Janice Tucker Rhoda's phenomenally successful series The ABCS Of Cello owes much of its success to the wonderful original material and to the sensitive arrangements of classical folk fiddle and other popular melodies.After many years of teaching children and adults the author has developed a simple and enjoyable approach for studying the Cello. The ABCs of Cello for the Absolute Beginner (Book 1) contains 29 Melodies Finger Graphs Warm-ups Scales Easy Duets a worksheet for note-recognition a glossary of music terms and symbols (page 41) and practice chart.The special CD insert consists of threecomponents: 29 performance pieces of Cello with Piano accompaniments Piano accompaniment tracks by themselves for play-along and a printable pdf file of the Piano accompaniments. Rob Bethel is a critically acclaimed classical and improvisational cellist who plays The ABCs of Cello Book 1 CD with passion sensitivity and gusto.

Violoncello exercises the left hand. Par STARKER JANOS. / Date parution : 2022-05-14/ Méthode / Violoncelle

Max Reger composed his Three Suites for Violoncello solo in 1914/15 for three important cellists and teachers of the time: Julius Klengel, Hugo Becker and Paul Grümmer. Klengel was also friends with the composer. Reger humorously told him of his Opus 131c in summer 1915, calling them 'strapping triplets?. He asked the cellist to 'use these three things as often as possible in your lessons?, although they presuppose a great degree of skill on the students' part. For all those who wish to conquer these works in theory, we are now also offering our Urtext edition of the Suites (HN 478) as a study score. / Violoncelle

For solo Cello Timpani and Strings.Popule Meus was commissioned through the Magnum Opus project: Kathryn Gould founding patron and commissioner and Meet the Composer project manager.It was first performed on 6thFebruary 2010 by Yuri Hooker (cello) and the Winnipeg Symphony Orchestra conducted by Alexander Micklethwate. Composer's Notes 'Popule Meus is a meditation on the Judaic and Christian text ?O my People whathave I done to you?? but itis also a Universalist contemplation of the wholesale rejection of God by modern man. However much manrejects God he cannot escape Him and indeed he is condemned to the supernatural by his deiformnature. InHindu terms he is the Absolute Ayam Atma Brahma (The Self is the Absolute).In this work the solo cello is the All-Compassionate One while the timpani represent man in his vain andpointless rejection. Although the solocello and strings and the timpani share the same material (four ideas aregradually revealed and they revolve four times during the piece) the timpani music is violent and becomesincreasingly frenzied and contracted while thecello and strings remain still and serene.So even in winning the Darkness loses and even in losing the Light wins. Passion Resurrection andRedemption; or in Hindu terms Atma (The Absolute) alone is real Maya (The Relative) ismerely illusion.'

Für Violoncello Solo. Par WAGNER WOLFRAM. Die Verbindung des körperlichen Elements des Tanzes mit dem geistigen Element der musikalischen Form ist seit jeher die Intention der Suite. Hier bildet das Präludium die harmonische Grundlage für die folgenden modernen Tanzsätze, die die klanglichen und spieltechnischen Möglichkeiten des Instruments auf vielfältige Weise nutzen. Je nach Charakter und Tempo des gewählten Tanzes steht das lyrische oder das lebhafte Moment im Vordergrund, der langsame Walzer als melodisches Kernstück (vergleichbar in dieser Funktion mit der Sarabande der barocken Suite) wird umrahmt von der Virtuosität der umliegenden Sätze. (W. Wagner)/ Répertoire / Violoncelle

Commissioned by the Duo Parker-Brown. First performance: University of York 1986.

This work was commissioned by Yutaka Fujishima and the Xebec Hall. It was first performed by Ryoichi Fujimori in Mito Japan on 10th November 1996. Duration: 8 minutes 10 seconds. The following equipment is required: 1full-size CD player (not a portable) with a clearly readable time counter display set next to the cellist 1 microphone for the cello 1 digital reverb 1 mixing desk 1 stereo amplifier at least 2 high qualityloudspeakers.Quoting Karen Tanaka: The title comes from the Song of Solomon of the Old Testament which is a beautiful song of love.I have attempted to project this sensual song of love onto the sound of cello and computer.My intention was to weave color and scent into the sound while blending the ancient story and today's technology. The sound of cello is consistently gentle and tender.CD Rom available separately for sale.

Composed in 1895 this Concerto includes a tense Allegro a graceful Adagio ma non troppo and a fiendishly difficult and dramatic Finale. This is a Great Performer's Edition edited by cellist Janos Starker.

Encores For Cello is a compilation of wonderful pieces for the Cellist to keep in reserve for encores. It offers an excellent opportunity to display their technique whilst entertaining the crowd at the climax of a concert!This Great Performers Edition has been expertly arranged and edited by the Cellist Janos Starker. With popular works by Schubert Schumann and Saint-Saens these are guaranteed crowd-pleasers!

Scales and arpeggios for Grades 1 and 2 transformed into 30 imaginative pieces guaranteed to make learning quicker and lessons more fun! Also ideal for developing rhythmic skills. Each scale and arpeggio can be accompanied by a cello duet part (for the teacher of Grade 4-5 standard pupil) or a simple piano accompaniment.

Aria Per Violoncello. Par BUSSOTTI SYLVANO. Aria Per Violoncello / Date parution : 1905-06-25/ Répertoire / Violoncelle

Instrumental Play-Along-Solo instrumentalists will love this collection of 15 of today's hottest hits! The full-accompaniment play-along tracks feature tempo adjustment software so you can change the tempo without changing pitch.