Par . This one-of-a-kind collection features accessible, must-know Gospel songs presented in a combination of standard notation, chords, and lyrics. Perfect for beginning guitarists anxious to build up their repertoire! Songs include: Because He Lives · Church in the Wildwood · Give Me That Old Time Religion · He's Got the Whole World in His Hands · His Eye Is on the Sparrow · His Name Is Wonderful · How Great Thou Art · I Saw the Light · In the Garden · Just a Closer Walk with Thee · Mansion over the Hilltop · The Old Rugged Cross · Precious Lord, Take My Hand (Take My Hand, Precious Lord) · Shall We Gather at the River' · Soon and Very Soon · Sweet by and By · Swing Low, Sweet Chariot · There's Something About That Name · Turn Your Radio On · When the Saints Go Marching In · Wings of a Dove · and more! / Date parution : 2023-03-11/ Recueil / Guitare

One of the best of the new generation of singer-songwriters, Brandi Carlile plays a unique blend of alt-rock and country-folk music. This songbook features all 35 songs from her three studio albums, Brandi Carlile,The Story, and Give Up the Ghost. All songs in this must-have collection are arranged as Brandi recorded them. Titles: Again Today * Before It Breaks * Cannonball * Caroline * Closer to You * Downpour * Dreams * Dying Day * Fall Apart Again * Follow * Gone * Happy * Have You Ever * I Will * If There Was No You * In My Own Eyes * Josephine * Late Morning Lullaby * Looking Out * Losing Heart * My Song * Oh Dear * Pride and Joy * Shadow on the Wall * Sixty Years On * Someday Never Comes * The Story * That Year * Throw It All Away * Touching the Ground * Tragedy * Turpentine * Until I Die * Wasted * What Can I Say. / Miscellaneous, Scores, Songbooks / Recueil / Guitare

Susan Friedman presents a captivating documentary that showcases the Slack Key guitar and a cultural style that is unique to Hawaii. This compelling film is a story told not by a narrator but by the impressive roster of artists and characters telling of the changes within Hawaiian cultural life and discussing why this particular musical approach has remained so vital and quintessentially Hawaiian.The film is centred around musician Raymond Kane a man who holds a special place in the domain of the Slack Key guitar. The style itself is named after the tendency to detune the guitar to suit the song creating a 'down home' warmth and feeling.Over four years in themaking this film with its infectious music its fascinating main character and its rich visual qualities will be an important document of Hawaiian culture to share with contemporary audiences.

Amongst the many Guitar methods you can buy today this book is something special. After many years of teaching and a close look at available Guitar tutors the authors of this method are convinced that there is something that has been missing:That is a Guitar method that keeps the student's mind open for all musical styles and doesn’t limit him to only one musical direction.A Guitar method that provides the student with music he is familiar with i.e. pop music.A Guitar method that slowly and gently introduces the student to classical music and offers a carefully selected choice of musical pieces in this field.A Guitar method thatintroduces staff notation and music theory in a simplified way that is easy to understand.A Guitar method that includes a CD which does not only support the student’s practice but is fun to listen to as well.

Known as one of the strangest men in acoustic music today Richard Gilewitz fascinates his audiences with fingerstyle gymnastics while spinning yarns too unbelievable not to be true.His ability to make oneGuitar sound like an entire orchestra stems from 33 years of well-honed technique and 25 years of on the road touring creating his own signature sound that has been captured on his six releases. But it is his live shows thatbring out the best in this man who follows a distinct cadence that creates a glow that continually grows a little brighter with each tune.

Though Buddy Holly's career was short he was a huge influence on the Beatles the Rolling Stones Bob Dylan and most of the rockers and songwriters of the 1960s 70s and beyond. Most of the songs in this collection have been hits many times over and they???re still covered today by rock pop and country bands.Fred makes Buddy's tunes accessible to fingerpicking guitarists in this instructional DVD that includes rockers like That???ll Be the Day It???s So Easy and Maybe Baby and pretty ballads like Raining In My Heart and Everyday. He explains the tricky parts of the arrangements and presents a split-screen slower version of each tune sothat you can back yourself up singing and can play instrumental versions of every song as well. His easy-going instructional style makes it easy to learn! Other Buddy Holly tunes in this set include Peggy Sue Lonesome Tears and It Doesn???t Matter Anymore. All the songs (backup and solos) are written out in tab and music in the accompanying booklet.

In this comprehensive Blues Guitar program designed by renowned guitarist John McCarthy you learn techniques scales and tricks to take your blues guitar playing to the next level. You'll develop lead techniques like bending vibrato hammer-on's pull-offs and more. Learn Blues turn arounds the shuffle feel Jazzy blues and fast Blues progressions. There are entire blues riffs leads and rhythms that you will apply over the full band backing tracksthat give you the feel of playing in your own band.Each Rock House product includes free lifetime membership to Rock House's online lesson support system. Enhance your learning experience links with instructors downloadbacking tracks access message boards and much more. You'll connect with a community of musicians around the world learning to play music using The Rock House Method.

Learning to play Blues Guitar is a highly rewarding experience but getting started can be a challenge! Here at last is a book that helps you choose the right instrument and accessories and then gets you playing -fast!Full colour pictures clear diagrams and genuinely practical advice combine to make Start-Up Blues Guitar do exactly what is says on the cover. You'll start off on the right track andthat makes everything else come more easily.Contents include:Blues ChordsBass Chord Strumming PatternsReading Guitar TablatureFills and TurnaroundsIntros andEndingsSolo TechniqueImprovising RiffsCountry and Jazz BluesBlues RockA selection of timeless Blues songs to playChord reference library

Play great jazz while you learn from this revered guitar method! These solos and duets map directly to the lessons in William Leavitt's Modern Method for Guitar Volume 1 the basic guitar text at Berklee College of Music.Since the 1960s the Modern Method for Guitar series has been one of world's most popular guitar methods translated into Spanish French and Japanese and selling over half a million copies.Carefully overseen by LarryBaione chair of Berklee's Guitar Department (and a former student of William Leavitt) these arrangements are crafted to Leavitt's time-proven approach giving you the chance to apply what you learn to music by Miles Davis Duke Ellington Sonny Rollins Django Reinhardt and other jazz greats. The accompanying audio demonstrates all the tunes and offers play-along tracks for practicing the duets.Songs include: Afternoon in Paris BasinStreet Blues A Child Is Born Daphne Here's That Rainy Day In a Sentimental Mood My Little Suede Shoes St. Thomas Samba De Orfeu So What Swing 42 Valse Hot The Very Thought of You When I Fall in Love Willow Weep forMe.The audio examples are accessed online using the unique code inside each book and can be downloaded or streamed according to personal preference. The files also include PLAYBACK+ a multi-functional audio player thatallows you to slow down audio without changing pitch set loop points change keys and pan left or right.

Par REINHARDT DJANGO. In the world of Gypsy Jazz, the original Quintette of the Hot Club of France achieved an energy output seldom equaled or surpassed for 7 decades or so. Django wanted to have two rhythm guitars behind him when he soloed to give him a full sound. Then when Grappelli soloed, Django would interject himself between Grappelli and the rhythm guitar section. From this vantage point, he would \'push? Grappelli with a series of well placed shots, shuffles, and turnarounds that would have the effect of driving the group to a greater energy output as the song approached its conclusion. In this DVD, the classic 4-to-the-bar rhythm is broken down into four separate unsable styles. After that, Django\'s syncopated rhythm shots are analyzed and presented by example from a simple backbeat to 2-bar long syncopated strums. My own philosophy is that the rhythm guitar section is the most important component of the Gypsy Jazz group. The rhythm guitar should be in a position to drive and not follow the group. The information contained in this DVD will give you the rhythmic tools to infuse the sound with the energy that this genre of music deserves. Remember that rhythm guitar is NOT \'second fiddle.\' This product now available as a video download through Mel Bay On Demand. / Niveau : Tous Niveaux / Jazz - Concert/Documentary / Accessoire / Guitare

Par OKAZAKI MILES. This book is designed to be useful for guitarists at any skill level. Beginners can use it as an introduction to the foundational concepts of the instrument, intermediate players can use it for training and theoretical work, and advanced players can explore the sections on advanced theory, extended technique and the exhaustive tables of melodic and rhythmic possibilities. It is divided into two parts: pitch and rhythm. Part 1 (pitch) begins with the properties of string, harmonics, and tuning systems. It then moves methodically through pitch information, beginning with locating all versions of a single pitch, building pentatonic, heptatonic, and all possible symmetrical scales. This is followed by a study of intervals, with all possible locations of every two pitches, and a long study that moves through every possible fingering of three pitches, with a series of exercises to master triadic syntax. Part 1 closes with a study of four-pitch structures and complete tables that show all possible pitch sets in circular visual notation. Part 2 (rhythm) begins with a complete course in 'Symmetrical Picking, ' a method based on drum rudiments that builds control in the picking hand through an exhaustive variety of movements. The focus of this section is building a strong rhythmic foundation, with a focus on efficiency, accuracy, speed, dynamics, and groove. It is followed by a study of legato playing, working with ornaments and slides. The study of playing with fingers on multiple strings takes up the remainder of the book. This begins with the study of pulse against pulse, playing two simultaneous tempos. The book concludes with a study of polyrhythm, playing one rhythm against another. Plain English is used as much as possible to describe theoretical concepts, and hundreds of illustrations were made for the book as an aid to those who either don't speak English or prefer to think visually. This approach is designed to be inclusive and to promote creative practice. The main idea of the book is described in this passage (page 154): 'Even in this small area there is a lot of material, potentially a lifetime of study. The amount of information can feel overwhelming to students at any level. For this reason, the book is designed for self-directed practice, with an emphasis on what the player 'could' do, rather than what the player 'should' do. The principle is to develop your own learning process, rather than following someone else's. The ability to make choices is essential in finding a personal approach to the instrument. Pick and choose the studies that seem interesting - there should be enough variety to accommodate a wide range of personalities. If any particular concept or exercise has been useful as the starting point for a new creative direction, then the book has done its job. Its purpose is not to push any dogma, method, or style, but to open the door to options for guitarists of any background that are looking for new perspectives. This book is designed to be useful for guitarists at any skill level. Beginners can use it as an introduction to the foundational concepts of the instrument, intermediate players can use it for training and theoretical work, and advanced players can explore the sections on advanced theory, extended technique and the exhaustive tables of melodic and rhythmic possibilities. It is divided into two parts: pitch and rhythm. Part 1 (pitch) begins withthe properties of string, harmonics, and tuning systems. It then moves methodically through pitch information, beginning with locating all versions of a single pitch, building pentatonic, heptatonic, and all possible symmetricalscales. This is followed by a study of intervals, with all possible locations of every two pitches, and a long study that moves through every possible fingering of three pitches, with a series of exercises to master triadicsyntax. Part 1 closes with a study of four-pitch structures and complete tables that show all possible pitch sets in circular visual notation. Part 2 (rhythm) begins with a complete course in 'Symmetrical Picking, ' a methodbased on drum rudiments that builds control in the picking hand through an exhaustive variety of movements. The focus of this section is building a strong rhythmic foundation, with a focus on efficiency, accuracy, speed, dynamics, and groove. It is followed by a study of legato playing, working with ornaments and slides. The study of playing with fingers on multiple strings takes up the remainder of the book. This begins with the study of pulse againstpulse, playing two simultaneous tempos. The book concludes with a study of polyrhythm, playing one rhythm against another. Plain English is used as much as possible to describe theoretical concepts, and hundreds ofillustrations were made for the book as an aid to those who either don't speak English or prefer to think visually. This approach is designed to be inclusive and to promote creative practice. The main idea of the book is described/ Méthode / Guitare

With no fewer than 50 blues licks and riffs inspired by the greatest blues musicians ever to have lived such as Eric Clapton Buddy Guy Albert King Muddy Waters Stevie Ray Vaughan and BB King the 50 Rhythmiques Blues A La Guitare is ideal for any budding blues guitarist. Not only this playing these riffs and licks is so enjoyable that you will be learning techniques and theory simultaneously. Blues techniques like triads double stops bends hammer-ons pull-offs grace notes binary rhythmic shuffles and in the first chapter structure rhythm and chords. The accompanying DVD allows you to hear and see all50 riffs in detail at normal speed and slowed down giving you the ability to master the perfect techniques choosing the perfect fingerings and to play in the groove. The accompanying MP3 CD is composed of 50 tracks that can be played at two different speeds. The Guitar can be heard at normal speed that then fades away so that you can take its place instead. The duration of these tracks is long enough to allow you to play for enough time to master all the necessary techniques.

The composer says: For years, my fellow guitarists have been asking me to compose a solo classical guitar piece that reflects that most American of musical styles'the blues. Their prodding was the motivation for Periwinkle Memories; the inspiration for the piece, however, really came from a maestro of extraordinary skill, and a teacher of even more extraordinary patience, Elias Barreiro, my guitar teacher at the University of New Orleans. I have always tried to emulate in my performances the beauty of his interpretations, and to fuse in my compositions the power and emotion of the blues. The name, Periwinkle Memories was a serendipity. I was struck by the light purplish-blue hue of the periwinkle, and soon learned the history of the funnel-shaped flower (Vinca minor.) Though it now grows wild in parts of the United States it is native to Australia, some consider it an invasive weed, most admire its extraordinary beauty. Common herbicides won't kill it. The periwinkle is too vigorous and hardy for that. And now it is not merely a begrudged part of the American landscape, it is a vibrant part of the American landscape, elegant, stubborn, and nearly native. Like the blues. And like that young recalcitrant student Maestro Barreiro worked so hard to mold so many years ago. Ogden Nash said, 'One man's remorse is another man's reminiscence.' Periwinkle Memories is a celebration of Maestro Barreiro, and of both facets of that adage in me. Carlos Barrientos was born on June 25, 1954 in Tela, Honduras. He began his formal music studies at the National Music Conservatory in Guatemala City, Guatemala C.A. His training with Maestro Elias Barreiro, Director of Guitar Studies at Tulane University, was supplemented with Master Classes with Manuel Barrueco, Leo Brouwer, Juan Mercadal, Michael Newman, Tommy Tedesco and Carlos Barbosa-Lima. He studied composition under the tutelage of Dr. Jerry Sieg, University of New Orleans, and Dr. Roy Johnson, Florida State University. He consulted with Michael D. Martin, Ph.D., Associate Professor of Music, Albany State University, Albany, GA in the creation of a recordings library that reflects Western Art Music and American Jazz for the students at Albany State University. The New York Premiere of the First Movement of his Second Guitar Sonata was dedicated to and performed by Classical Guitarist Maestro Carlos Barbosa-Lima in 2003 at Carnegie Hall. At the request of U.S. Senator Bob Graham one of his compositions, Si Tu Te Vas (If You Go Away), was included on a recording to promote The Everglades Trail. In 2004, at the American Church in Paris, France the World Premiere of his Romance for Flute and Guitar was performed by the award-winning Serenade Duo, flutist Michelle LaPorte and guitarist Gerry Saulter. He has performed with such legendary musicians as Herbie Mann, Donald Byrd and Debbie Reynolds, led an on stage Renaissance Trio in a University of New Orleans production of Shakespeare's Twelfth Night, and played incidental music for their production of Bertold Brecht's The Good Woman of Sichuan. He has performed Carulli's Guitar Concerto in A, Leonard Bernstein's West Side Story and Marvin Hamlish's A Chorus Line with the Northwest Florida Symphony Orchestra and Okaloosa-Walton Community College, Niceville, FL, and with the Southern Art Music Ensemble, a Jazz/Latin Fusion Sextet, including an Honors Convocation in Atlanta for Mr. Ted Turner. He has been a guest performer with the Albany State University Jazz Ensemble at The Fletcher Henderson Jr., Macon and Atlanta Jazz Festivals, and played the banjo in the Albany State University /Albany Symphony's co-production of George Gershwin's Opera Porgy and Bes