La référence GB3644 17 de l'éditeur Billaudot dont l'auteur célèbre est Bach Johann Sebastian, qui a pour titre GAVOTTE 1 ET 2 - HYMNE DES PRETRESSES PIANO-ORGUE ELECTRIQUE, a été écrite et composée pour Orchestre et plus particulièrement pour Orchestre Junior. Cette partition musicale appartient à la catégorie Classique. / Orchestre Junior / Partition

La référence GB3329 17 de l'éditeur Billaudot dont l'auteur célèbre est Schumann Robert, qui a pour titre SUITE POUR LA JEUNESSE PIANO, a été écrite et composée pour Orchestre et plus particulièrement pour Orchestre Junior. Cette partition musicale appartient à la catégorie Classique. / Orchestre Junior / Partition

La référence GB3675 17 de l'éditeur Billaudot dont l'auteur célèbre est Monteverdi Claudio, qui a pour titre SINFONIA ET TOCCATA - MENUET PIANO HARPE-ORGUE ELECTRIQUE, a été écrite et composée pour Orchestre et plus particulièrement pour Orchestre Junior. Cette partition musicale appartient à la catégorie Classique. / Orchestre Junior / Partition

La référence GB4415 17 de l'éditeur Billaudot dont l'auteur célèbre est Charpentier Marc-Antoine, qui a pour titre TE DEUM-HYMNE A LA JOIE-SEXTUOR OP17(MENUET)-SERENADE-PIANO, a été écrite et composée pour Orchestre et plus particulièrement pour Orchestre Junior. Cette partition musicale appartient à la catégorie Classique. / Orchestre Junior / Partition

La référence GB3902 17 de l'éditeur Billaudot dont l'auteur célèbre est Schubert Franz, qui a pour titre MARCHE MILITAIRE-LA FINTA GIARDINIERA (OUVERTURE)-PIANO-HARPE, a été écrite et composée pour Orchestre et plus particulièrement pour Orchestre Junior. Cette partition musicale appartient à la catégorie Classique. / Orchestre Junior / Partition

La référence GB3717 17 de l'éditeur Billaudot dont l'auteur célèbre est Brahms Johannes, qui a pour titre VALSE (OPUS 33 Nø5)-SARABANDE-TAMBOURIN PIANO-HARPE-ORGUE ELECTR, a été écrite et composée pour Orchestre et plus particulièrement pour Orchestre Junior. Cette partition musicale appartient à la catégorie Classique. / Orchestre Junior / Partition

In Circles - 16 Imaginary Dances for 18 Players (2010). Parts are available on hire: hire@ewh.dk Instr.: FluteOboeClarinet in BbBass ClarinetBassoonHorn2 Trumpets In BbTenor-Bassposaune2 PercussionistsPiano2 ViolinsViola2 CellosDouble Bass Programme note About five years ago the Ensemble Modern commissioned a composition giving me relatively free rein over instrumentation duration and completion date. I was very excited about the opportunity and eager to start work but first I had to finish asymphony and a cello concerto. However when I wanted to begin writing the piece for Frankfurt inspiration became silent and remained silent for the next three years apart from the two works for chamber orchestra: I experienced my first writer’s block. This was not my first commission but the first time that I was seriously worried about a piece and started thinking about the commissioning ensemble and its expectations. If anything I held the Ensemble Modern in too high esteem. The ensemble is notorious for being a group of all-rounders who have already seen and done everything. However it was simply time for me to challenge my self-belief as composer and to search out what kind of composer I really am. Whatever the true reason was I still didn’t get anything down on paper. Nothing would gel. In 2008 a stipend from a New York foundation led me to an Italian lavender-castle from the 15th century far away from everything else deep in Umbria. The deadline for my first opera moved dangerously closer but was barely started. The next commission for an orchestra was also waiting in addition to the piece for EM: only empty sheets.  When I came home six weeks later though I hadn’t finished anything the spell was broken. Behind the massive walls drafts had been created for what within the

Ensemble-Commissioned by the European Composers' Professional Development Programme and dedicated to Karien Kruger.Instrumentation:Flutes: Piccolo (sounds an octave higher than written); AltoFluteClarinets: Clarinet in Bb Bass Clarinet in BbPercussion: Vibraphone Glockenspiel (sounds two octaves higher than written) Quarter-tone Glockenspiel; Timpani; Cymbals; Kick Drum; Bass Drum;.Percussionist requires a bow and hard and soft malletsElectric GuitarBass GuitarPiano:Score is in C

Commissioned for the BBC.Piccolo/Alto FluteFlutes 1 & 2Alto Flute/Bass Flute2 OboesCor Anglais3 ClarinetsBass Clarinet2 BassoonsContrabassoon4 Horns4 Trumpets3 TrombonesPianoHarpAccordionMandolinStrings (16.14.12.10.8) 4 Percussion:IMarimbaCrotales (with bow) Small suspended cymbalAntique cymbalGlockenspielSmall triangleIISmall suspended cymbalMedium suspended cymbalVibraphone (with bow) Triangles (small and medium)IIIMedium suspended cymbalMaracasBoobamsVibraphoneSizzle cymbalLargetriangleIVBass DrumTam-tamWater gongs (small and large) Tubular bellsBurmese gongs (medium and large)

On Track-13 specially commissioned pieces which aim to breathe new life into a largely neglected component of the GCSE/Key Stage 4 Music syllabus Ensemble Performance.On Track comes complete with a CD-Rom containing all theparts for all the pieces and transpositions for any instrument and these parts come with a licence for printing as many copies as needed directly from the CD-Rom. A separate 'audio' CD also contains recordings of every piece.The book contains scores for each piece and extended notes by the composers to aid in the preparation of the music; there are 5 pieces for fixed ensembles and 8 pieces for flexible ensembles.The editor of the compilation Sadie Harrison comments: 'Playing in an ensemble with one's peers is perhaps the most rewarding and satisfying thing to do as a young performer and it is crucial to nurture this element ofGCSE courses to reflect this. On Track is a fantastic collection of many different styles approaches and sounds. There is something in here for everybody at whatever level and on whatever instrument. This is what GCSE Musicteachers are crying out for and finally here is something that really hits the mark.' Harrison's comments are echoed by recent examiners' reports from EdExcel one of the largest examiners of GCSE music. Theydescribe how the music they heard in examinations demonstrated 'an extreme range of standards and revealed evidence of the very wide range of instruments in use'. The AQA (Assessment and Qualification Alliance) Examiners' reportin 2004 warns schools against allowing their students to present solo music with a piano accompaniment played by a teacher or with a CD accompaniment for the ensemble performance component. It continues saying that 'it is of utmost importance that the chosen ensemble allows the candidate to show rapport with the other player(s). This is a significant requirement with which many [examination] centres did NOT

Arrangement and Orchestration by Andrea Cappellari. Full score and 26 parts: 1) C Instr. (Flute Violin) / 1) Bb Instr. (Clarinet Soprano Sax. Trumpet) / 2) C Instr. (Flute Violin Oboe) / 2) Bb Instr. (Clarinet) / 3) C Instr. (Violin Viola) / 3) Bb Instr. (Clarinet Soprano Sax.) / 4) C Instr. (VViola) / 4) Bb Instr. (Clarinet Soprano Sax.) / 5) C Instr. (Violin Viola) / 5) Eb Instr. (Alto Sax.) / 6) C Instr. (Violin Viola) / 6) Eb Instr. (Alto Sax.) / 7) C Instr. (Violin Viola Oboe) / 7) Bb Instr. (Clarinet Soprano Sax. Trumpet) / 7nstr. (Alto Sax.) / 8) C Instruments(Violin Viola) / 8) Bb Instr. (Clarinet Soprano Sax. Trumpet) / 8) Eb Instr. (Alto Sax.) / Guitar/ Piano 1 / Piano 2 / Bass Cello Bassoon / Timpani / Maracas / Cymbals Bass drum / Snare drum / Four Hands Pialibitum. Performance possibile also without Piano.

Nico Muhly's Step Team for 9 players. Full score.'Stepping is a form of almost militaristic dancing involving the entire body as well as the voice. The routines are highly choreographed and precise but maintain an expressive freedom that comes out of the energy required to pull off the moves. In writing this piece for the Chicago Symphony MusicNOW I wanted to avoid too much delicate pointillistic writing and instead focused on making the nine players function as one team with a singular rhythmic agenda. Whenever the Chicago Symphony comes to New York I am always impressed with the massive steakhouse-style proportions of the brasssound so this score features the Bass Trombone as a guide for the harmonic and lyrical material.At a certain point in the piece the rhythmic unisons begin to break down and individual players or groups of players start slowing down or speeding up against the pulse. The Bass Trombone works as a unifying element here announcing the changes between sections. Some scattered pulses ensue and the brass section continuously shepherds the other instruments back into line. Step Team ends with a duet between the Bass Trombone and the Piano with a series of ornaments from the other players.' - Nico MuhlyInstrumentation: Flute Bassoon Horn in F Tenor Trombone Bass Trombone Piano Violin Viola Cello