This delightful elementary piano duet evokes the sounds and imagery of The Emerald Isle. Featuring a lively dance tempo reminiscent of a jig and harmonies that suggest the bagpipes Celtic Charm is a wonderful addition to The FJH Piano Ensemble Series.

Musicien et Pédagogue de la fin du XVIIIe siècle, Wilhelm Cramer signe là une oeuvre pour piano 6 mains (il compose également un ' Glokenspiel polka' à 6 mains),Lydia se compose des figures de danse du quadrille (pantalon, été, poule, pastourelle, trenis, final) alternant chaines, duos et galop final,Cette transcription pour piano 4 mains permettra au plus grand nombre de jouer cette oeuvre de salon charmante et pétillante qui ravira les  pianistes et le public, / Piano À 4 Mains

Ces deux pièces (pour piano 6 mains) sont l'oeuvre d'un jeune homme de 18 ans encore sous l'influence de son maître Tchaïkovski dans un style romantique, On y retrouve sa maîtrise du piano et son gout pour le lyrisme mélodique et les harmonies chatoyantes, Cette transcription pour piano 4 mains permettra au plus grand nombre de jouer cette oeuvre charmante et brillante qui ravira les pianistes et le public, / Piano À 4 Mains

Ce volume comporte des 46 miniatures du Godowsky pour quatre mains où l'étudiant en position five-finger joue le ' primo 'et l'enseignant joue un accompagnement intéressant et parfois difficile dans le ' secondo '. Magnifiquement écrit, Rachmaninoff utilisé ces miniatures avec ses propres élèves. Complet avec commentaire savante et une analyse détaillée, ce beau livre devrait être fait partie de bibliothèque d'un professeur de piano. Mots d'éloges sur les Miniatures de Godowsky: ' les Miniatures ont ravi sincèrement me et méritent en raison de leurs qualités excellentes pour devenir très populaire. '-Sergei Rachnaninoff ' ces morceaux de charme présentent une réelle nouveauté pour lesquels les enseignants ne manquera pas d'être reconnaissants.'-Percy Grainger / Piano 4 Mains

Par . This volume from the series Music from Chopin's Land includes three (differing in terms of form and style) works by Polish composers for a piano duo. These compositions, dedicated for students aged 14-16 and amateur pianists, shall help acquaint them with the issues of a piano duo and the charm of four-hand piano playing. Four-hand piano playing poses an exceptional challenge. It develops a wide concept of sound diversification, control over hands and their technique, and a unique ability to unify articulation of both pianists. The pianists, while listening to their individual play and concentrating on the play of their partners, become enriched with special sensitivity to the sound quality. A piano duo teaches sensitivity to the other person and mutual responsibility for the preparation and performance of the work. This constitutes the biggest challenge to chamber music, bringing remarkable satisfaction and joy out of mutual music making. / Date parution : 2023-11-03/ Recueil / Piano 4 Mains

Students Will Be Delighted with this charming duet features themes from That Some Of Beethoven 's most famous compositions. Part of the fun Will Be Analyzing the music to see Where the melodies from Für Elise, the Moonlight Sonata and Symphony #5 and 9 are used. Intertwined with thesis melodies That is a theme evokes suspense, aptly Reflecting the title. Written in A minor and 4/4 meter, the suspense is traded back and forth Between the primo and secondo share That Are Equal in Difficulty. / Piano 4 Mains

Per Pianoforte A Quattro Mani (O Due Pianoforti). Par CALLIGARIS SERGIO. Sergio Calligaris was born in Rosario (1941), Argentina. He is one of the last musicians to incarnate the traditional 19th century figure of pianist, teacher and composer, inaugurated at the beginning of the 19th century by Muzio Clementi and carriedon after that by a sequence of famous names that the history of music has handed down to us. As a pianist, he began to give public performances at the age of 13, making his debut in his home town Rosario. Following this success, he embarked upon an extremely busy career as a soloist, giving numerous recitals in Buenos Aires and other citiesin Argentina. He continued to take advanced lessons with eminent exponents of the most prestigious international piano schools. In 1974 he became an Italian citizen and settled in Rome, teaching piano as principal instrument at the S. Pietro a Majella StateConservatory in Naples, the Luisa DAnnunzio Conservatory in Pescara and the Alfredo Casella Conservatory in Aquila. As a composer, he began - at just 9 years of age - to study in the rigorous school of Paul Hindemith, under the guidance of Father Luis Machado, from whom he inherited a love of counterpoint and a strong taste for harmony. He took a diploma incomposition, counterpoint and fugue at the age of 16 at the Amigos del Arte Society in Rosario, going on in 1964 to do an advanced course in 12-tone counterpoint at the Cleveland Institute of Music. The catalogue of his compositions, which has nowreached Op. 55, encompasses a huge range of instrumental/vocal chamber music and symphonic works: a vast and articulated catalogue, in which Sergio Calligaris’s composition expresses its inspiration through the dramatic development of a dialecticalcontrast between the two natures of the composer’s personality - the elegiac and the dithyrambic - which confront and interact with each other giving rise to artistic outcomes of a deeply moving nature. / Niveau : Intermédiaire à Avancé / Répertoire / Piano 4 Mains

1 Piano 4 Hands/Early Intermediate Level-Gillock is a master of ensemble playing and this waltz is no exception. The duet is tuneful with lots of opportunity for expressive playing and the parallel 4ths in the Primo lend an especially interesting flavor to the harmony. Key: C Major.

The 'Old Viennese Dance Tunes' originally composed for violin and piano are published in an arrangement for piano duet for the first time. It is thanks to the Viennese charm of this music that the pieces have become well-known all over the world. The three-four time typical of Vienna requires a certain yet hardly noticeable liberty of tempo interpretation without metronomic constraints.

Eugénie Rocherolle gives us a charming and whimsical collection of five original Piano duets written for the intermediate-level pianist.The CD includes a recording by Rocherolle of the duet primo and secondo tracks allowing the performer to practice along with the CD.

This Really Easy Piano songbook features 16 of the best Chart Hits arranged for Piano Duet. Featuring some of the most popular tunes of today as Easy Piano duets every song also includesinteresting background notes and invaluable performance hints and tips. Perfect for two beginner pianists who'd like to play popular songs fresh from the charts together these Really Easy PianoDuets feature primo and segundo parts for al 16 songs creating a wonderfully complete sound that will be instantly recognisable and just great fun. Including some of the most recent pop tunes songs like Carly RaeJepsen's I Really Like You Taylor Swift's Wildest Dreams and Sam Smith's theme for the latest James Bond film Writing's On The Wall. Other songs included in thiscollection of Really Easy Piano Duets are John Legend's modern classic All Of Me Lunchmoney Lewis' upbeat Bills and Ed Sheeran's brilliant Thinking Out Loud. Theharmonies that both pianists will create are guaranteed to make these songs hugely enjoyable for both players. With song background notes useful playing tips as well as fingering guides and chord symbols throughout this is thebest way to learn such popular chart songs for Piano duet. If you and another beginner pianist are looking to learn some popular hits straight from the charts this book of Really Easy PianoDuets is exactly what you need. With 16 Chart Hits and some helpful extras this book will ensure you're both playing your favourites in no time.

Adding to his two successful editions 'Little Stories in Jazz' (ED 7186) and 'Piano Studies in Pop' (ED 7304) Mike Schoenmehl wrote the collection 'Jazz for Two' for piano duet. Originally published in two volumes the work was reedited in one volume in our new edition. Schoenmehl's commitment in the field of education to make rock pop and jazz music accessible to pupils in a fun way shows here too: rhythm harmony melody form and phrasing of popular music shall be imparted on the pupils by means of these fifteen entertaining jazz and pop pieces. Some of the pieces are even accompanied by exemplary exercises and educational remarks. Illustrated with funny drawings by MarcusReinheimer.

More Well Loved Classical-The second in this series of well-loved and naughtily arranged classical themes! The Primo part consists of an easy student part in freed hand positions while the secondo part contains spiced-up teacher accompaniments. Arranger John Widger has fashioned an interesting and effective volume that features versions of a Chopin Prelude Dvorak's Humoresque and a fabulous jazz harmonization of the Air from Handel's Water Music as well as half-a-dozen more gems! Classicool - Book 2 lets you play these classics like you've never heard them before! Suitable for students working at grade 1 with more challenging secondo parts for the teacher.

Slavonic Dances op. 72 for Piano Four-hands-With the publication of the second volume all of the ?Slavonic Dances? are now available in Urtext. Following the resounding success of the first series op. 46 which immediately made the composer famous around the world thepublisher urged him to write more. Dvo ák only got down to work on them eight years later announcing ?I think these will be very different?. And indeed the difference cannot be missed: the second series is singled out bygreater formal freedom and more colourful harmony. Whereas Opus 46 is for the most part characterised by sparkling high spirits (HN757) in Opus 72 there are also quieter notes: melancholy and poetry find their way into theexuberant dance.

This popular piece of programme music originally written for Orchestra is here arranged for Piano Duet. Synopsis: The cattle-drivers slowly approach the market; the cries of beggars are heard across the bustle. The beautiful princess enters carried by her servants - she stays to watch the jugglers and snake-charmer. The Caliph now passes through the market and interrups the entertainment the princess prepares to depart and the caravan resumes its journey as the sounds of the Persian Market fade into the distance.