for String Orchestra-Canterbury Chorale est une oeuvre empreinte de sérénité et de solennité. Elle s?inspire de la beauté majestueuse de la célèbre cathédrale de la ville de Canterbury haut lieu de la culture musicale anglaise. Canterbury Chorale alterne des passages en solo et des phrases en tutti. Les sonorités sont amples et rondes. Les courbes sont fluides légères et brillantes. Les tutti puissants et soutenus rappellent la richesse sonore et la générosité de l?orgue d?église. Canterbury Chorale est dédié à Robert Leveugle président du Brass Band Midden Brabant.

Oui! Pour la première fois, tout comme l'enregistrement et dans son intégralité, voici 'The Mash' pour orchestre. Avec narration écrite-out, parties de choeur pour la section des cordes ou une chorale, drumset, guitare facultative et piano, prêt de celui-ci pour toute bash. Ajouter costumes, des sketches, et tout ce que les enfants peuvent penser à ajouter du piquant à votre Halloween ou pops concert. Il s'agit d'une excellente occasion d'inviter ce invité spécial à raconter. / Orchestre A Cordes

for Strings Score and Parts. Par . Twelve Days of Christmas, arranged by R. Scott Whittington, is a time-honored holiday favorite, equally popular with young and old. This arrangement for developing orchestra at Level 3, creates a festive mood with a warm introduction presented by solo violin andcello, which leads into several contrasting adaptations of the piece. A minor variation provides a moment of reflection, which pavesthe way for a stirring chorale version of the Twelve Days of Christmas concluding with a sweeping finale. Twelve Days of Christmas is idiomatically written for developing string players, and is scored in the lower positions to allow directors to focus on blend, intonation, and rhythmic accuracy. All sections are given interesting material to play. An optional part for orchestral bells provides a sparkly, flavor to the piece. / Date parution : 2022-07-30/ Répertoire / Orchestre à Cordes

for String Orchestra. Par WHITACRE ERIC. A brand new orchestration of Eric Whitacre's popular composition for concert band, Sleep for String Orchestra is a lush and achingly beautiful work. This haunting chorale begins softly and slowly then blossoms to a powerful climax. Can also be performed with optional SATB chorus, with original text by celebrated American poet Charles Anthony Silvestri. / Date parution : 2023-07-31/ Répertoire / Orchestre à Cordes

The magnificent interweaving of harmonies and dialogue-like Voices in Handel’s For Unto Us A Child Is Born make it a perfect addition to the festive choral repertoire. German-born British Baroque composer George Frideric Handel originally composed this piece in 1741 for the English-language oratorio Messiah which eventually became one of the best-known and most frequently performed choral works in Western music. As the last song of Scene 3 of Part I of the oratorio which addresses Isaiah's specific prophecy about the virgin birth of a Messiah For Unto Us A Child Is Born tells the news of Christmas thebirth of a son in Isaiah’s words as found in the Scripture (Isaiah 9:6). The delicate familiar theme is introduced by the Sopranos and taken up by their counter-voices the Tenors later the same dialog is given over to the Altos and Basses. The tutti culminates in 'Wonderful' 'Counselor' 'The Mighty God' 'The Everlasting Father' and 'The Prince of Peace'.

Score and Parts (8-8-4-4-4)-An orchestration of Serebrier's 1964 choral work Vocalise Adagio paints a portrait of desolation with the composer's characteristic Slavic dark touch and elegiac and nostalgic mood. Recording credit: St. Michel Strings José Serebrier conducting. Alba Records ABCD 341

The Lamb one of composer John Tavener’s most beloved frequently-performed and often-recorded works was composed in a single afternoon in 1982 as a gift for the composer’s three-year-old nephew.While the original was an unaccompanied Choral piece that set William Blake’s poem The Lamb this adaptation is an extremely effective and moving work for String Orchestra. The arrangement may be performed aloneor in accompaniment to a Chorus. John Tavener was that rare creature a composer of serious music and serious religious music who also achieved commercial success. He burst into the popular consciousness with theperformance of his Song for Athene at the funeral of Princess Diana but had been a highly respected and frequently-performed composer since the premiere of his dramatic cantata The Whale in 1968. The Lamb hasappeared on nearly forty different recordings.

This well-known a cappella choral work ofªBruckner is beautifully re-scored by Robert Longfield and gives a wonderfulªopportunity to experience expressive playing for a string orchestra.

Only the creators of the Simpsons could dream up such a tune! As heard over the end credits this “legit” work is sung by a skilled choral ensemble but with a new libretto to the tune of the original Spider-Mantheme. Paul Lavender's version for strings also includes the lyrics for those players who can't help themselves from singing along. Dur: 1:45

Appels; Echos; Prismes; Espaces lointains; Litanies; Choral; Rumeurs; Soliloques; Métamorphoses sur le Nom de Sacher; Embrasement

A systematic approach to developing superior tone intonation balance and technique through chorales scale studies and orchestral excerpts. Ideal for festival preparation.

Into the faded air was commissioned by Britten Sinfonia for first performance at Filharmonic Hall Krakow Poland on Sunday 13th January 2008 with Jacqueline Shave (Violin) Miranda Dale (Violin) Clare Finnimore(Viola) Catherine Musker (Viola) Caroline Dearnley (Cello) and Banjamin Chappell (Cello).Scoring: String Sextet (2 Violins 2 Violas and 2 Cellos)Duration: 10 minutes Composer'sNotes 'Into The Faded Air is cast in four movements although the last three movements are played without a break.In the first movement the sextet is divided into twogroups. The first group consisting of violin viola and cello plays a sustained melody while the second group (also violin viola and cello) contributes more jagged and intricate material. The second movement is an extended duetfor two violas accompanied by the other instruments. As the movement progresses the accompanying instruments become more prominent. The third movement is the only fast movement in the piece with rapid semiquavers and much useof pizzicato throughout. This leads into a serene chorale where the three upper instruments (two violins and first viola) are set against the second viola and two cellos.' - HelenGrime

Explore the rich and important history of the Underground Railroad in this serious festival work. Opening with a solemn chorale themes in the cello and bass soon take on the character of traditional spirituals. As the piece moves into a lively allegro section the music becomes much more dramatic depicting the excitement nervousness and extreme courage displayed by those who were able to escape to freedom. Inspirational!