Hohe Stimme / High Voice-As a continuation of the new Urtext edition of the Schubert lieder Walther Dürr has now edited volume five for high medium and low voices. Volumes 1 to 4 of this edition contain mainly lieder which Schubert himself saw into print (in his own choice and order) and in the fourth volume works from the last two years of his life are included. The lieder in volume 5 onwards are strictly presented in the order of Deutsch?s Thematic Catalogue which means that in principle they are arranged chronologically.The lieder in volume five were composed in the years 1811 to 1814. The first 'Hagars Klage' (D 5) dated 30 March 1811 is also his first complete surviving song. The firsteleven lieder are evidence of his early studies (1811 1813/14). During this period Schubert immersed himself in Johann Rudolf Zumsteeg?s ballads and lieder and wrote Italian arias during his composition lessons with Antonio Salieri. He also composed a single strophic song ('Klaglied' D 23) which the only one of these songs was published shortly after his death in November 1830 as op. 131 3. His apprentice work as it were was the major ballade 'Der Taucher' (D 77) which was composed between 1813 and roughly the beginning of 1815. Probably not by chance his first complete opera ('Des Teufels Lustschloss' D 84) was written at the same time. He also set fourteen poems by Friedrich von Matthisson exploring the principle of the strophic lied.- Excellent new engraving based on the 'New Schubert Edition'- Foreword by Walther Dürr discussing the history the works? compositionand transmission together with a list of sources for each song (Ger/Eng)- English translation of the song texts by Richard WigmoreContents:Hagars Klage D 5 / Leichenfantasie D 7 /Der Vatermörder D 10 / Klaglied op. post. 131 3 D 23 / Misero pargoletto D 42 (high voice only) / Totengräberlied D 44 / Die Schatten D 50 / Verklärung D 59 / Pensa che questo istante D 76 (medium and low voice only) /Der Taucher D 77 / Son fra l?onde D 78 (high voice only) /Adelaide D 95 / Trost. An Elisa D 97 /Erinnerungen D 98 / Andenken D 99 /Geisternähe D 100 / Erinnerung D 101 /Die Betende D 102 / Die Befreier Europas in Paris D 104 /Lied aus der Ferne D 107 (1st version) / Lied aus der Ferne D

Description Songs Of Claude Debussy Volume I: High Voice This edition presents 62 of Debussy's songs in two volumes. Songlist [Unknown] Aimons-nous Et Dormons Apparition Ariettes Oubilees: Beau Soir C'est L'extase Langoureuse Chevaux De Bois Cinq Poemes De Charles Baudelaire: Clair De Lune En Sourdine Fantoches Fete Galante Fetes Galantes Pour Madame Vasnier: Fleur Des Bles Green Harmonie Du Soir Il Pleure Dans Mon Coeur Jane La Belle Au Bois Dormant La Mort Des Amants Le Balcon Le Jet D'eau L'ombre Des Arbres Mandoline Nuit D'etoiles Pantomine Paysage Sentimental Pierrot Recit Et Air De Lia (From L'enfant Prodique) Recueillement Rondeau Spleen Trois Melodies: Voici Que Le Printemps Zephyr

This exquisite collection of vocal solos features folk songs from China Japan Korea Malaysia Taiwan and Thailand. Appropriate for both developing singers and mature vocalists each of the 10 beautiful arrangements is sung largely in English and a phonetic pronunciation guide is included for the phrases in Asian languages. Titles: Arirang * Burung Kakak Tua * Flower Drum Song * High Green Mountain * Japanese Snow Song * Jasmine Flower * Kangding Love Song * Loy Krathong * Sakura * Uji River.

The Complete Verlaine Settings (1887–1894) Critical edition-Gabriel Fauré’s seventeen settings of the poetry of Paul Verlaine mark the biggest single stylistic leap of his compositional career and arguably one of the high points of the entire art song repertoire. The present edition contains the three individual settings Claire de lune Spleen and Prison together with the Op. 58 “Venetian” Songs and the magnificient cycle La Bonne Chanson. With its focus both practical and scholarly this new Complete Edition of songs aims to encourage creative confident and well informed performance. Founded on study of hundreds of manuscripts and printedsources it has been tested internationally in masterclasses workshops seminars concerts and recordings. In this it takes a lead from the composer who prepared his own editions on the basis fo performing experience. The edition also assimilates interpretative insights from musicians who worked with Fauré as well as from his documented performing preferences.

Second Set. Contents: Fear no More the Heat o' the Sun · Under the Greenwood Tree · It was a Lover and His Lass · Take O Take Those Lips Away · Hey Ho the Wind and the Rain.