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3 Holiday Scenes (JOHNSON TIMOTHY)
103.52
3 Holiday Scenes (JOHNSON TIMOTHY)
Orchestre d'harmonie
[Conducteur et Parties séparées]
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Facile
Curnow Music
Par JOHNSON TIMOTHY. An imaginative look at a good old-fashioned Christmas! From...
(+)
Par JOHNSON TIMOTHY. An imaginative look at a good old-fashioned Christmas! From aromas of family favorites cooking in the kitchen, to the images of decorated trees, snow scenes, and caroling - all are a part of that wonderful celebration. Rather than just taking the same old Public Domain Christmas carols for one more go ‘round, Timothy Johnson has composed the majority of THREE HOLIDAY SCENES using fresh and original melodies. The first scene opens with fragments of “Oh Tannenbaum” but quickly moves into a beautiful Christmas waltz. An “effets de neige, ” or “Snowfall effect, ” carries the luscious second and contrasting scene. In the 3rd and final scene, the phrases from well-known carols mergewith one another, creating the effect of “caroling. ” Finally, melodies serve as counterpoint for one another and bring this delightful vignette to a close. This piece presents an excellent opportunity to work with the Art department in creating drawings and paintings of holiday images. Pull your chair a little closer to the fireplace and sit back for a winsome holiday treat! / Niveau : 2.5 / Répertoire / Concert Band
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Amazonia (VAN DER ROOST JAN)
226.76
Amazonia (VAN DER ROOST JAN)
Orchestre d'harmonie
[Conducteur et Parties séparées]
-
Intermédiaire/avancé
De Haske Publications
Par VAN DER ROOST JAN. This major concert work cosists o five movements. 1st mov...
(+)
Par VAN DER ROOST JAN. This major concert work cosists o five movements. 1st movement: La Laguna del ShimbeSituated high up in the Andes mountains in Northern Peru are the Huaringas, a group of lagoons in isolated and mysterious surroundings. The water has healing powersand for centuries traditional healers have settled there in small villages. From far the sick come to the Huaringas to be treated in nightly rituals, in which the hallucinating juice of the San Pedro cactus gives the prophet a look inside hispatient. The biggest lagoon is the “Laguna del Shimbe”, one of the countless wells of the immense Amazon stream. 2nd movement: Los AguarunasFurther downstream in Northern Peru we come across the rain tribe of Los Aguarunas. It’s a proud, beautiful andindependent race, which has never succumbed to domination, not even from the Incas. They live from everything the forest has to offer: fish, fruit, plants, . . . . They also grow some crops and live as semi-nomads. They take their fate into their ownhands and after having made contact with modern civilisation, they have integrated new elements into their lives without betraying their own ways. 3rd movement: MekaronMekaron is an Indian word meaning “picture”, “soul”, “essence”. The Indians are theorigina inhabitants of the Amazon region. They either live in one place as a group or move around a large region. They all have their own political system, their own language and an intense social life. At the same time they are master of music andmedicine. “Everywhere the white man goes, he leaves a wilderness behind him”, wrote the North American Indian leader Seatl in 1885. As a result of these contacts with the whites, the disruption of most Indian societies began. (In this century alone, 80 tribes have vanished completely). 4th movement: KêêtuajêThis is the name of the initiating ceremony of the Krahô tribe in the Brazilian state of Goias, in which young boys and girls enter adult life. They are cleansed with water, painted with redpaint and covered with feathers, after which the ritual dance holds the entire tribe spell-bound. 5th movement: Paulino FaiakanIn 1988 the Indian chiefs Faiakan and Raoni Kaiapo came to Europe to protest against the building of the Altamira dam inBrazil. As a result of the dam the Indians would be driven from their traditional land and enormous artificial would be created. The project was supported financially by, amongst others, the European Community. In February 1989 the Indian tribesaround Altamira held a protest march for the first time in their history together. Amongst other things they paid tribute tot Chico Mendez, who, murdered in 1988, was the leader of the rubber syndicate and a fierce opponent of the destruction of theBrazilian rain forest. Brazilian and world opinion was awakened. The building of the dam was -albeit temporarily - stopped. / Niveau : 6 / Pièce de concert / Répertoire / Concert Band ou Harmonie
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Amazonia (VAN DER ROOST JAN)
226.76
Amazonia (VAN DER ROOST JAN)
Fanfare
[Conducteur et Parties séparées]
-
Intermédiaire/avancé
De Haske Publications
Par VAN DER ROOST JAN. This major concert work cosists o five movements. 1st mov...
(+)
Par VAN DER ROOST JAN. This major concert work cosists o five movements. 1st movement: La Laguna del ShimbeSituated high up in the Andes mountains in Northern Peru are the Huaringas, a group of lagoons in isolated and mysterious surroundings. The water has healing powersand for centuries traditional healers have settled there in small villages. From far the sick come to the Huaringas to be treated in nightly rituals, in which the hallucinating juice of the San Pedro cactus gives the prophet a look inside hispatient. The biggest lagoon is the “Laguna del Shimbe”, one of the countless wells of the immense Amazon stream. 2nd movement: Los AguarunasFurther downstream in Northern Peru we come across the rain tribe of Los Aguarunas. It’s a proud, beautiful andindependent race, which has never succumbed to domination, not even from the Incas. They live from everything the forest has to offer: fish, fruit, plants, . . . . They also grow some crops and live as semi-nomads. They take their fate into their ownhands and after having made contact with modern civilisation, they have integrated new elements into their lives without betraying their own ways. 3rd movement: MekaronMekaron is an Indian word meaning “picture”, “soul”, “essence”. The Indians are theorigina inhabitants of the Amazon region. They either live in one place as a group or move around a large region. They all have their own political system, their own language and an intense social life. At the same time they are master of music andmedicine. “Everywhere the white man goes, he leaves a wilderness behind him”, wrote the North American Indian leader Seatl in 1885. As a result of these contacts with the whites, the disruption of most Indian societies began. (In this century alone, 80 tribes have vanished completely). 4th movement: KêêtuajêThis is the name of the initiating ceremony of the Krahô tribe in the Brazilian state of Goias, in which young boys and girls enter adult life. They are cleansed with water, painted with redpaint and covered with feathers, after which the ritual dance holds the entire tribe spell-bound. 5th movement: Paulino FaiakanIn 1988 the Indian chiefs Faiakan and Raoni Kaiapo came to Europe to protest against the building of the Altamira dam inBrazil. As a result of the dam the Indians would be driven from their traditional land and enormous artificial would be created. The project was supported financially by, amongst others, the European Community. In February 1989 the Indian tribesaround Altamira held a protest march for the first time in their history together. Amongst other things they paid tribute tot Chico Mendez, who, murdered in 1988, was the leader of the rubber syndicate and a fierce opponent of the destruction of theBrazilian rain forest. Brazilian and world opinion was awakened. The building of the dam was -albeit temporarily - stopped. / Niveau : 6 / Répertoire / Fanfare
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John Emerson Blackstone: Gate 11: Fanfare Band: Score & Parts
100.99
John Emerson Blackstone: Gate 11: Fanfare Band: Score & Parts
Fanfare
[Conducteur et Parties séparées]
Gobelin Music Publications
‘Music’ by John Miles was one of Blackstone’s favourite numb...
(+)
‘Music’ by John Miles was one of Blackstone’s favourite numbers. With completely different notes but holding on to the same form and atmosphere the latter has tried to write an attractive composition for both young and old.Gate 11 refers to the ever agitated and noisy scenes at an airport especially during check-in. Yet there are also passengers who wait patiently letting their thoughts range at will looking forward to meeting a loved one at the end of their journey.
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Fanfare Legend One (SUZUKI EIJI)
133.10
Fanfare Legend One (SUZUKI EIJI)
Orchestre d'harmonie
[Conducteur et Parties séparées]
-
Intermédiaire/avancé
De Haske Publications
Par SUZUKI EIJI. Following a successful appearance at a national competition a l...
(+)
Par SUZUKI EIJI. Following a successful appearance at a national competition a leading Japanese concert band commissioned the composition of this new work. The presentation of the main theme at the beginning of the piece, along with its eventual development and variations in the middle section, represents a very personal message for the band. It symbolises both the joy felt following the success at the competition and looks forward to further successes in the future. An inspiring work which celebrates the success of any band. / Niveau : 4 / Pièce de concert / Date parution : 1905-07-01/ Répertoire / Concert Band ou Harmonie
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Finale (GIORDANI GIUSEPPE)
236.63
Finale (GIORDANI GIUSEPPE)
Orchestre d'harmonie
[Conducteur et Parties séparées]
-
Intermédiaire/avancé
Curnow Music
from Andrea Chanier. Par GIORDANI GIUSEPPE. It has been said, and wisely so, tha...
(+)
from Andrea Chanier. Par GIORDANI GIUSEPPE. It has been said, and wisely so, that if you wish to find TRULY dramatic music, look to opera. This is an essentially complete transcription of Act IV of Umberto Giordano's tragic opera ANDREA CHENIER. One night before French poet Andrea Chenier's impending execution, his lover Madeleine comes to the prison at St. Lazare and, wishing to die rather than live without him, through bribery manages to exchange places with a young woman who is, like Chenier, scheduled to mount the scaffold the following day. James Curnow fully utilizes his considerable orchestration skill with this immensely powerful transcription. Well performed, the ending is absolutely awe-inspiring. If yourgroup has the skill to play at this level you definitely MUST explore this significant transcription. / Niveau : 5 / Répertoire / Concert Band
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Joyride (JOHNSON TIMOTHY)
98.59
Joyride (JOHNSON TIMOTHY)
Orchestre d'harmonie
[Conducteur et Parties séparées]
-
Facile
Curnow Music
Commemorating the 100th Anniversary of the Model T Ford. Par JOHNSON TIMOTHY. Wh...
(+)
Commemorating the 100th Anniversary of the Model T Ford. Par JOHNSON TIMOTHY. What fun you’ll have with this descriptive tone picture by Timothy Johnson! All kinds of creative rhythmic and orchestration effects bring the old Model T to life once again. Young musicians will revel in the fun of interpreting this joyous look at the 'old days. ' It’s a perfect contrast to lighten up your concert and refresh the audience. There’s also plenty to teach in the realm of style, articulation, phrasing, and much more, let alone the opportunity for cross-curricular teaching in U. S. history. It makes learning fun. / Niveau : 2 / Pièce de concert / Répertoire / Concert Band
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Swords Against The Sea (HOSAY JAMES L)
123.23
Swords Against The Sea (HOSAY JAMES L)
Orchestre d'harmonie
[Conducteur et Parties séparées]
-
Intermédiaire
Curnow Music
Par HOSAY JAMES L.. Blackbeard and his crew of ruffian freebooters, aboard the s...
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Par HOSAY JAMES L.. Blackbeard and his crew of ruffian freebooters, aboard the ship Queen Anne’s Revenge, were the terrors of the Atlantic and the Caribbean in the early 18th century. Composer James L. Hosay captures those turbulent times in music with his vivid and exciting new tone poem, SWORDS AGAINST THE SEA. This presents an excellent opportunity for cross-curriculum teaching with history. SWORDS AGAINST THE SEA carves out new territory all its own. A rollicking sea chantey and the emotions of impending battle are described in the first two movements. Your audience will thrill to the sound and fury of battle in the final movement, as the most feared Pirate of his day finally meets his match. Go ahead! Raise your spyglass! Look ahead, look astern, look a’weather and a’lee! / Niveau : 3 / Répertoire / Concert Band ou Harmonie
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Prelude On Greensleeves (HOSAY JAMES L)
123.23
Prelude On Greensleeves (HOSAY JAMES L)
Orchestre d'harmonie
[Conducteur et Parties séparées]
-
Intermédiaire
Curnow Music
Par HOSAY JAMES L.. Recognised by many as one of the all-time most beautiful mel...
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Par HOSAY JAMES L.. Recognised by many as one of the all-time most beautiful melodies, GREENSLEEVES has long been associated with the Christmas season. The bold and powerful introduction gradually melts away to a tender Woodwind statement of the timeless theme. You’ll find a whole new way to look at this Christmas classic as it gradually builds with intriguing harmonies. Rich and rewarding, this well may be the most beautiful new concert band piece you’ll discover this year. Pure magic! Don’t miss it! / Niveau : 3 / Répertoire / Concert Band ou Harmonie
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Symphony Nr. 3 Urban Landscapes Op. 55 (CESARINI FRANCO)
588.77
Symphony Nr. 3 Urban Landscapes Op. 55 (CESARINI FRANCO)
Orchestre d'harmonie
[Conducteur et Parties séparées]
Edition Franco Cesarini
for Wind Orchestra, World Set (no ESS). Par CESARINI FRANCO. Fascinated by the b...
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for Wind Orchestra, World Set (no ESS). Par CESARINI FRANCO. Fascinated by the beauty of Chicago, Franco Cesarini has translated his emotions into music: this is how Symphony No. 3 “Urban Landscapes” Op. 55, was born, a musical portrait of this metropolis overlooking Lake Michigan. The composition is divided into three movements: The Wrigley Building from Dawn to Noon, Blue Silhouette and Cloud Gates, which by sharing the same thematic material arranged in cyclical form, strengthen the overall cohesion of the piece. The first movement, preceded by a short slow introduction in which the main theme is presented in an almost dreamlike form, metaphorically represents the city at dawn. The sudden change of time symbolizes the start of activities with all its noises and sounds: you can hear the bell that announces the closing of the subway doors, the sound of cars speeding by, the siren of a patrol car. If the first movement represents the day, the second introduces a nocturnal environment: a melancholic melody played by the English horn anticipates a more animated tempo depicting melodies coming from jazz clubs. Powerful fanfares that take up the second theme of the first movement introduce the third movement. In this finale, the role of the two themes is reversed compared to the first movement and one takes the place of the other in a kind of games of mirrors. Symphony No. 3 “Urban Landscapes” Op. 55: a sumptuous musical portrait of the “Windy City”./ Répertoire / Concert Band
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Symphony Nr. 3 Urban Landscapes Op. 55 (CESARINI FRANCO)
38.85
Symphony Nr. 3 Urban Landscapes Op. 55 (CESARINI FRANCO)
Orchestre d'harmonie
[Set de Parties séparées]
Edition Franco Cesarini
for Wind Orchestra, Additional European Parts. Par CESARINI FRANCO. Fascinated b...
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for Wind Orchestra, Additional European Parts. Par CESARINI FRANCO. Fascinated by the beauty of Chicago, Franco Cesarini has translated his emotions into music: this is how Symphony No. 3 “Urban Landscapes” Op. 55, was born, a musical portrait of this metropolis overlooking Lake Michigan. The composition is divided into three movements: The Wrigley Building from Dawn to Noon, Blue Silhouette and Cloud Gates, which by sharing the same thematic material arranged in cyclical form, strengthen the overall cohesion of the piece. The first movement, preceded by a short slow introduction in which the main theme is presented in an almost dreamlike form, metaphorically represents the city at dawn. The sudden change of time symbolizes the start of activities with all its noises and sounds: you can hear the bell that announces the closing of the subway doors, the sound of cars speeding by, the siren of a patrol car. If the first movement represents the day, the second introduces a nocturnal environment: a melancholic melody played by the English horn anticipates a more animated tempo depicting melodies coming from jazz clubs. Powerful fanfares that take up the second theme of the first movement introduce the third movement. In this finale, the role of the two themes is reversed compared to the first movement and one takes the place of the other in a kind of games of mirrors. Symphony No. 3 “Urban Landscapes” Op. 55: a sumptuous musical portrait of the “Windy City”./ Répertoire / Concert Band/Harmonie
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Arioso (BACH JOHANN SEBASTIAN)
103.52
Arioso (BACH JOHANN SEBASTIAN)
Orchestre d'harmonie
[Conducteur et Parties séparées]
-
Facile
De Haske Publications
Arr. Jacob De Haan. Par BACH JOHANN SEBASTIAN. Even the most basic understanding...
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Arr. Jacob De Haan. Par BACH JOHANN SEBASTIAN. Even the most basic understanding of Western music must include an intimate familiarity with the magnificent body of works by J. S. Bach. The charming beauty of the ARIOSO from BWV 156 must almost certainly appear on anyone?s personal list of the world's most beautiful melodies. What a wonderful vehicle for the study of artful phrasing and expression! Don't let the Grade 2 designation make you overlook this exquisite rendition for bands that normally play at grades 4, 5, and 6. Musicians at any level of ability will find great rewards here. As the perfect festival centerpiece or as a lovely introspective moment on any concert, Jacob de Haan's touching arrangement of Bach'sincomparable ARIOSO, speaking its own inherent and spiritual truth, is sure to find a permanent home in your concert band library. / Niveau : 2 / Musique pour célébration / Répertoire / Concert Band ou Harmonie
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To A New Dawn (SPARKE PHILIP)
192.25
To A New Dawn (SPARKE PHILIP)
Orchestre d'harmonie
[Conducteur et Parties séparées]
-
Intermédiaire/avancé
Anglo Music
Par SPARKE PHILIP. To A New Dawn was commissioned by the United States Continent...
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Par SPARKE PHILIP. To A New Dawn was commissioned by the United States Continental Army Band - Captain Timothy J. Holtan, Commander and Conductor. The brief was for a piece to celebrate the 3rd Millennium and it was the composer’s aim to provide a work which, as well as looking forward to the challenges of the new century, also contained moments of reflection about the last one. After a bright introduction featuring the trumpets a perky theme, passing quickly through several keys, appears on the woodwinds. A solo trumpet takes up a new theme over bubbling quavers (eighth notes) and this leads to a rhythmic figure on low clarinets, followed by the upper woodwinds. A brass interlude follows and, after ashort bridge passage, an oboe takes up a contrasting legato tune that builds to a climax. An andante section follows with solos for horn and flugel horn (or trumpet) and a florid flute cadenza. A passionate climax leads back to the faster music and, eventually, to a full recapitulation, revisiting the earlier material before a lively coda close the work as it began. / Niveau : 4 / Pièce de concert / Répertoire / Concert Band ou Harmonie
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