This extremely interesting original is based on a modified New Orleans-style street beat. A 'gritty' bass part really helps add to the style and there are plenty of opportunities for your pianist to add fills throughout. A tenor solo leads into some creative ensemble writing and a driving shout chorus. Very unique and destined to be one of the bestsellers this year!

Michael Brown has given this time-honored spiritual new life with this fresh arrangement. It feels like a Blues Brothers two-beat swing chart all the way. There's a short 4-bar repeated solo section that you can open up for any soloist. A hard-driving swinger!

Hot-hot-hot may be the best way to describe Ken's new arrangement of this old jazz classic. Written in a driving three the piece starts off with bass alone and gradually adds the rest of the band. A great groove with a wonderful opportunity for your tenor to shine.