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| Jonathan Leshnoff: Cello
Concerto: Cello & Piano:
Score and Part
Violoncelle, Piano
Theodore Presser Co.
?The cello is a fantastic instrument to work with,? said Leshnoff. ?Some instrum...(+)
?The cello is a fantastic instrument to work with,? said Leshnoff. ?Some instruments are more limited, but the cello has so much freedom. It can scream, it can cry, it can sing, it can dance and it can whisper.? The Chamber Orchestra of Philadelphia commissions a new work for each Spring, and in 2013 they chose to commission Jonathan Leshnoff. In turn, Leshnoff was able to work with the exciting international talent Nina Kotova for the premiere performance under the direction of Dirk Brossé at Philadelphia's Kimmel Center for the Performing Arts.
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| Cello Concerto Final
Movement
Violoncelle, Piano
Novello & Co Ltd.
The Final Movement of the Concerto For Violoncello And Orchestra by Herbert Howe...(+)
The Final Movement of the Concerto For Violoncello And Orchestra by Herbert Howells has been elaborated here by Jonathan Clinch, arranged for Cello and Piano. A full performance lasts around 8 minutes. / Violoncelle Et Piano
Délais: 2-5 jours - En Stock Fournisseur |
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| Advaya (2 Audio Cds)
(HARVEY JONATHAN)
Violoncelle, Piano [Partition]
Faber Music Limited
Par HARVEY JONATHAN. l'interaction entre le violoncelle et la voix supplémentai...(+)
Par HARVEY JONATHAN. l'interaction entre le violoncelle et la voix supplémentaires électroniques et sons sont extraordinairement efficace et parfois construire prosternation massives sur une échelle près-orchestrale. Il a fait une expérience unique, une saisie par main force à l'imagination. Ingéniosité sauvage de Harvey nous a laissé awestricken. ' David Murray, Financial Times, 22 novembre 1994/ Répertoire / Violoncelle et Piano
Délais: 2-5 jours - En Stock Fournisseur |
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| Herbert Howells: Cello
Concerto Final Movement:
Cello: Instrumental Work
Violoncelle, Piano [Partition]
Novello & Co Ltd.
The Final Movement of the Concerto For Violoncello And Orchestra by Herbert Howe...(+)
The Final Movement of the Concerto For Violoncello And Orchestra by Herbert Howells has been elaborated here by Jonathan Clinch arranged for Cello and Piano. A full performance lasts around 8 minutes.
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| Judith Weir: Three
Chorales: Cello:
Instrumental Work
Violoncelle, Piano
Chester
These three pieces for cello and piano are meditations – personal secular...(+)
These three pieces for cello and piano are meditations – personal secular and musical – on images from religious poetry. The title of No. 1 Angels bending near the earth comes from a carol which begins‘It came upon the midnight clear’ by the Massachusetts pastor and poet Edmund Sears. The full reference is to “angels bending near the earth/to touch their harps of gold” and this is the inspiration forthe music with piano arpeggios swooping down over the rich central band of sound produced by the cello. No. 2’s title In death’s dark vale is a brief paraphrase (from a Scottish hymnal) of Psalm 23; thefull quotation is “yea though I walk through the valley of the shadow of death I will fear no evil”. The image here is of human life lived against the prospect of impending death. The cello plays a hasty self-absorbed continuo whilst around it piano motifs and chords of different height and depth create an evolving backdrop. No. 3 O sapientia is the only movement which quotes a musical original; Hildegard ofBingen’s hymn O virtus sapientiae –“O strength of wisdom”. This is a calm elegaic set of variations for the cello on Hildegard’s melody accompanied by mostly bright optimistic refl ections from thepiano. Commissioned by cellist Jonathan Miller of Boston MA. First performance on 23 September 2016 at Hamilton Hall Salem MA by Jonathan Miller (cello) and Randall Hodgkinson (piano)
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| Antonín Dvo?ák: Cello
Concerto In B Minor
Op.104 (Cello & Piano):
Cello:
Violoncelle, Piano [Partition]
Barenreiter
Like every other great 19th-century solo concerto Dvorák?s famous Cello Concer...(+)
Like every other great 19th-century solo concerto Dvorák?s famous Cello Concerto was a collaboration between composer and virtuoso. It has long been known that certain solo passages in Dvorák?s autograph score were actually written by the cellist Hanu? Wihan; but Bärenreiter?s edition now reveals that some details in the Orchestral parts are also in his writing showing just how closely the two musicians were working together.The editor Jonathan Del Mar has painstakingly examined all the surviving sources including two that have hitherto been either ignored or crucially undervalued in order to produce anauthoritative edition which restores for the first time since the original edition was published in 1896 - Dvorák?s final and definitive version of the solo Cello part. This differs in details in almost every bar from the version found in all other modern editions while hundreds of corrections have also been made to the Orchestral parts.- With Dvorák?s final and definitive version of the solo Cello part.- With hundreds of corrections in the solo Cello part as well as the Orchestral parts.- With hitherto unknown details regarding the collaboration between Dvorák and Wihan.- With Dvorák?s original Piano reduction.- With Feuermann's and Casals' alternatives to a passage in the first movement.- Full score performance material (BA9045) Cello & Piano (BA9045-90) & Facsimile (BVK1849) available for sale.
Délais: En Stock |
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| John Joubert: Concerto in
Two Movements: Cello:
Instrumental Work
Violoncelle, Piano
Novello & Co Ltd.
for Cello and Chamber Orchestra (Cello/Piano)-John Joubert’s Concerto in ...(+)
for Cello and Chamber Orchestra (Cello/Piano)-John Joubert’s Concerto in Two Movements for Cello and Chamber Orchestra was first performed on Sunday 4th March 2012 in St Mary’s Church Shrewsbury by the Northern Chamber Orchestra conducted by Jonathan Berman with cellist Raphael Wallfisch.This edition is for Cello and Piano (reduction from the chamber orchestra score).Written for the composer's daughter Anna.
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| Right From The Start
Violoncelle, Piano
Boosey and Hawkes
Vingt pièces très élémentaires pour les jeunes joueurs écrites et arrangée...(+)
Vingt pièces très élémentaires pour les jeunes joueurs écrites et arrangées par enseignant de chaîne préférée du monde Sheila Nelson. Lecture de la note est introduit un doigt à la fois, construire des doigts pattern 0-1-23-4 (espace de demi-ton entre les doigts de 2ème et 3ème) - le doigt seul schéma utilisé dans ce livre. Un certain nombre de patrons de l'archet rythmiques, énoncée au début du livre peut être pratiqué sur des airs plus tôt, une fois qu'ils ont été mémorisées. Les rythmes sont assimilés par l'élève à l'aide de mots fortement rythmiques, facilement mémorables. Tous les morceaux peut être chanté sur les versets fournis, afin de développer un sentiment sécurisé du rythme et de brai. Elèves apprennent dès le début pour déplacer librement de chaîne à la chaîne, de jouer avec confiance et de prêter attention à la hauteur. / Violoncelle Et Piano
Délais: 2-5 jours - En Stock Fournisseur |
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| Right From The Start
Violoncelle, Piano
Boosey and Hawkes
20 pièces très élémentaires pour les jeunes joueurs. Note-lecture symboles s...(+)
20 pièces très élémentaires pour les jeunes joueurs. Note-lecture symboles sont une introduction à la fois. L'édition fait partie du syllabus Trinity 2007 (grade initial). / Violoncelle Et Piano
Délais: En Stock |
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