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Sassmannshaus Egon & Kurt - Early Start On The Viola Vol.4
16.90
Sassmannshaus Egon & Kurt - Early Start On The Viola Vol.4
Alto seul
Barenreiter
A viola method for childrenThe leading German viola method now available in Engl...
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A viola method for childrenThe leading German viola method now available in English.For more than three decades the Sassmannshaus Tradition has been the household name for excellence in beginner string methods in German-speaking countries. More than half a million students have successfully learned to play string instruments using this publication.The publication of the four violin books in 2008 in a fully adapted English version has been a big success.On the back of this success story Bärenreiter published the four books for cello in 2009 and now presents the four books for viola in a newly adapted version for today?s English speaking children.What makes this viola method so unique?- Large print notes and texts as well as many colourful illustrations are ideal for pre-school as well as school children.- Note reading is emphasised from the first lesson, encouraging ensemble playing from the very beginning.- Songs and scales in different positions are easily mastered within the first year of playing to ensure that children are not confined to first position playing.- Advanced viola techniques such as varied bow strokes and shifting are introduced in a basic form.The new English viola method for children 4 years and older?The early emphasis on ensemble playing and the many duos in this method are so much fun for the kids. They pick up important chamber music skills right from the beginning!(Peter Winograd and Laurie Carney, American String Quartet)
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3 Quartets For Pianoforte, Violin, Viola And Violoncello Woo 36 (BEETHOVEN LUDWIG VAN)
62.64
3 Quartets For Pianoforte, Violin, Viola And Violoncello Woo 36 (BEETHOVEN LUDWIG VAN)
Piano Quatuor: piano, violon, alto, violoncelle
[Partition]
Barenreiter
Score Parties. Par BEETHOVEN LUDWIG VAN. When Beethoven wrote these three quar...
(+)
Score Parties. Par BEETHOVEN LUDWIG VAN. When Beethoven wrote these three quartets he was 15 years old and a composition student of Christian Gottlob Neefe in Bonn. They reveal a strong Mozartian influence while the brilliant piano writing already gives a sense of the mature Beethoven. He may conceivably have written the works for the wealthy Mastiaux family in Bonn, as he gave piano lessons to one of the daughters and the other three siblings played violin, viola and violoncello. The sole source for the quartets is the autograph score which contains many overwritings that shed light on the works' original conception and possible alternative readings. Although Beethoven never published the pieces in his lifetime and is not known to have performed them, he reused their melodic and thematic material in later compositions. Beethoven preserved the autograph score to the end of his days ? perhaps an indication that the quartets meant a great deal to him. The first edition was published by Artaria in Vienna one year after his death, albeit with the pieces in a different order and with many errors in the musical text. Bärenreiter's scholarly performing edition of the Piano Quartets WoO 36 is edited by the Italian pianist Leonardo Miucci, a specialist in the performance practice of keyboard music from this period. The edition not only presents the correct readings, it also sheds light on the young Beethoven's expressive notation and provides a plausible explanation for the distinction he made between dots and strokes to indicate staccato./ Répertoire / Quatuor pour Piano, Violon, Alto et Violoncelle
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Johann Nepomuk Hummel: Quartet in C Op. 30 No. 1: String Quartet: Parts
Quatuor à cordes: 2 violons, alto, violoncelle
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S J Music
This String Quartet has some technical difficulties particularly for the first ...
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This String Quartet has some technical difficulties particularly for the first violinist but the musical result is worth the effort and players familiar with Beethoven's quartets will enjoy playing it. It is one of three Hummel opus 30 quartets published by SJ Music. All three are classical in style and pleasurable to listen to and play and many would say that they have been unjustly neglected. Johann Nepomuk Hummel was a Hungarian pianist conductor and composer born in Pozsony (now Bratislava) in 1778. He died in Weimar in 1837. Mozart heard him play aged seven in Vienna and was so impressed that he offered him lessons and took him to live with him for the next two years.As an adult in Vienna he became good friends with Beethoven.
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Johann Nepomuk Hummel: Quartet in G Op. 30 No. 2: String Quartet: Parts
Quatuor à cordes: 2 violons, alto, violoncelle
[Partition]
S J Music
This String Quartet has some technical difficulties particularly for the first ...
(+)
This String Quartet has some technical difficulties particularly for the first violinist but the musical result is worth the effort and players familiar with Beethoven's quartets will enjoy playing it. It is one of three Hummel opus 30 quartets published by SJ Music. All three are classical in style and pleasurable to listen to and play and many would say that they have been unjustly neglected. Johann Nepomuk Hummel was a Hungarian pianist conductor and composer born in Pozsony (now Bratislava) in 1778. He died in Weimar in 1837. Mozart heard him play aged seven in Vienna and was so impressed that he offered him lessons and took him to live with him for the next two years.As an adult in Vienna he became good friends with Beethoven.
21.95 GBP - vendu par Musicroom GB
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Johann Nepomuk Hummel: Quartet in E flat Op. 30 No. 3: String Quartet: Parts
Quatuor à cordes: 2 violons, alto, violoncelle
[Partition]
S J Music
This String Quartet has some technical difficulties particularly for the first ...
(+)
This String Quartet has some technical difficulties particularly for the first violinist but the musical result is worth the effort and players familiar with Beethoven's quartets will enjoy playing it. It is one of three Hummel opus 30 quartets published by SJ Music. All three are classical in style and pleasurable to listen to and play and many would say that they have been unjustly neglected. Johann Nepomuk Hummel was a Hungarian pianist conductor and composer born in Pozsony (now Bratislava) in 1778. He died in Weimar in 1837. Mozart heard him play aged seven in Vienna and was so impressed that he offered him lessons and took him to live with him for the next two years.As an adult in Vienna he became good friends with Beethoven.
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Norgaard Martin - Modern Viola Method Grade 1 + Cd - Viola
19.25
Norgaard Martin - Modern Viola Method Grade 1 + Cd - Viola
Alto seul
[Partition + CD]
-
Débutant
Mel Bay
Media Type : Book/CD Set Level : Beginning Musical Genre : All Series : Modern M...
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Media Type : Book/CD Set Level : Beginning Musical Genre : All Series : Modern Method Number of pages : 88 Emphasizes the development of consistent correct technique, while developing aural and music literacy skills simultaneously. Develops intonation, bow technique, tone, and musicianship concurrently, building each lesson around a specific technical issue while combining music literacy, ear training and performance concepts. These tunes are varied stylistically and include folk tunes from various cultures and original and classic melodies chosen for their musical value and accessibility. The enclosed teaching points can also supplement Suzuki Violin repertoire and provide students and parents involved in Suzuki lessons additional ear training activities and music literacy exercises. Facilitates skill development while providing opportunities to think and hear musically.
19.25 EUR - vendu par Woodbrass
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Elaine Scott: Abracadabra Viola Beginner: Viola: Instrumental Tutor
6.99
Elaine Scott: Abracadabra Viola Beginner: Viola: Instrumental Tutor
Alto seul
[Partition + CD]
-
Débutant
Collins Music
This pupil's book provides a lively and comprehensive introduction to the very f...
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This pupil's book provides a lively and comprehensive introduction to the very first steps of playing the viola.All the titles in the Abracadabra series work in conjunction with each other making them ideal for ensemble group and whole class tuition. Used alone they remain perfect for individual lessons. The book contains activities games and pieces that teach the fundamentals of playing the viola : good posture (with and without the instrument) bow hold finger position and pitch awareness as well as developing rhythm and notation reading. The CD also aids pitch development with performances of the pieces and backing tracks to motivate pupils to practisepieces and activities outside of their lessons. The basics are constantly reinforced and revisited with the pupils building up to 'performance pieces' that combine and showcase all of the skills they have developed.
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Peter Davey: Abracadabra Viola & CDs: Viola: Instrumental Album
10.99
Peter Davey: Abracadabra Viola & CDs: Viola: Instrumental Album
Alto seul
[Partition + CD]
Collins Music
Now in a third edition Abracadabra Viola has a fresh contemporary new look and...
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Now in a third edition Abracadabra Viola has a fresh contemporary new look and is the perfect book for pupil and teachers.This title offers an identical selection of repertoire to the other books in the Abracadabra Strings series so they can be used in any combination for group or whole class lessons and mixed ensemble performances. Used alone they remain ideal for individual tuition.With tunes you know and want to play carefully graded in 20 learning steps this new edition of the popular tutor also includes duets trios and teacher's parts. Clear fingering and bowing diagrams and concise theory explanations help to teach thefundamentals of the instrument and each new technical aspect is reinforced by several pieces using that particular technique.Abracadabra Viola now also includes two CDs of performance and backing tracks featuring selected orchestral backings.
10.99 GBP - vendu par Musicroom GB
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Peter Davey: Abracadabra Viola: Viola: Instrumental Tutor
7.99
Peter Davey: Abracadabra Viola: Viola: Instrumental Tutor
Alto seul
Collins Music
Now in a third edition Abracadabra Viola has a fresh contemporary new look and...
(+)
Now in a third edition Abracadabra Viola has a fresh contemporary new look and is the perfect book for pupil and teachers.This title offers an identical selection of repertoire to the other books in the Abracadabra Strings series so they can be used in any combination for group or whole class lessons and mixed ensemble performances. Used alone they remain ideal for individual tuition.With tunes you know and want to play carefully graded in 20 learning steps this new edition of the popular tutor also includes duets trios and teacher's parts. Clear fingering and bowing diagrams and concise theory explanations help to teach the fundamentalsof the instrument and each new technical aspect is reinforced by several pieces using that particular technique.
7.99 GBP - vendu par Musicroom GB
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Sheila Mary Nelson: The Essential String Method Vol. 1: Viola: Instrumental
12.99
Sheila Mary Nelson: The Essential String Method Vol. 1: Viola: Instrumental
Alto seul
[Conducteur]
Boosey and Hawkes
This award-winning series of books offers an exciting advance in the teaching of...
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This award-winning series of books offers an exciting advance in the teaching of stringed instruments intergrating musical awareness creativity and technical development from the outset. Making their way through the series pupils encounter an attractive selection of new tunes and arrangements on which to build their repertoire. The material is presented as a logical progression of musical activities involving both the instrument and the voice. These make learning fun and are easily incorporated into instrumental lessons simultaneously developing the pupil's technical and musical abilities while re-inforcing aspects of the school music curriculum.
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Sheila Mary Nelson: The Essential String Method Vol. 2: Viola: Instrumental
12.99
Sheila Mary Nelson: The Essential String Method Vol. 2: Viola: Instrumental
Alto seul
[Conducteur]
Boosey and Hawkes
This award winning series of books offers an exciting advance in the teaching of...
(+)
This award winning series of books offers an exciting advance in the teaching of stringed instruments intergrating musical awareness creativity and technical development from the outset. Making their way through the series pupils encounter an attractive selection of new tunes and arrangements on which to build their repertoire. The material is presented as a logical progression of musical activities involving both the instrument and the voice. These make learning fun and are easily incorporated into instrumental lessons simultaneously developing the pupil's technical and musical abilities while re-inforcing aspects of the school music curriculum.
12.99 GBP - vendu par Musicroom GB
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String Quartet
46.62
String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle
Schott
These two chamber music works are one of the main focuses in the oeuvre of Ulvi ...
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These two chamber music works are one of the main focuses in the oeuvre of Ulvi Cemal Erkin. Lively and spirited, they combine Western European tradition with rhythmic and melodic elements from Turkish folk music. Both are perfectly suitable for music lessons and concert recitals, adding a new interesting colour to the common chamber music repertoire.Erkin (1906-1972) is one of the most important composers of Turkey. He studied piano and composition in France and later returned to his home country where he became professor in Ankara. / Quatuor A Cordes
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Romance G Major
10.00
Romance G Major
Alto, Piano
[Partition]
Schott
Born in the village of Brand in the Upper Palatinate, Max Reger (1873 1916) was ...
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Born in the village of Brand in the Upper Palatinate, Max Reger (1873 1916) was taught by the renowned music theoretician Hugo Riemann. After finishing his studies and working as a freelance performer and composer in Wiesbaden, he moved to Weiden, beset by personal crises, and eventually to Munich. To make himself better known in the musical scene, he had some of his smaller works inserted in the magazine Neue Musikzeitung. This is how his Romanze G-Dur for violin and piano was published in November 1901, a beautiful occasional work, ideal for music lessons or as a tranquil encore after a concert, also in an arrangement for viola and piano. / Alto Et Piano / 6 pages / niveau : Intermédiaire / Partition
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Nocturne And Scherzo, And Scherzo (Parts) (VAUGHAN WILLIAMS RALPH)
24.20
Nocturne And Scherzo, And Scherzo (Parts) (VAUGHAN WILLIAMS RALPH)
Quintette à cordes: 2 violons, 2 altos, violoncelle
[Partition]
Faber Music Limited
Par VAUGHAN WILLIAMS RALPH. Of all his early chamber works, the 'Nocturne' is mo...
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Par VAUGHAN WILLIAMS RALPH. Of all his early chamber works, the 'Nocturne' is most clearly by the mature Vaughan Williams, almost anticipating the influence of Ravel which followed his lessons from the French composer in 1908. In the veiled beauty of its highly chromatic harmonies we hear already the tone-poet of the slow movement of 'A London Symphony', while in the fleet-footed 'Scherzo' there is already a French influence in the way the folk-song is subtly woven into the texture, only brief snatches of the tune being heard until the penultimate page when it receives fuller treatment. The work plays for about 10 minutes. The 1904 'Scherzo' is a vigorous march with fugal episodes which lasts some 6 minutes and may effectively be performed by itself./ Répertoire / Trio ou Quatuor à Cordes
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15 Barock-Duos für Viola und Violoncello
12.81
15 Barock-Duos für Viola und Violoncello
Alto, Violoncelle (duo)
[Partition]
Ricordi
Par . String duets tend to be somewhat upstaged by other instrumentations for st...
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Par . String duets tend to be somewhat upstaged by other instrumentations for string chamber music?especially string quartets, yet the string duet is an ideal introduction to the world of chamber music for anyone who is learning an instrument. Fabian Payr and Ruth Bamberger have selected 15 suitable harpsichord works from the Baroque period and have arranged them for two string instruments. These easily playable duet pieces are especially appropriate as material for instrumental lessons but also as repertoire for student performances. They encourage the study of Baroque performance practice and promote the somewhat overlooked subject of chamber music ensemble playing. / Date parution : 2022-07-20/ Recueil / Alto et Violoncelle
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Tema E Variazioni Op. 5B (CALLIGARIS SERGIO)
44.36
Tema E Variazioni Op. 5B (CALLIGARIS SERGIO)
Piano Trio: piano, violon, violoncelle
[Conducteur et Parties séparées]
-
Intermédiaire
Ricordi
Per Violino, Violoncello E Pianoforte. Par CALLIGARIS SERGIO. Sergio Calligaris ...
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Per Violino, Violoncello E Pianoforte. Par CALLIGARIS SERGIO. Sergio Calligaris was born in Rosario (1941), Argentina. He is one of the last musicians to incarnate the traditional 19th century figure of pianist, teacher and composer, inaugurated at the beginning of the 19th century by Muzio Clementi and carriedon after that by a sequence of famous names that the history of music has handed down to us. As a pianist, he began to give public performances at the age of 13, making his debut in his home town Rosario. Following this success, he embarked upon an extremely busy career as a soloist, giving numerous recitals in Buenos Aires and other citiesin Argentina. He continued to take advanced lessons with eminent exponents of the most prestigious international piano schools. In 1974 he became an Italian citizen and settled in Rome, teaching piano as principal instrument at the S. Pietro a Majella StateConservatory in Naples, the Luisa DAnnunzio Conservatory in Pescara and the Alfredo Casella Conservatory in Aquila. As a composer, he began - at just 9 years of age - to study in the rigorous school of Paul Hindemith, under the guidance of Father Luis Machado, from whom he inherited a love of counterpoint and a strong taste for harmony. He took a diploma incomposition, counterpoint and fugue at the age of 16 at the Amigos del Arte Society in Rosario, going on in 1964 to do an advanced course in 12-tone counterpoint at the Cleveland Institute of Music. The catalogue of his compositions, which has nowreached Op. 55, encompasses a huge range of instrumental/vocal chamber music and symphonic works: a vast and articulated catalogue, in which Sergio Calligaris’s composition expresses its inspiration through the dramatic development of a dialecticalcontrast between the two natures of the composer’s personality - the elegiac and the dithyrambic - which confront and interact with each other giving rise to artistic outcomes of a deeply moving nature. / Niveau : Intermédiaire / Répertoire / Violon, Violoncelle et Piano
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Sonata Op. 39 (1997)
93.66
Sonata Op. 39 (1997)
Alto, Piano
-
Intermédiaire
Ricordi
Per Viola E Pianoforte. Par CALLIGARIS SERGIO. Sergio Calligaris was born in Ros...
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Per Viola E Pianoforte. Par CALLIGARIS SERGIO. Sergio Calligaris was born in Rosario (1941), Argentina. He is one of the last musicians to incarnate the traditional 19th century figure of pianist, teacher and composer, inaugurated at the beginning of the 19th century by Muzio Clementi and carriedon after that by a sequence of famous names that the history of music has handed down to us. As a pianist, he began to give public performances at the age of 13, making his debut in his home town Rosario. Following this success, he embarked upon an extremely busy career as a soloist, giving numerous recitals in Buenos Aires and other citiesin Argentina. He continued to take advanced lessons with eminent exponents of the most prestigious international piano schools. In 1974 he became an Italian citizen and settled in Rome, teaching piano as principal instrument at the S. Pietro a Majella StateConservatory in Naples, the Luisa DAnnunzio Conservatory in Pescara and the Alfredo Casella Conservatory in Aquila. As a composer, he began - at just 9 years of age - to study in the rigorous school of Paul Hindemith, under the guidance of Father Luis Machado, from whom he inherited a love of counterpoint and a strong taste for harmony. He took a diploma incomposition, counterpoint and fugue at the age of 16 at the Amigos del Arte Society in Rosario, going on in 1964 to do an advanced course in 12-tone counterpoint at the Cleveland Institute of Music. The catalogue of his compositions, which has nowreached Op. 55, encompasses a huge range of instrumental/vocal chamber music and symphonic works: a vast and articulated catalogue, in which Sergio Calligaris’s composition expresses its inspiration through the dramatic development of a dialecticalcontrast between the two natures of the composer’s personality - the elegiac and the dithyrambic - which confront and interact with each other giving rise to artistic outcomes of a deeply moving nature. / Niveau : Intermédiaire / Date parution : 1905-06-19/ Répertoire / Alto et Piano
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Tema E Variazioni Op. 5A (CALLIGARIS SERGIO)
44.36
Tema E Variazioni Op. 5A (CALLIGARIS SERGIO)
Clarinette, Violoncelle et Piano
[Conducteur et Parties séparées]
-
Intermédiaire
Ricordi
Per Clarinetto, Violoncello E Pianoforte. Par CALLIGARIS SERGIO. Sergio Calligar...
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Per Clarinetto, Violoncello E Pianoforte. Par CALLIGARIS SERGIO. Sergio Calligaris was born in Rosario (1941), Argentina. He is one of the last musicians to incarnate the traditional 19th century figure of pianist, teacher and composer, inaugurated at the beginning of the 19th century by Muzio Clementi and carriedon after that by a sequence of famous names that the history of music has handed down to us. As a pianist, he began to give public performances at the age of 13, making his debut in his home town Rosario. Following this success, he embarked upon an extremely busy career as a soloist, giving numerous recitals in Buenos Aires and other citiesin Argentina. He continued to take advanced lessons with eminent exponents of the most prestigious international piano schools. In 1974 he became an Italian citizen and settled in Rome, teaching piano as principal instrument at the S. Pietro a Majella StateConservatory in Naples, the Luisa DAnnunzio Conservatory in Pescara and the Alfredo Casella Conservatory in Aquila. As a composer, he began - at just 9 years of age - to study in the rigorous school of Paul Hindemith, under the guidance of Father Luis Machado, from whom he inherited a love of counterpoint and a strong taste for harmony. He took a diploma incomposition, counterpoint and fugue at the age of 16 at the Amigos del Arte Society in Rosario, going on in 1964 to do an advanced course in 12-tone counterpoint at the Cleveland Institute of Music. The catalogue of his compositions, which has nowreached Op. 55, encompasses a huge range of instrumental/vocal chamber music and symphonic works: a vast and articulated catalogue, in which Sergio Calligaris’s composition expresses its inspiration through the dramatic development of a dialecticalcontrast between the two natures of the composer’s personality - the elegiac and the dithyrambic - which confront and interact with each other giving rise to artistic outcomes of a deeply moving nature. / Niveau : Intermédiaire / Répertoire / Clarinette, Violoncelle et Piano
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Thränenbenezt For Viola Et Piano (MAINTZ PHILIPP)
43.50
Thränenbenezt For Viola Et Piano (MAINTZ PHILIPP)
Alto, Piano
Barenreiter
Par MAINTZ PHILIPP. Philipp Maintz was born in Aachen, Germany, in 1977. He rece...
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Par MAINTZ PHILIPP. Philipp Maintz was born in Aachen, Germany, in 1977. He received his first composition lessons from Michael Reudenbach. He studied composition with Robert HP Platz in Maastricht from 1997-2003, graduating with distinction, followed by a further degree in composition and electronic music with Karlheinz Essl at the Bruckner Conservatory in Linz. He has received scholarships and invitations from institutions including the Electronic Studio at the University of Liège, the International Summer Courses for New Music in Darmstadt, IRCAM Paris and the North Rhine-Westphalia Ministry of Culture, an Artist’s Scholarship from Lower Saxony for the Künstlerhof Schreyahn and otherhonours: the Supportive Prize from the Ernst von Siemens Music Foundation in 2005, a scholarship from the Wilfried Steinbrenner Foundation in 2006 and a German Government Scholarship to study at the Cité Internationale des Arts, Paris in 2007, Scholarship awarded by the German Minister of Culture for a one-year stay at the German Academy Rome, Villa Massimo (2010). His compositions have been performed at festivals including the International Gaudeamus Music Week Amsterdam, agora-festival, Paris, ars nova (SWR), International Summer Courses for New Music in Darmstadt, Wittener Tage für Neue Kammermusik, musica (Strasbourg), Wien Modern, Hear&Now London and the Salzburg Festival./ Répertoire / Alto et Piano
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String Quartet In F (Score) (BRITTEN BENJAMIN)
14.80
String Quartet In F (Score) (BRITTEN BENJAMIN)
Quatuor à cordes: 2 violons, alto, violoncelle
[Partition]
Faber Music Limited
Par BRITTEN BENJAMIN. Benjamin Britten wrote his 'String Quartet in F' in April ...
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Par BRITTEN BENJAMIN. Benjamin Britten wrote his 'String Quartet in F' in April 1928, shortly after he began lessons with Frank Bridge. He was fourteen at the time and it is thought that this piece was set as a homework exercise by this new teacher.This study score is in four parts./ Répertoire / Quatuor à Cordes
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String Quartet In F (Parts) (BRITTEN BENJAMIN)
24.20
String Quartet In F (Parts) (BRITTEN BENJAMIN)
Trio ou Quatuor à Cordes
[Partition]
Faber Music Limited
Par BRITTEN BENJAMIN. Benjamin Britten wrote his 'String Quartet in F' in April ...
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Par BRITTEN BENJAMIN. Benjamin Britten wrote his 'String Quartet in F' in April 1928, shortly after he began lessons with Frank Bridge. He was fourteen at the time and it is thought that this piece was set as a homework exercise by this new teacher.This set of parts is in four parts./ Répertoire / Trio ou Quatuor à Cordes
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Pop Rounds - 3 And 4 Part (SCHMITZ MANFRED)
22.99
Pop Rounds - 3 And 4 Part (SCHMITZ MANFRED)
Alto (Viole)
AMA Verlag
3- und 4-stimmige Kanons. Par SCHMITZ MANFRED. Canons are fun and at the same ti...
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3- und 4-stimmige Kanons. Par SCHMITZ MANFRED. Canons are fun and at the same time also help develop the ability to listen and play along, thus making them an important enhancement to musical training. With 109 pop style melodies in two volumes Manfred Schmitz work provides comprehensive and diversified material which can be flexibly implemented in teaching single pupils, for group lessons and for ensemble classes. The instruments violin, viola, violoncello and flute can thus stay „among themselves“ or play music together in all imaginable instrumental combinations. 3/4 part Particularly designed for performance in groups and ensembles, the demands grow with the addition of voices and the growing diversity of timbres. As withthe two-voiced canons, also the three and four-voiced canons can with the help of the universal versions be played in all thinkable combinations of instruments up to the various chamber music ensembles. / Niveau : Débutant à Intermédiaire / Contemporary - Solos / Recueil / Alto
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String Quartet - Youthful Work (BACEWICZ GRAZYNA)
30.60
String Quartet - Youthful Work (BACEWICZ GRAZYNA)
Quatuor à cordes: 2 violons, alto, violoncelle
PWM (Polskie Wydawnictwo Muzyczne)
Par BACEWICZ GRAZYNA. Grazyna Bacewicz realised at a very early age that her mai...
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Par BACEWICZ GRAZYNA. Grazyna Bacewicz realised at a very early age that her main purpose in life was to compose music. Already during the 1920s, as a student of Lódz Conservatoire, as part of her lessons in harmony and counterpoint, she made attempts at composing, in which she tried to resolve nagging technical problems and impart an artistically satisfying form to them. She grew up in an atmosphere of anti-romantic tumult and the emerging neoclassical style. She assimilated the main attributes of that current in a natural way: the need to forge logical formal constructs based on new harmonic principles, not determined by the major–minor system, and also a freedom in the shaping of textures, a fixed element of which was the combining of homophony with more or less strict polyphonic forms. One example of such a strategy is the String Quartet from her student years, signed with the date 1929–1930, which the composer did not include in her official catalogue of works. In the first movement (Allegro moderato), one can distinguish two principal subjects, served in the form of the incomplete exposition of a fugue. The chromaticised first subject, with its strongly highlighted head motif, appears in the cello, with an answer coming four bars later in the first violin. After a short bridge, the first violin intones the second subject, of a different character (dolce), and the answer appears a bar later and an octave lower in the viola. Both subjects can be heard also in the closing coda, and the space between them is filled by counterpoints based largely on ostinato figures of various sorts – a technique that Bacewicz would hone to perfection in her later work. The middle fughetta (Molto adagio), with a subject stated just once, and in only three parts (cello, first violin, viola), acts as an intermezzo. The third movement (Allegro molto moderato) is a double fugue with strongly contrasting subjects. The first subject, in the form of a chromaticised melodic continuum, exposed by the cello, is initially shown with the traditional arrangement retained (answered by the viola and second violin at a fifth, and by the first violin an octave above). The second subject (energico) is a structure shaped by the opening repetition of a motif of perfect fifths, then octaves combined with staccato-tremolo figurations. As the work unfolds, the two subjects appear simultaneously in original and inverted form, coming together in the closing Cadenza in a uniform idea crowned by strong (fff) chords repeated towards the end. - Malgorzata Gasiorowska/ Répertoire / Quatuor à Cordes
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Pop Rounds - 2 Part (SCHMITZ MANFRED)
22.99
Pop Rounds - 2 Part (SCHMITZ MANFRED)
Alto (Viole)
AMA Verlag
2-stimmige Kanons. Par SCHMITZ MANFRED. Canons are fun and at the same time also...
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2-stimmige Kanons. Par SCHMITZ MANFRED. Canons are fun and at the same time also help develop the ability to listen and play along, thus making them an important enhancement to musical training. With 109 pop style melodies in two volumes Manfred Schmitz work provides comprehensive and diversified material which can be flexibly implemented in teaching single pupils, for group lessons and for ensemble classes. The instruments violin, viola, violoncello and flute can thus stay „among themselves“ or play music together in all imaginable instrumental combinations. 2 part: 23 MINI-Canons – from the very start - 37 Canons – for the progressing demands This collection is particularly well-suited for the playing together ofpupil and teacher, but it also works well in group lessons. A collection of canons for the first learning steps on the instrument as well as for more advanced levels of learning. Through the universal versions for viola, cello and flute, different instruments can also play together. / Niveau : Débutant à Intermédiaire / Contemporary - Solos / Recueil / Alto
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String Quartet F sharp minor op. 28 (SENFTER JOHANNA)
62.16
String Quartet F sharp minor op. 28 (SENFTER JOHANNA)
Quatuor à cordes: 2 violons, alto, violoncelle
[Conducteur et Parties séparées]
Schott
Par SENFTER JOHANNA. The composer Johanna Senfter (1879 1961) from Oppenheim con...
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Par SENFTER JOHANNA. The composer Johanna Senfter (1879 1961) from Oppenheim concerned herself with chamber music for strings all her life, even studied violin in Frankfurt herself. Max Reger then gave her lessons in Leipzig, first privately, then in his composition class at the conservatoire and valued her 'extraordinary compositional talent'. The strict teacher more and more became a committed promoter of the works by Johanna Senfter. For a period of 50 years, the composer concerned herself with the string quartet genre, from Quartet No. 1 in D minor Op. 4, composed shortly after the turn of the century, to the sixth and last Quartet in C minor Op. 115 which was performed for the first time in 1960, one year before her death. The Quartet in F sharp minor Op. 28 is her second quartet which was premiered in Darmstadt on 5 November 1922. In this work, as in later works, Senfter combined traditional form models – here Baroque movements like gavotte, saraband, gigue – with expressive, late Romantic musical language. The work, consisting of six short movements, may without doubt be regarded as a valuable addition to the quartet repertoire./ Répertoire / 2 Violons, Alto et Violoncelle
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Essential Elements for Strings - Book 1 with EEi: Viola Solo: Instrumental Tutor
13.99
Essential Elements for Strings - Book 1 with EEi: Viola Solo: Instrumental Tutor
Alto seul
[Partition + CD + DVD]
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Débutant
Hal Leonard
Now the best-selling band method is even better! Book 1 for absolute beginners i...
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Now the best-selling band method is even better! Book 1 for absolute beginners includes a start-up video and much much more all on CD-ROM.Features:Same great Essential Elements 2000 method!15-minute video/?super lesson? for learning the basicsPlay-along mp3* tracks for all 185 exercises (featuring a professional player on your instrument)Tempo Adjustment SoftwareDuets and TriosMusic Listening LibrarySmartMusic® Software for Exercises 1-100 (for use on PC/Mac) - practice record and email a performance with on-screen assessment
13.99 GBP - vendu par Musicroom GB
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Rockin' Strings: Viola (WOOD MARK / GILLESPIE ROBERT)
17.73
Rockin' Strings: Viola (WOOD MARK / GILLESPIE ROBERT)
Alto seul
[Partition + Accès audio]
Hal Leonard
Improv Lessons and Tips for the Contemporary Player. Par WOOD MARK / GILLESPIE R...
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Improv Lessons and Tips for the Contemporary Player. Par WOOD MARK / GILLESPIE ROBERT. Here is the chance to enter the new world of playing today's music while learning to express your own music through improvisation. Don't be afraid! Rockin' Strings is going to teach you how to create your own melodies one step at a time. Play along with the accompanying audio tracks. They will make you sound like a star as you begin to progress through the book, exploring additional keys and rhythms while improvising - all in the style of popular music. Play by yourself, with your teacher, your friends, and your school orchestra. The audio is accessed online using the unique code inside each book and can be streamed or downloaded. The audio files include PLAYBACK , amulti-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right. Here is the chance to enter the new world of playing today's music while learning to express your own music through improvisation. Don't be afraid! Rockin' Strings is going to teach you how to create your own melodies one step at a time. Play along with the accompanying audio tracks. They will make you sound like a star as you begin to progress through the book, exploring additional keys and rhythms while improvising and ndash - all in the style of popular music. Play by yourself, with your teacher, your friends, and your school orchestra. The audio is accessed online using the unique code inside each book and can be streamed or downloaded. The audiofiles include PLAYBACK , a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right. / Pédagogie / Méthode / Alto
17.73 EUR - vendu par LMI-partitions
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