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Simple Songs
17.40
Simple Songs
Alto seul
[Partition + Accès audio]
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Facile
Hal Leonard
Solo arrangements of 14 well-known melodies are featured in this collection for ...
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Solo arrangements of 14 well-known melodies are featured in this collection for beginning instrumentalists. It features online access to audio demonstration tracks for download or streaming to help you hear how the song should sound and so you can sound great while playing along with the backing tracks! Songs include: All of Me - Evermore - Hallelujah - Happy - I Gotta Feeling - I'm Yours - Lava - Rolling in the Deep - Viva la Vida - You Raise Me Up - and more. The audio is accessed online using the unique code inside each book and can be streamed or downloaded. The audio files include PLAYBACK , a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right. / Alto
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The Songbook
17.40
The Songbook
Alto seul
[Partition + Accès audio]
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Hal Leonard
A dozen of the most popular songs from this iconic British songstress! The price...
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A dozen of the most popular songs from this iconic British songstress! The price of this book includes access to online audio demonstration and backing tracks that allow instrumentalists to slow down the audio without changing pitch, loop for challenging parts, and more. Songs include: All I Ask - Chasing Pavements - Hello - Make You Feel My Love - Million Years Ago - Remedy - Rolling in the Deep - Rumour Has It - Set Fire to the Rain - Skyfall - Someone like You - When We Were Young. / Alto
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Adele - Three beautiful ballads (ADELE)
27.10
Adele - Three beautiful ballads (ADELE)
Quatuor à cordes: 2 violons, alto, violoncelle
[Conducteur et Parties séparées]
De Haske Publications
Par ADELE. Adele envoûte le public du monde entier depuis des années grâce à...
(+)
Par ADELE. Adele envoûte le public du monde entier depuis des années grâce à son timbre vocal unique, sa remarquable créativité artistique et une présence scénique exceptionnelle. Nico Dezaire propose trois des plus grands tubes de la chanteuse, dans des arrangements pour quatuor à cordes réalisés avec sensibilité et faciles à jouer qui ne manqueront pas de produire leur effet ! De la reprise de Make You Feel My Love de Bob Dylan à la ballade pop Someone Like You en passant par le groove de Rolling In The Deep, les chansons choisies par Dezaire témoignent de la polyvalence musicale d?Adele. / Date parution : 2022-07-20/ Recueil / Quatuor à Cordes
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Popular Repertoire For String Quartet Parts Plus Score 3 (BEATLES THE)
37.00
Popular Repertoire For String Quartet Parts Plus Score 3 (BEATLES THE)
Quatuor
[Partition]
Novello & Co Ltd.
Par BEATLES THE. A series of popular music for working string quartets. Light en...
(+)
Par BEATLES THE. A series of popular music for working string quartets. Light enjoyable repertoire pieces and entertaining encores. Each folio contains five pieces. Contents: Eight Days A Week , I Feel Fine , Michelle , Norwegian Wood , Strawberry Fields Forever . / Rép International / Recueil / Quatuor
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101 Disney Songs
23.90
101 Disney Songs
Alto seul
[Partition]
Hal Leonard
for Viola. If you play an instrument and you're a Disney fan, you'll love this c...
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for Viola. If you play an instrument and you're a Disney fan, you'll love this collection of 101 favorites to learn and play! Songs include: Beauty and the Beast - Can You Feel the Love Tonight - A Dream Is a Wish Your Heart Makes - Evermore - Go the Distance - He's a Pirate - I See the Light - Kiss the Girl - Let It Go - Mickey Mouse March - Reflection - A Spoonful of Sugar - True Love's Kiss - We're All in This Together - When You Wish upon a Star - A Whole New World - You've Got a Friend in Me - Zip-A-Dee-Doo-Dah - and more./ Recueil / Alto
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Viola Easy Instrumental Play Along : Disney
13.10
Viola Easy Instrumental Play Along : Disney
Alto seul
[Partition + Accès audio]
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Facile
Hal Leonard
Même les novices se font entendre bien avec Viola facile Instrumental Play-Alon...
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Même les novices se font entendre bien avec Viola facile Instrumental Play-Along: Disney, mettant en vedette 10 chansons soigneusement sélectionnés et agencés pour instrumentistes de première année. Pistes de démonstration audio contenant de vrais instruments sont disponibles en téléchargement pour vous aider à entendre comment le morceau doit ressembler. Une fois que vous aurez maîtrisé les notes, télécharger les pistes d'accompagnement à jouer avec le groupe. Les chansons incluent The Ballad of Davy Crockett, Can You Feel The Tonight amour, Mickey Mouse Mars, une partie de votre monde, vous pouvez voler! You Can Fly! You Can Fly! et plus. / Alto
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Disney Solos Viola
23.90
Disney Solos Viola
Alto seul
[Partition + Accès audio]
Hal Leonard
12 Favoris de Disney avec un CD qui vous permet de jouent avec un groupe complet...
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12 Favoris de Disney avec un CD qui vous permet de jouent avec un groupe complet ! Les titres comprennent : être notre invité o Can You Feel Love Tonight o couleurs du vent o ami comme moi o Let's Get Together o sous la mer o vous avez un ami à moi o zéro au héros o et bien plus encore. / Alto / 24 pages / Partition Cd
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Instrumental Play Along : 12 Pop Hits
17.40
Instrumental Play Along : 12 Pop Hits
Alto seul
[Partition + Accès audio]
Hal Leonard
Instrumental Play-Along. A dozen hot contemporary hits are included in this coll...
(+)
Instrumental Play-Along. A dozen hot contemporary hits are included in this collection perfect for budding instrumentalists. It features online access to audio demonstration and backing tracks for download or streaming to help you hear how the song should sound then play along and sound like a pro! Songs include: Believer - Can't Stop the Feeling - Despacito - It Ain't Me - Look What You Made Me Do - Million Reasons - Perfect - Send My Love (To Your New Lover) - Shape of You - Slow Hands - Too Good at Goodbyes - What About Us./ Recueil / Alto
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101 Hit Songs
26.10
101 Hit Songs
Alto seul
Hal Leonard
This massive collection will keep instrumentalists busy with 101 pop hits to lea...
(+)
This massive collection will keep instrumentalists busy with 101 pop hits to learn and play! Songs include: All About That Bass - All of Me - Brave - Breakaway - Call Me Maybe - Clocks - Fields of Gold - Firework - Hello - Hey, Soul Sister - Ho Hey - I Gotta Feeling - I Will Remember You - Jar of Hearts - Love Story - 100 Years - Roar - Rolling in the Deep - Royals - Say Something - Shake It Off - Smells like Teen Spirit - Uptown Funk - When You Say Nothing at All - and more. / Alto
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Bent Sørensen: String Quartet No.3 'Angel's Music': String Quartet: Instrumental
Quatuor à cordes: 2 violons, alto, violoncelle
Wilhelm Hansen
Parts for String Quartet No.3 'Angel's Music' by Bent Sørensen (1988) Premier...
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Parts for String Quartet No.3 'Angel's Music' by Bent Sørensen (1988) Premiered by the Arditti String Quartet at the Danish Radio Concert Hall 16 November 1988. Score available: KP00250The composer writes:'Even when I was writing 'Adieu' I knew that I wished to write 'Angel’s Music'. The title existed in an incomplete form in my mind and gradually more and more ideas and a few outlines became clear. The actual work on 'Angel’s Music' was started in Rome where I spent the autumn of 1987 staying at 'The Danish Academy'. Whether this stay has influenced the quartet or not is impossible to say. however it is true to say that inthe Roman churches I visited I saw countless angels playing in the top of frescoes and altars. Without these angels together with the many crackled-gold paintings in this city and my general fascination with the Italian renaissance painter Fra Angelico (in fact there are only a few paintings by him in Rome but even his name..!) I am not sure my quartet would have been what it is. Anyway I do feel that there is a bit of Italy in the piece. The angels apart there are in the short rhythmic agitating part of the quartet reminiscences of the Italian medieval Trotto dance and in the most expressive part of the piece there are flashes of Puccini-like music. From the very beginning of my work on the quartet the distant extremely muted sound in the high register which opens the piece was on my mind. A sound satiated with a dense heterophonic and polyphonic texture of elegiac melody and vibrating trills. I imagined that 'little songs' (maybe angel songs) could be created in this density these songs constantly echoing themselves. Gradually as this sound got a more and more concrete musical and instrumental form I felt that not only should the 'little songs' be created played and die out in an echo but also that the general pattern of the quartet should give the feeling of music which from the distance is getting closer and closer
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Bent Sørensen: Angels' Music String Quartet No.3: String Quartet: Study Score
26.99
Bent Sørensen: Angels' Music String Quartet No.3: String Quartet: Study Score
Quatuor à cordes: 2 violons, alto, violoncelle
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Wilhelm Hansen
The full score for String Quartet No.3 'Angel's Music' by Bent Sørensen (1988...
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The full score for String Quartet No.3 'Angel's Music' by Bent Sørensen (1988) Premiered by the Arditti String Quartet at the Danish Radio Concert Hall 16 November 1988. Parts available: KP00249The composer writes:'Even when I was writing 'Adieu' I knew that I wished to write 'Angel’s Music'. The title existed in an incomplete form in my mind and gradually more and more ideas and a few outlines became clear. The actual work on 'Angel’s Music' was started in Rome where I spent the autumn of 1987 staying at 'The Danish Academy'. Whether this stay has influenced the quartet or not is impossible to say. however it is true tosay that in the Roman churches I visited I saw countless angels playing in the top of frescoes and altars. Without these angels together with the many crackled-gold paintings in this city and my general fascination with the Italian renaissance painter Fra Angelico (in fact there are only a few paintings by him in Rome but even his name..!) I am not sure my quartet would have been what it is. Anyway I do feel that there is a bit of Italy in the piece. The angels apart there are in the short rhythmic agitating part of the quartet reminiscences of the Italian medieval Trotto dance and in the most expressive part of the piece there are flashes of Puccini-like music. From the very beginning of my work on the quartet the distant extremely muted sound in the high register which opens the piece was on my mind. A sound satiated with a dense heterophonic and polyphonic texture of elegiac melody and vibrating trills. I imagined that 'little songs' (maybe angel songs) could be created in this density these songs constantly echoing themselves. Gradually as this sound got a more and more concrete musical and instrumental form I felt that not only should the 'little songs' be created played and die out in an echo but also that the general pattern of the quartet should give the feeling of music which from the distance is getting closer and
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Easy on Me (ADELE)
20.60
Easy on Me (ADELE)
Quatuor à cordes: 2 violons, alto, violoncelle
Hal Leonard
Par ADELE. ?Easy on Me,? Adele\'s lead song on her 2021 album 30, was streamed 2...
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Par ADELE. ?Easy on Me,? Adele\'s lead song on her 2021 album 30, was streamed 24 million times in its first 24 hours, setting a record that has yet to be beat! Larry Moore\'s D Major arrangement for string quartet captures all of Adele\'s signature syncopations and bluesy feel in a manner that your students will immediately latch on to! / Date parution : 2022-09-20/ Répertoire / Quatuor à Cordes
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String Quartet F Major Op. 96
12.10
String Quartet F Major Op. 96
Quatuor à cordes: 2 violons, alto, violoncelle
G. Henle
After a twelve-year interval, Dvo?ák once again turned his attention to the str...
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After a twelve-year interval, Dvo?ák once again turned his attention to the string quartet in summer 1893. He had been musical director in New York since autumn 1892 and spent the summer in Spillville (Iowa) where a group of Czech immigrants had settled, thus making him feel at home. The beautiful natural surroundings led him to write this unconventional string quartet in the tradition of Beethoven's 'Pastoral? - even down to the imitation of birdcalls. Since the first performances, certain rhythmic and melodic characteristics have been traced back to the influences of the folk music of Native Americans and African Americans, which led to the soon popular work being called the 'American Quartet?. For the first time since 1955, the quartet is once again being published in an Urtext edition. / 2 Violons, Alto Et Violoncelle
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Mezmer
23.60
Mezmer
Quatuor à cordes: 2 violons, alto, violoncelle
Bote and Bock
Mezmer for string quartet is an adaptation of the last movement of Re-Collecting...
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Mezmer for string quartet is an adaptation of the last movement of Re-Collecting ASTORoids, an earlier suite for orchestra from Kats-Chernin. Commissioned by the Melbourne Symphony Orchestra, the suite was written in tribute to Astor Piazzolla and is clearly inspired by tango, though Kats-Chernin uses various rhythms as her source of inspiration. Mezmer is a miniature and has an intimate, smoky feel with a bluesy violin solo laden with vibrato. An air of solitude and reflection surrounds the piece. / Quatuor A Cordes
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String Quartet F Major Op. 96 [American Quartet]
20.60
String Quartet F Major Op. 96 [American Quartet]
Quatuor à cordes: 2 violons, alto, violoncelle
G. Henle
After a twelve-year interval, Dvo?ák once again turned his attention to the str...
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After a twelve-year interval, Dvo?ák once again turned his attention to the string quartet in summer 1893. He had been musical director in New York since autumn 1892 and spent the summer in Spillville (Iowa) where a group of Czech immigrants had settled, thus making him feel at home. The beautiful natural surroundings led him to write this unconventional string quartet in the tradition of Beethoven's 'Pastoral? - even down to the imitation of birdcalls. Since the first performances, certain rhythmic and melodic characteristics have been traced back to the influences of the folk music of Native Americans and African Americans, which led to the soon popular work being called the 'American Quartet?. For the first time since 1955, the quartet is once again being published in an Urtext edition. / 2 Violons, Alto Et Violoncelle
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ADELE - 3 BALADES
23.99
ADELE - 3 BALADES
Quatuor à cordes: 2 violons, alto, violoncelle
De Haske Publications
Adele envoûte le public du monde entier depuis des années grâce à son timbre...
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Adele envoûte le public du monde entier depuis des années grâce à son timbre vocal unique, sa remarquable créativité artistique et une présence scénique exceptionnelle. Nico Dezaire propose trois des plus grands tubes de la chanteuse, dans des arrangements pour quatuor à cordes réalisés avec sensibilité et faciles à jouer qui ne manqueront pas de produire leur effet ! De la reprise de
Make You Feel My Love
de Bob Dylan à la ballade pop
Someone Like You
en passant par le groove de
Rolling In The Deep
, les chansons choisies par Dezaire témoignent de la polyvalence musicale d\'Adele. / Partitions variété - pop - rock / Variété internationale / Cordes / DEHASKE
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Nico Muhly: My Days: Viol Consort: Parts
16.99
Nico Muhly: My Days: Viol Consort: Parts
St Rose Music Publishing
Nico Muhly's My Days for ATTB choir and five Viola Da Gambas. Parts for five Vio...
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Nico Muhly's My Days for ATTB choir and five Viola Da Gambas. Parts for five Viols.This 16 minute piece of sheet music was commissioned by Wigmore Hall and the world première was performed by Fretwork and Hilliard Ensemble at Wigmore Hall October 2 2012.'My Days is a ritualised memory piece about Orlando Gibbons (1583-1625) written for two ensembles whose recordings informed so much of my musical development. I feel like I spend half of my life trying to trick string players to play like Fretwork and vocalists to singlike the Hilliard Ensemble so it was with enormous pleasure that I composed this piece. The text isderived from Psalm 39 which Gibbons himself set as well as an account of Gibbons's own autopsy which is a poignant 17th century semi-anonymous text. One of the most thrilling things about the sound of five violas da gamba playing together is the sense of their phrasing being derived from vocal music but made somehow electric and ecstatic through ornamentation and the friction of the strings. The piece has an idée fixe based on a minor scale with two possible resolutions and many ornaments. In between iterations the voices in rhythmic unison intone the psalm. It isn't until the autopsy text arrives that the voices begin to split into more elaborate ?Gibbonsy? verses and responses. A series of semiimprovisedfragments on the text 'Take thy plague away from me' introduces the third section of the piece where plucked strings create a halo around the text 'hear my prayer OLord.' The piece ends with the ornaments wildly exploded over the voices singing two words endlessly repeated.' - Nico Muhly
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Nico Muhly: My Days: Men's Choir: Score
10.99
Nico Muhly: My Days: Men's Choir: Score
St Rose Music Publishing
Nico Muhly's My Days for ATTB choir and five Viola Da Gambas. Full score.This 16...
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Nico Muhly's My Days for ATTB choir and five Viola Da Gambas. Full score.This 16 minute piece of sheet music was commissioned by Wigmore Hall and the world première was performed by Fretwork and Hilliard Ensemble at Wigmore Hall October 2 2012.'My Days is a ritualised memory piece about Orlando Gibbons (1583-1625) written for two ensembles whose recordings informed so much of my musical development. I feel like I spend half of my life trying to trick string players to play like Fretwork and vocalists to singlike the Hilliard Ensemble so it was with enormous pleasure that I composed this piece. The text is derived from Psalm 39 which Gibbons himself set as well as an account of Gibbons's own autopsy which is a poignant 17th century semi-anonymous text. One of the most thrilling things about the sound of five violas da gamba playing together is the sense of their phrasing being derived from vocal music but made somehow electric and ecstatic through ornamentation and the friction of the strings. The piece has an idée fixe based on a minor scale with two possible resolutions and many ornaments. In between iterations the voices in rhythmic unison intone the psalm. It isn't until the autopsy text arrives that the voices begin to split into more elaborate ?Gibbonsy? verses and responses. A series of semiimprovisedfragments on the text 'Take thy plague away from me' introduces the third section of the piece where plucked strings create a halo around the text 'hear my prayer OLord.' The piece ends with the ornaments wildly exploded over the voices singing two words endlessly repeated.' - Nico Muhly
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Peter Maxwell Davies: Naxos Quartet No.4 - Children's Games: String Quartet:
19.99
Peter Maxwell Davies: Naxos Quartet No.4 - Children's Games: String Quartet:
Quatuor à cordes: 2 violons, alto, violoncelle
[Partition]
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Avancé
Chester
The Full Score for Peter Maxwell Davies’ fourth in a series of ten string...
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The Full Score for Peter Maxwell Davies’ fourth in a series of ten string quartets commissioned by the Naxos Recording company first performed by the Maggini Quartet on 20th August 2004 at the Chapel of the Royal Palace Oslo Norway as part of the Olso Chamber Music Festival. Composer Note: The fourth Naxos quartet was written in January and February of 2004 with the intention of producing something lighter and much less fierce than itspredecessor an unpremeditated and spontaneous reaction to the illegal invasion of Iraq.I returned to the well-known Brueghel picture of children's games (1560 now in Vienna) which had been the inspiration for my sixthStrathclyde Concerto for flute and orchestra. These illustrations liberated my musical imagination but I feel it would limit the listener's perception to be too specific about which game relates to exactly which section of thework. Suffice it to say that there is vigorous play - leap-frog bind the devil with a cord truss wrestling - alongside quieter pastimes - masks guess whom I shall choose courting odds and evens. The single movementjuxtaposes these activities as abruptly and intimately as they occur in Brueghel. Rather as the eye is taken into different perspectives and proportions of scale within the picture taking liberties which would never be presentin for instance Brunelleschi architectural drawings so here with a constant sequence of transformation processes I have distorted the neat precise implications of modal progression expressed in the unison opening phrase(from F to B through A sharp/B flat) so that the ear is led en route into the sound equivalents of strange passageways and closed rooms: sicut exposition ludus. As work on the quartet progressed I became aware that Iwas reading into and behind the games adult motives and implications concerning aggression and war with their consequences. It was impossible to escape into innocent childhood fantasy. The nature of the F to B
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Two Nocturnes (DAVIES PETER MAXWELL)
18.20
Two Nocturnes (DAVIES PETER MAXWELL)
Piano Quatuor: piano, violon, alto, violoncelle
[Conducteur et Parties séparées]
Schott
for piano quartet. Par DAVIES PETER MAXWELL. The two nocturnes were composed imm...
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for piano quartet. Par DAVIES PETER MAXWELL. The two nocturnes were composed immediately after major surgery, against a deadline, and, despite the music sounding unlike anything I have written before, I decided to keep them exactly as they turned out. 2010 is a Chopin year, and I made this pair of nocturnes into a little tribute, after playing through and listening to most of his output. Never before had I composed under these drugged conditions – the musical dimensions were enormously exaggerated, with each interval and each phrase being elongated out of all proportion, and the whole few minutes filling the whole of time and space. The orchestration, for piano quartet, was influenced by the very neo-classical feel of the chamber version of the concertos, and the harmonic language very much the result of pondering Chopin’s very individual take on J.S Bach. They are dedicated to James MacMillan and Amelia Freedman respectively. Sir Peter Maxwell Davies (2010)/ Répertoire / Piano, Violon, Alto et Violoncelle
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Dezaire Nico - Viola Position 3 + Cd - Alto
25.99
Dezaire Nico - Viola Position 3 + Cd - Alto
En Français
Alto seul
[Partition + CD]
De Haske Publications
27 pièces pour jouer en troisième position à l'alto.
25.99 EUR - vendu par Woodbrass
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Form and Postlude (LASH HANNAH)
229.90
Form and Postlude (LASH HANNAH)
Flûte Traversière, Clarinette, Harpe et Quatuor à
[Conducteur et Parties séparées]
Schott Helicon Music Corporation
For Flute, Clarinet In Bb, Harp, and String Quartet. Par LASH HANNAH. Form and P...
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For Flute, Clarinet In Bb, Harp, and String Quartet. Par LASH HANNAH. Form and Postlude is a piece in one continuous movement but with a distinct postlude which ends the work. I play throughout with the idea of pacing on many levels: the largest level is the idea of proportion of sections to one another, then harmonic rhythm (in the broad sense), then harmonic rhythm on a more local level, and of course then on the surface of the music there is instrumental texture and how fast the notes go by. Along with this sense of play in terms of the pacing and motion is the idea of color. I love this ensemble, and its palette of color has been part of my DNA, as it were, for many years, because Ravel’s wonderful work Introduction et Allegro is such a cornerstone in the harpist’s repertoire. While composing, I found myself feeling that I was entering into this colorful world that is possible with this combination of instruments, almost as if it were possible to step into a painter’s palette in a real and visceral way, physically interacting with all the different colors. The title Form and Postlude nods to Ravel’s Introduction et Allegro, although my piece lives in its own very distinct space apart from Ravel. – Hannah Lash/ Répertoire / Flûte Traversière, Clarinette, Harpe et Quatuor à
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Vagn Holmboe: Quartetto Sereno - String Quartet No.21 Op.197: String Quartet:
Quatuor à cordes: 2 violons, alto, violoncelle
Wilhelm Hansen
Holmboe's last quartet work which is unofficially also String Quartet No. 21 ...
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Holmboe's last quartet work which is unofficially also String Quartet No. 21 was the last work he ever composed and was unfinished on his death in 1996. His pupil Per Nørgård has finished the quartet and himself characterizes his contribution by saying that the score existed “in an only partly completed form which could however be written out with only a few cases of doubt”. With only two movements and a playing time of about nine minutes it is at its existing length the shortest of Holmboe's string quartets. The first movement takes the form of one long arch in a rocking triple time which constantly shiftsamong different tempo and pulse sensations. At the same time the rhythmic energy increases until the movement in a faster Con moto tempo accelerates to a more flowing 12/8 time coloured both rhythmically by cross-rhythms in duple time and timbrally by harmonics in the viola. In its middle section Con fuoco the movement culminates in both tempo and expression until it falls calm in brief recapitulations in reverse order of the first two sections. The rocking feeling continues in the second movement but now at a more extroverted level from the outset Allegro and pizzicato. The energy builds up further as the mood intensifies to Con fuoco while all instruments go over to bowed playing but like the first movement this movement ends Adagio here however not as a gradual attenuation but through a sudden shift in tempo to a calm imitative passage before the movement slowly thins out to the almost inaudible through a last dense open sounding chord with a brief violin solo above it. The quartet is dedicated to Holmboe's wife MeLa May Holmboe and was given its first performance by the Kontra Quartet on 22nd March 1997 at the Carl Nielsen Academy of Music in Odense Denmark.
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101 HIT SONGS - ALTO
24.00
101 HIT SONGS - ALTO
Alto seul
Hal Leonard
This massive collection will keep instrumentalists busy with 101 pop hits to lea...
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This massive collection will keep instrumentalists busy with 101 pop hits to learn and play! Songs include: All About That Bass · All of Me · Brave · Breakaway · Call Me Maybe · Clocks · Fields of Gold · Firework · Hello · Hey, Soul Sister · Ho Hey · I Gotta Feeling · I Will Remember You · Jar of Hearts · Love Story · 100 Years · Roar · Rolling in the Deep · Royals · Say Something · Shake It Off · Smells like Teen Spirit · Uptown Funk · When You Say Nothing at All · and more. / Cordes / Hal Leonard
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Blue Rose
33.30
Blue Rose
Quatuor à cordes: 2 violons, alto, violoncelle
Bote and Bock
Blue Rose is based on two folk melodies which have been freely developed. It use...
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Blue Rose is based on two folk melodies which have been freely developed. It uses uneven beats and bars which creates a rocking feeling that is somewhat reminiscent of Balkan music. The title refers to the way the piece starts, unfolding and blooming as it slowly becomes stronger, like the blue light of dawn. It is one of the few pieces of the composer that is based in a major key (D major). / Quatuor A Cordes
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Alan Ridout: Seascapes: Viola: Instrumental Album
7.95
Alan Ridout: Seascapes: Viola: Instrumental Album
Alto seul
-
Facile
ABRSM Publishing
Six colourful miniatures depicting images of the sea range of moods and keys wil...
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Six colourful miniatures depicting images of the sea range of moods and keys will provide plenty of technical practice for young players while the pictures conveyed will stretch their feeling for interpretation ?The six Seascapes all lie in first position and range across the four strings. They are in an accessible tonal/modal style and there are appropriate accompaniments for ?A sea breeze? and ?Rippling Waves.?? Music Teacher ?There is a lot of very expressive and attractive writing in a singularly English style.? Music in the Curriculum ?As well as being well written for this instrument(s)... theyeach pick up details of string technique which makes them very useful teaching material.? SATIPS
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Dvorak A. - String Quartet N°13 Op.106 - Set Of Parts
19.60
Dvorak A. - String Quartet N°13 Op.106 - Set Of Parts
Quatuor à cordes: 2 violons, alto, violoncelle
Barenreiter
After working for three years at the NationalConservatory in New York, Dvorak re...
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After working for three years at the NationalConservatory in New York, Dvorak returnedhome in 1895 feeling extraordinarily happy. The fruit of this ecstatic periodare thecomposer's last two string quartets. The Quartet in G major, Op. 106, waswrittenimmediately after his return from America. The melodic freshness of the light,airythemes, alternating folk idioms in a temperate, unobtrusive musical allusion,betraysthe composer's maturity and mastery. The editor of this work, published as partof the first Complete Critical Edition of Works by Antonin Dvorak, is FrantisekBartos.
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Franz Schubert: Quintet in A Major Op. 114 or The Trout: Viola Solo:
15.99
Franz Schubert: Quintet in A Major Op. 114 or The Trout: Viola Solo:
Alto seul
[Partition + CD]
Music Minus One
Music Minus One Viola-Schubert's seminal chamber composition the Piano Quintet ...
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Music Minus One Viola-Schubert's seminal chamber composition the Piano Quintet in A major D667 commonly known as The Trout or Die Forelle is certainly one of the greatest pieces of music ever penned. Its rich textures and lovely melody create an unforgettable musical experience. Its celebration of nature's beauty stems from a summer trip in the Austrian Alps which inspired the young Schubert to rework a song into this complex chamber-piece. Composed of five alternating movements The Trout uses unique orchestration (substituting a double bass for the second violin) and gives special emphasis to the piano as well. But all the instruments take an equal role and this may also be a reason for thepiece's eternal popularity. The Trout instantly brings to mind the calm serenity of the summer mountain air and its sparkling melody and gentle poignancy leave a particularly happy feeling in both player and listener. It is a joy-filled piece but at the same time is filled with a serene quality that makes it one of the most exhilarating pieces for any musician to play and one of the most important compositions for any musician to learn. This Music Minus One edition gives you that opportunity in the comfort of your own home. Contains a high-quality printed solo part with informative liner notes and digitally remastered compact disc with accompaniments indexed for ease of practice. Accompaniment: Harriet Wingreen piano The Classic String Quartet
15.99 GBP - vendu par Musicroom GB
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Swedish Dances (BRUCH MAZ)
24.80
Swedish Dances (BRUCH MAZ)
Flûte Traversière, Hautbois et Piano
[Conducteur et Parties séparées]
-
Intermédiaire/avancé
Forton Music
Arrangeur: Robert Rainford. Par BRUCH MAZ. 7 short, melodic pieces with chances ...
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Arrangeur: Robert Rainford. Par BRUCH MAZ. 7 short, melodic pieces with chances for both soloists to shine. Max Bruch (1838-1920) was a German Romantic composer, conductor and teacher. A child prodigy, he composed his first pieces at the age of nine, and went on to hold musical posts in Mannheim, Berlin and Bonn. He also spent three seasons as conductor of the Liverpool Philharmonic Society. In his lifetime he was known mostly as a choral composer, but it is for his first violin concerto that he is chiefly remembered now. These dances were first published in 1892 for violin and piano, although Bruch later arranged them for solo piano, and also for orchestra. The slow, stately introduction leads in to seven dances in volume one, each a charming character study. Individual movements aredramatic, then tranquil: dance-like then reflective. The third, fifth and seventh movements have the feeling of folk-dances, while the others are more lyrical and expressive. Structurally the pieces are fairly simple, with melody sections flowing in to each other. Some ideas are developed into links and codas. In this arrangement, both solo players share the melodic material fairly evenly. Each has a solo movement to play, with the other movements featuring call and answer moments, harmony sections and contrapuntal elements to enjoy. Technically quite advanced, with the music covering the whole range of the instrument, these gems of pieces are well worth working on. / Niveau : Intermédiaire à Avancé / Répertoire / Flûte Traversière, Hautbois et Piano
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