| Immobilité
Sérieuse I Pour
Piano Et Orchestre A
Cordes (Conducteur)
En Français Piano et Orchestre Delatour France
Immobilité sérieuse I ', écrite en 2013, est la première d'une série de piÃ...(+)
Immobilité sérieuse I ', écrite en 2013, est la première d'une série de pièces pour instrument solo et orchestre à cordes de Sophie Lacaze, Hommage à Erik Satie, ' Immobilité sérieuse I ' est basée sur un motif tiré des ' Vexations ' que Satie avaient composées pour le piano, et qui avaient été créées à New York par John Cage et plusieurs de ses amis pianistes le jour de la naissance de la compositrice,' Pour se jouer 840 fois de suite ce motif, il sera bon de se préparer au préalable, et dans le plus grand silence, par des immobilités sérieuses ', Erik Satie, / Piano Et Orchestre
14.60 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Immobilité
Sérieuse I Pour
Piano Et Orchestre A
Cordes (Materiel)
En Français Piano et Orchestre Delatour France
Immobilité sérieuse I ', écrite en 2013, est la première d'une série de piÃ...(+)
Immobilité sérieuse I ', écrite en 2013, est la première d'une série de pièces pour instrument solo et orchestre à cordes de Sophie Lacaze, Hommage à Erik Satie, ' Immobilité sérieuse I ' est basée sur un motif tiré des ' Vexations ' que Satie avaient composées pour le piano, et qui avaient été créées à New York par John Cage et plusieurs de ses amis pianistes le jour de la naissance de la compositrice,' Pour se jouer 840 fois de suite ce motif, il sera bon de se préparer au préalable, et dans le plus grand silence, par des immobilités sérieuses ', Erik Satie, / Piano Et Orchestre
30.24 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Lamentate (PART ARVO) Piano et Orchestre [Conducteur d'étude / Miniature] Universal Edition
Homage to Anish Kapoor and his sculpture 'Marsyas'. Par PART ARVO. Arvo Pärt ab...(+)
Homage to Anish Kapoor and his sculpture 'Marsyas'. Par PART ARVO. Arvo Pärt about Lamentate: 'Lamentate is music for piano solo and orchestra. With respect to its form, however, the composition cannot really be described as a typical piano concerto. I chose the piano to be the solo instrument because it fixes our attention on something that is 'one'. This 'one' could be a person, or perhaps a first-person narrative. Just as the sculpture leaves the viewer with a light and floating impression in spite of its overwhelming size, the piano, as a large instrument, allowed me to create a sphere of intimacy and warmth that no longer seems anonymous or abstract. Overall, it could be said that my work is marked by two diametrically opposed moods. By way of slight exaggeration, I would characterize these two poles as being 'brutal-overwhelming' and 'intimate-fragile'. The two characters are not simply placed opposite one another, much rather being left to develop themselves in a conflict that runs throughout the entire work.'/ Répertoire / Piano et Orchestre
70.48 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| Piano Concerto #2 In G
Minor Op. 16 (PROKOFIEV
SERGEI) Piano et Orchestre Boosey and Hawkes
Par PROKOFIEV SERGEI. Interestingly there are two different versions of Prokofie...(+)
Par PROKOFIEV SERGEI. Interestingly there are two different versions of Prokofiev’s second piano concerto, the first written between 1912 and 1913, the second written in 1923. However, during the Russian Civil War, the original manuscript of the Concerto was destroyed in a fire in Prokofiev’s apartment in St. Petersburg. In 1923 he recreated the score from memory, effectively composing the second edition of the work, which was very different. Prokofiev wrote to a friend: I have so completely rewritten the second concerto that it might be considered the fourth (his third piano concerto having been written in the meantime). At the time of composition, the concerto's wild temperamentleft some exalted, whereas others were horrified by the jarring and at the time futuristic sound. Today, however, it is generally recognised as a masterpiece and is one of the most virtuosic works in the piano concerto repertoire. Available here is the Hawkes Pocket Score edition (No. 877) of Prokoviev’s virtuosic Piano Concerto No. 2 in G minor Op. 16, and is ideal for study and perusal usage. / Hawkes Pocket Scores HPS 877 / Répertoire / Piano et Orchestre
53.30 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| Concerto A Minor Op. 54
(SCHUMANN ROBERT) Piano et Orchestre [Partie séparée] Schott
Par SCHUMANN ROBERT. Nach Robert Schumann. Neue Ausgabe Sämtlicher Werke, Band ...(+)
Par SCHUMANN ROBERT. Nach Robert Schumann. Neue Ausgabe Sämtlicher Werke, Band I/2, 1/ Répertoire / Piano et Orchestre
13.87 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| Concerto A Minor Op. 54
(SCHUMANN ROBERT) Piano et Orchestre Schott
Par SCHUMANN ROBERT. Nach Robert Schumann. Neue Ausgabe Sämtlicher Werke, Band ...(+)
Par SCHUMANN ROBERT. Nach Robert Schumann. Neue Ausgabe Sämtlicher Werke, Band I/2, 1/ Répertoire / Piano et Orchestre
64.38 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| Klavierkonzert 1 E-Moll
Op. 11 (CHOPIN FREDERIC) Piano et Orchestre [Partition] Breitkopf & Härtel
Par CHOPIN FREDERIC. Editeur(s) d'origine: Friedman, I. /Reinecke, C./ Répertoi...(+)
Par CHOPIN FREDERIC. Editeur(s) d'origine: Friedman, I. /Reinecke, C./ Répertoire / Piano et Orchestre
25.50 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| Hans Abrahamsen: Left
Alone: Piano: Score Piano et Orchestre [Partition] - Intermédiaire/avancé Wilhelm Hansen
Left Alone for Piano (left hand) and Orchestra was composed by Hans Abrahamsen ...(+)
Left Alone for Piano (left hand) and Orchestra was composed by Hans Abrahamsen in 2014-15. Commissioned by Westdeutscher Rundfunk and co-commissioned by City of Birmingham Symphony Orchestra Danish National Symphony Orchestra and Rotterdam Philharmonic Orchestra. Premiered by the WDR Sinfonieorchester and Alexandre Tharaud (piano) concducted by Ilan Volkov on January 29 2016 Cologne. Programme Note: I was born with a right hand that is not fully functional and though it never prevented me from loving playing the piano as well as I could with this physical limitation it hasobviously given me an alternative focus on the whole piano literature and has given me a close relationship with the works written for the left hand by Ravel and others. This repertoire has been with me since my youth. My very first public performance of one of my own works was in autumn 1969. The piece was called October and I played the piano with my left hand and the horn my principal instrument (the only instrument that can be played with only the left hand). Part of the piece requires the performer to play natural harmonics of the horn directly into the open strings of the grand piano to create resonance. The pedal was kept down by an assistant lying on the floor. Through decades the idea of writing a larger work for piano left hand has been in my mind. This new work is not written for a pianist with only one hand but rather by a composer who can only play with the left hand. The title Left alone contains all kinds of references not only to the obvious fact that the left hand is playing alone. Left alone is divided into two large parts each consisting of three smaller movements – in effect six in total. The work was commissioned by Westdeutscher Rundfunk and co-commissioned by City of Birmingham Symphony Orchestra Danish National Symphony Orchestra and Rotterdam Philharmonic and written for Alexandre Tharaud. Hans
64.99 GBP - vendu par Musicroom GB |
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| Hans Abrahamsen: Concerto
For Piano And Orchestra:
Piano: Score Piano et Orchestre Wilhelm Hansen
Hans Abrahamsen's Concerto For Piano And Orchestra was composed in 1999 by comm...(+)
Hans Abrahamsen's Concerto For Piano And Orchestra was composed in 1999 by commission for the BIT-20 Ensemble. A complex and multi-layered work opening with highly minimal material and very slowly building to an ecstatic frenzy across the four movements. As the piece progresses Abrahamsen has also included some significant nods towards composers Gyorgy Ligeti (a former teacher of the composer) and Gustav Mahler.The work was premiered at the Ultima Festival in Oslo in 2000 with Anne Marie Abildskov as soloist. I Allegro Volante e nervoso II Adagio innocente e semplice III Tempo de grandegioia IV Fluente ma tranquillo Programmenote: ???The piano concerto starts entirely as I usually start with this filigree in the piano and many simultaneous layers ??? Hans Abrahamsen has explained ???The beginning is music that could continue almost minimalistically ad infinitum. But it doesn???t. Instead it has a seizure after just thirty seconds. It literally comes to a halt!???There is no programmatic structure behind the four-movement course of the concerto but a romantically minded listener may be tempted to interpret the development from a quick stalling of the familiar through the introduction (by the lyrical second movement) of something much more ???innocent and simple??? as it says - something feminine one feels like adding - to the third movement???s flashing firework display of a scherzo which draws the curtain aside for a liberating rush of joy as life after the advent of love. However the undersigned assumes full responsibility for this interpretation.The piano soloist is the undisputed main character in the concerto and plays almost constantly in the first three movements. It is only in the fourth movement that she takes a break and listens. ???The piano stirs up an anthill??? is Hans Abrahamsen???s own description ???and it becomes almost operatic! It is as if the music is about to fall right out over the edge of the abyss at the drastic general
60.99 GBP - vendu par Musicroom GB |
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| Poul Ruders: Piano
Concerto No.2: Piano:
Score Piano et Orchestre [Conducteur] Wilhelm Hansen
Piano Concerto No. 2 for Piano and Orchestra (2009) by Poul Ruders.Commissioned ...(+)
Piano Concerto No. 2 for Piano and Orchestra (2009) by Poul Ruders.Commissioned by The Norwegian Radio Orchestra and Jerome Lowenthal. Solo Piano part: WH31129CProgramme Note In this day and age when faced with the challenge of writing a 'Piano Concerto' e.g. a piece for symphony orchestra and an all-dominating and virtuosic solo Piano part one has two options: either: DO or do NOT go for it wholesale exploiting and enjoying the conrnucopia of sonorous treasures offered by the combination of the orchestra and the 'Grand Piano'. I have opted to go for it. When writing forone of our great young international Piano stars it would be absurd and a waste to do anything less and only 'nibble at the goodies'.However the piece is not a big clunky 'machine'. Rather it is a transparently orchestrated neo-classic (for the lack of a better work) composition in three movements lastign approximately 25 minutes.The piece begins with a moderately paced opening in which the Piano gradually gathers momentum and strength beginning with the most gentle of motifs. In this movement the soloist and orchestra fo not always agree and the vigilant listener will observe the disparity between the two. Following a swift up-beat coda the movement stops almost in mid-breath on one of the gentle Piano chords taken from the very opening.The extreme simplicity of the second movement 'Semplice' (the opening Piano solo bears the marking: 'slightly hesitant - like a child practicing') is after having been joined by the Vibraphone Harp and solo Violin suddenly violated with unprecedented brutality by the rest of the orchestra which virtually 'lies in wait - panting to pounce'. But eventually calm and order is restored.The finale is a crazy rondo of sorts. The marking 'Avanti Risoluto' (Forward with Resolve) is a bit of an understatement. It is a full throttle no hold barred ride -
114.99 GBP - vendu par Musicroom GB |
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| Prokofiev, Sergeï :
Pierre et le Loup, Pour
11 Instrumentistes
En Français Piano et Orchestre [Conducteur et Parties séparées] Chant du Monde
Pierre et le loup, version pour 11 instrumentistes de Marco Guidarini :
fl...(+)
Pierre et le loup, version pour 11 instrumentistes de Marco Guidarini :
flûte, clarinette en ut, 2 percussionnistes (glockenspiel, xilophone, timbales, cymbales, tambour militaire, grosse caisse), 2 pianos, violon I, violon II, alto, violoncelle et contrebasse
Conducteur parties séparées / Classique / Partiton /
160.00 EUR - vendu par Note4Piano Délais: 2-5 jours - En Stock Fournisseur |
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| Maurice Ravel: Piano
Concerto G major: Piano:
Miniature Score Piano et Orchestre [Conducteur d'étude / Miniature] - Intermédiaire/avancé Eulenburg
The very lively three-movement Piano Concerto in G major is characterised with ...(+)
The very lively three-movement Piano Concerto in G major is characterised with regard to style by jazz influences especially in the first and third movements but by late Romantic and impressionist influences in the middle movement.Ravel himself called it 'a concerto in the truest sense of this generic term: With that I want to say that it has been written in the spirit of the concertos by Mozart and Saint-Saëns.'
14.99 GBP - vendu par Musicroom GB |
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| Opera Arias For Piano And
Orchestra Piano et Orchestre [Partition + CD] Music Minus One 21.78 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| Beethoven, Ludwig Van :
Concerto for Pianoforte
und Orchestra no. 1 C
major op. 15 Piano et Orchestre - Avancé Barenreiter
[Concerto pour Piano et Orchestre no. 1 Do Majeur Opus 15] / Classique / Partiti...(+)
[Concerto pour Piano et Orchestre no. 1 Do Majeur Opus 15] / Classique / Partitions / Agrafé /
57.00 EUR - vendu par Note4Piano Délais: 2-5 jours - En Stock Fournisseur |
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| Nirvana Burning Piano et Orchestre [Partition] - Avancé Schott
'Ardente Nirvana' La pièce de concert a été commandée par le Festival de Sal...(+)
'Ardente Nirvana' La pièce de concert a été commandée par le Festival de Salzbourg et a été créée par Fazil Say et la Borusan Istanbul Philharmonic Orchestra à l'ouverture du festival en Août 2010. Il se compose du Nirvana mouvements et ardente qui se mélangent les uns aux autres 'attacca'. 'Le sujet de ma pièce est le Nirvana, le lieu mystérieux du salut à l'intérieur de nous, ou le sentiment de non-descriptible d'entrer en contact avec elle', dit Say. 'Quand je l'ai joué à la maison, tout d'abord ma soeur et puis même mes chats et les chiens tranquillement entré dans la salle pour écouter. Mais quand je suis arrivé à la deuxième partie, Burning, ils ont tous quitté la salle en toute hâte. / Piano Et Orchestre / niveau : Avancé / Partition
42.20 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| Boom of the Tingling
Strings (LORD JON) Piano et Orchestre [Conducteur d'étude / Miniature] Schott
for piano and orchestra. Par LORD JON. Inspiriert vom gleichnamigen Gedicht des ...(+)
for piano and orchestra. Par LORD JON. Inspiriert vom gleichnamigen Gedicht des Schriftstellers D. H. Lawrence schrieb Ex-Deep-Purple-Mitglied Jon Lord dieses viersätzige Werk für Klavier und Orchester. Eine melancholisch-nostalgische Reise in die Kindheit mit einem furiosen Finalsatz./ Répertoire / Piano et Orchestre
89.91 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| Concerto No. 1 (PERLE
GEORGE) Piano et Orchestre [Conducteur] Schott
for piano and orchestra. Par PERLE GEORGE. / Répertoire / Piano et Orchestre
96.57 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| Concerto (LIGETI GYORGY) Piano et Orchestre [Conducteur] Schott
for Piano and Orchestra. Par LIGETI GYORGY. / Répertoire / Piano et Orchestre
81.03 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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