SKU: CF.BE11F
ISBN 9780825888595. UPC: 798408088590. 8.5 x 11 inches.
Beginning in the 1950s, the CIA became very interested in psychological research beingconducted on the effects of sensory deprivation on humans. The research, that suggestedrapid regression in those tested, provided a framework for sections of what would later beknown as the KUBARK manual, the first a series of US-government documents thatprovided techniques for interrogating detainees. These methods involved radicallyaltering a detainee’s sense of time and environment.Among these techniques, some developed independently of the manuals by interrogators,were the manipulation of light and sound. In order to weaken the resolve of a detaineeand prolong “capture shock,†complete sensory deprivation followed by blasts of light ornoise, or very loud music, proved effective. So much so that variations and combinationsof these techniques were widely used by the United States as well as both its allies andenemies in Vietnam, Latin America, Northern Ireland, and the Middle East.Though the idea of sound as a weapon is at least as old as the account of Joshua’s siegeof Jericho, it was only recently deemed “inhuman and degrading†for the purposes ofinterrogation by the European Court of Human Rights in the 1978 case “Ireland v. theUnited Kingdom.â€.Accid entals apply only to the notes they precede with the exception of tied or consecutively repeated notes.Tempi are consistent throughout the meter changes (Le., ~'=),)=)l, etc.).Grace notes are always to be played as fast as possible. Each grace note in a group should be of the same duration. Gracenotes curtail the previous measured note's duration with the exception noted below.Approximate duration: 16 minutes.
SKU: AP.50875
ISBN 9781470666880. UPC: 038081585499. English.
This heartfelt rendition of the beautiful Irish folk song, The Parting Glass, arranged by Robert Sheldon, is as playable as it is expressive. The variety of instrumental colors and unexpected harmonies provide moments of warmth, reverie, sentimentality, angst, and resolve that will appeal to audiences and to ensembles with moderate to advanced abilities. (3:40).
SKU: FJ.H1024
ISBN 9781619283480. UPC: 241444437070. English.
In 1725, J.S. Bach gave his second wife, Anna Magdalena, a Notenbüchlein - a collection of solo keyboard pieces and arias. Most of the keyboard pieces were composed by friends, colleagues, and his son, Carl Philipp Emanuel Bach. The easier keyboard works were probably used to instruct their children, while the arias would have been performed by Anna Magdalena, who was a singer. For this edition, Edwin McLean has chosen and expertly edited the most popular and easier keyboard pieces. Originally, the pieces contained no dynamics and virtually no phrasing, which is typical of baroque harpsichord music and even early 18th-century fortepiano music. Sectional dynamics have been added editorially and may be changed at the discretion of the performer. A minimal amount of phrasing and articulation has also been added for clarity. This edition preserves the original notation for appoggiaturas, where small eighth or quarter notes resolve to the principal note. Ossias have been included to show how to play them; ossias also appear when needed for ornaments such as trills and mordents.
SKU: BA.BA11564
ISBN 9790260109148. 31 x 24.3 cm inches. Key: B-flat major. Preface: David R. Beveridge.
The discovery of a lost source to AntonÃn Dvorák's â??Nocturneâ? in B major op. 40 provides new insights into the genesis of the composition and the composer's intended final form of this lyrical little piece for string orchestra.The musical material of what was later to be named â??Nocturneâ? was initially elaborated in the String Quartet in E minor; subsequently it was used in the original version of the String Quintet in G major as its second movement. However Dvorák then extracted it again, expanding and editing it afresh. The final result was the â??Nocturneâ? for string orchestra (two violins, viola, violoncello, double bass). The first edition was published by Bote and Bock in 1883.The authorized second copy of the work that had served as a template for the first printing was discovered by the editor Jonáš Hájek in a privately owned collection. This enabled him to resolve the several ambiguities caused by the existence of multiple versions and to unveil the authentic â??Nocturneâ?.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?< /p> MUSICOLOGICA LLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
What can I expect from a Barenreiter Urtext edition?< /p>
MUSICOLOGICA LLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: HL.198742
UPC: 888680648978. 6.75x10.5x0.029 inches.
This single by Katy Perry was written for the 2016 NBC Olympics coverage in Rio de Janeiro, with an epic sound inspiring us to come together with the resolve to be the best we can be. A fabulous message for choirs of all types!
SKU: LO.30-2680L
UPC: 000308127676.
Mary McDonald brings her wonderful talent to this beautiful arrangement of Let It Be Said of Us. A song of commitment and resolve to live for Christ, it features a text that prays to reflect His likeness to the world. Warm harmonies are supported by a beautiful keyboard accompaniment that can be enhanced with the use of optional percussion and digital strings.
SKU: PR.466000470
UPC: 680160099405. 11 x 17 inches.
This is the second incarnation of a work I first composed in 1994 for symphonic wind ensemble. The earlier version was intended to be the summation of three-part suite, each part being named for a different national park in the Western United States. This orchestral version, commissioned in 1999 by the Utah Symphony and dedicated to the memory of Aaron Copland, is more than a re-scoring of the earlier piece; it is a re-thinking of all its elements. Zion is a place with unrivaled natural grandeur, being a sort of huge box canyon in which the traveler is constantly overwhelmed by towering rock walls on every side of him -- but it is also a place with a human history, having been inhabited by several tribes of native Americans before the arrival of the Mormon settlers in the mid-19th century. By the time the Mormons reached Utah, they had been driven all the way from New York State through Ohio and, with tragic losses, through Missouri. They saw Utah in general as a place nobody wanted, but they were nonetheless determined to keep it to themselves. Although Zion Canyon was never a Mormon Stronghold, the people who reached it and claimed it (and gave it its present name) had been through extreme trials. It is the religious fervor of these persecuted people that I was able to draw upon in creating Zion as a piece of music. There are two quoted hymns in the work: Zion's Walls (which Aaron Copland adapted to his own purposes in both his Old American Songs and the opera The Tender Land) and Zion's Security, which I found in the same volume in which Copland found Zion's Walls -- that inexhaustible storehouse of 19th-century hymnody called The Sacred Harp. My work opens with a three-verse setting of Zion's Security, a stern tune in F-sharp minor which is full of resolve. (The words of this hymn are resolute and strong, rallying the faithful to be firm, and describing the city of our God they hope to establish). This melody alternates with a fanfare tune, whose origins will be revealed in later music, until the second half of the piece begins: a driving rhythmic ostinato based on a 3/4-4/4 alternating meter scheme. This pauses at its height to restate Zion's Security one more time, in a rather obscure setting surrounded by freely shifting patterns in the flutes, clarinets, and percussion -- until the sun warms the ground sufficiently for the second hymn to appear. Zion's Walls is set in 7/8, unlike Copland's 9/8-6/8 meters (the original is quite strange, and doesn't really fit any constant meter), and is introduced by a warm horn solo. The two hymns vie for attention from here to the end of the piece, with the glowingly optimistic Zion's Walls finally achieving prominence. The work ends with a sense of triumph.
SKU: HL.49033002
ISBN 9783795704414. German. Rolf Rettich.
There once lived a man whose head was filled with music - but the city was so noisy that he could barely hear the beautiful melodies. So he bought a house in the quiet countryside and invited other musicians to move in: the String family with the violin, viola, violoncello and double-bass, the Brass family, a gentleman with his piano, a lady with her harp, and the two sturdy guys with drum and timpani. Soon sounds droned and groaned, thundered and rumbled throughout the house. - The man was getting desperate. This was not what he had imagined. Find out if the musicians can resolve their conflict and become a real orchestra and if the man will eventually be able to hear his melodies again. 'Ein Haus voll Musik' is also suited for performances as part of a children's concert with narrator and orchestra. (score = ED 9498 / set of parts = ED 9498-10) Awarded the Deutscher Musikeditionspreis 2002.Rated 'Commendable by the Association of German Music Schools' in 2003/2004.
SKU: CF.YAS221F
ISBN 9781491163030. UPC: 680160921782. Key: G major.
Resolute was composed to celebrate the enduring spirit of those who persevere and overcome difficult challenges with fearless determination. Set in G major, this triumphant theme features a strong, accented melody and energetic accompaniments that frequently utilize double-stops for a resounding effect. The shadows of hardship are heard in a brief shift to E minor before the victorious melody returns with joy that defies darkness with courageous hope. The same way we support each other through trials, many melodies and countermelodies are doubled between sections to portray strength and resolve.Resolute was premiered by the East River High School Orchestra in May of 2022 under the direction of Mr. Scott Friedberg in honor of the orchestra’s 4-year anniversary, and dedicated to the courageous students who continued to make music through the pandemic, demonstrating determination and tenacity in their passionate pursuit of musical excellence.
About Carl Fischer Young String Orchestra Series
Thi s series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by:--Occasionally extending to third position--Keys carefully considered for appropriate difficulty--Addition of separate 2nd violin and viola parts--Viola T.C. part included--Increase in independence of parts over beginning levels
SKU: HL.49045040
ISBN 9790001203388. UPC: 841886025202. 7.5x10.5 inches. English.
A quiet, meditative setting of the Charlotte Smith text by the young British composer Christopher W. Evans. Beautiful melodic lines move largely by step and interweave contrapuntally, creating second-interval dissonances that gently resolve.