Folk Harp for the Young Beginner is designed for beginning harpists with no prior musical experience. The book presents two new methods for reading notation built around recognizing common musical patterns over traditionalsingle note reading. Each group of songs has fun engaging exercises that will build the student’s coordination and confidence. The material draws from timeless melodies from classical Renaissance Celtic English old-timeand traditional folk repertoire. Topics covered in this method include: How to tune the harp Reading music notation and counting rhythm including two methods for reading ledger linesRecognizing basic fingering and bass patterns Changing keys with sharping levers Using brackets to help see note patterns Chord inversions Additional resources include rhythm practiceand workout pages to test your musical knowledge. Helpful reference photos can also be found inside. Includes access to online audio.

An Irish Tale. Par COLES PAUL. Paul Coles has a chequered career as composer, performer, teacher and publisher, all centred around his instrument, the guitar. His latest work, “Dagda’s Harp”, is influenced by the story of Dagda, the Celtic god of the Earth and evokes the unmistakable sounds of Irish folk music. Dagda possessed a magic harp, on which he is supposed to have played magical sounds, including music of dreaming, music of sorrow and music of joy. These three states are represented in a suite of pieces that will be suitable for intermediate players, as either teaching or concert material./ Répertoire / Guitare

Par MIQUEU LAURENT. La cigar box guitar est une guitare fabriquée à l'origine avec une boite de cigares utilisée comme caisse de résonance. 1 livre de 48 pages des fichiers audio des vidéos sur notre kiosque média Son origine débute vers le milieu du 19ème siècle aux États-Unis.C?est un instrument de fortune devenu très populaire durant la Grande Dépression des années 30. De nombreux musiciens ont débuté sur une cigar box guitar : BB King, Jimi Hendrix, Keith Richards ou encore Paul McCartney. De nos jours, on assiste à un nouvel essor de l?instrument avec Justin Johnson, Asaf Avidan, Seasick Steve? Notre méthode Coup de pouce cigar box guitar, unique en France, vous accompagnera tout au long de votre apprentissage. Dans cette méthode, vous apprendrez : Accorder sa cigar box Choisir ses cordes Lire une tablature Tenir sa cigar box Choisir son bottleneck Technique du slide Vibrato, notes frettées, hammer, pull-off Jeu mélodique en slide Le Tilt slide Le picking Rythme en ¾ Et pour finir, huit morceaux avec tablatures vous sont proposés pour enrichir votre apprentissage de la cigar box. House of the rising sun Robert Johnson blues Seasick Country Blues Will the circle be unbroken Harper box Bluesy chords St louis blues Alors, tous à vos cigar box guitar !!! Vous pourrez écouter, visionner et télécharger les fichiers audio les vidéos de cette méthode sur notre kiosque média ! Une fois votre méthode en main, pour un accès privé, créez votre compte et ajoutez cet ouvrage à votre bibliothèque en saisissant le code indiqué dans votre méthode. / Date parution : 2022-04-01/ Méthode / Cigar Box Guitar

Par CHARPAGNE DOMINIQUE. / Niveau : Intermédiaire / Répertoire / Guitare Seule

Par CHARPAGNE CARBAJO REEB. / Niveau : Intermédiaire / Répertoire / Guitare Seule

Par CHARPAGNE DOMINIQUE. / Niveau : Intermédiaire / Répertoire / Guitare Seule

Plus de 30 new wave et grands favoris bande de cheveux arrangés pour guitare facile, y compris: Call Me Crazy - - Centerfold Little Thing Called Love - 867-5309/Jenny - Every Breath You Take - I Love Rock 'N Roll - Jack et Diane - Money for Nothing - Panama - Sharp Dressed Man - Si je rester ou devrais-je aller - Stray Cat Strut Eté - - '69 de We're Not Gonna Take It - White Wedding - You Give Love a Bad Name - et plus encore. / Guitare / 146 pages / Partition

Par CHARPAGNE DOMINIQUE. / Niveau : Intermédiaire / Répertoire / Guitare Seule

Profiter de superbes mélodies évocateurs de la riche tradition irlandaise avec cet ensemble spécial de solos de guitare classiques. John Loesberg présente une collection unique d'arrangements, mettant en vedette plusieurs mélodies traditionnelles harpe et airs de danse. Le livre s'enorgueillit de pas moins de 27 pièces, dont beaucoup sont adaptés pour les élèves de l'élémentaire de guitare. Sont toutefois également en vedette plusieurs compositions du XVIIe siècle harpiste/compositeur O'Carolan, qui sont idéales pour les guitaristes plus avancés. Un CD accompagne des manifestations illustre parfaitement la musique, en fournissant des auditeurs avec un guide utile pour le phrasé irlandais et la performance. / Guitare / 56 pages / Partition + Cd

The tenth concerto in B minor in L'Estro Armonico (best translated as The Harmonious Inspiration) which is edited here in A minor - for four solo guitars - is one of the most famous in the entire collection -- indeed inVivaldi's entire output. Scored for four solo violins two solo violas solo violoncello and an strings orchestra. Johann Sebastian Bach not only admired Vivaldi's Opus 3; he copied it openly. In a general sense the Vivaldipieces gave impetus to much that is in the German master's Brandenburg Concertos. More particulary six concertos of Vivaldi's Opus 3 were copied by Bach as the basis for six of his concertos: two for 0rgan (BWV 593 and 596 basedon Opus 3 nos. 8 and 11 respectively) three for solo harpsichord ) BWV 978 972 and 976 based on Opus 3 nos. 3 9 and 12 respectively) and one for four harpsichords and orchestra in A minor (BWV 1065 based on Opus 3 no. 10).Bach frequently rewrote concertos scored for one kind of instrument substituting another. It is evident that Bach thought not so much in terms of the violinistic nature of the originals but in their harmonic and rhythmicpotential which could be realized on any instrument. Since Bach has already justified an arrangement of Opus 3 number 10 by the great aesthetic success of his four-harpsichord version it serves to reason that an arrangementfor four guitars is equally valid. Just as Bach preserved everything of the original Vivaldi and added only a few doubling to accomodate the left hands of the harpsichordists so in this version the substitution of guitars is donewith little or no change of original-notes. The arpeggios especially prominent in the second movement lend themselves ideally to guitar playing and the ability of the guitar to play both lyrical lines as well as passage worksuits the violinistic lines and passages of the original.

In this edition Guido Böger provides 72 further compositions by the legendary Irish harpist Turlough O’Carolan arranged for classical guitar.These solo pieces are generally of intermediatedifficulty and convey the beautiful lyrical qualities of the original tunes. This expanded selection of the melodies has not been organized into any set of themes or forms; however along with his TurloughO’Carolan Irish Harp Pieces for Classical Guitar O’Carolan’s Laments have now been arranged in their entirety.These pieces will provide the guitarist with a wonderful collection of new andfascinating pieces for use in study concerts or for your musical pleasure.

Par BARTOK BELA. Like so many famous virtuosic works, Bartók’s Sonata for Solo Violin was said, by its commissioner, Yehudi Menuhin, at first sight, to be unplayable! Of course, Menuhin soon changed his opinion, later describing the work as the most important composition for solo violin since Bach. The original work used the full array of violin techniques such as stopped harmonics, left-hand pizzicato and quarter tones. These demands gave arranger, Christophe Dejour, much pause for thought when preparing this arrangement, not least in how to produce quarter tones on the guitar! Fortunately, both Bartók and Menuhin came to his rescue here. Menuhin had had problems playing these at speed and Bartók agreed that they were only for “colour” and accepted an alternative version Menuhin presented to him. The Sonata also contains several compositional techniques that are highly appropriate for the guitar such as chord progressions, contrapuntal motion and rhythmic sharpness, allowing Dejour to produce an arrangement that requires great skill to play, just as the original violin version demanded of Yehudi Menuhin./ Répertoire / Guitare

Par BENNETT STEPHEN. Given the number of skilled luthiers and guitarists in evidence today, the current era has come to be known as 'The Golden Age of the Acoustic Guitar”. Among numerous richly talented players, flatpicking/fingerstyle acoustic and harp guitarist Stephen Bennett stands out as both a supreme melodist and groove master. That said- you already have a good idea of the contents of this DVD. It's a rare artist who is capable of recording 29 tunes in a single day, but with the tenacity, perfectionism, and phenomenal musicality known to his fans worldwide, that is exactly what Stephen did in creating this DVD. In fact, most of these tracks were completed to perfection in one take. Add the notion of performing on three distinctly different instruments- a Morris 6-string acoustic, a 1930 National Steel, and a modern Merrill Brothers copy of a vintage Dyer harp guitar- and you have not only a Herculean musical feat, but a unique listening and viewing experience.Stephen's live Mel Bay DVD performance is one you'll watch again and again. / Acoustic Music - Concert/Documentary / Accessoire / Guitare

Renowned studio musician, performer, recording artist, and clinician Matt Smith opens his bag of tricks and tells all in Chop Shop for Guitar. Matt demystifies topics such as chord progressions, 'cool notes' in solos, harp scales, harmonics, improvisation, alternate tunings, and much more. His unique, creative approach to composition, soloing, and mastering the fretboard will inspire and motivate you to reach new levels of musicianship and self-confidence in your playing. Providing all the tools you need to improve your playing, Chop Shop for Guitar is a must-have for all guitarists. The companion DVD is hosted by Matt Smith and includes lessons, MP3s, and demonstrations of the examples in the book. / Guitare