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Britta Byström: Dream Day: Viola: Instrumental Work
18.99
Britta Byström: Dream Day: Viola: Instrumental Work
Alto (Viole)
[Partitions]
Wilhelm Hansen
Britta Byström’s seven minute piece Dream Day for solo Viola. This piece ...
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Britta Byström’s seven minute piece Dream Day for solo Viola. This piece was composed in 2013 and is dedicated to Ellen Nisbeth.
18.99 GBP - vendu par Musicroom GB
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Joby Talbot: Genus Quartet (For String Quartet): String Quartet: Score
16.99
Joby Talbot: Genus Quartet (For String Quartet): String Quartet: Score
Quatuor à cordes: 2 violons, alto, violoncelle
-
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Chester
Genus Quartet (For String Quartet) by Joby Talbot was commissioned by the Barb...
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Genus Quartet (For String Quartet) by Joby Talbot was commissioned by the Barbican London. was first performed on May 12th 2013 at LSO St. Luke’s London by the CalderQuartet.Duration c. 10 minutes.
16.99 GBP - vendu par Musicroom GB
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Aheym For String Quartet (Full Score)
23.84
Aheym For String Quartet (Full Score)
Quatuor à cordes: 2 violons, alto, violoncelle
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Chester
This is the full score of Aheym for String Quartet, composed by Bryce Dessner, b...
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This is the full score of Aheym for String Quartet, composed by Bryce Dessner, best known as the guitarist of The National, but also an acclaimed composer in his own right.Composed in 2009 for the Kronos Quartet for their performance in Brooklyn's Prospect Park for the Celebrate Brooklyn! festival, Aheym (meaning 'homeward' in Yiddish) was directly inspired by his grandmother's migration to America. Dessner states that the stories and information she used to tell them permeated their collective imagination and created a close connection to the past. He dedicates Aheym to his grandmother, Sarah Dessner. The score in this edition was first performed on the 12th of March 2009 at the MusicNOW Festival, and on the 18th of July 2009 in Prospect Park, Brooklyn. The work lasts around 10 minutes and is filled with dynamic tempo changes, a mix of staccato and smooth playing and all-round excitement. It's a fantastic piece to play and the genius composition will keep audiences on their toes. / Quatuor A Cordes
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Michael Nyman: Drowning By Numbers: Chamber Ensemble: Score
34.99
Michael Nyman: Drowning By Numbers: Chamber Ensemble: Score
Violon, Alto et Orchestre
[Conducteur d'étude / Miniature]
Chester
Drowning By Numbers arranged by the composer from his sound-track for the film ...
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Drowning By Numbers arranged by the composer from his sound-track for the film by Peter Greenaway for Violin Viola and Chamber Orchestra. This work was commissioned by the London Mozart Players and first performedDecember 1998 at the Warwick Arts Centre. Duration 20 minutes. Full Score and parts are available on hire from the publishers. Instrumentation: Solo Violin Solo Viola 2 Flutes Oboe Cor Anglais 2 B Flat Clarinets 2 Bassoons 2 Horns in F 2 Trumpets in C Bass Trombone Piano Strings (8.6.4.4.2).
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Joby Talbot: Nightfall: String Quartet: Score and Parts
27.99
Joby Talbot: Nightfall: String Quartet: Score and Parts
Quatuor à cordes: 2 violons, alto, violoncelle
[Partition]
Chester
For String Quartet. Duration 5 minutes.
27.99 GBP - vendu par Musicroom GB
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David Stoll: Fools By Heavenly Compulsion No.3: String Quartet: Score and Parts
32.50
David Stoll: Fools By Heavenly Compulsion No.3: String Quartet: Score and Parts
Quatuor à cordes: 2 violons, alto, violoncelle
[Partition]
Novello & Co Ltd.
Fools By Heavenly Compulsion - String Quartet No.3 is a work by David Stoll for ...
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Fools By Heavenly Compulsion - String Quartet No.3 is a work by David Stoll for String Quartet. The work is divided into three movements Nothing Storm and Never taking their titles and imagery from Shakespeare's 'King Lear'. This is the score and parts for this work a full performance of which lasts around 20 minutes. Commissioned by the Bingham String Quartet with funds from the Ralph Vaughan Williams Trust Stoll wrote it in the winter of 2001-2.
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Robert Saxton: Fantazia For String Quartet: String Quartet: Score
8.99
Robert Saxton: Fantazia For String Quartet: String Quartet: Score
Quatuor à cordes: 2 violons, alto, violoncelle
[Partition]
Chester
Quoting Saxton: My Fantazia for String Quartet was complete in December 1993 in ...
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Quoting Saxton: My Fantazia for String Quartet was complete in December 1993 in response to a commission from the London International String Quartet Competition for a test piece for the 1994 competition. Funds were provided bythe John S Cohen Foundation.The title gives the clue to the nature of the music: the viol fantasia was the chosen form of composition for the greatest English composers of the mid-seventeenth century Lawes Jenkins Ferraboscoin particular. They inherited the techniques of vocal polyphony from Byrd and Gibbons and forged a new instrumental polyphonic style. The culmination of this genre was reached in the magnificent works of Henry Purcell around1680 and it was Purcell who adopted the spelling ‘Fantazia’.I have always loved this music and when asked to write a short piece for strings I decided to pay tribute to this under-rated tradition. Most fantazias consistedof short joined sections and I have expanded this to create and eight-minute piece in three larger sections the essence being contrapuntal interplay and equality of part-writing. (Any idea of stylistic reference would be absurdion the late twentieth century). The first section is a lyrical allegro moderato which leads into a sustained and intense slow movement; this in turn gives way to a final quick section of a dancing character a featurefrequently encountered in Purcell’s own consort pieces.
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String Quartet #1 White Man Sleeps (Score)
32.52
String Quartet #1 White Man Sleeps (Score)
Quatuor à cordes: 2 violons, alto, violoncelle
[Sheet music]
Chester
Born in South Africa, but now an Irish citizen, Kevin Volans' musical idiom has ...
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Born in South Africa, but now an Irish citizen, Kevin Volans' musical idiom has been shaped by an unusually diverse range of experiences, including studies with Stockhausen in Cologne, field trips to South Africa to study traditional music, his own involvement with the New Simplicity movement, his collection of contemporary art and African textiles, friendships with composers like Morton Feldman and Gerald Barry, as well as a love of virtuoso piano music which he performs, broadcasts and records. While having an easily recognised, unique voice, Volans' music resists compartmentalisation. He is as comfortable working in conventional genres as embarking on innovative collaborations with artists of other disciplines.String Quartet #1 (White Man Sleeps) was written for the Kronos Quartet and was first performed by them in July 1986, London.The title 'White Man Sleeps' comes from a moment in nyanga Panpipe music where the performers leave off playing their loud pipes for a few cycles and dance only to the sound of their ankle rattles, to let the white landowner sleep - for a minute or two.'In composing this piece I drew from the following sources: the first movement owes something to the style of Basotho concertina music - the second and fourth movements are drawn from traditional Nyungwe music played by Makina Chirenje and his Nyanga panpipe group at Nsava, Tete, Mozambique, recorded and transcribed by Andrew Tracey (to be found in an article entitled 'The nyanga Panpipe dance' in African Music, Vol.5, #1 (1971) - the third movement derives from the San bow music (recorded by Tony Traill of the University of Witwatersrand) and from Basotho lesiba music, transcribed by myself - in the fifth movement I added my own invented folklore. My approach to the original music was anything but purist - it is played in Western tuning, filtered, slowed down by a few 'time-octaves?, cast into non-African metres (like the 13-beat pattern of the first dance) and redistributed between the players in several ways. I also used interlocking techniques where they were absent in the original models and vice versa' - Kevin VolansDuration 24 minutes. Parts available: CH61205. / Quatuor A Cordes (Conducteur)
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Helen Grime: Snow And Snow: Chamber Ensemble: Score and Parts
22.99
Helen Grime: Snow And Snow: Chamber Ensemble: Score and Parts
Clarinette, Alto et Piano (trio)
Chester
Snow and Snow by Helen Grime was commissioned by the Santa Fe Chamber Music Fest...
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Snow and Snow by Helen Grime was commissioned by the Santa Fe Chamber Music Festival on its 40th anniversary.Scoring:Clarinet in BbViolaPianoDuration: circa 9minutes
22.99 GBP - vendu par Musicroom GB
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Kevin Volans: String Quartet No. 2 Hunting: String Quartet: Instrumental Work
42.50
Kevin Volans: String Quartet No. 2 Hunting: String Quartet: Instrumental Work
Quatuor à cordes: 2 violons, alto, violoncelle
[Partition]
Chester
Gathering (Set of parts)-String Quartet No.2 Hunting: Gathering was commissioned...
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Gathering (Set of parts)-String Quartet No.2 Hunting: Gathering was commissioned by Doris and Myron Beigler and the Lincoln Center for the Performing Arts for the Kronos Quartet. It was first performed by them in December 1987 San Francisco. Duration 24minutes. Score available: CH60972
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Peter Maxwell Davies: Dove Star-Folded (Parts): String Trio: Instrumental Work
10.99
Peter Maxwell Davies: Dove Star-Folded (Parts): String Trio: Instrumental Work
Trio à Cordes: violon, alto, violoncelle
[Partition]
Chester
An eight minute ensemble composition for Violin Viola and Cello premiered in j...
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An eight minute ensemble composition for Violin Viola and Cello premiered in january 2001 by Marcia Crayford at the St.Columbus Church in London. The piece is based on a Greek byzantine hymn and features a short seriesof transformations. The opening phrase has a tangential flow of reflective thought and the end is calm and wrapt reflecting the titles inwardness.
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Cheryl Frances-Hoad: The Dreams That Fly From Me: String Quartet: Score
16.99
Cheryl Frances-Hoad: The Dreams That Fly From Me: String Quartet: Score
Quatuor à cordes: 2 violons, alto, violoncelle
Cadenza Music
Cheryl Frances-Hoad's The Dreams That Fly from Me for solo String Quartet and St...
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Cheryl Frances-Hoad's The Dreams That Fly from Me for solo String Quartet and String Orchestra. Score. 'The Dreams That Fly From Me is a ten minute work for solo string quartet and string orchestra. It is in two movements (one slow one fast) that are played without a break. I spent ten years at the Yehudi Menuhin School (a specialist music school for string and piano) growing up so this piece cannot help but be strongly influenced by the music I played in the school orchestra during this time. In particular the work is influenced by Elgar’s Introduction and Allegro Strauss’s Metamorphosen (fortwenty-three solo strings) and Tippett’s Concerto for Double String Orchestra although the harmonic language of the piece (which is essentially very jazzy) helps to obscure these musical references. In terms of extra musical inspiration the work was inspired by a poem by Ivan Goll called Bloodhound which includes the lines “Catch the dreams that fly off from me.... And savage the ankles of my fleeting angel” I was inspired by the idea of a “fleeting angel” which at a time when I had been having difficulties composing seemed very poignant: the angel of the poem seemed to be a poetic representation of my inspiration. The Dreams That Fly From Me was premiered by the Szymanowsky Quartet and the Northern Sinfonia (Bradley Creswick director) at Hovingham Hall on the 28th July 2013 as part of the 2013 Ryedale Festival.' - Cheryl Frances-Hoad
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take nine (BERNHARD GANDER)
83.35
take nine (BERNHARD GANDER)
Orchestre de chambre
Peters
for Ensemble. Par BERNHARD GANDER. take nine by Bernhard Gander is a 12-minute w...
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for Ensemble. Par BERNHARD GANDER. take nine by Bernhard Gander is a 12-minute work for a 12-part ensemble scored for: BCl(Cl), CbCl, Cbsn(Bsn) – Hn, Tpt, Tba – Perc – Pf – Vln, Vla, Vlc, DB. The work is based on rhythms in 9/16 and 9/8 time, but also 8/16, 8/8, 10/16 and 10/8 beats, which may seem complex at first, but sounds transparent to the audience. The main musical inspirations of Bernhard Gander are rock and heavy metal along with the jazz classics Take Five and Blue Rondo a la Turk by Dave Brubeck and Paul Desmond. take nine was commissioned by the Ensemble Intercontemporain and premiered on 23 March 2012 at the Centre Pompidou, Paris conducted by Pablo Heras-Casado. The full score (EP 125569) is available for sale as part of the Peters Contemporary Library. The performance material can be hired. / Date parution : 2022-09-07/ Répertoire / Ensemble de Chambre
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Silver Eucalypt
33.30
Silver Eucalypt
Quatuor à cordes: 2 violons, alto, violoncelle
Bote and Bock
This three-minute piece for string quartet unites the typical features of Elena ...
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This three-minute piece for string quartet unites the typical features of Elena Kats-Chernin's compositions: blues harmony, a motor-like rhythm driven by syncopes, bittersweet melodies and austere-poetic sonority. Silver Eucalypt was written in 2006 and recorded in 2012 by the Acacia Quartet on their CD 'Blue Silence' released by Vexations840. Now there is finally a printed edition which may be a charming addition to the repertoire of professional and amateur musicians alike. / Quatuor A Cordes
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String Quartet 1 (LEWIS GEORGE)
129.69
String Quartet 1 (LEWIS GEORGE)
Quatuor à cordes: 2 violons, alto, violoncelle
Peters
Par LEWIS GEORGE. Although his Signifying Riffs (1998) for percussion and string...
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Par LEWIS GEORGE. Although his Signifying Riffs (1998) for percussion and strings is halfway there, String Quartet 1.5: Experiments in Living (2016) is the first proper string quartet by composer George Lewis. Borrowing its title from the writings of John Stuart Mill, Experiments in Living leads the performers through a series of idiosyncratic episodes featuring extremes of gesture and extended technique over the course of a single, 16-minute movement. Commissioned by the Fromm Foundation, String Quartet 1.5: Experiments in Living was composed for Spektral Quartet, who gave the premiere performance in October 2016 at Chicago\'s Harris Theater. This set of score and parts has been made available for sale by Edition Peters as part of the Peters Contemporary Chamber Series and includes full performance notes. Chopsticks and superball mallets are required to achieve some of the score\'s percussive playing techniques. / Date parution : 2022-09-07/ Répertoire / Quatuor à Cordes
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John Corigliano: String Quartet: String Quartet: Score
19.99
John Corigliano: String Quartet: String Quartet: Score
Quatuor à cordes: 2 violons, alto, violoncelle
Schirmer
Score-This 35-minute work is in five movements which bears a resemblance to the ...
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Score-This 35-minute work is in five movements which bears a resemblance to the arch-form principales of Bartok’s fourth quartet. The quartet is based upon a motto composed of even repetitions of a single tone and a sequenceof disjunct minor thirds. There are also four pitch centers recurring throughout the work: C C-sharp G and G-sharp.The String Quartet was commissioned by the Lincoln Center for the Performing Arts for the Cleveland Quartet. Thefirst performance was on Oct 26 1995 by the Cleveland Quartet.
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Hymn to Artemis Locheia (DAVIES PETER MAXWELL)
64.38
Hymn to Artemis Locheia (DAVIES PETER MAXWELL)
Clarinette et Quatuor à Cordes
[Conducteur et Parties séparées]
Schott
Par DAVIES PETER MAXWELL. Peter Maxwell Davies spent a day at a gynaecological c...
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Par DAVIES PETER MAXWELL. Peter Maxwell Davies spent a day at a gynaecological clinic in London at the invitation of Professor Ian Craft, who commissioned the piece in memory of his father. During his time there he met many people and shared in some of the deep emotions they experienced. Artemis Locheia is the Greek Godess of Fertility. In this one movement, 25 minute work, the joy and exuberance experienced by couples when pregnancy is confirmed is captured. There are many tempo changes and two extended cadenzas for the clarinet. The work was premiered by Dmitri Ashkenazy and the Brodsky Quartet./ Répertoire / Clarinette et Quatuor à Cordes
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Nico Muhly: My Days: Viol Consort: Parts
16.99
Nico Muhly: My Days: Viol Consort: Parts
St Rose Music Publishing
Nico Muhly's My Days for ATTB choir and five Viola Da Gambas. Parts for five Vio...
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Nico Muhly's My Days for ATTB choir and five Viola Da Gambas. Parts for five Viols.This 16 minute piece of sheet music was commissioned by Wigmore Hall and the world première was performed by Fretwork and Hilliard Ensemble at Wigmore Hall October 2 2012.'My Days is a ritualised memory piece about Orlando Gibbons (1583-1625) written for two ensembles whose recordings informed so much of my musical development. I feel like I spend half of my life trying to trick string players to play like Fretwork and vocalists to singlike the Hilliard Ensemble so it was with enormous pleasure that I composed this piece. The text isderived from Psalm 39 which Gibbons himself set as well as an account of Gibbons's own autopsy which is a poignant 17th century semi-anonymous text. One of the most thrilling things about the sound of five violas da gamba playing together is the sense of their phrasing being derived from vocal music but made somehow electric and ecstatic through ornamentation and the friction of the strings. The piece has an idée fixe based on a minor scale with two possible resolutions and many ornaments. In between iterations the voices in rhythmic unison intone the psalm. It isn't until the autopsy text arrives that the voices begin to split into more elaborate ?Gibbonsy? verses and responses. A series of semiimprovisedfragments on the text 'Take thy plague away from me' introduces the third section of the piece where plucked strings create a halo around the text 'hear my prayer OLord.' The piece ends with the ornaments wildly exploded over the voices singing two words endlessly repeated.' - Nico Muhly
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String Quartet #5 (Score) (VINE CARL)
18.73
String Quartet #5 (Score) (VINE CARL)
Quatuor à cordes: 2 violons, alto, violoncelle
[Partition]
Faber Music Limited
Par VINE CARL. Described by its composer as 'a fantasia', Carl Vine's dramatic S...
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Par VINE CARL. Described by its composer as 'a fantasia', Carl Vine's dramatic String Quartet #5 (2007) contains six clear sections but like much of his music is cast in one continuous movement. There is some repetition and development of material throughout the 22-minute work (which has been recorded by the Goldner String Quartet on ABC Classics) but this is less important to its structure than the vivid musical contrasts which delineate its formal arc./ Répertoire / Quatuor à Cordes
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Juliana Hodkinson: Is There Something You Can Tell Us: String Quartet: Score
32.50
Juliana Hodkinson: Is There Something You Can Tell Us: String Quartet: Score
Quatuor à cordes: 2 violons, alto, violoncelle
Wilhelm Hansen
Juliana Hodkinson's Is There Something You Can Tell Us for String Quartet.This t...
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Juliana Hodkinson's Is There Something You Can Tell Us for String Quartet.This ten minute piece was written for the Anima Quartet and was comissioned by SWR (South-West German Radio) for first performance at Theaterhaus Stuttgart on 7th June 2014 during the festival 'Lost & Found - Stimme. Text. Szene.'.The quartet's title and the titles of the individual movements are taken from Cynthia Troup's libretto 'Turbulence'.I Degrees of freedomII Hidden by an almost perfect balanceIII We are taught that it is out of reachIV For the real earth we do not know yet
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The Four Quarters (ADES THOMAS)
21.19
The Four Quarters (ADES THOMAS)
Quatuor à cordes: 2 violons, alto, violoncelle
[Partition]
Faber Music Limited
Par ADES THOMAS. Thomas Adès’s second work for string quartet, The Four Quart...
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Par ADES THOMAS. Thomas Adès’s second work for string quartet, The Four Quarters was written for the Emerson Quartet and was premiered by them at Carnegie Hall in 2011. The winner of the 2012 British Composer Award for Chamber Composition, the 20-minute work charts the progress of a day. Glassy harmonics typify the opening movement Nightfalls, whilst playful pizzicati abound in Serenade – Morning Dew. A sombre third movement, Days, is underpinned by a searching ostinato before the work breaks free from conventional time in The Twenty-Fifth Hour, the glittering finale which swings and dances in the unusual time signature of 25/16. / Ensemble Music / Répertoire / Quatuor à Cordes
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Nico Muhly: My Days: Men's Choir: Score
10.99
Nico Muhly: My Days: Men's Choir: Score
St Rose Music Publishing
Nico Muhly's My Days for ATTB choir and five Viola Da Gambas. Full score.This 16...
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Nico Muhly's My Days for ATTB choir and five Viola Da Gambas. Full score.This 16 minute piece of sheet music was commissioned by Wigmore Hall and the world première was performed by Fretwork and Hilliard Ensemble at Wigmore Hall October 2 2012.'My Days is a ritualised memory piece about Orlando Gibbons (1583-1625) written for two ensembles whose recordings informed so much of my musical development. I feel like I spend half of my life trying to trick string players to play like Fretwork and vocalists to singlike the Hilliard Ensemble so it was with enormous pleasure that I composed this piece. The text is derived from Psalm 39 which Gibbons himself set as well as an account of Gibbons's own autopsy which is a poignant 17th century semi-anonymous text. One of the most thrilling things about the sound of five violas da gamba playing together is the sense of their phrasing being derived from vocal music but made somehow electric and ecstatic through ornamentation and the friction of the strings. The piece has an idée fixe based on a minor scale with two possible resolutions and many ornaments. In between iterations the voices in rhythmic unison intone the psalm. It isn't until the autopsy text arrives that the voices begin to split into more elaborate ?Gibbonsy? verses and responses. A series of semiimprovisedfragments on the text 'Take thy plague away from me' introduces the third section of the piece where plucked strings create a halo around the text 'hear my prayer OLord.' The piece ends with the ornaments wildly exploded over the voices singing two words endlessly repeated.' - Nico Muhly
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Carl Vine: String Quartet No.5: String Quartet: Parts
22.00
Carl Vine: String Quartet No.5: String Quartet: Parts
Quatuor à cordes: 2 violons, alto, violoncelle
Faber Music Limited
Described by its composer as ‘a fantasia’ Carl Vine’s drama...
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Described by its composer as ‘a fantasia’ Carl Vine’s dramatic String Quartet No.5 (2007) contains six clear sections but like much of his music is cast in one continuous movement. There is some repetition and development of material throughout the 22-minute work (which has been recorded by the Goldner String Quartet on ABC Classics) but this is less important to its structure than the vivid musical contrasts which delineate its formal arc.
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The Four Quarters (ADES THOMAS)
29.57
The Four Quarters (ADES THOMAS)
Quatuor à cordes: 2 violons, alto, violoncelle
[Partition]
Faber Music Limited
Par ADES THOMAS. Thomas Adès’s second work for string quartet, The Four Quart...
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Par ADES THOMAS. Thomas Adès’s second work for string quartet, The Four Quarters was written for the Emerson Quartet and was premiered by them at Carnegie Hall in 2011. The winner of the 2012 British Composer Award for Chamber Composition, the 20-minute work charts the progress of a day. Glassy harmonics typify the opening movement Nightfalls, whilst playful pizzicati abound in Serenade – Morning Dew. A sombre third movement, Days, is underpinned by a searching ostinato before the work breaks free from conventional time in The Twenty-Fifth Hour, the glittering finale which swings and dances in the unusual time signature of 25/16. / Ensemble Music / Répertoire / Quatuor à Cordes
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For Fred Lerdahl (TYSHAWN SOREY)
14.72
For Fred Lerdahl (TYSHAWN SOREY)
Violon, Piano et Vibraphone
[Conducteur]
Peters
Par TYSHAWN SOREY. Commissioned by the Los Angeles Philharmonic Association for ...
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Par TYSHAWN SOREY. Commissioned by the Los Angeles Philharmonic Association for a world premiere by the LA Phil New Music Group in January 2019, Tyshawn Sorey's gently tolling chamber work For Fred Lerdahl is dedicated to the elder composer on the occasion of Lerdahl's retirement. Sorey credits Lerdahl as one of two teachers who helped him to find his own voice as a composer. A single, 13-minute movement, it features a highly lyrical, muted viola solo over gentle, softly rhythmic dissonances from the two vibraphones and piano. This edition is a performing score, one of four required for performance. / Date parution : 2022-09-07/ Répertoire / Violon, Piano et Vibraphone
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Pastorales De Noel (JOLIVET ANDRE)
37.51
Pastorales De Noel (JOLIVET ANDRE)
Flûte Traversière Basson et Harpe
[Partition]
Heugel
Par JOLIVET ANDRE. Pastoreles De Noë l by Andre Jolivet is a piece for Flute, B...
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Par JOLIVET ANDRE. Pastoreles De Noë l by Andre Jolivet is a piece for Flute, Bassoon and the Harp lasting nearly 13 minutes. This piece is really gentle and restrained which demonstrates the quality of Jolivet 's work but also reflects that period of WWII when France was under occupation. These scores are of medium level of ability. Pastoreles De Noë l features four sections: L'etoile (the Star), Les Mages (the Wisemen), La Vierge et l'Enfant (the Virgin and the Child) and Entree et Danse des Bergers (the Shepherds' dance). Each of these parts describes a part of theChristmas story, starting with the Flute and the Bassoon in a duet, followed by the entrance of the Harp to settle the first part. The second section is quieter, expressing the walk in the desert. The Virgin and the Child is like a lullaby and the piece finishes on a joyful dance to express happiness and devotion. Andre Jolivet is a French composer who was really inspired by the Antiquity, and had a strong interest for atonality. He also wrote many chamber music pieces, eleven concertos, some orchestral and some vocal music./ Répertoire / Flûte Traversière Basson et Harpe
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Oboe Quartet (ARNOLD MALCOLM)
13.31
Oboe Quartet (ARNOLD MALCOLM)
Hautbois, Violin, Alto et Violoncelle (Quatuor)
[Partition]
Faber Music Limited
Par ARNOLD MALCOLM. Written to celebrate the sixtieth birthday of the legendary ...
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Par ARNOLD MALCOLM. Written to celebrate the sixtieth birthday of the legendary oboist Leon Goossens, and first performed by him and the Carter Trio in 1958, this delightful 13-minute quartet is a fine showcase of Malcolm Arnold?s melodic gifts. The work unfolds over three elegant movements, always engaging and directly communicative. / Ensemble Music / Répertoire / Hautbois, Violon, Alto et Violoncelle
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String Quartet #4 (Score) (VINE CARL)
18.73
String Quartet #4 (Score) (VINE CARL)
Quatuor à cordes: 2 violons, alto, violoncelle
[Partition]
Faber Music Limited
Par VINE CARL. Premiered by the Takács String Quartet in 2004, Carl Vine's Stri...
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Par VINE CARL. Premiered by the Takács String Quartet in 2004, Carl Vine's String Quartet #4 is a dark and pensive work. Split into two equal parts, this acerbic 15-minute exploration of conflict without resolution - with angular rhythmic gestures set abruptly against a brooding chorale - would make an imposing addition to any quartet's repertoire. / Répertoire / Quatuor à Cordes
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Nature (DAVIES TANSY)
39.43
Nature (DAVIES TANSY)
Piano et Orchestre
[Partition]
Faber Music Limited
Par DAVIES TANSY. Nature, Tansy Davies gloriously offbeat concerto for piano and...
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Par DAVIES TANSY. Nature, Tansy Davies gloriously offbeat concerto for piano and ten instruments from 2012, teems with invention. This 20-minute work was inspired by shamanic rituals and the supernatural, and Davies describes the piano as part moth, part Maenad . There is a feral quality to much of the tumultuous solo writing all hyperactive trills and gutsy bass eruptions, shot through with rare and unexpected moments of calm. Brilliantly imaginative, and packed full of glistening, ever-changing ensemble textures, this remarkable reimagining of the concerto form sees Davies craft yet another thrilling and wholly distinctive soundworld. ARRANGEMENT Piano and ensemble of ten players: Alto Flute, Cor Anglais, Bass Clarinet, Horn, Percussion (1 player), Harp, Violin, Viola, Cello, Double Bass. / Scores / Répertoire / Piano et Ensemble De Chambre
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Cold Farmer (LARCHER THOMAS)
24.97
Cold Farmer (LARCHER THOMAS)
Quatuor à cordes: 2 violons, alto, violoncelle
[Conducteur et Parties séparées]
Schott
Par LARCHER THOMAS. It was not until his late twenties that the pianist, Thomas ...
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Par LARCHER THOMAS. It was not until his late twenties that the pianist, Thomas Larcher, known as an expert of contemporary music, began his career as a composer. Among his most interesting works is the string quartet 'Cold Farmer'. This fifteen-minute work is characterized by moods changing in a blocklike manner. The features of minimal music can be recognized particularly in the fast repetitive sections. The two slow parts acknowledge a tonal language again and again. The first, astonishingly, begins openly in C major, the end of the string quartet fades away in C# Minor. 'Cold Farmer' is released on Larcher's second portrait CD on the renowned label ECM, as is his work 'Mumien' for violoncello and piano already available from Schott (CB 182)./ Répertoire / Quatuor à Cordes
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