For unaccompanied SSAA.First performed on 4th February 2011 at Theatre du Chatelet Paris by Maitrise de Radio France conducted by Sofi Jeannin. Esa-Pekka Salonen - Dona Nobis Pacem by musicroom

Don Besig's attention to each detail in his compositions has made him one of most successful composers in our catalogue. This best-selling neo-spiritual has encouraged many choirs during its successful life and we are pleased to remind directors of its joyful excellence. A variety of a cappella voicings are available for this true Shawnee classic!

Here's a campy doo-wop setting of the Meredith Willson classic. Don't miss it! Available: SATB a cappella SSAA a cappella. Performance Time: Approx. 2:00.

Similar to the superstitious Friday the Thirteenth Tuesday the Thirteenth is considered to be the day of bad luck in Spanish-speaking countries which is clearly illustrated in this proverb (Don't get married don't go on a trip and don't leave your house.). Rhythmic up-tempo and exploring the whole range of the women's choir Martes offers a great challenge for your more advanced singers.

Uses: General Music Appreciation ConcertScripture: Psalm 66:4; James 5:13; Psalm 96:1Leaping joyfully from the score this music of unbridled energy calls the world to jubilant praise. Masterfullyamalgamating classic sacred poetry along with words from the Psalms this general use anthem is equally at home in the sanctuary or concert hall. Whether done with piano alone with brass and percussion or with the fullorchestration you will ignite the spirit of song in a bright new way with this amazing composition. Available separately: SATB SSAA StudioTrax CD (Accompaniment Split-Trax Performance) Brass & Percussion parts FullOrchestration CD-ROM (Score & parts for Flute 1&2 (Fl. 2 dbl. Piccolo) Oboe Clarinet 1&2 Bassoon Horn 1&2 Trumpets 1-3 Trombone 1&2 Bass Trombone/Tuba Timpani Percussion 1&2 Harp Piano Violin 1&2 Violin Cello DoubleBass). Duration: ca. 2:39.

Jill Gallina has done a masterful job of arranging this piece of classic literature in a new lush arrangement for women's voices. This pristine setting of Schumann is a wonderful spring concert piece. Arranged for two sopranos and two alto vocal parts.

This Christmas standard is one of the most recorded holiday songs of our time. This arrangement awakens the beloved song to new possibilities dressing it in a sophisticated suit of traditional choral elements and light jazz. The creative crescendo of the original song unfolds verse by verse as the news of the Christ Child's birth goes from the shepherd boy to the people everywhere. The call and response format is maintained but refreshed by shimmering chords and creative counterpoint. A study in choral color don't miss the opportunity of sharing this wonderful Christmas classic with your audience.

Rosephanye Powell is known for her ability to bring earthy rhythmic ostinato patterns to a classical level and she has done it again with this one. Commissioned and composed for the National Women's Honor Choir for the ACDANational Convention 2003 this choral is destined for a long life. Relentless energy underscores the Psalm text of praise that makes this a fitting choral for both church and school.

(Shiru L'Adonai)-Based on a biblical text ?And Miriam Sang? is a song of celebration following Israel's deliverance from Egypt through the Red Sea. It begins in a slow chant-like manner and soon shifts to an up-tempo dance-like mood. Although the melodies are original they incorporate the augmented second interval and melodic formulas common to Hasidic and some Middle-Eastern music. The use of Hebrew text tambourine and drums add to the authentic feel.

Lux Benigna by Paul Mealor with words by Gordon Graham for SSSAAA choir with Piano accompaniment.

Song For Athene is a work by British composer John Tavener arranged by Barry Rose for Upper Voices and Organ with optional Cello. The text is taken from Shakespeare's 'Hamlet' as well as from theOrthodox Funeral Service. The entire work lasts around 7 minutes. The original version of Song For Athene was commissioned by the BBC and first performed on 22nd January 1994 at St Giles'Church Cripplegate London by the BBC Singers conducted by Simon Joly. This arrangement received a positive review from Geoffrey Webber in the January/February 2016 edition of Choir & Organ.

Ron Kean uses a text by William Butler Yeats and appropriately dons it with an Irish musical dressing. The flute is really not an optional addition. You are easily transported to the region through this character piece that dances and flourishes in the land it celebrates. A delightful fugal section bounces with a dum didle dee text eventually emerging into a colorful and thoughtful singing section. For advanced high school and college choirs. Medium to difficult.

Voici une partition musicale pour Chant/Vocal/Choeur et plus spécialement pour Choeurs A 4 Voix De Femmes Et plus que vous pouvez acquérir pour moins de 10C. Classée dans la catégorie Classique, cette partition dont le titre est LE LIERRE ET LE THYM a été composée par le célèbre compositeur Breard . C'est l'éditeur Billaudot sous la référence AF0174 qui a les droits pour éditer cette partition. / Choeurs A 4 Voix De Femmes Et plus / Partition

Voici une partition musicale pour Chant/Vocal/Choeur et plus spécialement pour Choeurs A 4 Voix De Femmes Et plus que vous pouvez acquérir pour moins de 10C. Classée dans la catégorie Classique, cette partition dont le titre est LE SOUCI a été composée par le célèbre compositeur Lancien Noël. C'est l'éditeur Billaudot sous la référence EFM392 qui a les droits pour éditer cette partition. / Choeurs A 4 Voix De Femmes Et plus / Partition

Par PAPP AKOS. Langue: English, Format: DIN A4/ Répertoire / Choeur de Femmes (SSAA)