten Sinfonia for first performance at...
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Into the faded air was commissioned by Britten Sinfonia for first performance at Filharmonic Hall Krakow Poland on Sunday 13th January 2008 with Jacqueline Shave (Violin) Miranda Dale (Violin) Clare Finnimore(Viola) Catherine Musker (Viola) Caroline Dearnley (Cello) and Banjamin Chappell (Cello).Scoring: String Sextet (2 Violins 2 Violas and 2 Cellos)Duration: 10 minutes Composer'sNotes 'Into The Faded Air is cast in four movements although the last three movements are played without a break.In the first movement the sextet is divided into twogroups. The first group consisting of violin viola and cello plays a sustained melody while the second group (also violin viola and cello) contributes more jagged and intricate material. The second movement is an extended duetfor two violas accompanied by the other instruments. As the movement progresses the accompanying instruments become more prominent. The third movement is the only fast movement in the piece with rapid semiquavers and much useof pizzicato throughout. This leads into a serene chorale where the three upper instruments (two violins and first viola) are set against the second viola and two cellos.' - HelenGrime
21.99 GBP - vendu par Musicroom GB
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Season of Carols: String Quartet: Score & Parts
29.99
Season of Carols: String Quartet: Score & Parts
Quatuor à cordes: 2 violons, alto, violoncelle
Hal Leonard
String Quartet-A collection of 12 traditional carols for easy string quartet (Gr...
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String Quartet-A collection of 12 traditional carols for easy string quartet (Grade 2) from master arranger Bruce Healey. This group of delightful arrangements will become your most valuable resource of holiday music for years to come. Eachcarol is given a fresh creative treatment yet is expertly arranged with younger players in mind. Songs include: Away in a Manger ? We Wish You a Merry Christmas ? Deck the Halls ? Ding Dong Merrily on High? God Rest Ye Merry Gentlemen ? Greensleeves ? O Come All Ye Faithful ? Chanukah Oy Chanukah ? O Holy Night ? Pat-A-Pan ? Silent Night ? Three Holiday Songs (Medley including The DreydlSong Jingle Bells and Joy to the World).Also available for:00841986 Solo Violin and Piano 00842194 Solo Viola and Piano 00842195 Solo Cello and Piano String Orchestra:? 04490308 Conductor Score ? 04490309 Violin 1 part ? 04490310 Violin 2 part ? 04490311 Violin 3 part (Viola T.C.) ? 04490312 Viola part ? 04490313Cello part ? 04490314 String Bass part ? 04490315 Piano ? 04490316 Opt. Harp ? 04490317 Opt. Percussion
29.99 GBP - vendu par Musicroom GB
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Simon Holt: 3rd Quartet: String Quartet: Parts
34.99
Simon Holt: 3rd Quartet: String Quartet: Parts
Quatuor à cordes: 2 violons, alto, violoncelle
[Partition]
-
Intermédiaire/avancé
Chester
Simon Holt's 3rd Quartet is the third of six pieces which make up a cycle with t...
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Simon Holt's 3rd Quartet is the third of six pieces which make up a cycle with the overall title 'Terrain'. Lasting around 23 minutes this wonderful work is arranged for String Quartet and wasco-commissioned by The Radcliffe Trust NMC Recordings Internationales Musikfestival Heidelberger Fruhling and Wigmore Hall. The premiere was performed on 19th January 2015. This is the set of parts for 2 Violins Viola andCello. The six different compositions of which 3rd Quartet is the third are for different combinations of stringed instruments featuring Piano in the second piece. The music thatcomprises 3rd Quartet is drawn from the other parts of the cycle as a whole yet in a reverse order. In this way the piece develops what has come before foreshadows what's to come all the while encompassingthe entire cycle in a single piece.
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Trio (MARTINU BOHUSLAV)
57.70
Trio (MARTINU BOHUSLAV)
Trio à Cordes: violon, alto, violoncelle
Heugel
Par MARTINU BOHUSLAV. Bohuslav Martin (1890-1959) was a prolific Czech composer,...
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Par MARTINU BOHUSLAV. Bohuslav Martin (1890-1959) was a prolific Czech composer, writing many large scale works. The composer moved to Paris in 1923 where he began experimenting in a variety of composition styles. His String Trio was published in 1951. Martin himself was a violinist and many of his experiments in composing for solo instruments and small ensembles saw him write for his own instrument and for the familiar strings. String Trio is made up of two movements; 1) Allegro and 2) Poco moderato. With a typical performance lasting about 15 and a half minutes, the String Trio for Violin, Viola and Celloprovides advanced string players with an exciting, challenging and inspiring ensemble work, addressing a variety of musical features. Martin 's String Trio is essential to aspiring string ensembles./ Répertoire / Violon, Alto et Violoncelle
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Bohuslav Martinu: Trio à cordes n°2 H238: String Trio: Score and Parts
Trio à Cordes: violon, alto, violoncelle
[Conducteur et Parties séparées]
Heugel
Bohuslav Martin (1890-1959) was a prolific Czech composer writing many large s...
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Bohuslav Martin (1890-1959) was a prolific Czech composer writing many large scale works. The composer moved to Paris in 1923 where he began experimenting in a variety of composition styles. His String Trio was published in 1951. Martin himself was a violinist and many of his experiments in composing for solo instruments and small ensembles saw him write for his own instrument and for the familiar strings. String Trio is made up of two movements; 1) Allegro and 2) Poco moderato. With a typical performance lasting about 15 and a half minutes the String Trio for Violin Viola and Celloprovides advanced string players with an exciting challenging and inspiring ensemble work addressing a variety of musical features. Martin 's String Trio is essential to aspiring string ensembles.
37.50 GBP - vendu par Musicroom GB
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Kevin Volans: String Quartet No.10: String Quartet: Parts
39.99
Kevin Volans: String Quartet No.10: String Quartet: Parts
Quatuor à cordes: 2 violons, alto, violoncelle
-
Avancé
Chester
String Quartet No.10 is a delightful piece expertly composed by Kevin Volans in ...
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String Quartet No.10 is a delightful piece expertly composed by Kevin Volans in memory of his brother. This fantastic collection includes parts for Violin I and II Viola andCello.Kevin Volans is the best known South African composer active today with well over 50 published composition.
39.99 GBP - vendu par Musicroom GB
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Hugh Wood: Eleanor's Piece: String Quartet: Parts
10.99
Hugh Wood: Eleanor's Piece: String Quartet: Parts
Quatuor à cordes: 2 violons, alto, violoncelle
[Partition]
Chester
These are the Parts for Eleanor's Piece composed by Hugh Wood for two string q...
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These are the Parts for Eleanor's Piece composed by Hugh Wood for two string quartets. This beautiful work lasts around 3 minutes and the music includes parts for 2 Violin I 2Violin II 2 Violas and 2 Cellos. Born in Lancashire and enjoying a thoroughly musical upbringing Hugh Wood graduated from Oxford after studying History and decided that composition was his truecalling. His works are characterised by divine expressionism and subtle lyricism with Eleanor's Wood being no exception.
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Gobi Gloria (LIANG LEI)
118.77
Gobi Gloria (LIANG LEI)
Quatuor à cordes: 2 violons, alto, violoncelle
[Conducteur et Parties séparées]
Schott
Par LIANG LEI. Gobi Gloria belongs to a series of compositions that grew out of ...
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Par LIANG LEI. Gobi Gloria belongs to a series of compositions that grew out of my admiration for Mongolian music. The series include Feng (for cello solo, written for Feng Hew), Gobi Polyphony (for erhu and cello, written for Xu Ke), Gobi Canticle (for violin and cello, written for Masuko Ushioda and Laurence Lesser), and Serashi Fragments (written for the Arditti Quartet). The melody is played against its own inversion, retrograde and retrograde-inversion in an otherwise mostly heterophonic texture. The piece alludes to various genres of Mongolian music that include the longchant, as well as the music of dance and shaman rituals. It concludes with a rendering of a folk song that I heard during my visit to Nei Monggol region in 1996./ Répertoire / Quatuor à Cordes
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Mozart: Triosonaten Kv 10-15 (MOZART WOLFGANG AMADEUS)
46.60
Mozart: Triosonaten Kv 10-15 (MOZART WOLFGANG AMADEUS)
Piano Trio: piano, violon, violoncelle
[Partition]
Carus Verlag
Par MOZART WOLFGANG AMADEUS. Since their publication in the New Mozart Edition, ...
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Par MOZART WOLFGANG AMADEUS. Since their publication in the New Mozart Edition, Mozart's sonatas K. 10–15 count as piano trios. Furthermore, the title of the first edition, published by father and son Mozart in 1765 reads 'Six Sonates pour le Clavecin qui puevent se jouer avec l'accompagnement de Violon ou Flaute Traversiere”. In other words, these pieces are harpsichord sonatas that may be accompanied at will by a violin or a transverse flute. In a partial press run of the first edition a cello part was included. Our new edition is the first to take these conflicting formats into account by presenting two separate versions, one being the unaltered harpsichord part, the other a full score with separateinstrumental parts for violin/flute and cello. The harpsichord part [CV 51. 010/10] is indeed capable of standing by itself and requires no instrumental expansion. The melody instrument, in contrast, merely function as an accompaniment or contribute brief interjections, or, in the case of the cello, reinforce the left hand of the keyboard. In other words, K. 10–15 are not only Mozart's earliest piano trios, they are also his earliest keyboard sonatas to survive intact./ Répertoire / Violon, Violoncelle et Piano
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String Quartet - Youthful Work (BACEWICZ GRAZYNA)
30.60
String Quartet - Youthful Work (BACEWICZ GRAZYNA)
Quatuor à cordes: 2 violons, alto, violoncelle
PWM (Polskie Wydawnictwo Muzyczne)
Par BACEWICZ GRAZYNA. Grazyna Bacewicz realised at a very early age that her mai...
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Par BACEWICZ GRAZYNA. Grazyna Bacewicz realised at a very early age that her main purpose in life was to compose music. Already during the 1920s, as a student of Lódz Conservatoire, as part of her lessons in harmony and counterpoint, she made attempts at composing, in which she tried to resolve nagging technical problems and impart an artistically satisfying form to them. She grew up in an atmosphere of anti-romantic tumult and the emerging neoclassical style. She assimilated the main attributes of that current in a natural way: the need to forge logical formal constructs based on new harmonic principles, not determined by the major–minor system, and also a freedom in the shaping of textures, a fixed element of which was the combining of homophony with more or less strict polyphonic forms. One example of such a strategy is the String Quartet from her student years, signed with the date 1929–1930, which the composer did not include in her official catalogue of works. In the first movement (Allegro moderato), one can distinguish two principal subjects, served in the form of the incomplete exposition of a fugue. The chromaticised first subject, with its strongly highlighted head motif, appears in the cello, with an answer coming four bars later in the first violin. After a short bridge, the first violin intones the second subject, of a different character (dolce), and the answer appears a bar later and an octave lower in the viola. Both subjects can be heard also in the closing coda, and the space between them is filled by counterpoints based largely on ostinato figures of various sorts – a technique that Bacewicz would hone to perfection in her later work. The middle fughetta (Molto adagio), with a subject stated just once, and in only three parts (cello, first violin, viola), acts as an intermezzo. The third movement (Allegro molto moderato) is a double fugue with strongly contrasting subjects. The first subject, in the form of a chromaticised melodic continuum, exposed by the cello, is initially shown with the traditional arrangement retained (answered by the viola and second violin at a fifth, and by the first violin an octave above). The second subject (energico) is a structure shaped by the opening repetition of a motif of perfect fifths, then octaves combined with staccato-tremolo figurations. As the work unfolds, the two subjects appear simultaneously in original and inverted form, coming together in the closing Cadenza in a uniform idea crowned by strong (fff) chords repeated towards the end. - Malgorzata Gasiorowska/ Répertoire / Quatuor à Cordes
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Piano quartet (1925-26, rev. 1935) (LEIVISKA HELVI)
59.42
Piano quartet (1925-26, rev. 1935) (LEIVISKA HELVI)
Piano Quatuor: piano, violon, alto, violoncelle
Fennica Gehrman
Par LEIVISKA HELVI. Finnish composer Helvi Leiviskä (1902-1982) created a broad...
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Par LEIVISKA HELVI. Finnish composer Helvi Leiviskä (1902-1982) created a broad-based output of orchestral works, solo songs and chamber music. Her style could be described as moderate modernism, deriving influences from multiple sources such as late Romanticism, Symbolism, Expressionism, Existentialism and Neo-Classicism. Leiviskä's output is characterised by philosophical and religious themes, images of nature and narrative structures. Many of her works focus on human existential angst and spiritual searching and growth. Helvi Leiviskä originally completed her Piano Quartet in A major op. 1 in 1926 but revised it a decade later, in 1935. Written for the traditional piano quartet lineup (violin, viola, cello and piano), the work is in three movements and has a duration of about 25 minutes. It features religious and ecstatic imagery such as may be found in French, German or Russian neo-Romantic styles. Leiviskä's Piano Quartet is considered one of the cornerstones of her chamber music output. Its early version was premiered in two parts at student recitals of the Helsinki Music Institute (the 1st movement in 1925 and the 2nd and 3rd movements in 1926). The revised version was performed in full by Timo Mikkilä (piano), Sulo Aro (violin), Ilmo Ranta (viola) and Pentti Rautawaara (cello) on Finnish radio in 1939. The work was also on the programme of Leiviskä's second composition concert in 1945, being performed on that occasion by Jussi Jalas (piano), Erik Cronvall (violin), Erik Karma (viola) and Yrjö Selin (cello). Two commercial recordings have been released (Finlandia Classics 2012 and Telos Music 2016). It is published for the first time 2022 with an extensive foreword by Susanna Välimäki. The product includes the full score (piano part) and a set of string parts. Duration: c. 25'. Have a look inside by clicking 'sample'. / Date parution : 2022-05-31/ Répertoire / Quatuor avec Piano
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Edward Elgar: Concerto For Cello Op.85: Viola: Instrumental Work
24.99
Edward Elgar: Concerto For Cello Op.85: Viola: Instrumental Work
Alto, Piano
[Partition]
Novello & Co Ltd.
Elgar's last major work was the cello concerto and it is unique in its poignanc...
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Elgar's last major work was the cello concerto and it is unique in its poignancy and intensity. Through Jacqueline Du Pre's overwhelming interpretation this work has now received the recognition it deserved and it will undoubtedly remain one of the best-loved concertos of all time. The Cello solo part has been arranged for viola and piano by Lionel Tertis.
24.99 GBP - vendu par Musicroom GB
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Miniature Trios For Violin, Cello And Piano. Carriage And Pair (CARSE ADAM)
11.39
Miniature Trios For Violin, Cello And Piano. Carriage And Pair (CARSE ADAM)
Trio avec Piano
[Partition]
Stainer and Bell
Par CARSE ADAM. For Violin, Cello and Piano. For Violin, Cello and Piano./ Répe...
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Par CARSE ADAM. For Violin, Cello and Piano. For Violin, Cello and Piano./ Répertoire / Trio avec Piano
11.39 EUR - vendu par LMI-partitions
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Going Up? For Flute, Viola And Cello (ROKEACH MARTIN)
23.97
Going Up? For Flute, Viola And Cello (ROKEACH MARTIN)
Flûte Traversière, Alto et Violoncelle
[Conducteur et Parties séparées]
Alry Publications
Par ROKEACH MARTIN. Going Up? was commissioned in 2007 by the New York trio Eigh...
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Par ROKEACH MARTIN. Going Up? was commissioned in 2007 by the New York trio Eight Strings and a Whistle and completed in 2008. The material and energy of the piece continually pulls the listener upward, hence the title. There are three themes, all ascending, introduced in the first moments respectively by the flute as the piece opens, the pizzicato cello in measure 4, and the pizzicato cello again in measure 8./ Répertoire / Flûte Traversière, Alto et Violoncelle
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Quatuor (BACEWICZ GRAZYNA)
36.93
Quatuor (BACEWICZ GRAZYNA)
Quatuor à cordes: 2 violons, alto, violoncelle
PWM (Polskie Wydawnictwo Muzyczne)
Par BACEWICZ GRAZYNA. Studying the sketches for works which a composer considers...
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Par BACEWICZ GRAZYNA. Studying the sketches for works which a composer considers to be finished, perfected, is a fascinating activity. It enables one to penetrate the secrets of creative work, to compare the initial outline of a composition with its final version. A sketch is generally left untitled, but it does occur that a composer enhances the status of such a draft by giving it a title, before creating an improved version of that title on the basis of the finished work. The list of compositions by Grazyna Bacewicz, the full catalogue of which is held in the National Library in Warsaw, includes a work for string quartet entitled Quatuor. The manuscript was left undated, but analysis of the music allows us to date this work to the mid-1960s. In the composer?s output from that period, the instrumental tone colouring, often an element that helps to forge a work, takes on particular significance. The first movement of the Quatuor [à cordes] opens with three fifth-tritone chords ?cast forth?, in succession, in saltando-gettato technique by the cello, second violin and first violin. When we look at the beginning of the Seventh String Quartet, from 1965, such a chord appears in the second bar of the cello part. Further comparisons lead to interesting conclusions. The two opening movements are almost identical, built from the same elements, only spatially arranged in a different way. In the structure of the first movement of the Seventh Quartet, one distinguishes two thematic planes, which shape the narrative after the fashion of a sonata allegro. The first theme is a series of episodes of changing texture ? from passagework to chords and short glissandos repeated with varying intensity. The second theme (Meno mosso) displays an imitative form. Both works feature an inverted reprise. For the first 25 bars of the second movement, a nostalgic Grave, the two works sound identical. The continuation of this movement in the Quatuor [à cordes] is more modest than in the analogous segments of the Seventh Quartet, in terms of both changing textures and the use of differentiated means of articulation. Towards the end, a motif from the beginning of this movement returns in modified form. Both the third movements (Capriccioso in the Quatuor [à cordes], Con vivezza in the Seventh Quartet) take the form of a rondo, and appearing in each of them is the same ?warbling? theme, based on scattered notes with grace notes. The Seventh String Quartet is in three movements. The presumed prototype consists of four movements. The last movement of the Quatuor [à cordes] is a Maestoso resembling a mine of textural ideas for other works of a sonoristic provenance from this period. The introduction, constituting a closed narrative whole and a reference point for the rest of the movement, is followed by segments that are dominated by ostinatos of various kinds, including with the use of harmonics, passages built on the progressive shifting of short motifs, and unevenly spread chords. Grazyna Bacewicz used material from earlier works more than once in her compositions. Her oeuvre also includes ?twin? pieces merely scored for a different set of instruments. Yet the self-quotation that occurs in the case of the Quatuor [à cordes] and the Seventh String Quartet ? lengthy passages from another of her works reused with minor modifications ? is an unusual situation. It undermines the former?s status as an independent work. Malgorzata Gasiorowska/ Répertoire / Quatuor à Cordes
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