1 Outstanding NFMC Selected Solos-Proven piano solos fill this compilation of selected gems chosen for various National Federation of Music Clubs (NFMC) Junior Festival lists. This collection features pieces for intermediate to late-intermediate level students. Titles: Barcarolle Impromptu · Cathedral Echoes (Harp Song) · Dance of the Trolls · Jasmine in the Mist · Jesters · Maestro There's a Fly in My Waltz · Mother Earth Sister Moon · Northwoods Toccata · Sounds of the Rain · Un phare dans le brouillard (A Lighthouse in the Fog).

For Solo Piano. Harp of the North was commissioned by Warren Mailley-Smith in November 2004. First performed at the Stratford-upon-Avon Music Festival October 2005.A lyrical melody is central to the texture in the openingsection often interrupted or partially shaded by surrounding filigree material. Two passionate and more agitated interjections punctuate the course of the piece with the lowest of the bass notes which are sparingly used occuring at the main climax. A tender and melancholy reminder of the opening material leads the work to a gentle close.

in F-sharp Major Opus 78-Beethoven's Piano Sonata No.24 in F Sharp Op.78 is now available as an individual edition with a companion CD edited and recorded by noted Beethoven scholar Robert Taub.

in Two Volumes-Mendelssohn's complete works for pianoforte solo are now contained in this two-volume republication of the outstanding Breitkopf and Hartel edition. Included in volume one are: 'Capriccio In F Sharp Minor Op.5' 'Sonata In E Major Op. 6' and 'Rondo Capriccioso Op. 14'.

À Thérèse Single Edition from HN 34-Henle Urtext Edition of Ludwig Van Beethoven's?Piano Sonata No. 24 In F Sharp Op. 78 (? Th?r?se) for solo Piano. Suitable for pianists at an advanced level.

Edition complète en fac-similés de l'oeuvre de Fédéric ChopinPiano : Alex Szilasisur un athentique Piano PLEYELOeuvres proposées par Alex Szilasi19 Valses : 1 - KK IVb no11 (a-moll - A minor - La mineur) - 1'54''2 - - KK IVa no13 (Asz-dur - A flat major - La bémol) - 1'25''3 - - KK IVb no12 (E-dur - - E major - Mi majeur) - 2'23''4 - - KK IVa no14 (Esz-dur - E flat major - Mi bémol majeur) - 2'21''5 - - KK IVa no15 (e-moll - - E minor - Mi - mineur) - 2'58''6 - - KK IVb no10 (Esz-dur - E flat major - Mi bémol majeur) - 1'56''7 - - Op. 18 Grande Valses Brillante (Esz-dur - E flat major - Mi bémol majeur) - 6'02''8 - - Op. - 34 no1 - Grande Valses Brillante (Asz-dur - A flat major - La bémol) - 5'56''9 - - Op. - 34 no2 - Grande Valses Brillante (a-moll - A minor - La mineur) - 6'23''10 - Op. - 34 no3 - Grande Valses Brillante (F-dur - - F major - Fa majeur) - 2'33''11 - - Op. posth. 69 no2 - (h-moll - - B minor - - Si mineur) - 3'34''12 - Op. posth. 70 no1 - (Gesz-dur - - G flat major - Sol bémol majeur) - 2'17''13 - Op. posth. 70 no2 (f-moll - - F minor - fa mineur) - 1'41''14 - Op. posth. 70 no3 - (Desz-dur - - D flat major - - Ré bémol majeur) - 2'31''15 - Op. - 64 no3 (Asz-dur - A flat major - La bémol) - 3'21''16 - Op. posth. 69 no1 - (Asz-dur - A flat major - La bémol) - 3'47''17 - Op. - 64 no1 (Desz-dur - - D flat major - - Ré bémol majeur) - 1'57''18 - Op. - 64 no2 (cisz-dur - - C sharp minor - - Ut dièse mineur) - 3'54''19 - Op. - 42 Grande Valse (Asz-dur - A flat major - La bémol majeur) - 4'02''Trois - Ecossaises : 20 - Op. posth. 72 no3 (D-dur - D Major - Ré majeur) - 1'05''21 - Op. posth. 72 no4 (G-dur - - G Major - - Sol majeur) - 0'37''22 - Op. posth. 72 no5 (Desz-dur - D flat Major - Ré bémol - majeur) - 0'37'' / Piano / niveau : 1 / Fac-Similés - Format: 12.5 X 14

Par CHOPIN FREDERIC. In 1845/46 Chopin composed his bel canto inspired “Barcarolle” in F-sharp major op. 60, which became a model for subsequent generations of composers. In his evaluation of the divergent and partly even contradictory sources – due to the different engraving models (Stichvorlagen) for the first editions published almost simultaneously in Paris, London, and Leipzig – the editor obtains new results and readings, especially regarding problematic passages. Chopin’s pedal indications from the other sources, which differ from the main source, are added in small print. Information on this is provided in the Critical Commentary, which also documents the numerous variants of the sources and editorial decisions. An informative preface (Ger/Eng) discusses the genesis of the work and Chopin’s specific understanding of the final shape of his works. Hardy Rittner supplements Chopin’s fingering from a historically informed perspective. He gives in-depth advice on central questions of performance practice (including cantilena style, rubato and pedal use) and discusses different interpretational approaches (Ger/Eng). Practical page turns (with fold-out page) and a reader-friendly engraving round off this new edition./ Répertoire / Piano

Fur Klavier-Piano Sonata in F-sharp major Op.78It is hard to believe that this highly lyrical and moderately difficult sonata of 1809 was preceded by the supremely dramatic “Appassionata” Sonata in F major Op.57 (BA 10852).Beethoven dedicated sonata Op.78 to his pupil Therese von Brunsvick occasionally said by Beethoven scholars to be his “immortal beloved”. It is also to her that the Sonata owes its nickname “À Thérèse”.- Scholarly-critical Urtext edition at the cutting edge of scholarship- Optimal page turns- Informative Introduction with valuablesuggestions on period performance practice (Eng/Ger)- Includes a Critical Commentary (Eng)

Alexander Scriabin (1872-1915) was a Russian composer and pianist. He was one of the most famous musicians within the Russian Empire during his lifetime but remained virtually unheard-of in the West and was quicklyforgotten after his death. His best known works are his 5 symphonies but he also wrote hundreds of Preludes and Etudes.Etude in C Sharp Minor was one of Scriabin’s earliest published works beingthe first of the Trois Morceaux (Three Morsels) that formed his second opus. It is a delicate work which modulates through several connected keys and at a similar level to the Etudes of Chopin. A perfect recital item forany pianist who wants to master a piece by an under-performed composer.

An Urtext edition of Frederic Chopin's Waltz In C Sharp Minor Op.64 No.2 as edited by Ewald Zimmermann with fingering by Hans-Martin Theopold.

Par WERNER OSKAR. L'inspiration du compositeur à écrire cette pièce a été la peinture d'Edouard Manet a appelé 'les danseurs espagnols' et la performance d'un ensemble tzigane soi-disant composé du violon instruments, clarinette et cymbalum. Ce sont les instruments dont il essaie d'imiter dans sa pièce. Eléments improvisés avec des changements inattendus de l'humeur sont destinés à ressembler à un acte spontané de Manet de la peinture. Oskar Werner (né à Hambourg en 1930) jouait de la harpe dans divers orchestres- la dernière avant sa retraite en 1995 était de Braunschweig Orchestre d'Etat où il était harpiste solo. En outre, il a également enseigné le piano et la harpe à l'Ecole Municipale de Musique à Braunschweig. Aussi disponible à Zimmermann: Werner Oskar: Quatre pièces pour harpe solo (ZM 29 090)./ Répertoire / Piano