In 1929 Paul Wittgenstein, a pianist and war veteran who lost his right arm in the Great War, commissioned Maurice Ravel to write a concerto for him to perform. The result was one of Ravel?s most thrilling compositions and, for Wittgenstein, the most important of the many works he commissioned over the course of his career. The piano reduction in our edition contains both Ravel?s and Wittgenstein?s fingering. Also included is a solo part without fingering, thereby giving pianists the opportunity to enter their own fingering after having studied those of Ravel and Wittgenstein.

Travellers Tales 'avec leurs titres et descriptifs contiennent imagination contrôlée défis techniques et musicales qui non seulement améliorer la situation d'enseignement, mais de fournir du matériel excellent concert lorsqu'il est effectué avec les accompagnements au piano - que ce soit en direct ou avec le CD. Beaucoup de pièces afficher le fun et l'humour devrait de ce compositeur, et également créer des moments de magie. Un voyage musical de découverte! / Saxophone Alto / 44 pages / niveau : Elementaire / Partition Cd

Travellers Tales 'avec leurs titres et descriptifs contiennent imagination contrôlée défis techniques et musicales qui non seulement améliorer la situation d'enseignement, mais de fournir du matériel excellent concert lorsqu'il est effectué avec les accompagnements au piano - que ce soit en direct ou avec le CD. Beaucoup de pièces afficher le fun et l'humour devrait de ce compositeur, et également créer des moments de magie. Un voyage musical de découverte! / Flûte Traversière / 44 pages / niveau : Elementaire / Partition Cd

A coup sûr, les éditions Durand vont contenter tous les pianistes avec cette fabuleuse partition de Ravel Maurice et qui a pour titre THE BEST OF: MAURICE RAVEL EN QUINZE MORCEAUX POUR PIANO. En la commandant aujourd'hui, cette partition qui a pour référence DF01571600 et pour catégorie Classique peut être en votre possession dans quelques jours. / Piano / Partition

This collection contains 39 easy-to-play piano pieces from the Baroque to the Early Modern period and presents an ideal repertoire for music schools and private music-making.Conceived as a current supplement to Bärenreiter's popular anthology 'Easy Classics for Piano? (BA 8758), it offers a wide-ranging repertoire which includes popular classical pieces but also small gems such as Chopin's 'Contredanse? in G-flat major as well as Satie's 'Berceuse? and 'Méditation?. Tried and tested fingering by the experienced pianist and piano teacher Annette Töpel help players to learn the pieces more quickly.- Ideal for students, music-lovers and piano teachers- Tried and tested fingering - Practical page-turnsFrom the contents:Chopin, 'Préludes? in A major and C minor (op. 28 nos. 7 and 20), Contredanse in G-flat major, Schumann, 'Bärentanz and Haschemann? / Bach, 'Preludes? / Debussy, 'The little shepherd? from 'Children's Corner? / Mendelssohn, 'Wedding March? / Brahms, 'Waltz? in E major (op. 39 #5), Theme from the 'Paganini Variations? (op. 35), 'Verstohlen geht der Mond auf? from Piano Sonata op. 1 (movt. 2) / Ravel, Prélude / Satie, 'Berceuse? and 'Méditation? / Piano

In search of 'La Valse'. Par SPARKE PHILIP. VAINQUEUR EBBC LILlE 2016 Raveling, Unraveling – In Search of La Valse a été composé pour le Cory Band comme pièce de choix pour le Championnat Européen de Brass Band 2016 à Lille. L’oeuvre tire son origine de la pièce de concert pour orchestre d’harmonie de Sparke, The Unknown Journey (2014). Une marque de respect à La Valse, ce nouveau morceau utilise l’oeuvre de Ravel comme sous-courant structurel et a comme objectif un genre organique plutôt qu’épisodique. D’après le compositeur, La Valse est l’un des seuls morceaux qui réussit à accomplir ceci. Il se sert de plusieurs sections de ce chef d’oeuvre, aussi bien modifiées que citées telles quelles – y inclus laplupart de ses magnifiques passages finaux – pour établir la structure généralede ce nouveau morceau. Plus la musique progresse, plus la musique de Ravel apparaît, et domine alors que l’apogée est atteinte – un hommage au maestro français. / Niveau : 6 / Pièce de concert / Répertoire / Brass Band

Par RAVEL MAURICE. Maurice Ravel's Sonatine for Piano Solo, composed in 1905, has a classical form in the style of Haydn, blended with modern harmonisation. It is very different from the impressionist style of Debussy and is characterised by a delightful spontaneity. The first movement has a feeling of nostalgic freshness, bright and clear. The second movement harks to late 18th-century elegance and structured form. The third movement has a virile energy pulsing through several sequential patterns to plaintive charm and brings a return of the initial theme. This contrast of vitality and tenderness is finished with a sparkling climax. This Urtext Edition ofRavel's Sonatine For Piano Solo has been reproduced from original manuscripts and accurate transcriptions to be as close to the composer's intentions as possible and also contains detailed background notes as well as a full critical commentary for this edition. / Urtext / Répertoire / Piano

Maurice RavelConcerto pour piano en Sol majeurPeter Jost (Editeur)Pascal Rogé (Doigtés)Johannes Umbreit (Réduction pour piano) réduction pour piano, Edition Urtext, reliure paperbackConcertos pour pianoDeux partitions sont nécessaires pour une représentationLes premiers projets de concerto pour piano de Ravel datent de 1906, mais il fallut attendre le début de l’année 1929 pour qu’il s’y consacre sérieusement. Il déclara plus tard qu’il avait composé «dans l’esprit des concertos de Mozart et de Saint-Saëns», que la musique devait être «joyeuse et brillante», sans viser «la profondeur ou les effets dramatiques». L’énergie rythmique et les emprunts au jazz caractérisent les mouvements extrêmes, tandis que le mouvement lent, où les temps forts de la mesure sont subtilement décalés, est entièrement dédié à l’élément mélodique. Outre les manuscrits et les différentes versions imprimées, cette édition Henle de la partition originale s’appuie également sur un enregistrement sonore réalisé sous la supervision du compositeur par la dédicataire de l’œuvre, Marguerite Long. Depuis le succès rencontré lors de sa création en janvier 1932, le concerto appartient au répertoire de tous les grands pianistes, dont en particulier l’expert de musique française Pascal Rogé à qui nous devons les doigtés de la partie de soliste. / Piano / Henle Verlag

Oratorio for Solo Tenor, Solo Violin, SATB, Children's Choir and Orchestra of Strings, Harp and Perc. Par ROTH ALEC. Alec Roth’s The Traveller is an oratorio for solo tenor, solo violin, SATB choir, children’s choir and an orchestra of strings, harp and percussion. In addition to writing six new poems for the piece, Vikram Seth has made English translations of twenty Indian texts from a rich variety of traditions and languages, including Sanskrit, Pali, Hindi, Urdu, Bengali, and Tamil. Taking as its theme the Ages of Man, the work is divided into six main sections: Unborn – Child – Youth – Adult – Old – Dead, followed by a short epilogue. In this universal tale of Man’s journey through life, the role of The Traveller is taken by the solo violin, The Companions by the Choir and The Poet by the tenor soloist. The Traveller was commissioned jointly by the Salisbury, Chelsea and Lichfield Festivals with funds provided by the Arts Council of England and the PRS Foundation. It was first performed by Mark Padmore (tenor), Philippe Honoré (violin) and the Britten Sinfonia, conducted by the composer, with the Salisbury Festival Chorus and Salisbury Area Young Musicians Junior Choir, at Salisbury Cathedral on 31 May 2008. This edition (EP73536a) is the vocal score. The full score (EP73536) is available to purchase and the orchestral materials are available for hire. / Date parution : 2022-07-23/ Répertoire / Ténor Solo, Violon Solo, SATB, Chœur d'Enfants et

For The Left Het For Piano et Orchestra. Par RAVEL MAURICE. In 1929 Paul Wittgenstein, a pianist and war veteran who lost his right arm in the Great War, commissioned Maurice Ravel to write a concerto for him to perform. The result was one of Ravel's most thrilling compositions and, for Wittgenstein, the most important of the many works he commissioned over the course of his career. This scholarly-critical edition of Ravel's Concerto for the Left Hand is based on previously inaccessible and unknown sources. The editor, Douglas Woodfull-Harris, was able to consult manuscripts in the private library of the Paul Wittgenstein Estate which allowed him to retrace the work's evolution from Ravel's autograph working copy to the first printededition. The piano reduction in our edition contains both Ravel's and Wittgenstein's fingerings. Also included is a solo part without fingering, thereby giving pianists the opportunity to enter their own fingering after having studied those of Ravel and Wittgenstein. In 1929 Paul Wittgenstein, a pianist and war veteran who lost his right arm in the Great War, commissioned Maurice Ravel to write a concerto for him to perform. The result was one of Ravel 's most thrilling compositions and, for Wittgenstein, the most important of the many works he commissioned over the course of his career. This scholarly-critical edition of Ravel 's Piano Concerto For The Left Hand is based on previously inaccessible and unknown sources. The editor, Douglas Woodfull-Harris, was able to consult manuscripts in the private library of the Paul Wittgenstein Estate which allowed him to retrace thework's evolution from Ravel 's autograph working copy to the first printed edition. A source of key importance to our new edition is a handwritten French copy of Ravel 's own Piano reduction (the autograph is inaccessible) that he gave to Wittgenstein to facilitate rehearsing the work. This copy is the sole source reflecting Wittgenstein's own interpretation and containing his changes to the final cadenza. It also helps us to understand omissions in the first edition of the score as well as the Piano reduction, and enabled the editor, amongst other things, to correct a great many notes which could be found in previous editions, including the solo Piano part. The Piano reduction in our edition contains both Ravel 's and Wittgenstein's fingering. Also included is a solo part without fingering, thereby giving pianists the opportunity to enter their own fingering after having studied those of Ravel and Wittgenstein. Score and orchestral parts in large format (25. 5 x 32. 5 cm) Includes source descriptions and a Critical Commentary with alternative readings (Eng) Informative Introduction on the work's history and genesis (Ger/Eng/Fr) With facsimile pages Piano reduction with separate Urtext solo part enclosed Full score & parts (BA7881) and two-Piano reduction (BA7881-90) available for sale./ Répertoire / Piano et Orchestre

Ravel, Maurice Tzigane Concert rhapsody for violin and piano In 1922 Maurice Ravel heard the young Hungarian violin virtuoso and niece of Joseph Joachim, Jelly D'Aranyi, in concert in London. Following the performance, Ravel spent the remainder of the evening requesting D'Aranyi to play numerous gypsy tunes on her violin, probing her on the technical limits of the instrument. The result of this encounter is Ravel's virtuoso classic 'Tzigane'. Written originally for violin and piano or luthéal (a mechanism invented in 1919 that attaches to a piano, producing a sound similar to the rich overtones of the Cimbalon), the premiere took place in London in April 1924. The composer had finished the work only days beforehand. Ravel later orchestrated 'Tzigane' and both versions remain a 'must' for music-lovers and aspiring violinists today. Jelly D'Aranyi performed both versions regularly throughout her long career. This Urtext edition presents the first scholarly-critical edition of Ravel's masterpiece. It is published both in the orchestral version, complete with full score and performance material, as well as in the composer's earlier version for violin and piano. All known sources, including letters, have been drawn on for the new edition; one of the available sources, consulted for the first time, was a copy of 'Tzigane' from the estate of Jelly D'Aranyi, which is today part of a private collection. The version for piano and violin contains, besides the Urtext part, a second violin part as a facsimile with performance instructions by Jelly D'Aranyi. D'Aranyi's alterations and fingering reflect how Ravel must have heard the work in rehearsals and performance and as such are a document of early 20th century performance practice. The cooperation between Ravel and D'Aranyi is comparable to that of Brahms and Joachim working on the Brahms violin concerto. - First scholarly-critical Urtext edition of the work - Presented are both versions: for violin and orchestra and for violin and piano - Includes Jelly D'Aranyi's fingering