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10 Fugues For String Quartet - Book 2 (BACH JOHANN-SEBASTIAN)
29.10
10 Fugues For String Quartet - Book 2 (BACH JOHANN-SEBASTIAN)
Quatuor à cordes: 2 violons, alto, violoncelle
[Conducteur et Parties séparées]
Spartan Press
10 Fugues For String Quartet Vol. 2. Par BACH JOHANN-SEBASTIAN. The idea for the...
(+)
10 Fugues For String Quartet Vol. 2. Par BACH JOHANN-SEBASTIAN. The idea for these arrangements came to me whilst listening to the Hagen Quartet's beautiful recording of the fugues that form part of Haydn's 'Sun Quartets', Op. 20. The spirit and influence of J.S. Bach, in particular his Well Tempered Clavier, Book II, courses through these three miraculous Haydn fugues. Like the viol consort, the string quartet suits this kind of composition (the fugue), with all four instruments sufficiently similar in character to each other to match the extraordinary unity and economy of the counterpoint. A string quartet playing Bach fugues is a good example of a harmonious relationship between form andcontent: just as there is a unifying principle behind the construction of the four string instruments, so there is (usually) a single theme or subject that unifies the construction of a four-part fugue. Thus the form enacts the content, telling you something about the text and message within. Apart from Haydn's and a handful of other composers' wondrous creations, there's little fugal writing for string quartet, at least in comparison with the abundance of other forms. This was another reason to make these arrangements. The quartet offers a melodic independence impossible to achieve on a single instrument. And I believe the technical and interpretative challenges posed by this repertoire and ndash - lightness of sound and rhythmic fluidity, for example - will be very valuable to quartets seeking the holy grail: a unified sound. Perhaps the simplest and most compelling reason for this work is that I just love this music more than I can say. These dazzling pieces, mostly fast, bright and in major keys, show Bach at his most playful, funny and mischievous, composing for an instrument rarely associated with these qualities. And so I'm very happy to offer string quartets these little know fugues, written by my favourite composer - a violinist and violist himself, but above all a master / Classique / Date parution : 2018-05-04/ Répertoire / Quatuor à Cordes
29.10 EUR - vendu par LMI-partitions
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Songs (WEILL KURT)
37.68
Songs (WEILL KURT)
Alto, Piano
[Partition + CD]
Universal Edition
Par WEILL KURT. 10 songs from three of Kurt Weill's most famous stage works are ...
(+)
Par WEILL KURT. 10 songs from three of Kurt Weill's most famous stage works are presented in easy arrangements for viola and piano. The CD provides invaluable listening material and an alternative accompaniment in the absence of a pianist./ Recueil / Alto et Piano
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Essential Elements for Strings - Book 1 with EEi: Viola Solo: Instrumental Tutor
13.99
Essential Elements for Strings - Book 1 with EEi: Viola Solo: Instrumental Tutor
Alto seul
[Partition + CD + DVD]
-
Débutant
Hal Leonard
Now the best-selling band method is even better! Book 1 for absolute beginners i...
(+)
Now the best-selling band method is even better! Book 1 for absolute beginners includes a start-up video and much much more all on CD-ROM.Features:Same great Essential Elements 2000 method!15-minute video/?super lesson? for learning the basicsPlay-along mp3* tracks for all 185 exercises (featuring a professional player on your instrument)Tempo Adjustment SoftwareDuets and TriosMusic Listening LibrarySmartMusic® Software for Exercises 1-100 (for use on PC/Mac) - practice record and email a performance with on-screen assessment
13.99 GBP - vendu par Musicroom GB
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John McCabe: String Quartet No.7 - Summer Eves: String Quartet: Score
24.99
John McCabe: String Quartet No.7 - Summer Eves: String Quartet: Score
Quatuor à cordes: 2 violons, alto, violoncelle
[Partition]
Novello & Co Ltd.
Commissioned by the Presteigne Festival of Music and the Arts Limited with fund...
(+)
Commissioned by the Presteigne Festival of Music and the Arts Limited with funds provided by the Arts Council of Wales for premiere in August 2012 by the Carducci String Quartet in St. Andrew?s Church Presteigne.Composer's Note'Some years ago I noted down the opening theme of what I anticipated would be a relatively Classical string quartet ?Classical? in the sense of the forms adopted plus perhaps a predominantly lyrical tone of voice. The commission for this work from the Presteigne Festival for their 30th anniversary in 2012 gave me the opportunity of putting into practice this long-held idea. It isdedicated to the Festival and to the Carducci Quartet whose career as much-admired friends and colleagues I have greatly enjoyed.The only break with ?classical? tradition is that there are five movements instead of four with two Scherzi as the second and third though both these are very short and contrasting. I found myself listening to Haydn?s string quartets a lot before and during the composition of this work and I hope the spirit of his delight in writing for this medium is echoed in my own music. The opening movement is in sonata form unusually for me and lyricism is I hope the basis of it though there is a good deal of activity at times. The Scherzo light and marked by frequently-changing rhythms is followed by an equally short but ferocious Perpetuum mobile marked Wild und rasch (one of my favourite German tempo markings). The fourth movement is an intense Adagio in which a single phrase uttered strongly in unison is gradually transformed into gentle diatonic chords before the close intermingled with cadenzas for cello for viola and for the two violins together. The finale (a Rondo) resumes the classical tone of the first movement but apart from one dance-like episode it builds up a fair head of steam towards a final Presto which however ascends slows and quietens towards a gentle summer sky at dusk.'
24.99 GBP - vendu par Musicroom GB
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Four Strings Vol. 2 (NEUMANN EVA-MARIA (Arr)
42.74
Four Strings Vol. 2 (NEUMANN EVA-MARIA (Arr)
Quatuor à cordes: 2 violons, alto, violoncelle
[Partition]
Breitkopf & Härtel
20 Easy to Intermediate Pieces from four Centuries. Par NEUMANN EVA-MARIA (Arr.)...
(+)
20 Easy to Intermediate Pieces from four Centuries. Par NEUMANN EVA-MARIA (Arr.). Making music in a quartet uniquely nurtures young string players’ musical development, ensemble playing, listening to each other, and intonation. So, what could be more obvious than introducing the scoring of this genre, often referred to as chamber music’s supreme discipline, as early as possible. Indeed, composers have all along advised the classical string quartet’s outstanding compositions, but they are hardly easy to play for beginners. Here, with the present collection, is where Eva-Maria Neumann comes in. The two volumes include A total of 20 easy to intermediate arrangements of pieces from Bach to Bartók, together with specifically composed ones in string-quartet friendly keys - Reading scores and individual parts - additionally, individual part for violin III instead of viola - Tips on warming up, intonation, bowing, fingering, tempos, dynamics, and playing musically - Specific instructions for the individual pieces - Lists of supplementary original literature The pieces are also effective as scored for chorus./ Recueil / Quatuor à Cordes
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10 Fugues (BACH JOHANN-SEBASTIAN)
29.10
10 Fugues (BACH JOHANN-SEBASTIAN)
Quatuor à cordes: 2 violons, alto, violoncelle
[Conducteur et Parties séparées]
Spartan Press
For String Quartet Volume 1. Par BACH JOHANN-SEBASTIAN. The idea for these arran...
(+)
For String Quartet Volume 1. Par BACH JOHANN-SEBASTIAN. The idea for these arrangements came to me whilst listening to the Hagen Quartet's beautiful recording of the fugues that form part of Haydn's 'Sun Quartets', Op. 20. The spirit and influence of J.S. Bach, in particular his Well Tempered Clavier, Book II, courses through these three miraculous Haydn fugues. Like the viol consort, the string quartet suits this kind of composition (the fugue), with all four instruments sufficiently similar in character to each other to match the extraordinary unity and economy of the counterpoint. A string quartet playing Bach fugues is a good example of a harmonious relationship between form andcontent: just as there is a unifying principle behind the construction of the four string instruments, so there is (usually) a single theme or subject that unifies the construction of a four-part fugue. Thus the form enacts the content, telling you something about the text and message within. Apart from Haydn's and a handful of other composers' wondrous creations, there's little fugal writing for string quartet, at least in comparison with the abundance of other forms. This was another reason to make these arrangements. The quartet offers a melodic independence impossible to achieve on a single instrument. And I believe the technical and interpretative challenges posed by this repertoire and ndash - lightness of sound and rhythmic fluidity, for example - will be very valuable to quartets seeking the holy grail: a unified sound. Perhaps the simplest and most compelling reason for this work is that I just love this music more than I can say. These dazzling pieces, mostly fast, bright and in major keys, show Bach at his most playful, funny and mischievous, composing for an instrument rarely associated with these qualities. And so I'm very happy to offer string quartets these little know fugues, written by my favourite composer - a violinist and violist himself, but above all a / Classique / Date parution : 2018-05-04/ Répertoire / Quatuor à Cordes
29.10 EUR - vendu par LMI-partitions
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2-5 jours - En Stock Fournisseur
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Karen Tanaka: Metal Strings: String Quartet: Score
Quatuor à cordes: 2 violons, alto, violoncelle
[Partition]
Chester
Scored For String Quartet. Commissioned by the New Arts String Quartet first pe...
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Scored For String Quartet. Commissioned by the New Arts String Quartet first performed in Tokyo November 1996.Quoting Tanaka: The title Metal Strings suggests speed metal rock music which I have been listening to a lotin recent years. I find an explosive energy in its music that people of today thirst for. Previously I have explored solid speedy and metallic sound in pieces such as 'Wave Mechanics' (1994) 'Wave Mechanics II' (1994) and'Metalic Crystal' (1994-95). This idea has been extended and developed in my string quartet Metal Strings.Score only edition separate parts are also available on sale.
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Viola School Viola Part Vol.2 (SUZUKI SHINICHI)
23.30
Viola School Viola Part Vol.2 (SUZUKI SHINICHI)
Alto seul
[Partition]
Alfred Publishing
Par SUZUKI SHINICHI. Viola Part from the Suzuki Viola School, Volume 2. Transcri...
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Par SUZUKI SHINICHI. Viola Part from the Suzuki Viola School, Volume 2. Transcribed for Viola and Piano by Doris Preucil. The Suzuki philosophy is based upon the idea that children can learn music in the same manner they do their native language, through repetitive listening. This simple method of teaching has developed into a worldwide movement with proponents in many countries across many instruments. The first three volumes of The Suzuki Viola School have been directly transcribed from Shinichi Suzuki's Violin method by Doris Preucil, and contain many popular Baroque melodies in addition to the necessary exercises and studies. Suitable for bothbeginner adults and young children. / Niveau : Débutant à Intermédiaire / Rép Classique / Méthode / Alto
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John McCabe: String Quartet No.7 - Summer Eves (Parts): String Quartet: Parts
29.99
John McCabe: String Quartet No.7 - Summer Eves (Parts): String Quartet: Parts
Quatuor à cordes: 2 violons, alto, violoncelle
[Partition]
Novello & Co Ltd.
Commissioned by the Presteigne Festival of Music and the Arts Limited with fund...
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Commissioned by the Presteigne Festival of Music and the Arts Limited with funds provided by the Arts Council of Wales for premiere in August 2012 by the Carducci String Quartet in St. Andrew?s Church Presteigne.Composer's Note.'Some years ago I noted down the opening theme of what I anticipated would be a relatively Classical string quartet ?Classical? in the sense of the forms adopted plus perhaps a predominantly lyrical tone of voice. The commission for this work from the Presteigne Festival for their 30th anniversary in 2012 gave me the opportunity of putting into practice this long-held idea. It isdedicated to the Festival and to the Carducci Quartet whose career as much-admired friends and colleagues I have greatly enjoyed.The only break with ?classical? tradition is that there are five movements instead of four with two Scherzi as the second and third though both these are very short and contrasting. I found myself listening to Haydn?s string quartets a lot before and during the composition of this work and I hope the spirit of his delight in writing for this medium is echoed in my own music. The opening movement is in sonata form unusually for me and lyricism is I hope the basis of it though there is a good deal of activity at times. The Scherzo light and marked by frequently-changing rhythms is followed by an equally short but ferocious Perpetuum mobile marked Wild und rasch (one of my favourite German tempo markings). The fourth movement is an intense Adagio in which a single phrase uttered strongly in unison is gradually transformed into gentle diatonic chords before the close intermingled with cadenzas for cello for viola and for the two violins together. The finale (a Rondo) resumes the classical tone of the first movement but apart from one dance-like episode it builds up a fair head of steam towards a final Presto which however ascends slows and quietens towards a gentle summer sky at dusk.'
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Duo II (HOLLIGER HEINZ)
23.30
Duo II (HOLLIGER HEINZ)
Violon, Violoncelle (duo)
Schott
Par HOLLIGER HEINZ. Here's proof, if you ever needed it, that contemporary music...
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Par HOLLIGER HEINZ. Here's proof, if you ever needed it, that contemporary music can be humourous. Want to hear Mendelssohn's Wedding March beefed up with Wagner's Tristan? And enjoy listening out for the well-known melody of 'Tea for two' in the escapades of 'Three for two'? The entertaining collection were composed individually, and for a variety of purpose - some were congratulatory messages for well-known fellow musicians such as Elliott Carter or Thomas Demenga, but some were just composed while waiting at a bus stop! Hence, the pieces can be played either as effective encore pieces./ Répertoire / Violon et Violoncelle
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The Lehmann Discontinuity (D'ADAMO DANIEL)
39.56
The Lehmann Discontinuity (D'ADAMO DANIEL)
Quatuor à Cordes et Electronique
Chant du Monde
Par D'ADAMO DANIEL. The starting point for the composition of this piece was the...
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Par D'ADAMO DANIEL. The starting point for the composition of this piece was the musical observation of sound materials that were both tiny and extremely detailed, expressing a strong musical potential. Nano-sounds, materials which belong to a relatively small and hardly perceptible acoustic world which through composition, are projected on a much wider listening scale. This change of perspective, both real and imaginary, takes place through the composition of the score and of the electroacoustic part, but especially through the amplification and diffusion of the instrumental and the electronic sound on the loudspeakers. / Date parution : 2022-02-03/ Répertoire / Quatuor à Cordes et Electronique
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Polichinelle (KREISLER FRITZ)
21.65
Polichinelle (KREISLER FRITZ)
Trio à Cordes
[Conducteur et Parties séparées]
Schott
Serenade. Par KREISLER FRITZ. Apart from the collection of Classical Manuscripts...
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Serenade. Par KREISLER FRITZ. Apart from the collection of Classical Manuscripts composed by the violin virtuoso Fritz Kreisler (1875-1962) which he had passed off as transcriptions of settings of old masters, the violinist published original works early on as well. Kreisler himself liked to play them as encore pieces, thus sweetening many a concert with this 'musical confectionery'. Famous tunes are, for example, Liebesfreud, Liebesleid and Schön Rosmarin, his old Viennese dance tunes, in which Kreisler evoked the coffee-house atmosphere of his home town with beautiful melodies and mellifluous harmonies. Another wonderful example is his Marche miniature viennoise, with its humorous theme and a rather march-like middle section - and everywhere, Kreisler takes the audience by surprise with a little Viennese snide humour. Kreisler's original compositions are lovely miniatures, lively and catchy, even with a touch of melancholy - yet full of charm and elegance. Arranged for string trio, they are enjoyable to play and worth listening to and a valuable addition to the repertoire - ideal for sociable music-making or as pieces to end a 'serious' concert./ Répertoire / Trio à Cordes
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Four Strings Vol. 1 (NEUMANN EVA-MARIA (Arr)
42.74
Four Strings Vol. 1 (NEUMANN EVA-MARIA (Arr)
Quatuor à cordes: 2 violons, alto, violoncelle
[Partition]
Breitkopf & Härtel
20 Easy to Intermediate Pieces from four Centuries. Par NEUMANN EVA-MARIA (Arr.)...
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20 Easy to Intermediate Pieces from four Centuries. Par NEUMANN EVA-MARIA (Arr.). Making music in a quartet uniquely nurtures young string players’ musical development, ensemble playing, listening to each other, and intonation. So, what could be more obvious than introducing the scoring of this genre, often referred to as chamber music’s supreme discipline, as early as possible. Indeed, composers have all along advised the classical string quartet’s outstanding compositions, but they are hardly easy to play for beginners. Here, with the present collection, is where Eva-Maria Neumann comes in. The two volumes include A total of 20 easy to intermediate arrangements of pieces from Bach to Bartók, together with specifically composed ones in string-quartet friendly keys - Reading scores and individual parts - additionally, individual part for violin III instead of viola - Tips on warming up, intonation, bowing, fingering, tempos, dynamics, and playing musically - Specific instructions for the individual pieces - Lists of supplementary original literature The pieces are also effective as scored for chorus./ Recueil / Quatuor à Cordes
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Karen Khanagov: My Very Best Christmas Viola Edition: Viola: Instrumental Album
17.99
Karen Khanagov: My Very Best Christmas Viola Edition: Viola: Instrumental Album
Alto seul
[Partition + Accès audio]
Mel Bay
Book/Insert/Online Audio-The seventeen Christmas songs in this volume arranged ...
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Book/Insert/Online Audio-The seventeen Christmas songs in this volume arranged in comfortable keys can be used for players at different levels and for all kinds of occasions. All three editions (Violin Viola and Cello) include two parts foreither solo or duet performance and Piano accompaniment. The three books are all compatible so that ensembles may mix and match parts as desired. Suzuki groups may particularly enjoy these arrangements. The online audioavailable for download provides the Piano accompaniments alone. It can be used for back-up improvisatory play-along or for pleasant listening by itself. Includes two 24-page pull-out parts for Viola I and Viola II.
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Marche miniature viennoise (KREISLER FRITZ)
21.65
Marche miniature viennoise (KREISLER FRITZ)
Trio à Cordes: violon, alto, violoncelle
Schott
Par KREISLER FRITZ. Apart from the collection of Classical Manuscripts composed ...
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Par KREISLER FRITZ. Apart from the collection of Classical Manuscripts composed by the violin virtuoso Fritz Kreisler (1875-1962) which he had passed off as transcriptions of settings of old masters, the violinist published original works early on as well. Kreisler himself liked to play them as encore pieces, thus sweetening many a concert with this 'musical confectionery'. Famous tunes are, for example, Liebesfreud, Liebesleid and Schön Rosmarin, his old Viennese dance tunes, in which Kreisler evoked the coffee-house atmosphere of his home town with beautiful melodies and mellifluous harmonies. Another wonderful example is his Marche miniature viennoise, with its humorous theme and a rather march-like middle section - and everywhere, Kreisler takes the audience by surprise with a little Viennese snide humour. Kreisler's original compositions are lovely miniatures, lively and catchy, even with a touch of melancholy - yet full of charm and elegance. Arranged for string trio, they are enjoyable to play and worth listening to and a valuable addition to the repertoire - ideal for sociable music-making or as pieces to end a 'serious' concert./ Répertoire / Trio à Cordes
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Waltzes (LERDAHL FRED)
105.45
Waltzes (LERDAHL FRED)
Violon, Alto, Violoncelle et Contrebasse
[Conducteur et Parties séparées]
Schott
Par LERDAHL FRED. Waltzes, a cycle of twelve virtuoso waltzes for violin, viola,...
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Par LERDAHL FRED. Waltzes, a cycle of twelve virtuoso waltzes for violin, viola, cello, and double bass, was commissioned by the Spoleto Festival USA in Charleston, where the first nine waltzes were premiered in 1981. Soon thereafter I composed the final three waltzes. The violinist Rolf Schulte led the first performance of the complete work in New York City in 1983. Waltzes lasts about 22 minutes and is dedicated to the violist Scott Nickrenz, who directed the chamber music series at Spoleto. In arranging the commission, Mr. Nickrenz made three stipulations: make my modernist idiom accessible for summer-festival listening, provide a challenge for brilliant string players accustomed to 19th-century repertory, and give the piece a loud ending. The idea of composing a set of waltzes came from the pleasure I took in playing waltzes by Schubert and Chopin at the piano. Waltzes incorporates occasional references to the music of past composers, but always in ways that fit within my own musical language. Its instrumentation for “low” string quartet is reminiscent of Schubert’s Vienna./ Répertoire / Violon, Alto, Violoncelle et Contrebasse
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Viola Debut - 12 Easy Pieces For Beginners - Pupil (RAE JAMES)
20.53
Viola Debut - 12 Easy Pieces For Beginners - Pupil (RAE JAMES)
1-2 Altos et Piano
[Partition + CD]
Universal Edition
Par RAE JAMES. This collection of twelve very easy original pieces was written w...
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Par RAE JAMES. This collection of twelve very easy original pieces was written with the aim of providing players in the earliest stage of their musical development with solo and group performance material. Although very elementary, the pieces are composed in a wide variety of styles in order to provide a well-balanced musical diet for the young performer. All of these pieces for young violists in their earliest stages of learning can be performed as solos with piano accompaniment (free download) or in unison with others. Some have an optional 2nd part to enrich the ensemble. Whilst these 12 pieces are written specifically for the viola and address the challenges a beginner violist would encounter, the last four pieces are also “key friendly” for beginners on most instruments and are therefore suitable for mixed instrumental groups. These same four pieces appear in books for other instruments in the Debut series. A CD providing stimulating demonstration performances for listening as well as “minus-one” accompaniments for playing along at home. • Free download of the piano accompaniment parts • CD with play-along version and full version for practising at home A further option: mixed ensemble! Whilst these twelve pieces are written specifically for each respective solo instrument, the last four pieces are also suitable for mixed instrumental groups. These same four pieces appear in books for other instruments in the Debut series – great fun for all! / Pédagogie / Recueil / 1-2 Altos et Piano
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Karen Tanaka: Metal Strings: String Quartet: Instrumental Work
Quatuor à cordes: 2 violons, alto, violoncelle
[Partition]
Chester
Scored For String Quartet. Commissioned by the New Arts String Quartet first pe...
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Scored For String Quartet. Commissioned by the New Arts String Quartet first performed in Tokyo November 1996.Quoting Tanaka: The title Metal Strings suggests speed metal rock music which I have been listening to a lot in recent years. I find an explosive energy in its music that people of today thirst for. Previously I have explored solid speedy and metallic sound in pieces such as 'Wave Mechanics' (1994) 'Wave Mechanics II' (1994) and 'Metalic Crystal' (1994-95). This idea has been extended and developed in my string quartet Metal Strings.
14.99 GBP - vendu par Musicroom GB
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Cheryl Frances-Hoad: The Forgiveness Machine: Piano Trio: Score and Parts
Piano Trio: piano, violon, violoncelle
Cadenza Music
Cheryl Frances-Hoad's The Forgiveness Machine for Piano Cello and Violin. 'The ...
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Cheryl Frances-Hoad's The Forgiveness Machine for Piano Cello and Violin. 'The Forgiveness Machine was commissioned by the Phoenix Piano Trio as part of their Beyond Beethoven Project. My work is very closely modeled on the second movement of Beethoven’s Archduke Trio and comprises a set of loosely structured variations many of which are motivically very similar to Beethoven's. This work is dedicated to the memory of my grandmother Christina Hoad. I received this commission in the last months of her life and would often sit in the room listening to the Archduke on my headphones while she rested. Beethoven’s music to me atthat time had an almost transcendental quality to it temporarily permitting an escape from the reality and inevitability of my Nan’s illness. It was this quality of serenity beauty and dignity that I tried to emulate in my work. The title is taken from an art work by Karen Green: the Forgiveness Machine was made after the death of her husband David Foster Wallace and encourages members of the public to write down on a piece of paper what they want to forgive/be forgiven for before feeding it to the machine which sucks up the piece of paper and shreds it (the artwork is some seven foot long). Whilst in my case there is nothing to forgive it was the feeling of catharsis that many people reported after interaction with this artwork that struck a chord with me and had tremendous relevance to this work.' - Cheryl Frances-Hoad
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Measures Of Success For String Orchestra: Viola 1: Viola: Instrumental Tutor
Alto (Viole)
[Partition + DVD]
FJH
A comprehensive musicianship String method.About The Book:Unique chapter layout ...
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A comprehensive musicianship String method.About The Book:Unique chapter layout provides a goal-orientated format organised by school quarter.4 full-page assessments include:- Critical Listening- Playing By Ear- Theory and Terminology- Composing Arranging and Improvisation- Performance- Advanced Bow StudiesWealth of classical and world music.8 arrangements and original compositions for String Orchestra.Duets rounds and a solo with Piano accompaniment.Play-along accompaniments feature demo and performance tracks with professionalmusicians.Featured in SmartMusic.Correlates with science and world history.Fully integrated with the National Standards for Music Education.Video tutorials with master teachers and students. About The Accompaniment Tracks:Each track includes a demo version with professional musicians followed by accompaniment only.Outstanding accompaniments explore a wide variety of musical styles to make practice exciting and fun.Play classical and world melodies with characteristic accompaniments that include:Full OrchestraRockLatinJazzFunkCountryElectronicWorld MusicMedia Options:DVD Features:Video tutorialsAccompaniments for the entire bookAbility to transfer MP3 files to a computer or portable deviceOnline Features:Stream or download all accompaniments at no chargeStream all video tutorials at no charge
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Two Nocturnes (DAVIES PETER MAXWELL)
16.65
Two Nocturnes (DAVIES PETER MAXWELL)
Piano Quatuor: piano, violon, alto, violoncelle
[Conducteur et Parties séparées]
Schott
for piano quartet. Par DAVIES PETER MAXWELL. The two nocturnes were composed imm...
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for piano quartet. Par DAVIES PETER MAXWELL. The two nocturnes were composed immediately after major surgery, against a deadline, and, despite the music sounding unlike anything I have written before, I decided to keep them exactly as they turned out. 2010 is a Chopin year, and I made this pair of nocturnes into a little tribute, after playing through and listening to most of his output. Never before had I composed under these drugged conditions – the musical dimensions were enormously exaggerated, with each interval and each phrase being elongated out of all proportion, and the whole few minutes filling the whole of time and space. The orchestration, for piano quartet, was influenced by the very neo-classical feel of the chamber version of the concertos, and the harmonic language very much the result of pondering Chopin’s very individual take on J.S Bach. They are dedicated to James MacMillan and Amelia Freedman respectively. Sir Peter Maxwell Davies (2010)/ Répertoire / Piano, Violon, Alto et Violoncelle
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Nature (DAVIES TANSY)
39.43
Nature (DAVIES TANSY)
Piano et Orchestre
[Partition]
Faber Music Limited
Par DAVIES TANSY. Nature, Tansy Davies gloriously offbeat concerto for piano and...
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Par DAVIES TANSY. Nature, Tansy Davies gloriously offbeat concerto for piano and ten instruments from 2012, teems with invention. This 20-minute work was inspired by shamanic rituals and the supernatural, and Davies describes the piano as part moth, part Maenad . There is a feral quality to much of the tumultuous solo writing all hyperactive trills and gutsy bass eruptions, shot through with rare and unexpected moments of calm. Brilliantly imaginative, and packed full of glistening, ever-changing ensemble textures, this remarkable reimagining of the concerto form sees Davies craft yet another thrilling and wholly distinctive soundworld. ARRANGEMENT Piano and ensemble of ten players: Alto Flute, Cor Anglais, Bass Clarinet, Horn, Percussion (1 player), Harp, Violin, Viola, Cello, Double Bass. / Scores / Répertoire / Piano et Ensemble De Chambre
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Gems for Junior String Orchestras 3 (BUTTERWORTH HELEN)
23.25
Gems for Junior String Orchestras 3 (BUTTERWORTH HELEN)
Violon, Alto, Violoncelle et Contrebasse
[Partition]
Alfred Publishing
Par BUTTERWORTH HELEN. This collection of seven pieces is suitable for young str...
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Par BUTTERWORTH HELEN. This collection of seven pieces is suitable for young string players in the early stages of orchestral playing. The rhythms and notes used in all the parts are still quite basic, the third violin/viola being the easiest, but the overall effect is very satisfying for performer and listener. The Violin 3 and Viola parts are the same and the Double Bass part is optional. The optional Piano parts can be used in rehearsals or if any of the string parts are missing. / Ensemble Music / Recueil / Violon, Alto, Violoncelle et Contrebasse
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Intermezzo Per Quartetto D'Archi
21.05
Intermezzo Per Quartetto D'Archi
Quatuor à cordes: 2 violons, alto, violoncelle
EMB (Editio Musica Budapest)
The four parts of the piece originate from the piano cycles of Johannes Brahms. ...
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The four parts of the piece originate from the piano cycles of Johannes Brahms. The identical nature of the themes is implied in their descending direction, while their differences lie in their distinct meters, key signatures and tempo. I further developed the differences through the use of different musical alterations (of melody, rhythm and timbre) while the melodic contours are always constant. Depending on the listeners attention, the melody lines written above one another will be audible separately or appear to be in unison. / Quatuor A Cordes
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Pop Rounds - 3 And 4 Part (SCHMITZ MANFRED)
22.99
Pop Rounds - 3 And 4 Part (SCHMITZ MANFRED)
Alto (Viole)
AMA Verlag
3- und 4-stimmige Kanons. Par SCHMITZ MANFRED. Canons are fun and at the same ti...
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3- und 4-stimmige Kanons. Par SCHMITZ MANFRED. Canons are fun and at the same time also help develop the ability to listen and play along, thus making them an important enhancement to musical training. With 109 pop style melodies in two volumes Manfred Schmitz work provides comprehensive and diversified material which can be flexibly implemented in teaching single pupils, for group lessons and for ensemble classes. The instruments violin, viola, violoncello and flute can thus stay „among themselves“ or play music together in all imaginable instrumental combinations. 3/4 part Particularly designed for performance in groups and ensembles, the demands grow with the addition of voices and the growing diversity of timbres. As withthe two-voiced canons, also the three and four-voiced canons can with the help of the universal versions be played in all thinkable combinations of instruments up to the various chamber music ensembles. / Niveau : Débutant à Intermédiaire / Contemporary - Solos / Recueil / Alto
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Pelle Gudmundsen-Holmgreen: String Quartet No. 10 'New Ground': String Quartet:
29.99
Pelle Gudmundsen-Holmgreen: String Quartet No. 10 'New Ground': String Quartet:
Quatuor à cordes: 2 violons, alto, violoncelle
Wilhelm Hansen
Pelle Gudmundsen-Holmgreen's String Quartet No. 10 'New Ground' (2011). Set of...
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Pelle Gudmundsen-Holmgreen's String Quartet No. 10 'New Ground' (2011). Set of parts: WH31462A Programme note: New Ground – No Ground – Green In 1986 I wrote Ground for the Kronos Quartet. I used the principle of the baroque ground and created a series of chords – going up and going down symmetrically. The material formed the basis for the quartet. In my next collaboration with Kronos I wrote the darker Last Ground – at the time supposed to be my last composition of the kind. After some years this seemed a bit pathetic and Idecided to write a new – lighter ground – New Ground. To disappoint my listeners as much as possible I based this piece on a very old and very well-known ground: Pachelbel’s Canon. The piece is tonal and that suggested another –atonal – composition – No Ground (based on another string quartet – no. 7 Parted from 1984 first performed by Kronos). I am very fond of the elaborated constructivism of the medieval or early renaissance music so in my view the two new quartets needed to be connected and combined. The two quartets can be performed in combination with the four-part vocal piece Green. The text is from medieval England. The pieces are written for the Kronos Quartet and Theatre of Voices.
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Ritual Returning (JOST CHRISTIAN)
42.18
Ritual Returning (JOST CHRISTIAN)
Quatuor avec Piano
[Conducteur et Parties séparées]
Schott
Piano Quartet No. 1. Par JOST CHRISTIAN. Christian Jost spent the summer of 1987...
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Piano Quartet No. 1. Par JOST CHRISTIAN. Christian Jost spent the summer of 1987 in an Indian reservation in Arizona. Impressed by the foreign culture and deeply moved by the visit of a Native American burial site, he composed - apart from other works - the piano quartet 'Ritual Returning' in which Indian influences can be heard. Like many of his works, this vibrant work resembles a journey in which he assimilates impressions and thoughts. 'Ritual Returning' is an extraordinary addition to the common repertoire for piano quartet. This piece will also elate listeners who are reticent about contemporary music./ Répertoire / Quatuor avec Piano
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String Quartet #1 (Score) (HARVEY JONATHAN)
14.80
String Quartet #1 (Score) (HARVEY JONATHAN)
Quatuor à cordes: 2 violons, alto, violoncelle
[Partition]
Faber Music Limited
Par HARVEY JONATHAN. . . . a world of shimmering sounds and unusual moves. That ...
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Par HARVEY JONATHAN. . . . a world of shimmering sounds and unusual moves. That world has a chaotic surface, yet there is an undeniable internal coherence and drama that engages the attention and the imagination. . . Mr Harvey's work, with its otherworldly textures, seduces the listener. James R Oestreich, The New York Times, 23 April 1991. / Niveau : Elémentaire / Répertoire / Quatuor à Cordes
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Quartet For Heart And Breath
19.50
Quartet For Heart And Breath
Quatuor à cordes: 2 violons, alto, violoncelle
[Livre]
-
Intermédiaire/avancé
Chester
Richard Reed Parry's Quartet For Heart And Breath is an innovative and original ...
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Richard Reed Parry's Quartet For Heart And Breath is an innovative and original piece based on the performers' own bodily rhythms. This sheet music is for String Quartet (Violin/Violin/Viola/Cello).Richard Reed Parry is familiar to millions as the lead singer of rock band Arcade Fire, yet his foray into classical music is equally worthy of attention. Quartet For Heart And Breath is an experiment into using the performers' heartbeats and breathing to dictate the tempo. The performers are instructed to wear stethoscopes in order to listen to their heartbeats closely, while one complete breath corresponds to one bar and two heartbeats equal two crotchets.The result is a quiet and subtle piece, as each instrument has to play softly so as to be able to keep in time. The piece also has a naturally occurring dynamism in that the players' heart rates constantly change as the performance goes on, with each instrument falling in and out of sync sometimes culminating in a beautiful moment of all heartbeats matching each other. Interestingly, this unique aspect means that no performance will ever be the same, meaning to hear or play this composition will be a truly once in a lifetime experience.Quartet For Heart And Breath is a superbly one-of-a-kind composition by Richard Reed Parry. Commissioned by the Kronos Quartet, this piece makes for a wonderfully distinctive performance, with fascinating implications for the connection between the music and the body. / Quatuor A Cordes
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Johann Nepomuk Hummel: Quartet in C Op. 30 No. 1: String Quartet: Parts
Quatuor à cordes: 2 violons, alto, violoncelle
[Partition]
S J Music
This String Quartet has some technical difficulties particularly for the first ...
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This String Quartet has some technical difficulties particularly for the first violinist but the musical result is worth the effort and players familiar with Beethoven's quartets will enjoy playing it. It is one of three Hummel opus 30 quartets published by SJ Music. All three are classical in style and pleasurable to listen to and play and many would say that they have been unjustly neglected. Johann Nepomuk Hummel was a Hungarian pianist conductor and composer born in Pozsony (now Bratislava) in 1778. He died in Weimar in 1837. Mozart heard him play aged seven in Vienna and was so impressed that he offered him lessons and took him to live with him for the next two years.As an adult in Vienna he became good friends with Beethoven.
21.95 GBP - vendu par Musicroom GB
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