C Edition. By Various. Fake Book. Softcover. 248 pages. Published by Hal Leonard (HL.154230).

By Bud Caputo. Edited by Bud Caputo. Arranged by Bud Caputo. For Viola. This edition: Viola. Published by Carl Fischer.

C Edition. Fake Book (Includes melody line and chords). Size 9x12 inches. 816 pages. Published by Hal Leonard.

Bb Edition. Fake Book (Includes melody line and chords). Size 9x12 inches. 816 pages. Published by Hal Leonard.

Eb Edition. By Various. Fake Book (Includes melody line and chords). Size 9x12 inches. 816 pages. Published by Hal Leonard.

Fakebook (spiral bound) for voice and C instrument. With vocal melody, lyrics, chord names, leadsheet notation and guitar chord chart. Series: Hal Leonard Fake Books. 813 pages. Published by Hal Leonard.

Bb Edition. Fake Book (Includes melody line and chords). Size 9x12 inches. 448 pages. Published by Hal Leonard.

For C instrument and voice. Format: fakebook (spiral bound). With chord names, vocal melody and lyrics. Jazz. Series: Hal Leonard Fake Books. 448 pages. 9x12 inches. Published by Hal Leonard.

Composed by Harold Arlen. For voice, piano and guitar chords. Format: piano/vocal/chords songbook. With vocal melody, piano accompaniment, lyrics, chord names, guitar chord diagrams, introductory text and black and white photos. Standards and vocal standards. 304 pages. 9x12 inches. Published by Hal Leonard.

Fakebook for Eb instrument and voice. With vocal melody, lyrics and leadsheet notation. Series: Hal Leonard Fake Books. 448 pages. Published by Hal Leonard.

Piano

SKU: HL.14017393

Composed by Blandet Kor Antologi. Music Sales America. Classical. Book [Softcover]. Composed 2005. 44 pages. Edition Wilhelm Hansen #WH24143. Published by Edition Wilhelm Hansen (HL.14017393).

ISBN 9788774552567.

Jule ns Musik - Fantasier Og Sange - for Piano solo Et Barn er fodt i Bethlehem. Fantasi af Walther Schroder Jeg er saa glad hver Julekveld. Fatntasl af L. Birkedal-Barfod Julen har bragt velsignet Bud. Fantasi af Walther Schroder Det kimer nu til Julefest. Fantasi af Wallher Schroder Julen har Englelyd. Fantasl af L. Birkedal-Barfod Der er noget I Luften. Fantasi af Emil Juel-Frederiksen Hojt fra Traeets gronne Top. Fantasi af Emil Juel-Frederiksen Julestemning, med Tekst. Kimer, I Klokker. Fantasi af Emil Juel-Frederiksen Vaer velkommen, Herrens ar, med Tekst. A. P. Berggreen Dejlig er Jorden. Fantasi Dejlig er den Himmel blaa. Fantasi af Felix Smith Juleklokkerne. Niels W.Gade , Op. 36 Glade Jul. Fantasi af Walther Schroder Sang af Noddebo Praestegaard, med Tekst. J. P. E. hartmann Julebudet, med Tekst. J. P. E. hartmann Sanctissema. Fantasi af Felix Smilh I denne sode Juletid. C. Balle Julesalme, med Tekst. Niels W. Gade Op.36.

Written by Mark Levine. For piano. Format: instructional book (spiral bound). With chord names, instructional text, introductory text and black and white photos. Instructional and Jazz. The most highly acclaimed jazz piano method ever published!. 305 pages. 9x11 inches. Published by Sher Music Company.

Orchestra string orchestra - Grade 2

SKU: XC.ISO2209

Composed by Bud Woodruff. Halloween. Intermezzo. Halloween. Set of parts. Excelcia Music Publishing #ISO2209. Published by Excelcia Music Publishing (XC.ISO2209).

12 x 9 inches.

In an attempt to musically capture that creepy feeling of walking in the Dark, Composer Bud Woodruff brings us a spooky new work for String Orchestra. Perfect for that first Fall Concert!

Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade 1.5

SKU: CF.FAS108F

Composed by Bud Woodruff. First-Plus String Orchestra (FAS). Full score. With Standard notation. 8 pages. Carl Fischer Music #FAS108F. Published by Carl Fischer Music (CF.FAS108F).

ISBN 9781491151761. UPC: 680160909261. 9 x 12 inches.

Annie's Gone Home, composed in the style of a spiritual, was written as a tribute to composer Bud Woodruff's mother. The tune is built on phrases of easily understandable material, but the poignant nature of the piece is marked with profundity. From the subtle bass solo to the emotional high points, the piece is inspired by this strong woman in the life of the composer.

Annies Gone Home is a tribute to my Mother, Annette Fenner Hains (19232017). Her siblings and cousins always called her Annie. She loved music, and her influence was the primary inspiration for me to go into music. Her tastes were wildly diverse, loving everything from symphonic music to Country/Western, to various styles of folk music, to pop, to marches, but she had a very tender spot for hymns and spirituals.

While it is easy to interpret grief in this music, and its presence is undeniable, it is really intended more as a song of the ultimate triumph of goodness. In her wisdom, she was able to capture deep thoughts within simple phrases, which I have also tried to capture. Her life was one of frequent struggles, yet she was inspiring to many. She emerged from every difficulty, never unscathed, but always victorious, with clear eyes and head held high, until her last battle, which brought about her greatest victory. This sentiment is what I tried to capture. If too slow a tempo is taken, that feeling is lost and a sense of grief takes over. That may be what a conductor wants to convey, but is not what I intended.

.

Annieas Gone HomeA is a tribute to my Mother, Annette Fenner Hains (1923a2017). Her siblings and cousins always called her aAnnie.a She loved music, and her influence was the primary inspiration for me to go into music. Her tastes were wildly diverse, loving everything from symphonic music to Country/Western, to various styles of folk music, to pop, to marches, but she had a very tender spot for hymns and spirituals.

While it is easy to interpret grief in this music, and its presence is undeniable, it is really intended more as a song of the ultimate triumph of goodness. In her wisdom, she was able to capture deep thoughts within simple phrases, which I have also tried to capture. Her life was one of frequent struggles, yet she was inspiring to many. She emerged from every difficulty, never unscathed, but always victorious, with clear eyes and head held high, until her last battle, which brought about her greatest victory. This sentiment is what I tried to capture. If too slow a tempo is taken, that feeling is lost and a sense of grief takes over. That may be what a conductor wants to convey, but is not what I intended.

.

Annieas Gone HomeA is a tribute to my Mother, Annette Fenner Hains (1923a2017). Her siblings and cousins always called her aAnnie.a She loved music, and her influence was the primary inspiration for me to go into music. Her tastes were wildly diverse, loving everything from symphonic music to Country/Western, to various styles of folk music, to pop, to marches, but she had a very tender spot for hymns and spirituals.

While it is easy to interpret grief in this music, and its presence is undeniable, it is really intended more as a song of the ultimate triumph of goodness. In her wisdom, she was able to capture deep thoughts within simple phrases, which I have also tried to capture. Her life was one of frequent struggles, yet she was inspiring to many. She emerged from every difficulty, never unscathed, but always victorious, with clear eyes and head held high, until her last battle, which brought about her greatest victory. This sentiment is what I tried to capture. If too slow a tempo is taken, that feeling is lost and a sense of grief takes over. That may be what a conductor wants to convey, but is not what I intended.

.

Annie's Gone Home is a tribute to my Mother, Annette Fenner Hains (1923-2017). Her siblings and cousins always called her Annie. She loved music, and her influence was the primary inspiration for me to go into music. Her tastes were wildly diverse, loving everything from symphonic music to Country/Western, to various styles of folk music, to pop, to marches, but she had a very tender spot for hymns and spirituals.

While it is easy to interpret grief in this music, and its presence is undeniable, it is really intended more as a song of the ultimate triumph of goodness. In her wisdom, she was able to capture deep thoughts within simple phrases, which I have also tried to capture. Her life was one of frequent struggles, yet she was inspiring to many. She emerged from every difficulty, never unscathed, but always victorious, with clear eyes and head held high, until her last battle, which brought about her greatest victory. This sentiment is what I tried to capture. If too slow a tempo is taken, that feeling is lost and a sense of grief takes over. That may be what a conductor wants to convey, but is not what I intended.

.
Annie's Gone Home is a tribute to my Mother, Annette Fenner Hains (1923-2017). Her siblings and cousins always called her Annie. She loved music, and her influence was the primary inspiration for me to go into music. Her tastes were wildly diverse, loving everything from symphonic music to Country/Western, to various styles of folk music, to pop, to marches, but she had a very tender spot for hymns and spirituals. While it is easy to interpret grief in this music, and its presence is undeniable, it is really intended more as a song of the ultimate triumph of goodness. In her wisdom, she was able to capture deep thoughts within simple phrases, which I have also tried to capture. Her life was one of frequent struggles, yet she was inspiring to many. She emerged from every difficulty, never unscathed, but always victorious, with clear eyes and head held high, until her last battle, which brought about her greatest victory. This sentiment is what I tried to capture. If too slow a tempo is taken, that feeling is lost and a sense of grief takes over. That may be what a conductor wants to convey, but is not what I intended.
Annie� �s Gone Home is a tribute to my Mother, Annette Fenner Hains (1923–2017). Her siblings and cousins always called her “Annie.” She loved music, and her influence was the primary inspiration for me to go into music. Her tastes were wildly diverse, loving everything from symphonic music to Country/Western, to various styles of folk music, to pop, to marches, but she had a very tender spot for hymns and spirituals.While it is easy to interpret grief in this music, and its presence is undeniable, it is really intended more as a song of the ultimate triumph of goodness. In her wisdom, she was able to capture deep thoughts within simple phrases, which I have also tried to capture. Her life was one of frequent struggles, yet she was inspiring to many. She emerged from every difficulty, never unscathed, but always victorious, with clear eyes and head held high, until her last battle, which brought about her greatest victory. This sentiment is what I tried to capture. If too slow a tempo is taken, that feeling is lost and a sense of grief takes over. That may be what a conductor wants to convey, but is not what I intended.

Violin 1, Violin 2, Viola, Cello - Grade 4

SKU: AP.36-52703303

Arranged by Bert Ligon, Bud Caputo, Martin Norgaard, Matt Turner, and Thom Sharp. Performance Music Ensemble; String Quartet. Ludwig Masters. Score. LudwigMasters Publications #36-52703303. Published by LudwigMasters Publications (AP.36-52703303).

ISBN 9781621567455. UPC: 660355097294. English.

Arrangers Bud Caputo, Bert Ligon, Martin Norgaard, Matt Turner and Thom Sharp bring you jazz in the string quartet world! These seven standards are ideal for students and professionals alike. Includes: It's Only A Paper Moon (Ligon); It Had To Be You (Norgaard); Bye Bye Blackbird (Caputo); Blue Moon (Turner); Take Five (Ligon); How High The Moon (Sharp); and A Day In The Life Of A Fool (Ligon).

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Four pieces for four guitars. Arranged by Franti?ek Luka? Set (Score and Parts). Composed 2020. Hal Leonard Europe #ENOBM103. Published by Hal Leonard Europe

Orchestra orchestra - Grade 3

SKU: KJ.SO371F

Composed by Bud Woodruff. Score only. Neil A. Kjos Music Company #SO371F. Published by Neil A. Kjos Music Company (KJ.SO371F).

UPC: 8402704681.

Daybreak musically depicts the early morning, just prior to first light, evolving through the quiet first morning twilight into the majesty of dawn. The slow and peaceful opening builds to a grand and full moment, giving way to an Allegro section that features rhythmic motives and striking harmonies. A winner from the desk of Bud Woodruff!

Duration: 2:48.