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Indian Summer (SHARMA PYARELAL)
26.70
Indian Summer (SHARMA PYARELAL)
Quatuor à cordes: 2 violons, alto, violoncelle
Schott
8 Enchanting Pieces from India arranged for String Quartet. Par SHARMA PYARELAL....
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8 Enchanting Pieces from India arranged for String Quartet. Par SHARMA PYARELAL. For the first time The Schott String Quartet Series features a collection of pieces that have been originally composed in a style unique to string quartet arrangements. Internationally-acclaimed Bollywood composer Pyarelal Sharma has provided music and songs for over 450 films. This set of string quartets, composed especially for Schott, is influenced by Indian film music, Indian folk, Arabic and light Indian classical music, thus combining the alluring sound of the East with the stability of a classic Western ensemble. Another new feature that this volume has brought to the series is a special bonus CD containing performances of these charming pieces by leading members of the London Philharmonic Orchestra. The Schott String Quartet Series With the first books in the series focusing on baroque, classical and romantic styles, The Schott String Quartet Series has expanded to cover music ranging from traditional pieces through to Eastern-influenced works. Aside from 'Indian Summer', which features original compositions, each book contains original arrangements of well known themes, which have often never been arranged for string quartet before. An important characteristic of these arrangements is that they allow all four instruments to demand the attention throughout the music. The pieces are suitable for amateur musicians or school students and are ideal for public performance./ Recueil / Quatuor à Cordes
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Sonatas In F Minor And E-Flat Major For Viola And Piano Op. 120
32.71
Sonatas In F Minor And E-Flat Major For Viola And Piano Op. 120
Alto, Piano
Barenreiter
Brahms had already announced his ?retirement' from composition when in the sprin...
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Brahms had already announced his ?retirement' from composition when in the spring of 1894 he played chamber music with the cellist Robert Hausmann and the clarinettist Richard Mühlfeld. This encounter apparently renewed his enthusiasm for Mühlfeld's much admired playing and inspired him to write two clarinet sonatas in the summer of the same year. It remains unclear when exactly Brahms drafted viola parts to his two sonatas. In any case the viola and clarinet versions of the works were first published by Simrock at the same time in 1895. Today there is no doubt about Brahms' authorship of the viola parts. They include important differences from the clarinet original in order to do justice to this string instrument.An important part of this edition is the extensive preface. Firstly it informs about the sonatas' origins, their compositional process, pre-publication performances, their publication history as well as early reception. Truly remarkable is the unique Performance Practice Commentary. Here the editors start from the premise that already a few decades after Brahms' death, a widening gulf developed between the composer's expectations and the performance practices of the early 20th century. On the basis of manifold sources which include memoirs by pupils and chamber music partners, treatises and essays, early instructive editions and historical recordings, the editors deal with key issues in understanding Brahms' notation. By a section-by-section analysis of rhythm and timing, dynamics and accentuation, dots and strokes, slurring and non legato, piano pedalling and overholding, piano arpeggiation and dislocation, string instrument fingering, string instrument harmonics and vibrato, the editors provide an indispensable assistance for a historically informed interpretation of the works.At the same time, the edition offers an exciting and often surprising insight into musical interpretation of the German Romantic Era in general.- A pioneering Urtext edition- With an unmarked Urtext part- With a second part including fingering and bowing based on the practices of contemporaries of Brahms- With an extensive Performance Practice Commentary- For further information on Romantic performance practice we recommend the text booklet: 'Performance Practices in Johannes Brahms' Chamber Music?, BA 9600 / Alto Et Piano
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Michael Nyman: String Quartet No.3: String Orchestra: Score
16.99
Michael Nyman: String Quartet No.3: String Orchestra: Score
Quatuor à cordes: 2 violons, alto, violoncelle
[Partition]
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Intermédiaire/avancé
Chester
The composer made this arrangement of the Third String Quartet for string orches...
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The composer made this arrangement of the Third String Quartet for string orchestra in March 2003. The first performance was given by the Eos Orchestra New York conducted by Ken Selden in the Concert Hall Ethical CulturalSociety New York City on 24 April 2003.Quoting composer: In the summer of 1989 I composed a choral work Out of the Ruins for Agnieszka Piotrowska’s BBC2 documentary which dealt with the physical and emotional responsesof some of the inhabitants of Leninakhan to the earthquake which devastated Armenia the previous December. When he heard the recording of the work that I made with the Holy Echmiadzin Chorus under the fervent conducting of KhorenMeykhanejian Alex Balanescu suggested turning Out of the Ruins into a string quartet. There seemed no reason or opportunity to do this until I felt the need to add to the intensity of my experiences in Armenia the no lessprofound experience of witnessing the images of the Romanian revolution on television during the latter part of December 1989.Just as the structure of my Third String Quartet (1990) may connect it with the First so they alsoshare a debt to Thurston Dart (my professor at King’s College London between 1961 and 1965). It was Dart who had the inspiration to send me to Romania in 1965 ostensibly to study folk music. The volumes of transcriptions that Ibrought back with me had remained unopened until with this proposed ‘celebratory’ string quartet (though at the time it was difficult to know quite what to celebrate in postrevolutionary Romania) an occasion arose where I coulduse this material in what seemed to me was a non-exploitative manner. The compositional procedure was as follows: to take Out of the Ruins as a template on which the Romanian vocal or instrumental music would besuperimposed quite often stretched into new intervallic shapes through the demands of the completely pre-formed harmonic structure.
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101 Movie Hits
21.70
101 Movie Hits
Alto seul
[Partition]
-
Intermédiaire
Hal Leonard
This eclectic collection for solo Flute will delight film fans of all ages! 101 ...
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This eclectic collection for solo Flute will delight film fans of all ages! 101 Movie Hits contains a dazzling selection of favourites from the silver screen, including Diamonds Are A Girl's Best Friend (Gentlemen Prefer Blondes), Eye Of The Tiger (Rocky III), Hallelujah (Shrek), Happy (Despicable Me 2), Mrs. Robinson (The Graduate), The Dreame (Sense And Sensibility), Let It Go (Frozen), Summer Nights (Grease), The Music Of Goodbye (Out Of Africa) and more. / Alto
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String Quartet #3 Parts
68.90
String Quartet #3 Parts
Quatuor à cordes: 2 violons, alto, violoncelle
[Partition]
Chester
String Quartet #3 was written for, and first performed by the Balanescu Quartet,...
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String Quartet #3 was written for, and first performed by the Balanescu Quartet, February 1990 at the Queen Elizabeth Hall, London. Duration 16 minutes. A score is available on sale.. Quoting composer: In the summer of 1989 I composed a choral work, Out of the Ruins , for Agnieszka Piotrowska's BBC2 documentary which dealt with the physical and emotional responses of some inhabitants of Leninakhan to the earthquake which devastated Armenia the previous December. When he heard the recording of the work that I made with the Holy Echmiadzin Chorus under the fervent conducting of Khoren Meykhanejian, Alex Balanescu suggested turning Out of the Ruins into a string quartet. There seemed no reason or opportunity to do this until I felt the need to add to the intensity of my experiences in Armenia the no less profound experience of witnessing the images of the Romanian revolution on television during the later part of December 1989. The compositional procedure was as follows: to take Out of the Ruins as a template on which the Romanian vocal or instrumental music would be superimposed, quite often stretched into new intervallic shapes though the demands of the completely performed harmonic structure. / Quatuor A Cordes
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Chanson de matin
23.60
Chanson de matin
Quatuor à cordes: 2 violons, alto, violoncelle
Schott
8 Twentieth-Century Pieces. Having touched on the romantic era in 'To a Wild Ros...
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8 Twentieth-Century Pieces. Having touched on the romantic era in 'To a Wild Rose' and the classical era in 'An die Musik', Kember moves forward to the twentieth-century with this thoughtfully chosen collection for string quartet. The Schott String Quartet Series With the first books in the series focusing on baroque, classical and romantic styles, The Schott String Quartet Series has expanded to cover music ranging from traditional pieces through to Eastern-influenced works. Aside from 'Indian Summer', which features original compositions, each book contains original arrangements of well known themes, which have often never been arranged for string quartet before. An important characteristic of these arrangements is that they allow all four instruments to demand the attention throughout the music. The pieces are suitable for amateur musicians or school students and are ideal for public performance./ Recueil / Quatuor à Cordes
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Michael Nyman: String Quartet No. 3 Score: String Quartet: Score
19.99
Michael Nyman: String Quartet No. 3 Score: String Quartet: Score
Quatuor à cordes: 2 violons, alto, violoncelle
[Partition]
Chester
String Quartet No.3 was written for and first performed by the Balanescu Quarte...
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String Quartet No.3 was written for and first performed by the Balanescu Quartet February 1990 at the Queen Elizabeth Hall London. Duration 16 minutes. Instrumental parts are available on sale.Quoting composer: In thesummer of 1989 I composed a choral work Out of the Ruins for Agnieszka Piotrowska’s BBC2 documentary which dealt with the physical and emotional responses of some inhabitants of Leninakhan to the earthquake whichdevastated Armenia the previous December. When he heard the recording of the work that I made with the Holy Echmiadzin Chorus under the fervent conducting of Khoren Meykhanejian Alex Balanescu suggested turning Out of the Ruinsinto a string quartet. There seemed no reason or opportunity to do this until I felt the need to add to the intensity of my experiences in Armenia the no less profound experience of witnessing the images of the Romanianrevolution on television during the later part of December 1989.The compositional procedure was as follows: to take Out of the Ruins as a template on which the Romanian vocal or instrumental music would be superimposed quite often stretched into new intervallic shapes though the demands of the completely performed harmonic structure.
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John McCabe: String Quartet No.7 - Summer Eves: String Quartet: Score
24.99
John McCabe: String Quartet No.7 - Summer Eves: String Quartet: Score
Quatuor à cordes: 2 violons, alto, violoncelle
[Partition]
Novello & Co Ltd.
Commissioned by the Presteigne Festival of Music and the Arts Limited with fund...
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Commissioned by the Presteigne Festival of Music and the Arts Limited with funds provided by the Arts Council of Wales for premiere in August 2012 by the Carducci String Quartet in St. Andrew?s Church Presteigne.Composer's Note'Some years ago I noted down the opening theme of what I anticipated would be a relatively Classical string quartet ?Classical? in the sense of the forms adopted plus perhaps a predominantly lyrical tone of voice. The commission for this work from the Presteigne Festival for their 30th anniversary in 2012 gave me the opportunity of putting into practice this long-held idea. It isdedicated to the Festival and to the Carducci Quartet whose career as much-admired friends and colleagues I have greatly enjoyed.The only break with ?classical? tradition is that there are five movements instead of four with two Scherzi as the second and third though both these are very short and contrasting. I found myself listening to Haydn?s string quartets a lot before and during the composition of this work and I hope the spirit of his delight in writing for this medium is echoed in my own music. The opening movement is in sonata form unusually for me and lyricism is I hope the basis of it though there is a good deal of activity at times. The Scherzo light and marked by frequently-changing rhythms is followed by an equally short but ferocious Perpetuum mobile marked Wild und rasch (one of my favourite German tempo markings). The fourth movement is an intense Adagio in which a single phrase uttered strongly in unison is gradually transformed into gentle diatonic chords before the close intermingled with cadenzas for cello for viola and for the two violins together. The finale (a Rondo) resumes the classical tone of the first movement but apart from one dance-like episode it builds up a fair head of steam towards a final Presto which however ascends slows and quietens towards a gentle summer sky at dusk.'
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John McCabe: String Quartet No.7 - Summer Eves (Parts): String Quartet: Parts
29.99
John McCabe: String Quartet No.7 - Summer Eves (Parts): String Quartet: Parts
Quatuor à cordes: 2 violons, alto, violoncelle
[Partition]
Novello & Co Ltd.
Commissioned by the Presteigne Festival of Music and the Arts Limited with fund...
(+)
Commissioned by the Presteigne Festival of Music and the Arts Limited with funds provided by the Arts Council of Wales for premiere in August 2012 by the Carducci String Quartet in St. Andrew?s Church Presteigne.Composer's Note.'Some years ago I noted down the opening theme of what I anticipated would be a relatively Classical string quartet ?Classical? in the sense of the forms adopted plus perhaps a predominantly lyrical tone of voice. The commission for this work from the Presteigne Festival for their 30th anniversary in 2012 gave me the opportunity of putting into practice this long-held idea. It isdedicated to the Festival and to the Carducci Quartet whose career as much-admired friends and colleagues I have greatly enjoyed.The only break with ?classical? tradition is that there are five movements instead of four with two Scherzi as the second and third though both these are very short and contrasting. I found myself listening to Haydn?s string quartets a lot before and during the composition of this work and I hope the spirit of his delight in writing for this medium is echoed in my own music. The opening movement is in sonata form unusually for me and lyricism is I hope the basis of it though there is a good deal of activity at times. The Scherzo light and marked by frequently-changing rhythms is followed by an equally short but ferocious Perpetuum mobile marked Wild und rasch (one of my favourite German tempo markings). The fourth movement is an intense Adagio in which a single phrase uttered strongly in unison is gradually transformed into gentle diatonic chords before the close intermingled with cadenzas for cello for viola and for the two violins together. The finale (a Rondo) resumes the classical tone of the first movement but apart from one dance-like episode it builds up a fair head of steam towards a final Presto which however ascends slows and quietens towards a gentle summer sky at dusk.'
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101 Broadway Songs
23.90
101 Broadway Songs
Alto seul
[Partition]
Hal Leonard
Instrumentalists will love this collection of Broadway classics, including: Any ...
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Instrumentalists will love this collection of Broadway classics, including: Any Dream Will Do - Cabaret - Defying Gravity - Do You Hear the People Sing? - Edelweiss - Getting to Know You - Guys and Dolls - Hello, Dolly! - I Dreamed a Dream - If I Were a Bell - Luck Be a Lady - Mame - The Music of the Night - Ol' Man River - People Will Say We're in Love - Seasons of Love - Send in the Clowns - The Surrey with the Fringe on Top - Think of Me - Tomorrow - What I Did for Love - You'll Never Walk Alone - and many more. / Alto
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Viola Recital Album, Vol.3
14.50
Viola Recital Album, Vol.3
Alto, Piano
-
Facile
Barenreiter
The seven recital pieces in volume 3 of the 'Viola Recital Album? augment the re...
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The seven recital pieces in volume 3 of the 'Viola Recital Album? augment the repertoire in volumes 2 and 3 of the Sassmannshaus tutor 'Early Start on the Viola.? But other viola tutors will also benefit from these pieces, all of which are in first position.The editors have chosen a short series of delightful little pieces by such unknown composers as Septimus Winner ('The Last Rose of Summer?) or Martin Greenwald ('Arminta Waltz?).Each piece is accompanied by duo version in which the teacher or an advanced learner can play the second part. There is also a piano part that can be played by the teacher or parents.- New recital pieces for the proven viola tutor- Well-known traditionals- Every piece in first position- Second viola part for duo performance- Piano accompanimentAll the pieces in the four 'Viola Recital Albums? represent welcome additions to the already varied repertoire of Egon Sassmannhaus's viola tutor 'Early Start on the Viola?.Kurt Sassmannshaus is the editor of many string editions in the Bärenreiter catalogue. He continues in the tradition of 'Early Start on String Instruments? founded by his father, Egon Sassmannshaus. The new editions mentioned here were developed by Kurt Sassmannshaus in conjunction with his wife Melissa Lusk and his son Christoph Sassmannshaus. / Alto Et Piano (Ou 2 Altos)
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Helen Grime: To See The Summer Sky (Violin/Viola): Violin & Viola: Score and
24.99
Helen Grime: To See The Summer Sky (Violin/Viola): Violin & Viola: Score and
Violon, Alto (duo)
Chester
To see the summer sky for Violin and Viola falls into four movements. The first ...
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To see the summer sky for Violin and Viola falls into four movements. The first movement opens with the two instruments sounding almost as one playing very high glassy harmonics. Gradually an expressive viola solo emerges withboth instruments descending to their lower ranges. A livelier quasi scherzando solo for violin accompanied by viola pedal notes leads to a chorale like passage the violin at the top of its range whilst the viola is at itslowest. The movement ends with the two instruments coming together once again on a unison Bb and fades away almost as it has begun but this time in the husky lower registers.The second movement is much faster and openswith a downward flurry for both instruments. A continuous pizzicato line for viola is interrupted by more violent passages in the violin. The two instruments come together in a dance-like passage before the roles are reversed.Finally an ecstatic melody surfaces in the viola and is later continued in the violin before the movement closes with the spiky figures of its opening the two instruments ending in unison.The third movement encompasses isthe most delicate and still music of the piece. After a very tranquil opening an expressive violin melody is accompanied by a gentle rocking figure in the viola. Tentative at first intensity and speed gather until the violinreaches stratospheric heights. Both of the instruments play at the extremes of their registers before moving to common ground for a more lively textural passage. This is followed by a passionate reminder of the movement’s opening gradually fading away to nothing.The piece ends with a Moto Perpetuo. The instruments begin by dovetailing a single line which develops into two strands before a more violent section appears punctuated by strident doublestops. Both instruments have slightly manic solo episodes before the movement quickly dies away in the single line of its opening
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Piano Trios (MENDELSSOHN-BARTHOLDY FELIX)
60.50
Piano Trios (MENDELSSOHN-BARTHOLDY FELIX)
Piano Trio: piano, violon, violoncelle
[Partition]
G. Henle
Herttrich Ernst (Editor) - Schilde Klaus (Editor). Par MENDELSSOHN-BARTHOLDY FEL...
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Herttrich Ernst (Editor) - Schilde Klaus (Editor). Par MENDELSSOHN-BARTHOLDY FELIX. After an early work and a discontinued attempt in 1831/32 Mendelssohn made his breakthrough in this important chamber music genre in the summer of 1839 with the Piano Trio in d minor op. 49, which was to be followed six years later by the Trio in c minor op. 66. On publication of the first trio, Schumann took the opportunity to describe the composer as the 'Mozart of the 19th century”, whereby he was obviously alluding to the mixture of Classical and Romantic stylistic elements.The musical text of these two famous Trios has been thoroughly revised to reflect the latest scholarly findings. In addition HN 1297 also includes a Flute part for the alternative version of op. 49 (Flute instead of Violin) that Mendelssohn himself made. / Classical / Répertoire / Violon, Violoncelle et Piano
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John Joubert: String Quartet No.3 Op.112 (Parts): String Quartet: Instrumental
42.50
John Joubert: String Quartet No.3 Op.112 (Parts): String Quartet: Instrumental
Quatuor à cordes: 2 violons, alto, violoncelle
[Partition]
Novello & Co Ltd.
Composed during the summer of 1986 Joubert's third quartet is the second in ord...
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Composed during the summer of 1986 Joubert's third quartet is the second in order of composition of three works composed specially for performance this month as part of the celebrations connected with his sixtieth birthday.The quartet is dedicated to Howard Ferguson who was my composition teacher at the Royal Academy of Music from 1947 to 1950.
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John Joubert: String Quartet No.3: String Quartet: Score
28.99
John Joubert: String Quartet No.3: String Quartet: Score
Quatuor à cordes: 2 violons, alto, violoncelle
[Partition]
Novello & Co Ltd.
Composed during the summer of 1986 Joubert's third quartet is the second in ord...
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Composed during the summer of 1986 Joubert's third quartet is the second in order of composition of three works composed specially for performance this month as part of the celebrations connected with his sixtieth birthday.The quartet is dedicated to Howard Ferguson who was my composition teacher at the Royal Academy of Music from 1947 to 1950.
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Bent Sørensen: Schreie Und Melancholie - String Quartet No.4: String Quartet:
28.99
Bent Sørensen: Schreie Und Melancholie - String Quartet No.4: String Quartet:
Quatuor à cordes: 2 violons, alto, violoncelle
[Partition]
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Avancé
Wilhelm Hansen
Premiered by the Arditti String Quartet at the Institute of Contemporary Arts IC...
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Premiered by the Arditti String Quartet at the Institute of Contemporary Arts ICA London 22nd October 1995. Programme note: SCHREIE UND MELANCHOLIE is dedicated to the Arditti Quartet and was commissioned with support from the Danish Arts Foundation. In the summer of 1993 I worked briefly on some sketches for a choral suite with texts by Georg Trakl. The project was abandoned but the moods from Trakl's poetry in which 'scream' and 'melancholy' are key words stuck in my mind when I began working on my fourth string quartet. This is music full of high siren-like wails and almost infinitely descending glissandi which permeate a landscape of warped tonalharmony. SCHREIE UND MELANCHOLIE is in four movements played attacca. The third movement is a barcarole - a memory of an autumn in Venice. (Bent Sørensen)
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Williams John - Indiana Jones - Crystal Skull + Cd - Viola And Piano
19.50
Williams John - Indiana Jones - Crystal Skull + Cd - Viola And Piano
Alto, Piano
[Partition + CD]
-
Facile
Alfred Publishing
In the Summer of 2008, the long-awaited Indiana Jones And The Kingdon Of The Cry...
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In the Summer of 2008, the long-awaited Indiana Jones And The Kingdon Of The Crystal Skull hit our cinemas. Filled with the intrigue and drama characteristic of all the classic Indiana Jones films, Harrison Ford once again reprised his role as our adventerous hero. This book includes selections from that film arranged for viola with a fully orchestrated CD accompaniment as well as a piano accompaniment part. The book contains a carefully edited part that is appropriate for the intermediate level player. The CD includes a demo track, which features a live instrumental performance, followed by the play-along track itself. Also included are eight pages of colour photographs from the movie.Raider's March; Marion's Theme; The Adventures Of Mutt; Irina's Theme; The Journey To Akator.
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Datura op. 57 (YE XIAOGANG)
41.20
Datura op. 57 (YE XIAOGANG)
Flute, Violin, Cello and Piano
[Conducteur et Parties séparées]
Schott
Par YE XIAOGANG. 'Datura was commissioned by Accessible Contemporary Music and w...
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Par YE XIAOGANG. 'Datura was commissioned by Accessible Contemporary Music and was written in a unique way. I composed the piece in installments over the summer of 2006 and emailed them to Seth Boustead who forwarded them on to the ensemble. In this unique way of working I was able to have time between each installment to think about what would come next and to get feedback from the performers about the music. This is a very new and different way for a composer to work. Usually I write the piece in solitude and then hand it to the performers but writing in installments allows more communications between the performers and the composer and allows the audience to hear the piece as its created. Datura is another series of pieces composer written about Asian plants and flowers. Datura is a very common houseplant in south China and very beautiful but it can also be used as a hallucinogen, usually with unpleasant results. In this piece the composer juxtaposed the other beauty of the plant with the intense inner would it can create by using alternately tranquil and intense musical passages.' (Xiaogang Ye)/ Répertoire / Flute, Violin, Cello and Piano
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Ritual Returning (JOST CHRISTIAN)
46.00
Ritual Returning (JOST CHRISTIAN)
Quatuor avec Piano
[Conducteur et Parties séparées]
Schott
Piano Quartet No. 1. Par JOST CHRISTIAN. Christian Jost spent the summer of 1987...
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Piano Quartet No. 1. Par JOST CHRISTIAN. Christian Jost spent the summer of 1987 in an Indian reservation in Arizona. Impressed by the foreign culture and deeply moved by the visit of a Native American burial site, he composed - apart from other works - the piano quartet 'Ritual Returning' in which Indian influences can be heard. Like many of his works, this vibrant work resembles a journey in which he assimilates impressions and thoughts. 'Ritual Returning' is an extraordinary addition to the common repertoire for piano quartet. This piece will also elate listeners who are reticent about contemporary music./ Répertoire / Quatuor avec Piano
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String Quartet In F Op.96: String Quartet: Parts
19.99
String Quartet In F Op.96: String Quartet: Parts
Quatuor à cordes: 2 violons, alto, violoncelle
Simrock
In the summer of 1893 Antonin Dvorak sat down and composed String Quartet In F ...
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In the summer of 1893 Antonin Dvorak sat down and composed String Quartet In F Op.96. This beloved quartet was written whilst Dvorak was on vacation in rural Iowa. It is a slow movement for quartet and the finale sweeps along on a energetic syncopated rhythm in the second violin and viola that shortly transforms itself into a wonderful patchwork of shifting accents. The first violin sings first randomly and then voluptuously atop this motoric accompaniment. The quartet is written for 2 violins viola and cello.
19.99 GBP - vendu par Musicroom GB
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Viola And Piano
36.50
Viola And Piano
Alto, Piano
[Sheet music]
Chester
Viola and Piano was commissioned for the Hindermith Viola Festival and Kim Kashk...
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Viola and Piano was commissioned for the Hindermith Viola Festival and Kim Kashkashian and written during the summer of 1995, Viola and Piano is the third in an erratic series of virtuoso works for solo instrument and piano. The first performance was given by Kim Kashkashian and Peter Nagy, London 1995. Duration 10 minutes. Score and separate viola part included. / Alto Et Piano
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Waggon Wheels (COLLEDGE HUGH / COLLEDGE KATHERINE)
21.80
Waggon Wheels (COLLEDGE HUGH / COLLEDGE KATHERINE)
Alto seul
-
Débutant
Boosey and Hawkes
26 Pieces For Viola Playerswith Piano Accompaniment. Par COLLEDGE HUGH / COLLEDG...
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26 Pieces For Viola Playerswith Piano Accompaniment. Par COLLEDGE HUGH / COLLEDGE KATHERINE. La collection Easy String Music de Boosey and Hawkes, dirigée et composée par Katherine et Hugh Colledge, compte quatre volumes d'un répertoire pour cordes destiné aux instrumentistes débutants et en cours d'apprentissage. Ces titres sont très appréciés des professeurs comme de leurs étudiants en raison de leurs vertus pédagogiques : ils introduisent des techniques nouvelles et proposent doigtés, notes et rythmes conçus pour acquérir la maîtrise nécessaire et poser des fondations solides en vue de la suite de l'apprentissage. Chaque titre est disponible en deux versions : l'une est fournie avec un CD de démonstration et de pistes audio d'accompagnement - l'autre comprend un livret d'accompagnement au piano et l'accès à des ressources audio téléchargeables. Les 26 morceaux de Waggon Wheels constituent le deuxième volume de la série. À l'aide d'une musique simple, l'usage des deuxième, troisième et quatrième doigts ainsi que du lié de l'archet seront exercés lors de l'étude de ces morceaux. / Niveau : Très Facile / Date parution : 2019-10-18/ Recueil / Alto
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44 Duets For Two Violas
25.50
44 Duets For Two Violas
2 Altos (duo)
EMB (Editio Musica Budapest)
Béla Bartók composed his 44 Violin Duos in 1931, at the urging of the German v...
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Béla Bartók composed his 44 Violin Duos in 1931, at the urging of the German violin pedagogue Erich Doflein. With two exceptions, all the pieces are based on original folk music themes, most of which the composer himself collected in the course of his numerous collecting trips to the Carpathian Basin and in Algeria. Although conceived as parts of a pedagogically motivated set, these little pieces are highly effective in concert performance as well. The viola transcriptions follow Bartóks original faithfully. / 2 Altos
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101 Disney Songs
23.90
101 Disney Songs
Alto seul
[Partition]
Hal Leonard
for Viola. If you play an instrument and you're a Disney fan, you'll love this c...
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for Viola. If you play an instrument and you're a Disney fan, you'll love this collection of 101 favorites to learn and play! Songs include: Beauty and the Beast - Can You Feel the Love Tonight - A Dream Is a Wish Your Heart Makes - Evermore - Go the Distance - He's a Pirate - I See the Light - Kiss the Girl - Let It Go - Mickey Mouse March - Reflection - A Spoonful of Sugar - True Love's Kiss - We're All in This Together - When You Wish upon a Star - A Whole New World - You've Got a Friend in Me - Zip-A-Dee-Doo-Dah - and more./ Recueil / Alto
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Michael Summers: Folksong Suite: String Quartet: Score and Parts
Quatuor à cordes: 2 violons, alto, violoncelle
[Partition]
S J Music
These four folksongs for String Quartet are ideal for school students at interme...
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These four folksongs for String Quartet are ideal for school students at intermediate level: short easy and fun to play. Summers was born in 1973 and started composing aged eight going on to study at Cambridge University and the Royal Northern College of Music.The four songs are: Lady Maisry; Sheep shearing song; Did you see the dark-haired boy; Sej dinom-dánom.
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End Of Summer (ROREM NED)
23.00
End Of Summer (ROREM NED)
Clarinette, Violon et Piano
Boosey and Hawkes
Par ROREM NED. Rorem is as well known for his candid diaries as for his musical ...
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Par ROREM NED. Rorem is as well known for his candid diaries as for his musical endeavors. This work is a blend of intense and powerful violin solos with lyrical and meditative sections. This is the full score and parts. For Violin, Clarinet and Piano./ Répertoire / Clarinette, Violon et Piano
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Streichquartett in F - Op. 135 (BEETHOVEN LUDWIG VAN)
32.71
Streichquartett in F - Op. 135 (BEETHOVEN LUDWIG VAN)
Quatuor à cordes: 2 violons, alto, violoncelle
Barenreiter
Par BEETHOVEN LUDWIG VAN. Beethoven completed his String Quartet Op.135 at Wasse...
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Par BEETHOVEN LUDWIG VAN. Beethoven completed his String Quartet Op.135 at Wasserdorf Castle in Gneixenhof, where he sought to recuperate with his nephew Karl after the latter?s failed suicide attempt in summer 1826. It stands out among his late quartets owing to the often cheerful, almost pastoral character of its four movements. Since Beethoven?s death it has often been interpreted as an attempt to take wise and positive stock of the mishaps that had befallen him in the preceding years regarding his life situation, family and health. This interpretation is strongly suggested by the final movement, ?Der schwer gefasste Entschluss? (The Difficult Decision), with its motto ?Must it be' It must be! It must be!? The editing of this quartet proved especially complex, for the authentic sources were reworked at various stages by the composer. By judiciously assessing them, editor Jonathan Del Mar has managed to clarify many anomalies found in previous editions. - Beethoven?s final string quartet with many new readings - Introduction by Misha Donat (Eng/Ger), editor?s foreword by Jonathan Del Mar (Eng/Ger) and a scrupulous, separately published Critical Commentary (Eng) / Date parution : 2022-07-30/ Répertoire / Quatuor à Cordes
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Streichquartett in F - Op. 135 (BEETHOVEN LUDWIG VAN)
17.60
Streichquartett in F - Op. 135 (BEETHOVEN LUDWIG VAN)
Quatuor à cordes: 2 violons, alto, violoncelle
Barenreiter
Par BEETHOVEN LUDWIG VAN. Beethoven completed his String Quartet Op.135 at Wasse...
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Par BEETHOVEN LUDWIG VAN. Beethoven completed his String Quartet Op.135 at Wasserdorf Castle in Gneixenhof, where he sought to recuperate with his nephew Karl after the latter?s failed suicide attempt in summer 1826. It stands out among his late quartets owing to the often cheerful, almost pastoral character of its four movements. Since Beethoven?s death it has often been interpreted as an attempt to take wise and positive stock of the mishaps that had befallen him in the preceding years regarding his life situation, family and health. This interpretation is strongly suggested by the final movement, ?Der schwer gefasste Entschluss? (The Difficult Decision), with its motto ?Must it be' It must be! It must be!? The editing of this quartet proved especially complex, for the authentic sources were reworked at various stages by the composer. By judiciously assessing them, editor Jonathan Del Mar has managed to clarify many anomalies found in previous editions. - Beethoven?s final string quartet with many new readings - Introduction by Misha Donat (Eng/Ger), editor?s foreword by Jonathan Del Mar (Eng/Ger) and a scrupulous, separately published Critical Commentary (Eng) / Date parution : 2022-07-30/ Répertoire / Quatuor à Cordes
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Pop Quartets For All Viola Rev. And Updated
13.30
Pop Quartets For All Viola Rev. And Updated
Alto seul
Alfred Publishing
Alfred's Pop Quartets for All series is a versatile, educational, and fun series...
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Alfred's Pop Quartets for All series is a versatile, educational, and fun series intended for like or mixed instruments to perform in any size group or combination of instruments. All books are in score format with each line increasing in difficulty from Grade 1 to Grade 3-4. Alternate passages and notation are included to suit instrumental ranges. With no page turns required, the songs and measures are consistent which makes finding rehearsal points quick and convenient. Perfect for concerts with family and friends, recitals, auditions, and festivals. Available for brass, woodwinds, strings, and percussion. / Alto
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Thränenbenezt For Viola Et Piano (MAINTZ PHILIPP)
47.30
Thränenbenezt For Viola Et Piano (MAINTZ PHILIPP)
Alto, Piano
Barenreiter
Par MAINTZ PHILIPP. Philipp Maintz was born in Aachen, Germany, in 1977. He rece...
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Par MAINTZ PHILIPP. Philipp Maintz was born in Aachen, Germany, in 1977. He received his first composition lessons from Michael Reudenbach. He studied composition with Robert HP Platz in Maastricht from 1997-2003, graduating with distinction, followed by a further degree in composition and electronic music with Karlheinz Essl at the Bruckner Conservatory in Linz. He has received scholarships and invitations from institutions including the Electronic Studio at the University of Liège, the International Summer Courses for New Music in Darmstadt, IRCAM Paris and the North Rhine-Westphalia Ministry of Culture, an Artist’s Scholarship from Lower Saxony for the Künstlerhof Schreyahn and otherhonours: the Supportive Prize from the Ernst von Siemens Music Foundation in 2005, a scholarship from the Wilfried Steinbrenner Foundation in 2006 and a German Government Scholarship to study at the Cité Internationale des Arts, Paris in 2007, Scholarship awarded by the German Minister of Culture for a one-year stay at the German Academy Rome, Villa Massimo (2010). His compositions have been performed at festivals including the International Gaudeamus Music Week Amsterdam, agora-festival, Paris, ars nova (SWR), International Summer Courses for New Music in Darmstadt, Wittener Tage für Neue Kammermusik, musica (Strasbourg), Wien Modern, Hear&Now London and the Salzburg Festival./ Répertoire / Alto et Piano
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