SKU: HL.48187637
UPC: 888680844332. 5.5x7.5x0.373 inches.
Wolfgang Amadeus Mozart: Concerto No.20, KV466 in D minor (PH30) (Piano & Orchestra).
SKU: HL.48187634
UPC: 888680845278. 5.5x7.5x0.197 inches.
Wolfgang Amadeus Mozart: Overture from 'La Flute enchantee' (PH27) (Orchestra).
SKU: HL.48187720
Wolfgang Amadeus Mozart: Sinfonia concertante KV364 in E flat major (PH117) (Orchestra).
SKU: AP.48089
ISBN 9781470654948. UPC: 038081554396. English.
A perfect classical choice for late-beginner and early-intermediate orchestras, Allegro Molto from Symphony No. 1, K.16 by Wolfgang Amadeus Mozart and arranged by Anthony Granata has been rewritten from the key of E-flat major to D major. This wonderful teaching piece features simple eighth-note patterns, dynamics, articulations, and accidentals. The work retains the simplicity, charm, and elegance of the original, while still giving your students a bold and mature sound, reminiscent of the Classical era. Younger orchestras can now enjoy the beauty and wonders of the infamous musical prodigy's first symphony. This is a wonderful concert program opener or closer. (2:30) This title is available in MakeMusic Cloud.
SKU: HL.48187890
UPC: 888680849856. 5.5x7.5x0.265 inches.
Wolfgang Amadeus Mozart: Concerto No.21, KV467 in C major (PH257) (Piano & Orchestra).
SKU: BT.ALHE31792
French.
Wolfgang Amadeus Mozart: Concerto No.18, KV482 in B flat major (PH262) (Piano & Orchestra).
SKU: HL.48187896
UPC: 888680849801. 5.5x7.5x0.291 inches.
SKU: BT.ALHE31516
Wolfgang Amadeus Mozart: Symphony No.36, KV425 'Linzer' (PH116) (Orchestra).
SKU: HL.48187651
UPC: 888680845155. 5.5x7.5x0.241 inches.
“Wolf gang Amadeus Mozart: Symphony No.38, KV504 (PH45) (Orchestra)â€.
SKU: HL.50510097
ISBN 9790080123010. UPC: 073999664287. 9.0x12.0x0.161 inches. Wolfgang Amadeus Mozart; Akos Fodor.
SKU: AP.48089S
ISBN 9781470654955. UPC: 038081554402. English.
A perfect classical choice for late-beginner and early-intermediate orchestras, Allegro Molto from Symphony No. 1, K.16 by Wolfgang Amadeus Mozart and arranged by Anthony Granata has been rewritten from the key of E-flat major to D major. This wonderful teaching piece features simple eighth-note patterns, dynamics, articulations, and accidentals. The work retains the simplicity, charm, and elegance of the original, while still giving your students a bold and mature sound, reminiscent of the Classical era. Younger orchestras can now enjoy the beauty and wonders of the infamous musical prodigy's first symphony. This is a wonderful concert program opener or closer. This title available in MakeMusic Cloud.
SKU: BT.ALHE31523
Wolfgang Amadeus Mozart: Overture from 'Cosi fan Tutte' (PH123) (Orchestra).
SKU: HL.48187642
UPC: 888680845247. 5.5x7.5x0.133 inches.
Wolfgang Amadeus Mozart: Overture from 'Don Juan' (PH35) (Orchestra).
SKU: HL.48187631
UPC: 888680845322. 5.5x7.5x0.249 inches.
Wolfgang Amadeus Mozart: Symphony No.40, KV550 (PH24) (Orchestra).
SKU: HL.48187851
UPC: 888680851897. 5.5x7.5x0.121 inches.
Wolfgang Amadeus Mozart: Overture from 'La Sposa deluso' (PH279) (Orchestra).
SKU: HL.48187752
UPC: 888680868000. 5.5x7.5x0.177 inches.
Wolfgang Amadeus Mozart: Symphony No.29 K.201.
SKU: BT.ALHE31736
SKU: BT.ALHE31522
Wolfgang Amadeus Mozart: Overture from 'Il Seraglio' (PH122) (Orchestra).
SKU: HL.48187719
UPC: 888680864064. 5.5x7.5x0.263 inches.
SKU: HL.48187726
UPC: 888680864279. 5.5x7.5x0.141 inches.
SKU: BT.ALHE31783
SKU: BA.BA04555-02
ISBN 9790006547159. 34 x 27 cm inches. Preface: Haußwald, Günter / Plath, Wolfgang.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?< /p> MUSICOLOGICA LLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
What can I expect from a Barenreiter Urtext edition?< /p>
MUSICOLOGICA LLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: BA.BA04558-01
ISBN 9790006450619. 33 x 26 cm inches.
The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time, it also serves as an aid to authentic performances.The principal Series I to IX, containing Mozart's actual oeuvre, appeared between 1956 and 1991. They are regarded as a supreme achievement of Mozart scholarship in our time; modern performances of Mozart's music are unthinkable without them. The important supplementary volumes shed fresh and illuminating light on neglected aspects of Mozart's creative work, such as his activities as a teacher or as an arranger of other composer's works.
SKU: HL.48187753
UPC: 888680868024. 5.5x7.5x0.173 inches.
Following nearly 4 years without having composed a new symphony, although still writing opera overtures and works from orchestral serenades, Mozart composed the ?Paris? Symphony. Mozart received the commission from Joseph Legros, when him and his mother were in Paris in 1778.Mozart composed the work for the largest orchestra he?d written for until then in a symphony, marking the first time which he had used Clarinets in one of his symphonies. Mozart had taken pains to write the work in a style that would appeal to the French and, despite a dismal rehearsal, the first performance was well received.Available here is a study score of Mozart?s Symphony No.31 in D ?Paris? K.297, which is ideal for study and perusal usage..
SKU: BR.PB-5298-07
ISBN 9790004211786. 6.5 x 9 inches.
Mozart's last symphony offered editor Cliff Eisen a clear-cut basis for his work: its autograph score is the sole authentic source to have survived. In order to remain as close as possible to the performance practice of Mozart's time, the editor has tried to keep as much as possible of the composer's idiosyncratic notation style, since a consistently modernized music text would hardly allow any conclusions on the interpretative nuances envisioned by Mozart. The preface confirms the brilliance and expertise of Mozart expert Cliff Eisen, who offers a wealth of fascinating findings on interpretation, genesis and early reception.Mozart' s last symphony offered editor Cliff Eisen a clear-cut basis for his work: its autograph score is the sole authentic source to have survived.
SKU: BR.PB-5566-07
3 Work Stages, 2 Versions, 1 Edition
,,… the musical text is fine. This is a valuable improvement. (Clifford Bartlett, Early Music Review)
ISBN 9790004213766. 6.5 x 9 inches.
With the new edition of the G-minor Symphony, a vital work group in Mozart's oeuvre is now complete: the three late symphonies K. 543, 550 and 551, now available in Urtext editions. As in his new edition of the Hafner Symphony, Henrik Wiese uncovers in the present Breitkopf Urtext score three different stages in the genesis of the G-minor Symphony. Mozart initially wrote the work without clarinets (1st stage), and then he added the clarinets (2nd stage). Not until a final stage did he change the wind instrumentation in the Andante (3rd stage). Mozart thus returned to the 1st version again after completing the 2nd version (with clarinets). This advances the importance of the 1st version without clarinets as Fassung letzter Hand. A compelling insight which sheds new light on the famous G-minor Symphony. Both versions are of equal value and can now be compared with one another, studied and, above all, performed for the first time ever thanks to the new score and parts.Another extremly practical aspect that should be noted: the orchestral parts offer solutions for all the problematic page turns for the first time ever (please see the sample pages of OB 5542 - Violin II.),,... the musical text is fine. This is a valuable improvement. (Clifford Bartlett, Early Music Review)3 Work Stages, 2 Versions, 1 Edition.