Basé sur la bande originale formidable du succès The Greatest Showman voici un medley dramatique et stimulant pour vos concerts. Sont inclus : The Greatest Show Never Enough A Million Dreams This IsMe et From Now On.

Dans cette composition en quatre mouvements contrastants plusieurs voix apparaissent dédoublées afin de convenir au plus grand nombre de formations. Le premier mouvement est une sorte de « mise en appétit » sur un rythme disco soutenu. Le deuxième mouvement plus lent est une ballade romantique. Le troisième tableau s?inspire d?une danse irlandaise. Quant au quatrième et dernier mouvement il s?agit d?une variation sur le premier mouvement avec un finale éblouissant. Avec Showtime! les fanfares dynamiques font leur show !

(Test Drive/Coming Back Around) This stunning finale for your Dragon show features the powerful main themes from the soundtrack carefully paced for maximum effect on the field. The dramatic reprise section includes a touch of Scottish style drumming for added flare.

Edité par Philip Jones and Elgar Howarth. La série Just Brass est considéré par les joueurs de cuivres dans le monde entier que la série ensemble de cuivres les plus importantes disponibles. Il ya plus de 100 titres subdivisés en Just Brass (mainstream), Junior Just Brass, Brass Lollipops Juste et Giant Just Brass. Fourni en partition et les parties ensemble. / Scores

With award-winning composer Lin-Manuel Miranda Disney's Moana features memorable tunes along with an engaging story. Here is the hit single How Far I'll Go in an effective version for the field or stands.

From the hottest movie soundtrack to come along in years, here is the dynamic opening number from The Greatest Showman. The opening anthem-like strains lead to an up-tempo chorus with plenty of excitement and drive. / Partitions classique / Ensemble et orchestre / Ensemble vents / HAL LEONARD

En 1971 le chanteur britannique Tony Christie enregistre pour la première cette chanson de Neil Sedaka et Howard Greenfield. Le succès fut immédiat. Is This the Way to Amarillo est devenu indéniablement un grand classique. Avec cet arrangement bien ficelé Stefan Schwalgin met un peu de piment dans votre programme de concert.

Five original compositions by the trumpet virtuoso Allen Vizzutti. This book, for advanced trumpet players, includes a demo CD with Allen Vizzutti and the Budapest Symphony Orchestra showing you how it should be done. / Date parution : 1905-06-20/ Accessoire / Concert Band ou Harmonie

In a four-part composition Rieks van der Velde takes us to the richly varied area surrounding the university city of Cambridge. The Dutch composer was especially inspired by the atmosphere of Cambridgeshire the county which lies north of London. 1. The Journey. Although on arrival the area looks peaceful and friendly the ruggedness of its inhabitants and landscape have an unmistakable influence on the music. In the course of the tour which starts with an Allegro movement we are shown the vitality energy and freshness of the Cambridgeshire countryside. Short themes swift and sudden motifs and rhythmical patterns supported by the drive ofpercussion instruments give expression to this image. The first part is concluded by two 'Calmo' movements in which the music expresses how the cathedral in the city of Ely comes into sight and is gradually approached. 2. Visit to Ely Cathedral. The famous Norman cathedral church of Ely which was built in 1109 has attracted tourists from all over the world apart from being a place of worship and heritage site. A cornet solo introduces the contemplative mood of the composition at this point. The mystical atmosphere of the cathedral runs through this lyrical part like a continuous thread. 3. The Pub. The thirst caused by this intensive journey makes a visit to the local pub a definite must. These ?public houses? which may be open until the early hours of the morning offer all kinds of entertainment. Drinks are served liberally and the atmosphere is lively. 4. The Journey Back. Time has flown: In other words the moment of departure has come sooner than one would have wished. In a flashback which recaptures elements of the first part of the composition we say goodbye to Cambridgeshire in a fitting manner. Two scintillating final measures bring us abruptly back to the present.

In a four-part composition Rieks van der Velde takes us to the richly varied area surrounding the university city of Cambridge. The Dutch composer was especially inspired by the atmosphere of Cambridgeshire the county which lies north of London. 1. The Journey. Although on arrival the area looks peaceful and friendly the ruggedness of its inhabitants and landscape have an unmistakable influence on the music. In the course of the tour which starts with an Allegro movement we are shown the vitality energy and freshness of the Cambridgeshire countryside. Short themes swift and sudden motifs and rhythmical patterns supported by the drive ofpercussion instruments give expression to this image. The first part is concluded by two 'Calmo' movements in which the music expresses how the cathedral in the city of Ely comes into sight and is gradually approached. 2. Visit to Ely Cathedral. The famous Norman cathedral church of Ely which was built in 1109 has attracted tourists from all over the world apart from being a place of worship and heritage site. A cornet solo introduces the contemplative mood of the composition at this point. The mystical atmosphere of the cathedral runs through this lyrical part like a continuous thread. 3. The Pub. The thirst caused by this intensive journey makes a visit to the local pub a definite must. These ?public houses? which may be open until the early hours of the morning offer all kinds of entertainment. Drinks are served liberally and the atmosphere is lively. 4. The Journey Back. Time has flown: In other words the moment of departure has come sooner than one would have wished. In a flashback which recaptures elements of the first part of the composition we say goodbye to Cambridgeshire in a fitting manner. Two scintillating final measures bring us abruptly back to the present.

The sisters Ruth Anita and June Pointer from West Oakland in California learned how to sing in the sixties in church where their father was a minister. At the beginning of the 1970s they entered the music business where they proved to have a mastery of many styles - including rhythm & blues jazz and country. However the Pointer Sisters acquired international fame at the beginning of the eighties with their soul-like pop music. A great hit was the up-tempo number I’m So Excited which is still a success on every dance floor. This sparkling arrangement by Peter Kleine Schaars certainly provides the excitement that is suggested in the title.

Energetic from beginning to end this hit from Green Day's most recent album provided all the musical elements Tom needed to fashion a truly dynamic and showy conclusion to our complete Green Day show. From the opening percussion intro to the dazzling final flourish Still Breathing caps off a show that audiences and players will love.

It is often thought that this melody came from the Victorian era when Irish songs were very popular however this Air was first published in 1813 and has been adapted and arranged by many composers and arrangers over the years. This arrangement as a Flugel Horn solo by Gary Westwood is a new treatment and shows off this tender and wistful love song.

In Danceries by Kenneth Hesketh the melodies themselves are a mixture of old and new. Where the old occurs it has been adapted in mood and composition and is often interspersed with completely new material. The contemporary harmonies and rhythms bring a breath of new into these themes and add drama to the suite. The first movement Lull Me Beyond Thee is gentle and lilting almost a barcarole this movement is very much a reverie. The original tune had the name Poor Robin’s Maggot a rather disconcerting title. Maggot however in seventeenth-century parlance meant whim or fancy. The second Catching of Quails is acolourful buoyant scherzo on an original melody. The thematic material is shuttled around the band to contrast with full-blooded tuttis. The last few bars fade to almost nothing before a final surprise! My Lady’s Rest is a tender pavane also on an original melody with Moorish leanings. Beautiful solo passages expressive contrapuntal writing and warm tuttis provide an opportunity to show off the most lyrical of playing. The final movement Quodling’s Delight is a clever combination of the 17th century melody Goddesses with an original contrasting melody creating a rousing and exuberant finale to the work.

How Will I Know ? Saving All My Love For You ? I Wanna Dance With Somebody ? I Will Always Love You. Par HOUSTON WHITNEY / BROWN MICHAEL (Arr.). Dix années se sont écoulées depuis la disparition de la chanteuse américaine Whitney Houston, mais le monde n?a pas oublié sa voix sublime. Ses tubes intemporels ? ballades ou chansons bourrées d?énergie ? s?entendent toujours à a radio. Cet irrésistible medley comprend certains de ses plus grands succès : « How Will I Know », « Saving All My Love for You », « I Wanna Dance with Somebody » et « I Will Always Love You ». / Date parution : 2022-03-16/ Recueil / Fanfare Band