Par HALSEY S. / SUMMERLEY J.. Ce volume présente une richesse du répertoire inestimable, original pour les chorales de voix supérieure. Bon nombre des pièces recueillies dans le présent volume sont publiées ici pour la première fois ou ne jouissent pas de la même exposition comme une grande partie du répertoire des voix mixtes. Le volume s'appuie sur le succès de 'Chorale Programme Series' la musique de Faber, dont certaines pièces ont été tirées. 30 'Masterworks sacré englobe de nombreuses époques et offre les deux accompagné et morceaux non accompagnés, il forme une collection dynamique et polyvalente convenant à une variété de services et de concerts à travers l'année. Ce volume est une ressource inestimable, tant pour les chorales de voix supérieure afin d'obtenir source d'inspiration et nouveau répertoire ainsi que pour mixtes chorales de voix qui veulent mettre en valeur le talent de leurs les chanteuses. 10-packs sont disponibles et offrent une économie de coûts importantes. / Date parution : 1999-12-25/ Recueil / SATB

Alexander's Feast was composed by Handel in 1736. The words, in celebration of St Cecilia, patron saint of music, were written by Dryden and first set to music by Jeremiah Clarke. This ode was written for STB (or SATB) soli, SATB chorus and orchestra. This version, edited by Donald Burrows, contains all vocal parts and a piano accompaniment. / Choeur Mixte (SATB) Et Piano

Par HOWELLS HERBERT. Herbert Howells composed his Magnificat And Nunc Dimittis evening canticles for St Paul's Cathedral in 1951, going on to become among his most famous and enduring works. These beautiful canticles were composed by a master of setting the Anglican liturgy, and are arranged for SATB Chorus and Organ Accompaniment. These two wonderful works of choral music are characterised by a unique blend of unison harmonies and disparate melodies that highlight each voice perfectly. The lingering notes, crescendos and subtle dynamic changes were composed with the acoustics of that great cathedral in mind, but they also work equally well in any setting. / Niveau : Intermédiaire à Avancé / Répertoire / Choeur Mixte (SATB) et Orgue

Invocation was written for the Choir of The Queen’s College Oxford and represents the culmination of the composer’s time as a research fellow at the college when he worked closely with the choir. Phillip had long been a devotee of Edward Thomas’s evocative poem Adlestrop with its dreamy pastoral feel invoking the very essence of a sultry English country afternoon. It seemed a natural choice to set not least because it mentions the two counties in which he has spent the last seven years Gloucestershire and Oxfordshire. Phillip wanted the workfurther to emphasise the link with everything we might class as a stereotypical English countryafternoon cricket on the green church bells birdsong and warm beer the mythical ‘middle-England’. His work in no way tries to depict this rather to distil the feeling it is a rhapsody on a theme of English country life that men went to war to preserve something very different from the more rugged landscape he grew up with in the Lake District. The work is called Invocation because it is precisely that a spell or charm something that bewitches the listener and that the composer hopes stays long in the mind rather like Adlestrop or indeed Adlestrop itself.The Novello New Choral Series is an inspiring selection of new works from a range of contemporary composers offering pieces for all types of choirs including sacred and secular works from simple four-part settings to more expansive yet accessible repertoire in an exciting variety of styles. This collection is perfect for choirs looking to broaden their repertoire and explore some of the best new music around.Phillip Cooke was born in Cumbria in 1980 spending his formative years there. He has had works played across the country by many of the country’s top choirs and ensembles. New works in 2011 were featured in the London Festival of Contemporary Church Music John Armitage Memorial Concert Series Choir

Tarik O'Regan's Where All Is Buried for SATB choir with Percussion. Commissioned by the Providence Singers with support from its Wachner Fund for New Music.

Sounds And Sweet Airs is a work by Paul Mealor for SATB Choir with hand-held Percussion and Accordion. The various hand-held Percussion instruments are to be performed by members of the choir for this work which lasts around 4 minutes. This is the Vocal Score. Commissioned by Ty Cerdd for the National Youth Choir of Wales’s 2015 Tour of Argentina it was first performed by them at Llandaff Cathedral on 24th July 2015. A separate Accordion Part is available to purchase separately order number NOV165506-01.

Richard Rodney Bennett's wonderful version of the Missa Brevis arranged for SATB Choir with a Piano accompaniment for rehearsal purposes.

An Outrage is an enticing piece of music composed by Nico Muhly and has been scored for SATB Drones and Drum.It's galloping melodic lines slip out of the percussive writing as if by centrifugal force holding a sense of outrage at bay.Nico Muhly has composed a wide scope of work for ensembles soloists and organizations including the American Symphony Orchestra New York City Ballet The Royal Ballet and artist Conrad Shawcross to name a few. Muhly has also lent his skills as performer arranger and conductor to the likes of Usher and Björk.

All The Ends Of The Earth is a choral motet written for a Europe-wide radio broadcast on Millennium Day 1st January 2000. It is based on Perotin's organum Viderunt Omnes. Scored for S.A.T.B. chorus percussionand harp.

C-Dur. Par JOSEPHSON NORS S.. Langue : Latin/ Répertoire / Choeur SATB et Orgue

Snow is silent. for SATB, body percussion, and congas An energetic piece setting a text full of natural imagery. Mahler's catchy melodies are combined with speech, body percussion, and congas to imitate the contrasting characteristics of rain.Dramatic and expressive - this is the perfect performance piece to get stuck into! Also available in Breath of Song.

A Shepherd's Carol was written for a BBC feature programme, Poet's Christmas , produced by Edward Sackville-West. It was broadcast on Christmas Eve, 1944, by the BBC Home Service, sung by the BBC Singers and conducted by Leslie Woodgate. The chorus is one of the two portions set by Britten of W.H.Auden's A Christmas Oratorio , the complete text of which was later published as For the Time Being . It was withdrawn by the composer after the first performance, not to be heard again until 1961. / Choeur SATB

Three John Donne Settings was commissioned by the Friends of the National Youth Choir of Wales. Comisiynwyd gan Gyfeillion Côr Cenedlaethol Ieuenctid Cymru.Three John Donne Settings was first performed on 26 July 2013 by the National Youth Choir of Wales conducted by David Lawrence at St. Mary’s Church Conwy as part of the Conwy Classical Music Festival.