Description Jean-Baptiste Arban: Complete Conservatory Method For Trumpet The trumpeter's bible for over 150 years, this complete pedagogical method contains hundreds of exercises, beginning with basics and progressing to advanced compositions, including the author's famous arrangement

Description (I want to play the trumpet) If you ever want to play the trumpet, and you think it's hard or difficult to learn, and you're looking for an easy book, look no more, the Victor M. Barba's book Quiero Tocar La Trompeta is here. Finally there is an Easy to understand book to learn how to play the basics on the trumpet. The only book that includes music notes and music notes name, graphics and fingering, plus a CD, all in one book. With this book you will learn how to read music and learn music theory; you have progressive studies, many original songs, exercises, and daily technique. Comes with 74 musical examples, notes chart, and fingering for each note. Quiero Tocar La Trompeta is a must-have from Easy Music School and Mel Bay Publications! Companion CD of examples included.

Level: easy / intermediate Format: English / French / German Arranger/Editor: Thomas Stevens This book is a supplement to the original James Stamp Warm-Ups and Studies (Editions Bim, Switzerland), and all of James Stamp's concepts and instructions presented in the original volume should apply to these studies as if they were included in this book. The Stamp Warm-up No.6 from the original book (page 10) constitutes the main body of these studies (II, 1-6, pages 18-35). In his studio teaching, James Stamp had his advanced students play No.6 in the natural minor, harmonic minor, 'jazz' melodic minor, whole-tone, and diminished scales, versions of which are included in this volume. The philosophy of the Supplemental Studies, to which James Stamp agreed many years ago, was to fill in some of the blank pages of his legacy, to wit: to show his advanced scale exercises and some of his pedagogical 'roots.' One cannot do this without mentioning Max Schlossberg (1873-1936), whom many consider to be the father of the American school of trumpet playing, and who had a great influence on James Stamp's work. James Stamp was a student of professor Schlossberg, and he used, especially during his formative years as a teacher, some of Schlossberg's original unpublished materials in his work. Schlossberg's concepts also greatly influenced the development of the now world-famous original published Stamp materials (Editions Bim). The Supplemental Studies include four preparatory scale exercises (I, page 8-16) and five attack-air flow studies (III, page 36-39) used by James Stamp, both sets of which have their origins in the concepts of Max Schlossberg and the members of the so-called Schlossberg School. Thomas Stevens

The aim of the Edwards Hovey Method for cornet or trumpet is to develop a method in which the material is arranged logically from the standpoint of (a) Rhythmic development, (b) gradual extension of the range, and (c) development of finger dexterity. Melodies have been selected which adapt themselves easily to correct phrasing, and exercises, while in keeping with limited range and technical ability of the beginning pupil, have been made as melodious as possible, avoiding monotonous and constant repetition of rhythmic patterns.

Soloist: Ryan Kisor, trumpet

A new and exciting way for trumpet players to learn and practice basic jazz style.
This book/CD set features 15 solo etudes based on blues and standard chord progressions, demonstrated by Ryan Kisor on trumpet along with a world-class rhythm section: Mike LeDonne, piano. Peter Washington, bass. and Kenny Washington, drums.
The recording features two separate versions of each etude: one with the soloist and rhythm section and one with the rhythm section only. See and hear how the soloist phrases, play with or without the soloist on the CD and learn basic jazz style first-hand.

This book has been designed as a supplementary study to be used along with any standard instruction book. The studies contained herein are excellent for use in the warm-up period prior to each daily session of practice. The technicality of the fingerings and slide positions (trombone slide positions appear above the notes; baritone fingerings appear below the notes wherever considered helpful) are comparatively simple and the studies can be used to advantage by a young student with only a few weeks of formal study. This book contains much valuable material essential to successful performance not found within standard instructional material.

Bernard Fitzgerald's trumpet solos and transcriptions are standards in the trumpet repertory and are consistently performed at festivals, auditions and recitals throughout the world. This collection contains: Allegro (Vivaldi) * Aria (Bist du bei mir) (Bach) * Aria con Variazioni (Handel) * Bach Suite * Introduction and Fantasy (Fitzgerald) * Scarlatti Suite * Sonata VIII (Corelli). Graded for levels two through five.