Ten pieces from the Renaissance to the late Romantic period. Edited for the ABRSM by Howard Ferguson. Includes works by Domenico Scarlatti Schubert and Dvorak.

Selected and edited for the ABRSM by Angus Morrison. Waltz in E minor is included on ABRSM Piano Grade 5 Syllabus 2107-2018

révision Blanche Winogron
Instrumentation : Clav Contenu :
CX. Felix namque 2. Thomas Tallis. (1564)
CXI. [Exercise]. Anon
CXII. Daphne. Giles Farnaby
CXIII. Pawles Wharfe. Giles Farnaby
CXIV. Quodlings Delight. Giles Farnaby
CXV. Praeludium [X]. John Bull
CXVI. Praeludium. Dor. [XIII*]. John Bull
CXVII. Praeludium [VII]. Anon
CXVIII. Ut, re, mi, fa, sol, la, a 4 voci. J. P. Sweelinck
CXIX. In Nomine [IX]. John Bull
CXX. Praeludium [VII]. Anon
CXXI. Pavana Lachrymae. John Dowland, set by William Byrd. (See No. CLIII and CCXC)
CXXII. Galiarda. James Harding, set by Byrd
CXXIII. Pavana. Thomas Tomkins
CXXIV. Fantasia [I]. Thomas Morley
CXXV. Christe Redemptor. John Bull
CXXVI. The Maydens Song. William Byrd
CXXVII. Put up thy Dagger, Jemy. Giles Farnaby
CXXVIII. Bony sweet Robin (see No. XV). Giles Farnaby
CXXIX. Fantasia [I]. Giles Farnaby
CXXX. A Grounde. Thomas Tomkins
CXXXI. Barafostus' Dream (see No. XVIII). Thomas Tomkins
CXXXII. The Hunting Galliard. Thomas Tomkins
CXXXIII. The Quadran Paven (see No. XXXI). William Byrd
CXXXIV. Galiard to the Quadran Paven (see No. XXXIII)
CXXXV. The King's Hunt. John Bull
CXXXVI. Pavana [I]. John Bull
CXXXVII. Galiarda [I]. John Bull
CXXXVIII. Dr. Bull's Juell. John Bull
CXXXIX. The Spanish Paven. John Bull
CXL. In Nomine. [John'] Parsons
CXLI. Wooddy-Cook. Giles Farnaby
CXLII. The Duke of Brunswick's Alman. John Bull
CXLIII. Rosasolis. Giles Farnaby
CXLIV. Psalme [140]. J. P. Sweelinck
CXLV. Alman [I]. Robert Johnson
CXLVI. Alman [I]. Robert Johnson
CXLVII. Alman. Robert Johnson, set by Giles Farnaby
CXLVIII. The New Sa-Hoo. Giles Farnaby
CXLIX. Nobody's Gigge. Richard Farnaby
CL. Malt's come downe. William Byrd
CLI. Praeludium [IX]. Anon
CLII. Alman [XIII]. Thomas Morley
CLIII. Pavana [IX]. [Lachrymae.] Thomas Morley
CLIV. Galiarda [IX]. Thomas Morley
CLV. La Volta. William Byrd
CLVI. Alman [VII]. William Byrd
CLVII. Wolsey's Wilde. William Byrd
CLVIII. Callino Casturame. William Byrd
CLIX. La Volta. T. Morley, set by William Byrd
CLX. Rowland. William Byrd
CLXI. Why aske you. Anon (see No. CCLXXXVI)
CLXII. The Ghost. William Byrd
CLXIII. Alman [IX*]. William Byrd
CLXIV. Galliard [I]. William Byrd
CLXV. Pavana [IX*]. William Byrd
CLXVI. Galliarda [IX*]. William Byrd
CLXVII. Pavana [I**]. William Byrd
CLXVIII. Galiarda [I**]. William Byrd
CLXIX. Pavana [XIII*]. Thomas Morley
CLXX. Galliarda [XIII*]. Thomas Morley
CLXXI. [deest, owing to an error in numbe
CLXXII. The Queenes Alman. William Byrd
CLXXIII. A Medley. William Byrd
CLXXIV. Pavana [IX]. William Byrd
CLXXV. Galliarda [IX]. William Byrd
CLXXVI. Miserere. 3 parts. William Byrd
CLXXVII. Miserere. 4 parts. William Byrd
CLXXVIII. Pakington's Pownde. Anon
CLXXIX. The Irishe Dumpe. Anon
CLXXX. Watkins Ale. Anon
CLXXXI. A Gigg. William Byrd
CLXXXII. Pipers Paven. Martin Peerson
CLXXXII. Pipers Galliard. John Bull
CLXXXIII. Variatio ejusdem. John Bull
CLXXXIV. Praeludium. D. [XIII]. John Bull
CLXXXV. Galiarda [IX*]. John Bull
CLXXXVI. Galiarda [IX*]. John Bull
CLXXXVII. Allemanda. Marchant
CLXXXVIII. Can Shee. Anon
CLXXXIX. A Gigge. Doctor Bull's my selfe. John Bull
CXC. A Gigge. John Bull
CXCI. Sr. Jhon Grayes Galliard. W. B.
CXCII. Preludium [VII]. John Bull
CXCIII. A Toy. Anon (see No. CCIV)
CXCIV. Giles Farnaby's Dreame. Giles Farnaby
CXCV. His Rest. Giles Farnaby
CXCVI. His Humour. Giles Farnaby
CXCVII. Fayne would I wedd. Richard Farnaby
CXCVIII. A Maske. Giles Farnaby
CXCIX. A Maske. Giles Farnaby
CC. An Almain [VII]. Anon
CCI. Corranto [VII]. Anon
CCII. Alman [XIII]. Anon
CCIII. Corranto [X]. Anon
CCIV. Corranto [VII]. (See No. CXCIII.) Anon
CCV. Corranto [I]. Anon
CCVI. Daunce. Anon
CCVII. Worster Braules. Thomas Tomkins
CCVIII. Fantasia [VII]. Giles Farnaby
CCIX. A Maske. Giles Farnaby
CCX. Praeludium [IX]. John Bull
CCXI. [Praeludium] [V]. Anon
CCXII. Martin sayd to his Man. Anon
CCXIII. Almand. William Tisdall
CCXIV. Pavana Chromatica. William Tisdall
CCXV. Ut, re, mi, fa, sol, la. John Bull
CCXVI. Gipseis Round. William Byrd
CCXVII. Fantasia [I*]. J. P. Sweelinck
CCXVIII. Coranto [IX]. William Byrd
CCXIX. Pavana. Clement Cotton. William Tisdall
CCXX. Pavana [I*]. William Tisdall
CCXXI. Coranto [I]. Anon
CCXXII. Alman. Hooper
CCXXIII. Corranto [I]. Anon
CCXXIV. Corranto [I]. Anon
CCXXV. Corranto [I*]. Anon
CCXXVI. Corranto [VII]. Anon
CCXXVII. Alman [III]. Anon
CCXXVIII. Corranto. Hooper
CCXXIX. Fantasia [VII]. Giles Farnaby
CCXXX. Loth to depart. Giles Farnaby
CCXXXI. Fantasia [I]. Giles Farnaby
CCXXXII. [Fantasia] [I*]. Giles Farnaby
CCXXXIII. [Transcription of Ay me, poore Heart. ] Giles Farnaby
CCXXXIV. [Fantasia] [I]. Giles Farnaby
CCXXXV. Walter Erle's Paven. Giles Farnaby
CCXXXVI. [Fantasia] [IX]. Giles Fa
CCXXXVII. [Fantasia] [VII]. Giles Farnaby
CCXXXVIII. Fantasia [VII]. Giles Farnaby
CCXXXIX. The L. Zouches Maske. Giles Farnaby
CCXL. Grounde. Giles Farnaby
CCXLI. Coranto [XIII]. William Byrd
CCXLII. Up T[ails] all. Giles Farnaby
CCXLIII. Jhonson's Medley. Edward Johnson
CCXLIV. Nowel's Galliard. Anon
CCXLV. Tower Hill. Giles Farnaby
CCXLVI. Praeludium [XIII]. Giles Farnaby
CCXLVII. The King's Morisco. Anon
CCXLVIII. A Duo. Richard Farnaby
CCXLIX. Alman [VII]. Anon
CCL. A Galiard Ground. William Inglot
CCLI. The Leaves bee greene. William Inglot
CCLII. Pavana [IX]. William Byrd
CCLIII. Galiarda [X]. William Byrd
CCLIV. Pavana [IX*]. William Byrd
CCLV. Galiarda [IX]. William Byrd
CCLVI. Pavana [XIII]. William Byrd
CCLVII. Pavana Fant[asia] [VIII]. William Byrd
CCLVIII. Galiarda [VII]. William Byrd
CCLIX. The Earle of Oxfords Marche. William Byrd
CCLX. Galiarda. Jehan Oystermayre
CCLXI. Fantasia [VIII]. William Byrd
CCLXII. The Duchesse of Brunwick's Toye. John Bull
CCLXIII. A Toye [VIII]. Anon
CCXIV. Corranto [I]. Anon
CCLXV. Lady Riche. Anon
CCLXVI. Corranto [VIII]. Anon
CCLXVII. A Gigge. Giles Farnaby
CCLXVIII. A Toy [VII]. Anon
CCLXIX. Galiarda [X]. Giles Farnaby
CCLXX. A Toye [X]. Giles Farnaby
CCLXXI. The Primerose. Martin Peerson
CCLXXII. The Fall of the Leafe. Martin Peerson
CCLXXIII. Farnabye's Conceit. Giles Farnaby
CCLXXIV. Allemanda [VII]. Anon
CCLXXV. Pavana. Canon, 2 in 1. William Byrd
CCLXXVI. Pescodd Time. William Byrd (see No. LIX)
CCLXXVII. Pavana. Delight. Edward Johnson, set by William Byrd
CCLXXVIII. Galiarda. Edward Johnson, set by William Byrd
CCLXXIX. Miserere, 3 parts. John Bull
CCLXXX. Tell mee, Daphne. Giles Farnaby
CCLXXXI. Mal Sims. Giles Farnaby
CCLXXXII. Munday's Joy. John Munday
CCLXXXIII. Rosseter's Galiard, set by Giles Farnaby
CCLXXXIV. The Flatt Pavan. Giles Farnaby
CCLXXXV. Pavana [VII]. Giles Farnaby
CCLXXXVI. Why aske you. (See No. CLXI.) Giles Farnaby
CCLXXXVII. Farmer's Paven. Giles Farnaby
CCLXXXVIII. Dalling Alman. Anon
CCLXXXIX. The Old Spagnoletta. Giles Farnaby
CCXC. Lachrymae Pavan. John Dowland, set by Giles Farnaby (see No. CXXI and CLIII)
CCXCI. Meridian Alman. Set by Giles Farnaby
CCXCII. Pavana. Orlando Gibbons
CCXCIII. Muscadin. Giles Farnaby (see No. XIX)
CCXCIV. Lady Montegle's Paven. William Byrd
CCXCV. Galiarda. William Tisdall
CCXCVI. Fantasia [I]. Giles Farnaby
CCXCVII. Hanskin. Richard Fa

Hal Leonard Student Piano Library-A piano method to please students teachers and parents! The Hal Leonard Student Piano Library is clear concise and carefully graded. Perfect for private and group tuition.Piano Practice Games presentimaginative ways to introduce pieces in the Piano Lessons Books by co-ordinating theory technique and creativity with the actual music. Before students read each piece Listen and Respond activities develop rhythmic andtechnical co-ordination and Read and Discover activities reinforce understanding and recognition of musical patterns and symbols. Once students have mastered each piece Imagine and Create activities expand knowledge ofnewly-learned concepts.About this series: When music excites our interest and imagination we eagerly put our hearts into learning it. The music in the Hal Leonard Student Piano Library encourages practise progress confidence and success. The series offers: a variety of styles and moods; natural rhythmic flow singable melodies and lyrics; teacher accompaniments; improvisation; instrumental accompaniments through CD or MIDIfiles; realistic pacing which is challenging without being overwhelming; clear and concise presentation of concepts which allows room for a teacher's individual approach; uncluttered page layout; basic theory and techniquecovered. There are five stages to the Hal Leonard Student Piano Library each of which is associated with a Piano Lessons Book (and accompanying CD) a Piano Solos Book (and accompanying CD) a Piano Practice GamesBook a Piano Theory Workbook and a set of Music Flash Cards. Practice Record and Teacher's Planner are also available.

This book contains easy Piano arrangements of 45 favourite Christmas songs, complete with background notes and performance hints and tips.Songs include: All I Want For Christmas Is You, Away In A Manger, Blue Christmas, The Coventry Carol, Fairytale Of New York, The First Nowell, Happy Xmas (War Is Over) and many more!As well as the printed score, this book is supported by SoundWise:SoundCheck powered by Match My Sound: this innovative technology listens to you play and gives you instant feedback on your performance and advice on how to improve.eBook: a digital edition of your music to read on any device. / Piano

Salsa Guide Book Piano and Ens. The Salsa Guidebook by acclaimed pianist Rebeca Mauleón is possible the only authoritative tutorial book on Salsa on the market, with over 260 pages filled with everything you need to know to start playing. Each page is packed with musical examples for Piano, Bass, Drum Set and other Salsa Percussion instruments, as well as really useful excerpts of Salsa sheet music that shows how each instrument is used within the idiosyncratic style. For beginners and advanced musicians alike, this book is regarded as one of the only true method books for Salsa and Latin music. This is not just a tutorial, though, it also features detailed histories of the tradition, many great photographs of various artists as well as an exhaustive listening guide with suggested records to complement your playing. With The Salsa Guidebook, you are in great hands - Rebeca Mauleón has recorded and played with giants in Salsa music such as Santana, Tito Puente and even Poncho Sanchez. So to get inspired by the Latin rhythms and fun styles of Salsa, pick up this Salsa Guidebook today.

The bestselling series Piano Gefällt Mir! continues with Book 5, featuring 50 more hits from the charts and blockbuster movies, arranged brilliantly for Piano by Hans-Günter Heumann. This edition is spiral-bound so will stay flat on a music stand, while the included MP3 CD features full backing tracks and demonstration tracks with the Piano part removed.Including a huge number of hits from some of today's top performers, this is the ideal songbook for beginners to learn some popular songs straight from the charts and movies. Featuring FourFiveSeconds by Rihanna, Kanye West and Paul McCartney, All About That Bass from Meghan Trainor and the instant pop-classic Photograph by Ed Sheeran, Heumann's arrangements are perfect for beginners, those re-learning the Piano, or even advanced players looking to expand their repertoire or practise sight-reading.The sheer range of songs in Piano Gefällt Mir! means that there really is something for everyone. Well-known songs from new and recent films are also included in this songbook, such as See You Again from 'Fast And Furious 7', Love Me Like You Do from 'Fifty Shades Of Grey' and Yann Tiersen's wonderful theme Watching Lara from 'Goodbye Lenin!' Each song in this fantastic volume features chord symbols, lyrics and useful fingering suggestions, ensuring you can learn to play these songs as quickly as possible.With Hans-Günter Heumann's Piano Gefällt Mir!, pianists of all ages and abilities can benefit from the diversity of popular songs and the expert arrangements on offer. / Piano

Von Rihanna bis Fifty Shades of Grey - Spiralbindung-The bestselling series Piano Gefällt Mir! continues with Book 5 featuring 50 more hits from the charts and blockbuster movies arranged brilliantly for Piano by Hans-Günter Heumann. This edition is spiral-bound so will sit perfectly on a music stand.   Including a huge number of hits from some of today's top performers this is the ideal songbook for beginners to learn some popular songs straight from the charts and movies. Featuring FourFiveSeconds by Rihanna Kanye West and Paul McCartney All About That Bass from Meghan Trainor and the instant pop-classicPhotograph by Ed Sheeran Heumann's arrangements are perfect for beginners those re-learning the Piano or even advanced players looking to expand their repertoire or practise sight-reading.   The sheer range of songs in Piano Gefällt Mir! means that there really is something for everyone. Well-known songs from new and recent films are also included in this songbook such as See You Again from 'Fast And Furious 7' Love Me Like You Do from 'Fifty Shades Of Grey' and Yann Tiersen's wonderful theme Watching Lara from 'Goodbye Lenin!' Each song in this fantastic volume features chord symbols lyrics and useful fingering suggestions ensuring you can learn to play these songs as quickly as possible.   With Hans-Günter Heumann's Piano Gefällt Mir! pianists of all ages and abilities can benefit from the diversity of popular songs and the expert arrangements on offer.

23 pieces selected from 60 years of Pianoforte examinations of the ABRSM. Includes works by George Dyson Thomas Dunhill and William Alwyn.

Hal Leonard Student Piano Library-Piano Practice Games present imaginative ways to introduce pieces in the Hal Leonard Student Piano Library Piano Lessons books by co-ordinating technique concepts and creativity with the actual music in the lesson book. Thesepreparation activities help focus learning by 'playing with' each lesson piece aurally visually and physically.Listen and Respond activities develop rhythmic and technical co-ordination; Read and Discover activities reinforceunderstanding and recognition of musical patterns and symbols. After each piece is mastered Imagine and Create activities expand knowledge of newly-learned concepts.

Une sélection de chansons tirées du 6ème album de Ludovico Einaudi `Nightbook`, spécialement arrangées pour piano solo. / Classique / Partition /

Improve your sight-reading! Teacher?s Book (Piano Grades 1-5) provides teachers with a range of meticulously graded progressive sight-reading tests to use in lessons.Specifically written to work alongside the best-selling Improve your sight-reading! graded series for pupils it mirrors the introduction of key concepts and technical issues in the pupils? books. By renowned educationalist Paul Harris the book also contains useful notes hints and tips for teachers.

James Booker III was born in New Orleans in December, 17 1939. He was classically trained on piano from the age of six, at which time his astounding talents were already evident, and he was considered a child prodigy. He found his way into the local music scene as a young teenager recording his first single, Doin' the Hambone, at fourteen. Although it failed commercially, Booker got extensive studio work as a result, including uncredited 'ghost' piano tracks for Fats Domino. Throughout high school, booker played regularly with many local and regional bands, while still maintaining an excellent academic record. After graduating, Booker hit the road with Joe Tex, and spent the next several years gigging with various bands including Earl King, Dee Clark and Huey 'Piano' Smith and the Clowns (actually replacing Huey who preferred not to tour). In 1960, Booker recorded what would be his most commercially successful song, the organ-driven instrumental 'Gonzo'. Despite reaching number 10 on the Billboard RandB charts, the single failed to spawn a successful solo career for Booker, who spent the rest of the decade backing up many obscure acts and several better-known ones, including Wilson Pickett and Aretha Franklin. In 1970, Booker was arrested on drug charges, and went to prison for several years. Upon his release, he spent some moderately successful years in New York and los Angeles. He performed and recorded with such diverse artists as Ringo Starr, T-Bone Walker, Jerry Garcia, Lionel Hampton and even Dr. John, who'd been an informal student of Booker's several years earlier. At some point during this period, he lost his left eye. There are varied stories as to how this happened: a street fight over a financial dispute, a prison brawl, or the use of a dirty syringe. Ultimately no one knows for sure. Booker retuned to New Orleans in 1975, and played a highly successful solo set at the Jazz and Heritage Festival that same year. That performance proved to be a turning point in his career, leading to a