Compositions plus aimées de Andrew Lloyd Webber de spectacles sur scène dont ' Phantom Of The Opera ' et ' Chats '. Spécialement adaptés pour guitare classique par John Zaradin et Tim Phillips. / Guitare / 48 pages / Partition

Par . Vous avez pris quelques leçons de guitare et vous êtes prêt à vous diversifier pour jouer la musique que vous aimez ' Ce recueil de chansons devrait vous convenir parfaitement ! Il comprend 50 tubes pop et jazz arrangés pour les débutants afin de vous donner de l\'assurance et d\'encourager vos progrès. / Date parution : 2022-07-29/ Tablatures / Guitare

Une centaine des plus grandes chansons par Elvis Presley, arrangé pour guitare facile. Chansons comprennent ' All Shook Up', 'Heartbreak Hotel', ' Love Me tendre', ' Teddy Bear ', ' Viva Las Vegas', ' Jailhouse Rock ' et beaucoup d'autres. / Piano/Vocal/Guitare (PVG)

Easy Guitar. 70 all-time hits arranged for easy guitar are included in this updated 6th edition: All I Ask of You - Body and Soul - Crazy - Georgia on My Mind - Imagine - Just the Way You Are - Let It Be - Memory - Moon River - My Favorite Things - Over the Rainbow - Piano Man - Satin Doll - Stormy Weather - Tears in Heaven - Top of the World - Unchained Melody - We've Only Just Begun - Yesterday - You Raise Me Up - and more. (Does not include tablature.)

Beautiful Airs and Ballads of the British Isles. Par GONZALEZ RAYMOND. This fingerstyle guitar collection features 20 engaging lyrical tunes from England, Ireland, Scotland, and Wales plus three original pieces by accomplished guitarist, trumpeter and composer William A. Bay, president, and editor-in-chief at Mel Bay Publications. Tasked with writing intermediate-level arrangements in either standard or dropped-D tuning, guitarist/arranger Raymond Gonzalez displays uncommon music rethinking skills while preserving the plaintive and lilting nature of these enduring melodies. Unique to these settings, you will find sparse, open-chord harmonies accentuated by double hammer-ons and pull-offs, and the odd harmonic mixed with normal tones within a melodic line— all reminiscent of gentle waves washing up against a rocky island shore. Conceived to be played on either steel or nylon-string guitar, these pieces are written in both standard notation and tablature. Includes online access to the author’s own audio recordings. / Niveau : Moyen-Difficile / Recueil / Guitare

Scott A. Smith teaches you all the essential blues phrasing techniques and tricks. Learn simple concepts like solo construction, phrasing over a 12-bar blues, the blues scale, pentatonic box patterns, and playing multiple scales over a single chord. Also, learn practical, effective techniques like trills, slides, and rakes. In-depth lessons on bending teach you how to use target notes, initial and destination notes, pre-bends, and how to combine bends with box patterns. The included DVD is hosted by Smith and features live demonstrations of the examples in the book. About the Author For the past three decades, Scott A. Smith has remained a dedicated guitarist, musician, and educator. This native Texan started playing guitar in the late '70s and has worked in a variety of genres, including blues, rock, country, and jazz. Scott is a GIT graduate and was featured in the Mike Varney Spotlight column in Guitar Player magazine. No stranger to the road and stage, this veteran guitarist has traveled near and abroad, performing live, teaching, giving clinics, and spreading his love for the instrument. / Guitare

Pat Donohue combines the rare talent of being a superb guitar player with that of writing excellent songs. He is also a showman who weaves humour and wit into his performances.A concert with Pat can move you with his songs such as Midnight Man, and then astound you with his finger dexterity as he blazes through Scott Joplin's Maple Leaf Rag.His tongue-in-cheek humour shows up in his hilarious songs Bio and Stealing from Chet, while his sentimentality is apparent on Out on the Road to Kingdom Come.A concert with Pat Donohue is all-encompassing, and is a richly musical experience that will leave you asking for more. This 60 minute DVD was recorded at Freight and Salvage in Berkeley California. / DVD

The composer says: For years, my fellow guitarists have been asking me to compose a solo classical guitar piece that reflects that most American of musical styles'the blues. Their prodding was the motivation for Periwinkle Memories; the inspiration for the piece, however, really came from a maestro of extraordinary skill, and a teacher of even more extraordinary patience, Elias Barreiro, my guitar teacher at the University of New Orleans. I have always tried to emulate in my performances the beauty of his interpretations, and to fuse in my compositions the power and emotion of the blues. The name, Periwinkle Memories was a serendipity. I was struck by the light purplish-blue hue of the periwinkle, and soon learned the history of the funnel-shaped flower (Vinca minor.) Though it now grows wild in parts of the United States it is native to Australia, some consider it an invasive weed, most admire its extraordinary beauty. Common herbicides won't kill it. The periwinkle is too vigorous and hardy for that. And now it is not merely a begrudged part of the American landscape, it is a vibrant part of the American landscape, elegant, stubborn, and nearly native. Like the blues. And like that young recalcitrant student Maestro Barreiro worked so hard to mold so many years ago. Ogden Nash said, 'One man's remorse is another man's reminiscence.' Periwinkle Memories is a celebration of Maestro Barreiro, and of both facets of that adage in me. Carlos Barrientos was born on June 25, 1954 in Tela, Honduras. He began his formal music studies at the National Music Conservatory in Guatemala City, Guatemala C.A. His training with Maestro Elias Barreiro, Director of Guitar Studies at Tulane University, was supplemented with Master Classes with Manuel Barrueco, Leo Brouwer, Juan Mercadal, Michael Newman, Tommy Tedesco and Carlos Barbosa-Lima. He studied composition under the tutelage of Dr. Jerry Sieg, University of New Orleans, and Dr. Roy Johnson, Florida State University. He consulted with Michael D. Martin, Ph.D., Associate Professor of Music, Albany State University, Albany, GA in the creation of a recordings library that reflects Western Art Music and American Jazz for the students at Albany State University. The New York Premiere of the First Movement of his Second Guitar Sonata was dedicated to and performed by Classical Guitarist Maestro Carlos Barbosa-Lima in 2003 at Carnegie Hall. At the request of U.S. Senator Bob Graham one of his compositions, Si Tu Te Vas (If You Go Away), was included on a recording to promote The Everglades Trail. In 2004, at the American Church in Paris, France the World Premiere of his Romance for Flute and Guitar was performed by the award-winning Serenade Duo, flutist Michelle LaPorte and guitarist Gerry Saulter. He has performed with such legendary musicians as Herbie Mann, Donald Byrd and Debbie Reynolds, led an on stage Renaissance Trio in a University of New Orleans production of Shakespeare's Twelfth Night, and played incidental music for their production of Bertold Brecht's The Good Woman of Sichuan. He has performed Carulli's Guitar Concerto in A, Leonard Bernstein's West Side Story and Marvin Hamlish's A Chorus Line with the Northwest Florida Symphony Orchestra and Okaloosa-Walton Community College, Niceville, FL, and with the Southern Art Music Ensemble, a Jazz/Latin Fusion Sextet, including an Honors Convocation in Atlanta for Mr. Ted Turner. He has been a guest performer with the Albany State University Jazz Ensemble at The Fletcher Henderson Jr., Macon and Atlanta Jazz Festivals, and played the banjo in the Albany State University /Albany Symphony's co-production of George Gershwin's Opera Porgy and Bes