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Snowman Suite, The (Cello And Piano) (BLAKE HOWARD)
91.90
Snowman Suite, The (Cello And Piano) (BLAKE HOWARD)
Violoncelle, Piano
[Partition]
Faber Music Limited
Par BLAKE HOWARD. Histoire de Noël charmant Raymond Briggs du garçon qui a con...
(+)
Par BLAKE HOWARD. Histoire de Noël charmant Raymond Briggs du garçon qui a construit un bonhomme de neige qui vient à la vie et leurs aventures ensemble, est devenue classique pour les enfants. Sa popularité a été rehaussée par des émissions de télévision fréquentes de la caricature film de primé le bonhomme de neige. Cette combinaison pour violoncelle et piano, compositeur Howard Blake a recréé l'histoire dans les paroles et la musique basée sur les scènes du film. La musique, ce qui comprend la chanson marche dans l'Air, est assez facile à être joué par les pianistes de tous âges et capacités./ Recueil / Violoncelle et Piano
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Cello Concerto Final Movement
26.01
Cello Concerto Final Movement
Violoncelle, Piano
Novello & Co Ltd.
The Final Movement of the Concerto For Violoncello And Orchestra by Herbert Howe...
(+)
The Final Movement of the Concerto For Violoncello And Orchestra by Herbert Howells has been elaborated here by Jonathan Clinch, arranged for Cello and Piano. A full performance lasts around 8 minutes. / Violoncelle Et Piano
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Herbert Howells: Cello Concerto Final Movement: Cello: Instrumental Work
17.99
Herbert Howells: Cello Concerto Final Movement: Cello: Instrumental Work
Violoncelle, Piano
[Partition]
Novello & Co Ltd.
The Final Movement of the Concerto For Violoncello And Orchestra by Herbert Howe...
(+)
The Final Movement of the Concerto For Violoncello And Orchestra by Herbert Howells has been elaborated here by Jonathan Clinch arranged for Cello and Piano. A full performance lasts around 8 minutes.
17.99 GBP - vendu par Musicroom GB
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Howard Blake: The Snowman Suite - Cello/Piano: Cello: Instrumental Work
12.99
Howard Blake: The Snowman Suite - Cello/Piano: Cello: Instrumental Work
Violoncelle, Piano
[Conducteur et Parties séparées]
-
Facile
Chester
Raymond Briggs' charming Christmas story about the adventures of a boy and the s...
(+)
Raymond Briggs' charming Christmas story about the adventures of a boy and the snowman that comes to life is a modern children's classic. The tales popularity has been further enhanced by frequent television broadcasts of theaward-winning cartoon film The Snowman.In this suite for Cello and Piano composer Howard Blake recreated the story in music based on the scenes from the film. The music includes the hit song Walking In TheAir
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Concerto for Cello and Orchestra (Concertstück)
21.05
Concerto for Cello and Orchestra (Concertstück)
Violoncelle, Piano
[Partition]
Peters
Original Version - Edition for Cello and Piano. Par SCHUMANN ROBERT. Schumann’...
(+)
Original Version - Edition for Cello and Piano. Par SCHUMANN ROBERT. Schumann’s Cello Concerto Rediscovered In her first Urtext edition for Edition Peters, internationally renowned cellist Josephine Knight reveals Robert Schumann’s original version of his Cello Concerto in A minor Op. 129 – a piece he actually called a ‘Concertstück’ – removing generations of inauthentic editorial interventions. This is the only available modern scholarly edition of the work as Schumann originally conceived it, and restores the text from October 1850, based on the composer’s manuscript held in the Biblioteka Jagiellonska in Kraków. This Full Score matches the separately available edition for Cello and Piano (EP 73488). Matching orchestral material is also available from the publisher. Only modern Urtext edition based on Schumann’s original 1850 manuscript Many new corrections and clarifications, especially to the cello part Scholarly preface detailing history of the work and this edition by editor Josephine Knight, Piatti Professor of Cello at the Royal Academy of Music London Cello Part contains Josephine Knight's fingering and bowing suggestions Critical Commentary Cello and piano edition available separately from Edition Peters: orchestral parts available for rental Recording of the Concertstück featuring Josephine Knight available from Dutton Robert Schumann’s tragic last years have mired many of his greatest works in unnecessary doubt. The story of the suppression of his Violin Concerto by well-meaning friends is relatively well-known. Few, however, know that the version of the Cello Concerto that is routinely heard today is so far from Schumann’s original conception of the work – not only in details of phrasing and articulation, but also featuring a different ending with a bold final flourish from the cello. Composed in a burst of inspiration in two weeks in October 1850 shortly after he and Clara had moved to Düsseldorf, Schumann (who in 1850 was still in good health) never heard the piece performed. In an effort to promote a performance of the work, he gave the score to the cellist Robert Emil Bockmühl. Bockmühl made revisions that Schumann resisted, and the hoped-for performance never happened. Schumann’s health failed and he died aged just 46 in 1856. The Concerto, in an already substantially revised form, was premiered in 1860 but it was not given significant recognition until it was championed by Pablo Casals in the 20th century by which time (and since) the text for the work had accreted additions and alterations from generations of soloists. Now Josephine Knight, Piatti Professor of Cello at the Royal Academy of Music, London has returned to the original 1850 manuscript of the work, which is in the Biblioteka Jagiellonska in Kraków, to reveal Schumann’s original thoughts for the first time in a modern Urtext edition. The edition reflects Schumann’s original conception of the work as a Concertstück and restores Schumann’s musical text, free of posthumous interventions. ‘My ultimate wish,’ says the editor, ‘is to give performers both access to, and confidence that they are playing from, an edition which is a true representation of the piece in its original form, no matter how much more difficult this might be. I found that incorporating the changes enabled the piece to take on a completely different character – one that is lighter and happier, even “cheerful”, as Schumann himself described the work.'/ Répertoire / Violoncelle et Piano
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Antonín Dvo?ák: Cello Concerto In B Minor Op.104 (Cello & Piano): Cello:
18.00
Antonín Dvo?ák: Cello Concerto In B Minor Op.104 (Cello & Piano): Cello:
Violoncelle, Piano
[Partition]
Barenreiter
Like every other great 19th-century solo concerto Dvorák?s famous Cello Concer...
(+)
Like every other great 19th-century solo concerto Dvorák?s famous Cello Concerto was a collaboration between composer and virtuoso. It has long been known that certain solo passages in Dvorák?s autograph score were actually written by the cellist Hanu? Wihan; but Bärenreiter?s edition now reveals that some details in the Orchestral parts are also in his writing showing just how closely the two musicians were working together.The editor Jonathan Del Mar has painstakingly examined all the surviving sources including two that have hitherto been either ignored or crucially undervalued in order to produce anauthoritative edition which restores for the first time since the original edition was published in 1896 - Dvorák?s final and definitive version of the solo Cello part. This differs in details in almost every bar from the version found in all other modern editions while hundreds of corrections have also been made to the Orchestral parts.- With Dvorák?s final and definitive version of the solo Cello part.- With hundreds of corrections in the solo Cello part as well as the Orchestral parts.- With hitherto unknown details regarding the collaboration between Dvorák and Wihan.- With Dvorák?s original Piano reduction.- With Feuermann's and Casals' alternatives to a passage in the first movement.- Full score performance material (BA9045) Cello & Piano (BA9045-90) & Facsimile (BVK1849) available for sale.
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The Cello Rocket / Joachim Johow - Violoncelle Et Piano
25.70
The Cello Rocket / Joachim Johow - Violoncelle Et Piano
Violoncelle, Piano
[Partition + CD]
De Haske Publications
The Cello Rocket contient 18 pièces entraînantes en première position. Chaque...
(+)
The Cello Rocket contient 18 pièces entraînantes en première position. Chaque pièce est enregistrée dans une version de démonstration (version intégrale) et dans une version où ne subsiste que l'accompagnement. Le jeu du violoncelliste débutant va décoller comme une fusée. Ce recueil est un complément idéal à toute méthode. / Violoncelle Et Piano / 48 pages / niveau : Très Facile - Facile / Partition Cd
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The Cello Collection - Book - Online Media
28.18
The Cello Collection - Book - Online Media
Violoncelle, Piano
[Partition + Accès audio]
Chester
This exclusive collection contains eight pieces by Ludovico Einaudi for Saxophon...
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This exclusive collection contains eight pieces by Ludovico Einaudi for Saxophone and Piano, with full score and pull-out Saxophone part.Pieces include: The Crane Dance, Dna, Elegy For The Arctic, Four Dimensions, Night, Nuvole Bianche, Primavera and Una Mattina.As well as the printed score, this book includes a range of supporting digital features:SoundCheck - This unique assessment and feedback software lets you use your phone, tablet or computer to help you practice. Simply open up the piece you're working on and SoundCheck gives you an instant report on your performance and advice on how to improve!Ebook - A digital edition of your music to read on any device.Audio - Full demonstration recordings of each piece plus accompaniment-only and solo-only backing tracks. / Violoncelle Et Piano
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Sonata No. 2 In G Minor Op. 117 (FAURE GABRIEL)
20.57
Sonata No. 2 In G Minor Op. 117 (FAURE GABRIEL)
Violoncelle, Piano
G. Henle
Sonata no. 2 in g minor op. 117 for Violoncello and Piano. Par FAURE GABRIEL. In...
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Sonata no. 2 in g minor op. 117 for Violoncello and Piano. Par FAURE GABRIEL. In contrast to the first cello sonata (HN 1357) composed four years earlier, this substantially more catchy and playful second sonata enjoyed great success with audiences and critics right from the start. Friend and associate Vincent d'Indy wrote to Fauré the day after the premiere in May 1922: I would like to tell you how much I am still charmed by your so beautiful sonata. In it I found what is seemingly forgotten these days: music.” It therefore comes as no surprise that the sonata rapidly found its way into the concert repertoire, where it maintains an uncontested position to this today. The duo David Geringas and Markus Bellheim provided fingerings. / Classique / Répertoire / Violoncelle et Piano
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Jackaroo (Cello And Piano) (WEDGWOOD PAM / LUMSDEN C)
11.40
Jackaroo (Cello And Piano) (WEDGWOOD PAM / LUMSDEN C)
Violoncelle, Piano
[Partition]
-
Facile
Faber Music Limited
Par WEDGWOOD PAM / LUMSDEN C.. 'Jackaroo' teaches fundamental string technique u...
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Par WEDGWOOD PAM / LUMSDEN C.. 'Jackaroo' teaches fundamental string technique using only open strings and first finger, each piece introduces a new rhythmic or technical point, with useful suggestion boxes for the teacher. The addition of words and lively accompaniments by Pam Wedgwood means that each piece can be sung through first. There's even the chance to draw your own imaginary animals too, inspired by Drew Hillier's wacky illustrations - how about a 'Snivelling Skunkpanzee'? This book will insoire young players and inject a healthy dose of fun into 'cello lessons. / Niveau : Facile / Date parution : 2002-11-13/ Recueil / Violoncelle et Piano
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Micantia for Cello and Piano (KNOCKAERT PETER)
18.54
Micantia for Cello and Piano (KNOCKAERT PETER)
Violoncelle, Piano
[Partition]
Metropolis Music Publishers
Par KNOCKAERT PETER. Micantia is the Latin word for ?things that are twinkling/s...
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Par KNOCKAERT PETER. Micantia is the Latin word for ?things that are twinkling/shimmering/shining/sparkling, ...?.. The inspiration for this piece is found in many sudden observations of beautiful sceneries like sunbeams shining through clouds, snow crystals in winter time or icy landscapes. In a way too hasty world, the piece is meant to slow down a little and give you a moment of reflection on how mesmerizing the world is around us. / Date parution : 2022-11-29/ Répertoire / Violoncelle et Piano
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YAMAHAMUSIC STUDIO GHIBLI SONGS POUR VIOLONCELLE ET PIANO
12.80
YAMAHAMUSIC STUDIO GHIBLI SONGS POUR VIOLONCELLE ET PIANO
Violoncelle, Piano
Yamaha
Si vous tes un fan du Studio Ghibli et que vous jouez d'un instrument, le voici ...
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Si vous tes un fan du Studio Ghibli et que vous jouez d'un instrument, le voici ! Toutes les chansons preferees du Studio Ghibli sont arrangees pour violoncelle (solo) et piano (accompagnement). Comprend 10 chansons de Nausica de la vallee du vent, Castle in the Sky, My Neighbor Totoro, Kiki's Delivery Service, Princess Mononoke, Spirited Away, Ponyo on the Cliff by the Sea et Howl's Moving Castle. Le livre de 40 pages pour violoncelle et piano comprend une partition separee de 16 pages pour violoncelle seul. Parfait pour les scenes de jeu de piano occasionnelles ainsi que pour le streaming video en direct en ligne, les leons et les recitals ! Decouvrez d'autres livres Studio Ghibli disponibles dans la mme serie. / Partitions variété - pop - rock / Musique films - comédies musicales / / YAMAHAMUSIC
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Les Filles du Forgeron
38.30
Les Filles du Forgeron
Violoncelle, Piano
[Partition]
Bote and Bock
Suite pour violoncelle et piano. Par LAKS SIMON. Simon Laks (1901-1983), who mov...
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Suite pour violoncelle et piano. Par LAKS SIMON. Simon Laks (1901-1983), who moved from Warsaw to Paris in 1926 at the age of 25, belonged to the large group of composers from Central and Eastern European countries who went down in 20th-century music history as the „École de Paris“. Slavic temperament amalgamated in their music with French esprit, the folklore of their native countries combined with the stylistic elements of neoclassicism and jazz typical of the time. As a member of the „Association of Young Polish Musicians“, Laks quickly made his way into French musical life. However, his career was ended with the beginning of World War 2 due to the collaboration of the Vichy government with Nazi Germany. Internment in 1941 was followed by deportation to Auschwitz in 1942. Laks survived the Shoah as a member and later leader of a camp band in Birkenau, which he testified to in his moving book Music in Auschwitz. After the traumatic experiences, Laks did not return to regular compositional activity until the 1960s, producing an opera, songs, and chamber music works, some of which were awarded important composition prizes. At the peak of this optimistic creative phase, he composed incidental music for Peretz Hirschbein's famous Yiddish comedy Dem Schmids Techter (The Blacksmith's Daughters), which premiered in New York in 1918, for a new production of the play at the Théâtre de l’Entrepôt in Paris. Along with Prokofiev's Overture on Hebrew Themes and Shostakovich's cycle From Yiddish (Jewish) Folk Poetry, it is one of the most significant 20th-century explorations of art music with Jewish folklore – homage to a culture irreparably destroyed. From the original score, Holger Groschopp compiled two suites, for violoncello and piano and piano solo, that capture the essence of Lak‘s enchanting drama music. The premiere recording of the suites with Holger Groschopp and Adele Bitter was awarded the Opus Klassik 2023 in the category Editorial Achievement of the Year. . / Date parution : 2024-01-06/ Répertoire / Violoncelle et Piano
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Sonate Pour Violoncelle Et Piano En Fa Majeur - Op. Posth (SCHNEIDER FRIEDRICH)
33.19
Sonate Pour Violoncelle Et Piano En Fa Majeur - Op. Posth (SCHNEIDER FRIEDRICH)
Violoncelle, Piano
[Partition]
Breitkopf & Härtel
Par SCHNEIDER FRIEDRICH. Friedrich Schneider is known today above all for his ex...
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Par SCHNEIDER FRIEDRICH. Friedrich Schneider is known today above all for his extensive oeuvre in the area of the oratorio. No less important, however, in addition to his symphonic work, is his group of works for piano and/or chamber music. His cello sonata in F major, with all four movements large in scale, was probably composed in 1831 for the daughter of the Cologne music patron, Dr. Erich Heinrich Verkenius. With its expressiveness, monumental structure, and post-Beethovenian sensuality, this sonata already seriously anticipates Romanticism. Our edition offers two solo parts: an unmarked original text as well as a version with fingerings and bowings by the Leipzig based cellist Jürnjakob Timm./ Répertoire / Violoncelle et Piano
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Studio Ghibli Songs for Cello and Piano (HISAISHI JOE)
14.59
Studio Ghibli Songs for Cello and Piano (HISAISHI JOE)
Violoncelle, Piano
[Partition]
Yamaha
Par HISAISHI JOE. If you are a Studio Ghibli fan and play an instrument, here it...
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Par HISAISHI JOE. If you are a Studio Ghibli fan and play an instrument, here it is! All time favorite Studio Ghibli songs are arranged for cello (solo) and piano (accompaniment). Includes 10 songs from Nausicaä of the Valley of the Wind, Castle in the Sky, My Neighbor Totoro, Kiki?s Delivery Service, Princess Mononoke, Spirited Away, Ponyo on the Cliff by the Sea, and Howl?s Moving Castle. The book of a 40-page cello and piano score includes a separate 16-page cello solo part score. Perfect for casual piano playing scenes as well as for online video live streaming, lessons, and recitals! Check out more Studio Ghibli books available in the same series. / Date parution : 2022-05-31/ Recueil / Violoncelle et Piano
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4 Pieces (Cello And Piano) (BRIDGE FRANK)
15.80
4 Pieces (Cello And Piano) (BRIDGE FRANK)
Violoncelle, Piano
[Partition]
-
Facile
Faber Music Limited
Par BRIDGE FRANK. These four pieces for Cello and Piano accompaniment, were comp...
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Par BRIDGE FRANK. These four pieces for Cello and Piano accompaniment, were composed separately between the years 1901 and 1910 and appeared in print in several different versions, ranging from piano solo to full orchestra. They were all primarily written, however, for cello and piano so appear here in their original form. The editor - Julian Lloyd Webber - has been responsible for the addition of bowings and fingerings. / Niveau : Assez Facile / Répertoire / Violoncelle et Piano
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Andante con Variazioni (BEETHOVEN LUDWIG VAN)
11.34
Andante con Variazioni (BEETHOVEN LUDWIG VAN)
Violoncelle, Piano
[Partition]
Faber Music Limited
Par BEETHOVEN LUDWIG VAN. Andante con Variazioni by Beethoven is a theme and var...
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Par BEETHOVEN LUDWIG VAN. Andante con Variazioni by Beethoven is a theme and variations written originally for mandolin and keyboard in 1796. It is arranged here for cello and piano by cellist Steven Isserlis and is a work full of charm and humour with a touch of pathos in the minor variation. It shows the young Beethoven at his most elegant. / Instrumental Music / Répertoire / Violoncelle et Piano
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Sonata For Violoncello And Piano E Minor Op. 38
19.14
Sonata For Violoncello And Piano E Minor Op. 38
Violoncelle, Piano
Barenreiter
The first three movements of Johannes Brahms' E minor Cello Sonata were composed...
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The first three movements of Johannes Brahms' E minor Cello Sonata were composed in 1862, the last movement was written in 1865. During the first years of its performance the work was received with mixed enthusiasm. By the end of Brahms' life, however, it was widely performed and by the first decades of the 20th century it was firmly embedded in the repertoire of many distinguished cellists. It was notably Robert Hausmann's advocacy of the work which seems to have contributed greatly to its promotion.Of particular value to the editors were the three early performance editions of the Cello Sonata op. 38 by Cornelius van Vliet and Edwin Hughes, Hugo Becker and Carl Friedberg, as well as Julius Klengel. The cellists' van Vliet, Becker and Klengel's fingering and bowing allows for a better understanding of their performance practice. As such, the Bärenreiter edition comes with a cello part marked with fingering and bowing by the editors which are based on the practices of Brahms' contemporaries. We also provide an unmarked urtext part.An important part of this edition is the extensive preface. Firstly it informs about the works' origins, early performances, its publication as well as early reception. Truly remarkable is the unique Performance Practice Commentary. Here the editors take the premise that already a few decades after Brahms' death a widening gulf developed between the composer's expectations and the performance practices of the early 20th century. In a very concrete and practical way, the editors summarize some of the key issues in understanding Brahms' notation with regard to rhythm and timing, dynamics and accentuation, dots and strokes, slurring and non legato, piano pedalling and overholding, piano arpeggiation and dislocation, string instrument fingering, string instrument harmonics and vibrato. In this way, the edition offers an exciting and often surprising insight in Romantic musical interpretation.- A pioneering Urtext edition- With an unmarked Urtext part- With a second part including fingering and bowing based on the practices of contemporaries of Brahms- With an extensive Performance Practice Commentary- For further information on Romantic performance practice we recommend: ?Performance Practices in Johannes Brahms' Chamber Music', text booklet BA 9600 / Violoncelle Et Piano
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3 Sketches For Cello And Piano (JACQUES MICHAEL)
8.61
3 Sketches For Cello And Piano (JACQUES MICHAEL)
Violoncelle, Piano
[Partition]
Stainer and Bell
Par JACQUES MICHAEL. Michael Jacques studied with Sir Lennox Berkeley at the Roy...
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Par JACQUES MICHAEL. Michael Jacques studied with Sir Lennox Berkeley at the Royal Academy of Music. His material shows considerable understanding of working with young people./ Répertoire / Violoncelle et Piano
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Slavonic Dances Op. 46 (DVORAK ANTONIN)
25.46
Slavonic Dances Op. 46 (DVORAK ANTONIN)
Violoncelle, Piano
-
Intermédiaire
Barenreiter
Arranged For Violoncello et Piano. Par DVORAK ANTONIN. In 1891 Dvorák arranged ...
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Arranged For Violoncello et Piano. Par DVORAK ANTONIN. In 1891 Dvorák arranged the final eighth dance of his popular first set of the Slavonic Dances Op. 46 for violoncello and piano. The Czech composer Jirí Gemrot, born in 1957, has followed his example and has arranged the remaining dances for the same scoring. However in order to approach Dvorák’s ideal sound Gemrot based his arrangements on the composer's orchestral score. Dvorák’s own arrangement of Slavonic Dance No. 8 has been taken from the Complete Edition of the Works of Antonín Dvorák, Volume IV/3 (Compositions for Violoncello). First complete edition of the first set of Slavonic Dances arranged for violoncello and pianoby Jirí Gemrot Includes Dvorák’s own arrangement of Dance No. 8 With fingering and bowing by Tomáš Jamník Foreword (Cz/Eng/Ger) by Eva Velická / Niveau : 3 / Répertoire / Violoncelle et Piano
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Cello Recital Album, Vol.1
20.83
Cello Recital Album, Vol.1
Violoncelle, Piano
Barenreiter
18 Recital Pieces in First Position for Cello and Piano or Two Celli. The 18 pie...
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18 Recital Pieces in First Position for Cello and Piano or Two Celli. The 18 pieces in Volume 1 are structured to follow the same progression of finger patterns introduced in the 'Early” Start method. This systematic progression helps the student to solidify the hand position and improve intonation. The basic bowing techniques do not require changes in bow speed or sounding point. The young performer can focus on a straight and beautifully placed bow that produces a pleasing and clear sound. The 'Cello Recital Album”, Volume 1 (BA 8994), can be used as a supplement to the 'Early Start on the Cello” method, Volumes 1 and 2 (BA 8996 and BA 8997). Collections of recital pieces for the cello: - Charming collections of easy pieces in first position - Each cello part is supported by a piano accompaniment for student performances - Alternately a second cello part allows duo playing with the teacher during lessons. This early introduction to chamber music brings joy and satisfaction to the young cellist and teaches the student to hear the music as a whole. - The two volumes (BA 8994, Ba 8995) are designed as companion publications to the Early Start on the Cello method. However, they work equally well as a supplement to any other cello method. - A variety of rarely published works by well-known cellists and pedagogues such as Wilhelm Fitzenhagen, Hugo Schlemüller, and August Nölck make these publications attractive to teachers and students. / Recueil / Violoncelle et Piano
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Sonate Gmaj Vc Pft (SAMMARTINI)
14.49
Sonate Gmaj Vc Pft (SAMMARTINI)
Violoncelle, Piano
[Partition]
IMC (International Music Co.)
Par SAMMARTINI. The Sonata In G For Cello And Piano was formerly attributed to G...
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Par SAMMARTINI. The Sonata In G For Cello And Piano was formerly attributed to Giovanni Battista Sammartini (c. 1698-1775), however scholars now attribute this piece to the French cellist and composer Martin Berteau (1709-71), one ofthe founders of the French cello tradition. The sonata for cello in G major seamlessly balances the higher register with the fundamental sonority of the cello, elegantly demonstrating the natural sonic potential of the thumbposition. The solo cello part is also included on a separate insert. / Répertoire d'Examen / Répertoire / Violoncelle et Piano
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Cello Recital Album, Vol.2
20.83
Cello Recital Album, Vol.2
Violoncelle, Piano
-
Facile
Barenreiter
The 12 pieces in Volume 2 are structured to follow the same progression of finge...
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The 12 pieces in Volume 2 are structured to follow the same progression of finger patterns introduced in the 'Early Start? method, Volumes 2 and 3. The later repertoire in this volume includes a careful introduction of downward and upward extensions.The 'Cello Recital Album?, Volume 2 (BA 8995), can be used as a supplement to the 'Early Start on the Cello? method, Volumes 2 and 3 (BA 8997 and BA 8998).Collections of recital pieces for the cello: - Charming collections of easy pieces in first position - Each cello part is supported by a piano accompaniment for student performances - Alternately a second cello part allows duo playing with the teacher during lessons. This early introduction to chamber music brings joy and satisfaction to the young cellist and teaches the student to hear the music as a whole. - The two volumes (BA 8994, Ba 8995) are designed as companion publications to the Early Start on the Cello method. However, they work equally well as a supplement to any other cello method. - A variety of rarely published works by well-known cellists and pedagogues such as Wilhelm Fitzenhagen, Hugo Schlemüller, and August Nölck make these publications attractive to teachers and students. / Violoncelle Et Piano
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R. Caroline Bosanquet: Fun With Cello Harmonics: Cello: Instrumental Tutor
Violoncelle, Piano
[Partition]
S J Music
This book is ideal for teaching harmonics to intermediate students. Exercises in...
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This book is ideal for teaching harmonics to intermediate students. Exercises introduce the harmonics found in different positions and the book includes eleven well-known tunes. These are provided with either a Cello duet part or a Piano accompaniment giving flexibility for teaching styles and also performance. There are also easy to understand explanations as to how to find the harmonics on the Cello.
12.95 GBP - vendu par Musicroom GB
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B Kelly: Sonatina: Cello: Instrumental Work
7.95
B Kelly: Sonatina: Cello: Instrumental Work
Violoncelle, Piano
[Partition]
-
Avancé
Spartan Press
'Apart from the piano the cello is my favourite instrument. I taught myself how...
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'Apart from the piano the cello is my favourite instrument. I taught myself how to play it while still at school then took lessons with John Snowdon when I was a student at the R.C.M.. I had to give the cello up to concentrate on other things but my love for the instrument lingered on and in the past few years I have written works for two four and eight cellos so it seemed logical to write something for one hence this Sonatina! The dedication is to Naomi Butterworth who has championed my cello music and given many performances of it.'Bryan Kelly
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Sonata G Minor (ECCLES HENRY)
17.34
Sonata G Minor (ECCLES HENRY)
Violoncelle, Piano
-
Intermédiaire
Barenreiter
Par ECCLES HENRY. Henry Eccles left behind a number of smaller works most of whi...
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Par ECCLES HENRY. Henry Eccles left behind a number of smaller works most of which were written for violins or flutes. However, the most famous is this Sonata in G minor. Though often played in transcription by violinists and especially by double bass players, the sonata was originally published for cello in four movements – Prelude, Courante, Sarabande and Gigue – accompanied by a figured bass. Little is known about Henry Eccles. Neither his birth nor his death date has been firmly established, ranging respectively between 1675-85 and 1735-45. It is not even certain that he composed this sonata. He probably hailed from London and later served at the court of Louis XV in France. The editorChristoph Sassmannshaus, is the grandson of Egon Sassmannshaus, the founder of the “Early Start” series of string methods. / Niveau : 3 / Répertoire / Violoncelle et Piano
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Im Walde (POPPER DAVID)
25.50
Im Walde (POPPER DAVID)
Violoncelle, Piano
[Conducteur et Parties séparées]
Barenreiter
Par POPPER DAVID. David Poppers Suite in six movements „Im Walde“ is known b...
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Par POPPER DAVID. David Poppers Suite in six movements „Im Walde“ is known by cellistes mainly from compilations for violoncello and piano, containing the „Gnomentanz“ and the „Andacht“. However these favored movements are only two from six character-pieces, which in 1882/ Répertoire / Violoncelle
25.50 EUR - vendu par LMI-partitions
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