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Quintet (AHO KALEVI)
89.40
Quintet (AHO KALEVI)
Saxophone Alto, Basson, Alto, Violoncelle et Contr
[Partition]
Fennica Gehrman
For Alto Saxophone, Bassoon, Viola, Cello And Double Bass. Par AHO KALEVI. / Ré...
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For Alto Saxophone, Bassoon, Viola, Cello And Double Bass. Par AHO KALEVI. / Répertoire / Saxophone Alto, Basson, Alto, Violoncelle et Contr
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Double inversé : pièce pour alto et basson (MATARASSO RUTH) (MATARASSO RUTH)
19.80
Double inversé : pièce pour alto et basson (MATARASSO RUTH) (MATARASSO RUTH)
En Français
Alto et Basson
[Partition]
Editions Buissonnieres
Par MATARASSO RUTH. Entre sons et rythmes, Double Inversé propose un jeu de mir...
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Par MATARASSO RUTH. Entre sons et rythmes, Double Inversé propose un jeu de miroir entre un alto et un basson. Chacun va trouver son reflet dans l?autre. Un reflet non exact, bien sûr, transformé, en complémentarité, comme un double? L?union de ces deux instruments ne sera possible que par des jeux de complémentarité, de timbres, de dynamiques et d?espaces. Des jeux rythmiques et d?opposition, comme un double inversé? / Date parution : 2017-07-25/ Répertoire / Alto et Basson
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Double Concerto Sib Maj (B-Dur) (STAMITZ)
30.80
Double Concerto Sib Maj (B-Dur) (STAMITZ)
Basson, Clarinette, Orchestre et Piano
[Partition]
Sikorski
Par STAMITZ. Piano score of Carl Stamitz's Double Concerto In B Flat for Clarine...
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Par STAMITZ. Piano score of Carl Stamitz's Double Concerto In B Flat for Clarinet, Bassoon and a Piano reduction of the original orchestral part./ Répertoire / Basson, Clarinette, Orchestre et Piano
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Gaelic Suite
22.99
Gaelic Suite
Quintette à cordes: 2 violons, alto, violoncelle, basse
Barenreiter
Dvorák's 'String Quintet in G major? op. 77, had five movements when it was pre...
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Dvorák's 'String Quintet in G major? op. 77, had five movements when it was premiered on 18 March 1876. Its second movement was the 'Intermezzo? from his 'String Quartet in E minor? (1870). Later Dvorák removed this movement from the quintet, expanded it, and published it as a separate 'Notturno? for string orchestra op. 40. The 'Intermezzo? is included in its original version in the appendix of the score.This edition is based on the 'Complete Edition of the Works of Antonín Dvorák?, the principal source being the first edition of 1888, for which Dvorák subjected the work to revision.- Dvorák's famous quintet with double bass- New detailed foreword by Dvorák scholar David Beveridge (Eng/Cz/Ger)- Musical text based on the 'Complete Edition of the Works of Antonín Dvorák? (series IV, vol. 8) / Quatuor A Cordes
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String Quintet G Major Op. 77
27.26
String Quintet G Major Op. 77
Quintette à cordes: 2 violons, alto, violoncelle, basse
-
Intermédiaire
Barenreiter
Dvorák's 'String Quintet in G major? op. 77, had five movements when it was pre...
(+)
Dvorák's 'String Quintet in G major? op. 77, had five movements when it was premiered on 18 March 1876. Its second movement was the 'Intermezzo? from his 'String Quartet in E minor? (1870). Later Dvorák removed this movement from the quintet, expanded it, and published it as a separate 'Notturno? for string orchestra op. 40. The 'Intermezzo? is included in its original version in the appendix of the score.This edition is based on the 'Complete Edition of the Works of Antonín Dvorák?, the principal source being the first edition of 1888, for which Dvorák subjected the work to revision.- Dvorák's famous quintet with double bass- New detailed foreword by Dvorák scholar David Beveridge (Eng/Cz/Ger)- Musical text based on the 'Complete Edition of the Works of Antonín Dvorák? (series IV, vol. 8) / Quatuor A Cordes
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Sassmannshaus H. / Close J. Peter - Early Start On The Double Bass Vol.3
19.00
Sassmannshaus H. / Close J. Peter - Early Start On The Double Bass Vol.3
Trio à Cordes: violon, alto, violoncelle
Barenreiter
The long awaited Sassmannshaus method ?Early Start on the Double Bass? is now he...
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The long awaited Sassmannshaus method ?Early Start on the Double Bass? is now here. At last students of the largest instrument in the string family can make use of this tried and tested method for beginners, developed by Egon Sassmannshaus for the other string instruments and applied here to the double bass by Holger Sassmannshaus and J. Peter Close. This method will meet the needs of the growing number of young bass students.?Early Start on the Double Bass? encompasses everything that one would expect from a Sassmannshaus method: an easy start, progression at a suitable rate, many cross-references to the other string instruments, songs and scales in different positions from early on, as well as many duets. Lively and colourful illustrations by Charlotte Panowsky complete the edition.For more than three decades ?The Sassmannshaus Tradition? has been the household name for excellence in beginner string methods in German-speaking countries. The English editions for violin, viola and violoncello, which were introduced to the international market in 2008, have proven to be very successful, particularly in the United States.Kids to the Bass!While children learning other string instruments can start as early as the age of four, the appropriate age to begin the double bass is approximately eight (possibly even six); this allows for a faster progression than on the other string instruments, and the method consists of only three volumes. The first volume will be published separately in an English and a German edition; the following two volumes will have German and English text in each book. Original compositions by Boguslaw Furtok enrich the volumes.- Based on the tried-and-tested Sassmannshaus methods for violin, viola and cello- Volume 1: Separate editions in German and English- Volumes 2 and 3: Bilingual, German/English editions- Moderate increase in difficulty- Position playing, duets- Includes new original compositions to B. Furtok- Volume 3 with piano accompaniments to 7 piecesThe authorsHolger Sassmannshaus is a double bass player with the Niederrheinische Sinfoniker in Mönchengladbach/Krefeld. He also teaches the double bass and performs with several other ensembles.J. Peter Close is a teacher for violoncello and double bass in Munich.
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Klar/Obskur (SCHWEITZER BENJAMIN)
35.52
Klar/Obskur (SCHWEITZER BENJAMIN)
Hautbois, Basson et Piano
[Conducteur]
Schott
Par SCHWEITZER BENJAMIN. The chiaroscuro-technique developed by painters of the ...
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Par SCHWEITZER BENJAMIN. The chiaroscuro-technique developed by painters of the Italian renaissance served to intensify contrasts and effects of optical depth. In Klar/Obskur, I tried to transfer the general idea of this technique on the rather unusual instrumentation of two double-reed woodwinds and piano. On the one hand, a clear, well articulated playing is characteristic for these instruments, on the other hand, they have an often underestimated potential of „twilight“: air-sounds and fragile, shady colours have a especially attractive when being produced by double-reed instruments (which are often, and superficially regarded as being less capable of differentiated sounds than flute or clarinet). The piano, too, has a broad bandwidth of possibilities between percussive and delicate playing to complement the woodwinds which, in return, can absorb and continue the fading piano sounds. The beginning introduces the two contrasting elements that form the basic material for the piece: a clear, sharp chord, followed by fragile, dim sounds. The changes between these elements as well as their combination and amalgamation produce an enormous spectrum of colours and gesture. After this „motto-like“ opening follow four quite clearly separated short sections, each of them being characterised by a well-defined texture: a partly almost imperceptible air-sound passage, a short sequence of microintervallic notes, a burst of virtuosity and a recourse to the fragile sounds of the beginning. The second, longer main part consists of three sections merging subtly into each other: a short unisono-passage, marked elastic [federnd], is being dissolved into its basic elements; from these remainders, a confrontation of low, ‚arcane‘ bassoon and piano sounds and a strongly ornamented melodic line of the oboe emerges, leading to a short but powerful climax. The piece is concluded by an extended, relaxed epilogue, containing a short piano solo and a duet of oboe and bassoon and, finally, a quotation of the „elastic“ character of the middle section. Benjamin Schweitzer / Date parution : 2007-11-20/ Répertoire / Hautbois, Basson et Piano
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Strolling around the World - Bass: String Quartet: Instrumental Work
4.95
Strolling around the World - Bass: String Quartet: Instrumental Work
Quatuor à cordes: 2 violons, alto, violoncelle
Kjos Music Company
Strolling Strings Vol. 4-Double Bass with Piano accompaniment. Arranged by James...
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Strolling Strings Vol. 4-Double Bass with Piano accompaniment. Arranged by James 'Red' McLeod.
4.95 GBP - vendu par Musicroom GB
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James Mcleod: A Musical Buffet of All-Time Favorites - Bass: String Quartet:
4.95
James Mcleod: A Musical Buffet of All-Time Favorites - Bass: String Quartet:
Quatuor à cordes: 2 violons, alto, violoncelle
Kjos Music Company
Strolling Strings Vol. 1-A collection of some of the most popular tunes of all-t...
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Strolling Strings Vol. 1-A collection of some of the most popular tunes of all-time arranged for easy level Double Bass with Piano accompaniment by James 'Red' McLeod.
4.95 GBP - vendu par Musicroom GB
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Quintette A Cordes N02 (MILHAUD DARIUS)
76.90
Quintette A Cordes N02 (MILHAUD DARIUS)
2 Violons, Alto, Violoncelle et Contrebasse
Heugel
Par MILHAUD DARIUS. Composed in 1952, String Quintet No. 2 is an alternative, ex...
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Par MILHAUD DARIUS. Composed in 1952, String Quintet No. 2 is an alternative, exciting String Quintet for 2 Violins, Viola, Cello and Double Bass. Milhaud makes use of variation in bowings, complex rhythms, chromaticism, altering tempos, double stops, harmonics, variation in dynamics and a wide tessitura, among other aspects. Milhaud`s String Quintet No. 2 is essential to all advanced String Quintets seeking modern and exciting repertoire. French composer and teacher, Darius Milhaud (1892-1974) was a prolific composer of the 20th Century as a member of 'Les Six'. His compositions remain highly regarded, String Quintet No. 2 being no exception. Milhaud 's compositions are influenced by jazz and polytonality, as exemplified in String Quintet No. 2, which is the second of four String Quintets by the composer. Composed in 1952, String Quintet No. 2 is an alternative, exciting String Quintet for 2 Violins, Viola, Cello and Double Bass. Milhaud makes use of variation in bowings, complex rhythms, chromaticism, alteringtempos, double stops, harmonics, variation in dynamics and a wide tessitura, among other aspects. Milhaud 's String Quintet No. 2 is essential to all advanced String Quintets seeking modern and exciting repertoire./ Répertoire / 2 Violons, Alto, Violoncelle et Contrebasse
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William Walton: Concerto For Viola And Orchestra: Viola: Study Score
25.95
William Walton: Concerto For Viola And Orchestra: Viola: Study Score
Alto et orchestre
Oxford University Press
William Walton Edition-William Walton's 1962 Concerto For Viola And Orchestra. S...
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William Walton Edition-William Walton's 1962 Concerto For Viola And Orchestra. Study score.This edition of Walton's celebrated Viola Concerto (1962 version) has been off-printed from the William Walton Edition full score and combines the scholarship of the Edition with the practical benefits of the smaller format. An introduction is provided by the volume editor Christopher Wellington.Instrumentation: solo Viola 2 Flutes (II Picc) Oboe Double Bass 2 Clarinet(II Bcl) 2 Bassoon 4 Horn 2 Trumpet 3 Trombone Timpani Harp Strings.
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String Time Starters
9.38
String Time Starters
Alto seul
[Partition]
-
Facile
Oxford University Press
23 Pieces For Flexible String Ensemble. 21 easy, characterful ensemble pieces, p...
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23 Pieces For Flexible String Ensemble. 21 easy, characterful ensemble pieces, plus fun warm ups Flexible scoring for violin, viola, cello, and double bass with piano or CD accompaniment - from duets in any combination to large ensembles The level approximately corresponds to the Starters books for violin, viola, and cello - some parts use open strings only, some use open strings and first fingers, and some use all fingers, catering for groups of mixed ability Pupil books for violin, viola, cello, and double bass with lively illustrations Teacher's book with score, including piano part, and a CD with performances and backing tracks for all pieces / Niveau : Facile / Recueil / Alto
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Hope 2021 for string quintet and piano (ALAKOTILA TIMO) (ALAKOTILA TIMO)
23.70
Hope 2021 for string quintet and piano (ALAKOTILA TIMO) (ALAKOTILA TIMO)
Piano Quintette: piano, 2 violons, alto, violoncelle
[Conducteur et Parties séparées]
Fennica Gehrman
Par ALAKOTILA TIMO. Composer, musician Timo Alakotila (b. 1959) is a distinguish...
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Par ALAKOTILA TIMO. Composer, musician Timo Alakotila (b. 1959) is a distinguished, active and versatile talent in the Finnish music scene whose long career working with different genres of music ? folk music in particular ? has been ground-breaking. Alakotila?s works showcase his versatility: he has produced highly acclaimed classical music compositions and arrangements for Pekka and Jaakko Kuusisto, the Meta4 quartet, the Kamus and Tempera quartets, Eeva Oksala, Dalia Stasevska and Jorma Hynninen, among others. Timo Alakotila's Hope 2021 was commissioned by Kaustinen Chamber Music Week and its artistic director, violinist Kaija Saarikettu. The topic of the work invokes the hope for brighter future after the pandemic. It is scored for string quintet (two violins, viola, cello and double bass) and piano. The middle section, a wistful minuet with folk music features is enveloped with hopeful melody both opening and closing the work. Duration: c. 4' This product includes the full score (=piano part) and the string parts (2 violinis, viola, violoncello, double bass). / Date parution : 2023-01-24/ Répertoire / Quintette à Cordes et Piano
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Gershwin George - Summertime - String Quartet
23.20
Gershwin George - Summertime - String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle
Schott
from Porgy and BessInstrument : string quartet (double bass ad lib.)Type : score...
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from Porgy and BessInstrument : string quartet (double bass ad lib.)Type : score and partsNombre de Pages : 16There is hardly any other lullaby in the field of classical music - apart from Brahms' 'Guten Abend, gute Nacht' - that has gained such popularity as George Gershwin's (1898-1937) 'Summertime'. It is a song from his opera Porgy and Bessâ'' which was premiered in New York on 10 October 1935 with only moderate success at first. Every important jazz musician insisted on presenting his own version of this rather evocative and catchy song with which Clara rocks her child to sleep at the beginning of the opera. The present version now offers the opportunity to play this famous 'Summertime' with a string quartet (and double-bass ad lib.) or string orchestra - let's swing!
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Mårten Jansson: Missa Popularis: String Orchestra: Parts
17.50
Mårten Jansson: Missa Popularis: String Orchestra: Parts
Quatuor à cordes: 2 violons, alto, violoncelle
Barenreiter
Set of parts ( Violin I II; Viola; Cello; Bass)As the name suggests the ???Miss...
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Set of parts ( Violin I II; Viola; Cello; Bass)As the name suggests the ???Missa Popularis??? has its musical roots in folk music.This becomes clear in the very first bars of the Kyrie where the Violin plays amelody in the style of a Swedish folk tune above a Bass Ostinato. The musical charm of the Mass derives from the combination of Choir [SSA(TB)] and String Quartet.The Choral parts enable performances by female choir or mixed choir. In the latter case the String Quartet is reinforced by a Double Bass.The version for female choir was premi?red in Poznan on 25 April 2015 with Alicja Szeluga conducting the Skowroniki GirlsChoir.also available for sale full score (BA7420) and vocal score (BA7420-90)
17.50 GBP - vendu par Musicroom GB
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Duo (SYDEMAN WILLIAM)
20.89
Duo (SYDEMAN WILLIAM)
Clarinettes et Autres Instruments
[Partition]
Peters
Par SYDEMAN WILLIAM. Clarinet (and Bass Clarinet) and Double Bass - / Contempora...
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Par SYDEMAN WILLIAM. Clarinet (and Bass Clarinet) and Double Bass - / Contemporain / Répertoire / Clarinettes et Autres Instruments
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1ère Suite 'Des Elements' (DESTOUCHES ANDRE CARDINAL / FEUILLIE)
27.60
1ère Suite 'Des Elements' (DESTOUCHES ANDRE CARDINAL / FEUILLIE)
2 Violons, Alto, Violoncelle ou Contrebasse et Bas
Heugel
Par DESTOUCHES ANDRE CARDINAL / FEUILLIE. for 2 violins, viola, cello (or double...
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Par DESTOUCHES ANDRE CARDINAL / FEUILLIE. for 2 violins, viola, cello (or double bass) and bass continuo/ Répertoire / 2 Violons, Alto, Violoncelle ou Contrebasse et Bas
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Rêves De Jacob (MILHAUD DARIUS)
71.00
Rêves De Jacob (MILHAUD DARIUS)
Hautbois, Violon, Alto, Violoncelle et Contrebasse
Heugel
Par MILHAUD DARIUS. French composer and teacher, Darius Milhaud (1892-1974) was ...
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Par MILHAUD DARIUS. French composer and teacher, Darius Milhaud (1892-1974) was a prolific composer of the 20th century as a member of 'Les Six'. His compositions remain highly regarded, Jacob's Dreams being no exception. Milhaud 's compositions are influenced by jazz and polytonality, as exemplified in Jacob's Dreams. Composed in 1949, Jacob's Dreams is a dance suite, written for Oboe, Violin, Viola, Cello and Double Bass. It is an alternative, exciting suite, based on the dreams of Jacob in the Bible and made up of five movements; 1) Jacob's Pillow, 2) The first dream (the angel's ladder), 3) Prophecy, 4) Second dream(fight with the dark angel and benediction), and 5) Israel (Hymn). Milhaud makes use of variation in articulation, complex rhythms, chromaticism, accidentals, harmonics, altering tempos, variation in dynamics and a wide tessitura, amongst other aspects. Milhaud 's Jacob's Dream is essential to all advanced ensembles seeking modern and exciting repertoire./ Répertoire / Hautbois, Violon, Alto, Violoncelle et Contrebasse
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Romances Sans Paroles Op. 19 #6 (MENDELSSOHN-BARTHOLDY FELIX)
17.30
Romances Sans Paroles Op. 19 #6 (MENDELSSOHN-BARTHOLDY FELIX)
2 Violons, Alto, Violoncelle et Contrebasse
[Partition]
FLEX Editions
2 Violons, Alto, Cello and Double Bass. Par MENDELSSOHN-BARTHOLDY FELIX. / Répe...
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2 Violons, Alto, Cello and Double Bass. Par MENDELSSOHN-BARTHOLDY FELIX. / Répertoire / 2 Violons, Alto, Violoncelle et Contrebasse
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Romances Sans Paroles Op. 19 #4 (MENDELSSOHN-BARTHOLDY FELIX)
17.30
Romances Sans Paroles Op. 19 #4 (MENDELSSOHN-BARTHOLDY FELIX)
2 Violons, Alto, Violoncelle et Contrebasse
[Partition]
FLEX Editions
2 Violons, Alto, Cello and Double Bass. Par MENDELSSOHN-BARTHOLDY FELIX. / Répe...
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2 Violons, Alto, Cello and Double Bass. Par MENDELSSOHN-BARTHOLDY FELIX. / Répertoire / 2 Violons, Alto, Violoncelle et Contrebasse
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Stringtastic Book 2: Viola
12.32
Stringtastic Book 2: Viola
Alto (Viole)
Faber Music Limited
Par WILSON MARK. Stringtastic Book 2: Viola teaches through playing in an engagi...
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Par WILSON MARK. Stringtastic Book 2: Viola teaches through playing in an engaging exploration of musical styles. Part of the fully integrated Stringtastic series in which violin, viola, cello and double bass can all learn and play together in any combination. Learn as you play through the world of Stringtastic, with 62 imaginative pieces that have been specifically designed to establish a secure playing technique and build confidence one step at a time. Following on from Stringtastic Book 1, this book takes the student from Grade 1 (Early Elementary) to Grade 2 (Elementary) level. Featuring equal-level duets for all instruments, the pieces are ideal for individual and group tuition as well as flexible ensemble and classroom settings. Every piece is supported by an exciting backing track plus a piano-only track for practice, all available to download. The Stringtastic Book 2: Teacher’s Accompaniment book provides the complete piano score which works with any combination of the instrumental parts. / Date parution : 2023-10-31/ Recueil / Alto
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Donald Miller: Music From Around The World For Solo and Ensemble: Viola:
9.99
Donald Miller: Music From Around The World For Solo and Ensemble: Viola:
Violon, Alto (duo)
[Partition]
-
Facile
Mel Bay
Viola-Violn-Many selections in this volume are unique and until now have been in...
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Viola-Violn-Many selections in this volume are unique and until now have been inaccessible to the string ensemble repertoire. These pieces are intended for multiple strings for performance in the classroom as well as performance in concerts.Several players may be used on each part. Whenever possible every effort was made to keep the viola and violoncello/double bass parts melodic rather than simply filling in the various harmonic chord progressions. The pieces maybe performed as a solo for each instrument (Violin 1 Violin 2 Viola or Cello) with piano accompaniment or as duets or trios as well as full orchestra. If performed with full orchestra the piano accompaniment is not necessary.The string ensemble series meets all standards for ASTA with NSOA (American String Teachers Association/National School Orchestra Association) and Suzuki Association of the Americas Inc. Free piano accompaniment AND ensemblescore downloads are available for use with this title.
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Adagio (Viola And Piano)
8.91
Adagio (Viola And Piano)
Alto, Piano
EMB (Editio Musica Budapest)
Zoltán Kodály (1882-1967) composed Adagio for violin and piano in 1905 and ded...
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Zoltán Kodály (1882-1967) composed Adagio for violin and piano in 1905 and dedicated it to the outstanding violinist Imre Waldbauer. In 1910 Kodály made versions of the work for both viola and cello, while Norbert Duka transcribed it for double bass. In 2014 we published all four versions of Adagio in a new separate edition. / Alto Et Piano
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Tarik O'Regan: Blessed Are They: String Quartet: Parts
19.99
Tarik O'Regan: Blessed Are They: String Quartet: Parts
Quatuor à cordes: 2 violons, alto, violoncelle
Novello & Co Ltd.
The String Quintet Parts for Tarik O'Regan's Blessed Are They. Commissioned in h...
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The String Quintet Parts for Tarik O'Regan's Blessed Are They. Commissioned in honour of Raymond and Elizabeth Chenault for their 38 years of service as Organists and Choirmasters of All Saints' Episcopal Church in Atlanta where it was first performed on All Saints’ Sunday November 3 2013. Parts for two Violins Viola Cello and Double Bass.
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Josef Suk: Meditation on the Old Czech Hymn St. Wenceslas: String Quartet: Study
12.00
Josef Suk: Meditation on the Old Czech Hymn St. Wenceslas: String Quartet: Study
Quatuor à cordes: 2 violons, alto, violoncelle
Barenreiter
for String Quartet op. 35a-Josef Suk played second Violin in the Bohemian String...
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for String Quartet op. 35a-Josef Suk played second Violin in the Bohemian String Quartet. Since 1914 the ensemble was obliged to perform the Austrian national anthem at the opening of every concert. Suk decided to supplement this obligatory piece with a work inspired by the ancient sacred Bohemian St. Wenceslas hymn. The hymn?s message a plea for the well-being of the Czech people directed at their patron saint was immediately understood by the audience.The Bohemian String Quartet performed this single-movement Meditation for the first time on 27 September 1914; the premiere of the version for string orchestra followed on 22 November 1914 played by the CzechPhilharmonic. That same year the piece was published by Fr. A. Urbánek together with arrangements for Piano and Organ.This first Urtext edition prepared by the Sukscholar Zdenek Nouza is published in two scorings one for string quartet and another for String Orchestra (BA9584). The orchestral version differs in some details and has an added part for Double Bass.First Urtext editionInformative trilingual Foreword (Cz/Eng/Ger) and Critical Commentary (Eng) by the editorTwo versions published in two separate editions
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Viola Exam Pack 2020-2023 Initial Grade: Viola: Instrumental Album
9.50
Viola Exam Pack 2020-2023 Initial Grade: Viola: Instrumental Album
Alto seul
-
Facile
ABRSM Publishing
Viola Exam Pack 2020-2023 Initial Grade. As part of the 2020-2023 syllabus, ABRS...
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Viola Exam Pack 2020-2023 Initial Grade. As part of the 2020-2023 syllabus, ABRSM is introducing a new Initial Grade exam for Violin, Viola, Cello and Double Bass with first exams taking place from 1 January 2020. The Initial Grade is a pre-Grade 1 assessment, following the same structure, content and assessment criteria as ABRSM?s existing graded music exams (three pieces, scales, sight-reading and aural tests). It?s designed to allow learners at the earliest stages of their musical journeys to celebrate their achievement, and is an ideal qualification for those who want a mark as well as helpful feedback. The Viola Exam Pack for Initial Grade contains nine pieces (three per list) from the syllabus, the scales requirements and sample sight-reading tests. Audio recordings of the nine pieces in each book are included with the pack and will be available via a download and streaming code. A separate Specimen Aural Tests book is also available for Initial Grade.
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Duckett Bull: Team Strings 2. Viola: Viola: Instrumental Tutor
8.50
Duckett Bull: Team Strings 2. Viola: Viola: Instrumental Tutor
Alto seul
Faber Music Limited
Team Strings 2 is ideal for individual group and class tuition allowing the vi...
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Team Strings 2 is ideal for individual group and class tuition allowing the violin viola or cello and double bass to be taught in the same lesson. This method contains carefully-graded music in a wide variety of styles developing instrument-related aural skills improvisation and composition. Book only edition.
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Calligraphies (Nos. 1-3): String Quartet: Score
54.99
Calligraphies (Nos. 1-3): String Quartet: Score
Quatuor à cordes: 2 violons, alto, violoncelle
Lauren Keiser Music Publishing
for String Quartet/Quintet Full Score-Calligraphies may be performed as one com...
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for String Quartet/Quintet Full Score-Calligraphies may be performed as one composition or as separate works. Calligraphies 2 and 3 are for string quartet while Calligraphy No. 1 is scored for string quartet with double bass. (1999) ca. 12'
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Take Your Bow: String Ensemble: Score
23.95
Take Your Bow: String Ensemble: Score
Quatuor à cordes: 2 violons, alto, violoncelle
[Partition + Accès audio]
Trinity College London
Take Your Bow is a collection of 20 concert pieces for beginner string players w...
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Take Your Bow is a collection of 20 concert pieces for beginner string players written by Celia Cobb and Naomi Yandell. Years of string teaching have given them the inspiration to produce pieces which will both delight and engage. Their imaginative writing strengthens rhythmic and stylistic concepts whilst employing a variety of adventurous playing techniques that students will find to be a fun and achievable challenge. Each piece is compatible with any of the other instruments in the series in any combination making it an excellent resource for individual or group teaching. Take Your Bow is available in 4individual editions — for violin viola cello and double bass each with piano accompaniment — and as a separate full score.
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Vamoosh Christmas Viola: Viola: Instrumental Album
5.95
Vamoosh Christmas Viola: Viola: Instrumental Album
2 Altos (duo)
-
Facile
Vamoosh Music
Vamoosh Christmas for young Violists. 12 well known Christmas items arranged for...
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Vamoosh Christmas for young Violists. 12 well known Christmas items arranged for Viola duo with optional accompanying backing-track or piano. Books are compatible with Vamoosh Christmas for Violin, Cello, Double Bass, Flute and Recorder so you can join friends for a Christmas feast of music making. Backing-tracks are available on many online platforms such as Spotify, iTunes, GooglePlay and YouTube. Search for Vamoosh Christmas Backing-tracks.
5.95 GBP - vendu par Musicroom GB
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