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V. Stanton: Sting Ray: Marching Band: Score
2.85
V. Stanton: Sting Ray: Marching Band: Score
Fanfare
Southern Music Ltd
Sting Ray
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Sting: Every Little Thing She Does: Marching Band: Score & Parts
54.99
Sting: Every Little Thing She Does: Marching Band: Score & Parts
Fanfare
[Conducteur et Parties séparées]
Hal Leonard
Innovative songwriter Sting recorded this rock classic with The Police in 1981 a...
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Innovative songwriter Sting recorded this rock classic with The Police in 1981 and it has remained one of the band's most enduring hits. This outstanding chart for the field or stands includes all the harmonic and rhythmic twistsand turns found in the original recording including the hard-driving hook!
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Police (STING)
221.56
Police (STING)
Exemplaire Complet
[Partition]
Martin, Robert
Par STING. Robert FIENGA (Arr. ) - Durée: 15'00 / Niveau : Elémentaire / Pop...
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Par STING. Robert FIENGA (Arr. ) - Durée: 15'00 / Niveau : Elémentaire / Pop music / Répertoire / Exemplaire Complet
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V. Stanton: Sting Ray: Marching Band: Score & Parts
19.99
V. Stanton: Sting Ray: Marching Band: Score & Parts
Fanfare
[Conducteur et Parties séparées]
Southern Music Ltd
Sting Ray
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Police (STING)
16.77
Police (STING)
Parties Supplémentaires
[Partition]
Martin, Robert
Par STING. Robert FIENGA (Arr. ) - Durée: 15'00 / Niveau : Elémentaire / Pop...
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Par STING. Robert FIENGA (Arr. ) - Durée: 15'00 / Niveau : Elémentaire / Pop music / Répertoire / Parties Supplémentaires
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Donna Diana (VON REZNICE EMIL NIKOLAUS)
147.89
Donna Diana (VON REZNICE EMIL NIKOLAUS)
Orchestre d'harmonie
[Conducteur et Parties séparées]
-
Intermédiaire/avancé
De Haske Publications
Arr. Wil Van Der Beek. Par VON REZNICE EMIL NIKOLAUS. Emil Nikolaus V. Reznicek ...
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Arr. Wil Van Der Beek. Par VON REZNICE EMIL NIKOLAUS. Emil Nikolaus V. Reznicek was born on May 4, 1860. Though he was originally destined for ajudicial career, his nature (that of a true musician)soon pointed him in the direction of music. As anorchestral conductor and a highly regarded musicteacher he made his mark in a number of cities, including Mannheim and Berlin. As a composer hesprang to fame with his opera Donna Diana(1894), a lasting success which placed him in theforefront of German composers. The overture toDonna Diana is unique in its freshness and sunnycheerfulness. Wil van der Beek, who has alreadywritten many arrangements of classical pieces forwind band, has maintained the spirit of theoriginal composition. / Niveau : 5 / Répertoire / Concert Band ou Harmonie
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Alliance Fanfare (FREDERICK MARK)
88.73
Alliance Fanfare (FREDERICK MARK)
Orchestre d'harmonie
[Conducteur et Parties séparées]
-
Intermédiaire
Curnow Music
Par FREDERICK MARK. This rousing new crowd-pleaser echoes with excitement as it ...
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Par FREDERICK MARK. This rousing new crowd-pleaser echoes with excitement as it freely explores tonalities and rhythms. The fanfare-like setting is in the lasting tradition of British band music. A modulatory character energizes the middle section of the piece and propels it relentlessly forward to an uplifting conclusion. If you are looking for a grand way to open or reinvigorate your concert, you’ve found it!A sparkler! / Niveau : 3 / Pièce de concert / Répertoire / Concert Band ou Harmonie
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William Vean: The Irish Dancemaster: Fanfare Band: Score
9.99
William Vean: The Irish Dancemaster: Fanfare Band: Score
Fanfare
Gobelin Music Publications
During the eighteenth century a person called 'the Dance Master' made his appear...
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During the eighteenth century a person called 'the Dance Master' made his appearance in Ireland. He was a travelling dance-teacher who moved from one village to another to teach the people there how to dance. They were often flamboyant personalities gorgeously dressed and holding a staff in one hand. In order to teach their pupils the difference between their right and left leg the dance master used to tie a small bunch of straw or hay to their leg and then would order them to either lift their 'hay-leg' or their 'straw-leg'. The dancing masters used to stay in one particular village for about six weeks (if they were not claimed by a neighbouringvillage) after which they continued their journey. Having a famous dance master gave a village a certain distinction and did not seldom lead to boasting and pride. Also on account of the popularity of Celtic music in general at the moment William Vean was inspired to writing 'The Irish Dance Master'. He 'teaches' you two dances the Reel and the Jig. In between these two dances there is a short breathing space during which a traditional Irish rhythm can be enjoyed.
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Andrew R. Mackereth: Hymnus: Fanfare Band: Score & Parts
144.99
Andrew R. Mackereth: Hymnus: Fanfare Band: Score & Parts
Fanfare
[Conducteur et Parties séparées]
Gobelin Music Publications
Hymnus was commissioned by the Wilhelmina Easterein Fanfare Orchestra in the Au...
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Hymnus was commissioned by the Wilhelmina Easterein Fanfare Orchestra in the Autumn of 1999 for their performance at the World Music Contest Kerkrade. The commission was the result of a collaboration between the composer and the thenmusical director Marten van der Wal. The exact meaning of the word Hymnus is not known but it is taken in this presentation to mean hymn or hymn-like. The melodic material is organic and grows from an initial unison tone. Thisinterval is gradually expanded to form the cell F E C F a semitone third fifth. The only other melodic motif is the ascending three-note pattern spanning a major third. This is the second of his compositions to use this ascending motif theother being Fanfare for a Bright New Age for Brass Band and Organ also of 2000. These characteristic intervals appear in many contrasting moods and guises throughout the piece. The opening unison notes are intended to convey as sense ofpower and magnificence like the first sounds at the dawning of the universe. After the immense power a period of stunned silence and reverence. The evolution of the hymn melody incorporates a variety of moods and atmospheres sometimes expressing much joy and celebration whilst also suggesting periods of intense savagery or prayerful contemplation. The hymn builds as the piece progresses and is finally stated in its complete form at letter W. The official worldpremiere of the work was given by Wilhelmina Easterein at the World Music Contest 2001. Whilst the composer was unable to attend in person he was able to enjoy the premier simultaneously transmitted via a mobile phone from the audience! Conductors Note The tempo indications are to be viewed as a guide rather than a literal instruction. Within the music there is an innate sense of pulse and metre lending itself to considerable rubato. Melody is king and all else is mere support and decoration careful attention must therefore be given to balance.
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Danser fra "Kosakkene"
239.72
Danser fra "Kosakkene"
Concert Band/Harmonie
[Conducteur et Parties séparées]
Norsk Noteservice
Dances from 'The Cossacs'. Par ELLING CATHARIUS. The Opera “The Cossacs” by ...
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Dances from 'The Cossacs'. Par ELLING CATHARIUS. The Opera “The Cossacs” by Catharinus Elling is based on the Nikolai Gogol novel about Taras Bulba. “The Cossacs” was premiered in 1897 at Eldorado in Kristiania (the old name on Norway’s capitol Oslo). Despite positive response in the papers of that time, the opera was newer performed again in it’s entirely. The Norwegian Broadcasting Corporation have an abbreviated recording in it’s archives, but no complete performance is known to date. The Norwegian National Opera Orchestra recorded both the overture and the dances in 2021, conducted by Ingar Bergby. Thet are both a part of the CD “Norwegian Opera Overtures”. This arrangement is not commissioned by anyone, but rather written to better the availability of quality Norwegian orchestral music arranged for Concert Band. This edition is a good opportunity to be more familiar with Norwegian heritage of orchestral music. / Date parution : 2023-07-31/ Répertoire / Concert Band/Harmonie
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Missouri River Festival (MOORE DAVID W)
118.31
Missouri River Festival (MOORE DAVID W)
Orchestre d'harmonie
[Conducteur et Parties séparées]
-
Intermédiaire
Curnow Music
Par MOORE DAVID W.. Filled with rhythmic and harmonic interest as well as memora...
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Par MOORE DAVID W.. Filled with rhythmic and harmonic interest as well as memorable melodies, MISSOURI RIVER FESTIVAL is an energetic and enjoyable piece that gives every section in the band an opportunity to shine. Moods of the river are artistically represented in the interplay between Maestoso, Allegro spiritoso and Andante mysterioso sections. Artistic exploration of thematic material is a hallmark of David W. Moore’s writing, and you’ll find plenty of it here. There is an added practical advantage, too. All brass parts are dynamic, interesting and fun to play, but there is plenty of brass “resting time” carefully interspersed throughout the piece. You can use MISSOURI RIVERFESTIVAL at virtually any time during in your program without fear of over-taxing the brasses. Outstanding! / Niveau : 3 / Répertoire / Concert Band ou Harmonie
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Alan Laken: Cowboy Suite: Fanfare Band: Score & Parts
57.99
Alan Laken: Cowboy Suite: Fanfare Band: Score & Parts
Fanfare
[Conducteur et Parties séparées]
Gobelin Music Publications
In the tripartite 'Cowboy Suite' Alan Laken takes us to the Wild West the domai...
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In the tripartite 'Cowboy Suite' Alan Laken takes us to the Wild West the domain of cowboys indians trappers and other fortune hunters. Around 1890 the west coast of America was reached which in effect meant the end of the Wild West. Its stories however survived and have been a source of inspiration for many books films and of course music. Some characters such as Jesse James Billy the Kid and Buffalo Bill are forever linked to these tales. In the 'Cowboy Suite' we first hear the 'Hoedown'. At the end of an exhausting workday the labourers used to lay down their tools among others the 'hoes' and spontaneously began to play music on the instruments which they then possessed (guitars fiddles and banjos) and to dance. After being jolted on the 'Wagon Trail' we reach the third part the 'Cowboy Roundup'. In this last part it becomes clear that as a cattle driver it is imperative to stay firmly seated in the saddle. As the cattle are rounded up i.e. driven together spectacular things happen.
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Philip Sparke: David of the White Rock: Fanfare Band: Score & Parts
73.99
Philip Sparke: David of the White Rock: Fanfare Band: Score & Parts
Fanfare
[Conducteur et Parties séparées]
Anglo Music
This is an ancient Welsh air that was first published in Relics of the Welsh Bar...
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This is an ancient Welsh air that was first published in Relics of the Welsh Bards in 1794. Dafydd (David) Owain was a famous Welsh bard who lived on a farm called Gareg Wen (The White Rock) in Eifionydd Carnarnvonshire North Wales. Tradition has it that on his deathbed he called for his harp and composed this lovely melody requesting that it be played at his funeral. Accordingly it was later played at the parish church of Ynys-Cynhaiarn. Lyrics were later added by Ceiriog Hughes which describe the melody's inspiration. This version for fanfare band retains all the beauty and simplicity of the original.
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Carl Wittrock: The Power of the Megatsunami: Fanfare Band: Score
22.99
Carl Wittrock: The Power of the Megatsunami: Fanfare Band: Score
Fanfare
Gobelin Music Publications
The word ‘tsunami’ is of Japanese origin. When you look it up in a ...
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The word ‘tsunami’ is of Japanese origin. When you look it up in a dictionary you will find that it means ‘a great sea wave produced by submarine earth movement or volcanic eruption’. A megatsunami is the superlative of this awesome expressionof power that nature can create and has catastrophic consequences. When Carl Wittrock completed this composition not many such big earth movements had occurred but since then we have become all too familiar with the disastrousconsequences which a tsunami may have. On the 26th of December 2004 a heavy seaquake took place near the Indonesian island of Sumatra. Tidal waves 10 meters in height ravaged the coastal regions of many countries for miles around. The tsunamitook the lives of thousands of people and destroyed many villages and towns. There are more areas which run the risk of being struck by a tsunami such as the island of La Palma one of the Canary Islands. This island is based on oceaniccrust at a fracture zone and as such is one of nature’s time bombs. The consequences of a natural calamity like a megatsunami are immense. In the case of La Palma the tidal wave will move in the direction of South America where it may reach 50km inland destroying everything on its way. In his composition Wittrock describes an ordinary day which will have an unexpected ending. Right from the beginning there seems to be something in the air the music creating an oppressiveatmosphere of impending disaster. Themes are interrupted broken off suddenly followed by silence suggesting the calm before the storm. Suddenly a short climax (glissandi in the trombone part) indicates the seaquake and the megatsunami isa fact. Hereafter follows a turbulent passage symbolising the huge rolling waves. After nature’s force has spent itself resignation sets in and the composition ends with a majestic ode to nature.
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Rob Goorhuis: Rhapsody for Tienhoven: Fanfare Band: Score
32.50
Rob Goorhuis: Rhapsody for Tienhoven: Fanfare Band: Score
Fanfare
Gobelin Music Publications
‘Rhapsody for Tienhoven’ is a short concert for saxophone and fanfa...
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‘Rhapsody for Tienhoven’ is a short concert for saxophone and fanfare band. The solo part in its instrumentation distinguishes itself from the other saxophone solos.The soloist should be able to play both the alto and soprano saxophone.The piece consists of four parts which almost blend into one another.A four-tone motif (which is played a number of times by the soloist at the beginning) has been taken as the point of departure for this composition.This motif has been worked out in different ways and can be heard in a swing rhythm in the final part.This piece exacts a high standard of the soloist’s technical skills.The ‘Rhapsody forTienhoven’ was originally written for the fanfare band ‘Soli Deo Gloria’ from Tienhoven. ‘Rhapsody for Tienhoven’ is een klein concert voor saxofoon en fanfare-orkest. De solopartij onderscheidt zich qua instrumentatie van andere saxofoon-solo’s. De solist(e) moet zowel altsaxofoon als sopraansaxofoon spelen.Het stuk bestaat uit vier deeltjes die vrijwel in elkaar overlopen.Een vier-tonig motief (wordt in het begin een aantal malen door de solist gespeeld) is het uitgangspunt van deze compositie. Dit motief wordt op verschillende manieren uitgewerkt en wordt in het slot gedeelte ten tonele gevoerd in een swingritme.Dit werk stelt hoge eisen aan de technische vaardigheden van de solist.De ‘Rhapsody’ werd geschreven voor de fanfare ‘Soli Deo Gloria’ uit Tienhoven.
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Alan Laken: Cowboy Suite: Fanfare Band: Score
12.99
Alan Laken: Cowboy Suite: Fanfare Band: Score
Fanfare
Gobelin Music Publications
In the tripartite 'Cowboy Suite' Alan Laken takes us to the Wild West the domai...
(+)
In the tripartite 'Cowboy Suite' Alan Laken takes us to the Wild West the domain of cowboys indians trappers and other fortune hunters. Around 1890 the west coast of America was reached which in effect meant the end of the Wild West. Its stories however survived and have been a source of inspiration for many books films and of course music. Some characters such as Jesse James Billy the Kid and Buffalo Bill are forever linked to these tales. In the 'Cowboy Suite' we first hear the 'Hoedown'. At the end of an exhausting workday the labourers used to lay down their tools among others the 'hoes' and spontaneously began to play music on the instruments which they then possessed (guitars fiddles and banjos) and to dance. After being jolted on the 'Wagon Trail' we reach the third part the 'Cowboy Roundup'. In this last part it becomes clear that as a cattle driver it is imperative to stay firmly seated in the saddle. As the cattle are rounded up i.e. driven together spectacular things happen.
12.99 GBP - vendu par Musicroom GB
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Ben Haemhouts: Saturnalia: Fanfare Band: Score & Parts
Fanfare
[Conducteur et Parties séparées]
Beriato Music
Saturnalia est une célèbre f?te populaire qui trouve son origine dans lEmpire ...
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Saturnalia est une célèbre f?te populaire qui trouve son origine dans lEmpire romain (env. 800-510 avant Jésus Christ). Cette f?te fut célébrée pour la première fois le 17 décembre 497 avant Jésus Christ. Les dieux Saturne et Janus régnaient sur lItalie. Ils veillaient à la prospérité et à une agriculture florissante et apportèrent lécriture à leur peuple. Jusquà ce que Saturne disparaisse brusquement. Saturne dont le symbole était la faucille sest distingué en supprimant la propriété privée et en instaurant légalité entre les hommes quels que soient leur origine et leur rang. Lors des Saturnalia organisées en lhonneur de Saturne les esclaves prenaient la place desmaîtres. Cette uvre variée de Ben Haemhouts convient pour les concours et les concerts.
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Jan Bosveld: Bi-Millennial Celebration: Fanfare Band: Score & Parts
109.99
Jan Bosveld: Bi-Millennial Celebration: Fanfare Band: Score & Parts
Fanfare
[Conducteur et Parties séparées]
Gobelin Music Publications
‘Bi-Millennial Celebration’ has been composed to honour the 2000th ...
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‘Bi-Millennial Celebration’ has been composed to honour the 2000th anniversary of the founding of the city of Nijmegen. This work consists of three continuous movements. The first movement depicts the arrival of the Romans and the founding of Nijmegen. The second movement portrays the rustic and idyllic countryside surrounding the city. A musical celebration from these areas to the city of Nijmegen comes to life in the third movement. In this festive march one can easily distinguish the traditional Dutch anniversarysong ‘Lang zal ze leven’.
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Calvin Harris: We Found Love: Marching Band: Score & Parts
69.99
Calvin Harris: We Found Love: Marching Band: Score & Parts
Fanfare
[Conducteur et Parties séparées]
Arrangers' Publishing Company
This mega-hit from the Barbadian recording artist Rihanna topped the Billboard H...
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This mega-hit from the Barbadian recording artist Rihanna topped the Billboard Hot 100 for eleven weeks. Combining elements of techno with a pumped up pulse Tom's arrangement is crafted with creative phrasing contrastingsections and strong impacts. Arranged for use on the field as an energetic opener it's also a great choice for the stands or pep band. Optional synthesizer parts are included!
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Jan Bosveld: Bi-Millennial Celebration: Fanfare Band: Score
15.99
Jan Bosveld: Bi-Millennial Celebration: Fanfare Band: Score
Fanfare
Gobelin Music Publications
‘Bi-Millennial Celebration’ has been composed to honour the 2000th ...
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‘Bi-Millennial Celebration’ has been composed to honour the 2000th anniversary of the founding of the city of Nijmegen. This work consists of three continuous movements. The first movement depicts the arrival of the Romans and the founding of Nijmegen. The second movement portrays the rustic and idyllic countryside surrounding the city. A musical celebration from these areas to the city of Nijmegen comes to life in the third movement. In this festive march one can easily distinguish the traditional Dutch anniversarysong ‘Lang zal ze leven’.
15.99 GBP - vendu par Musicroom GB
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Ben Haemhouts: Saturnalia: Fanfare Band: Score
Fanfare
Beriato Music
Saturnalia est une célèbre f?te populaire qui trouve son origine dans l?Empire...
(+)
Saturnalia est une célèbre f?te populaire qui trouve son origine dans l?Empire romain (env. 800-510 avant Jésus Christ). Cette f?te fut célébrée pour la première fois le 17 décembre 497 avant Jésus Christ. Les dieux Saturne et Janus régnaient sur l?Italie. Ils veillaient à la prospérité et à une agriculture florissante et apportèrent l?écriture à leur peuple. Jusqu?à ce que Saturne disparaisse brusquement. Saturne dont le symbole était la faucille s?est distingué en supprimant la propriété privée et en instaurant l?égalité entre les hommes quels que soient leur origine et leur rang. Lors des Saturnalia organisées en l?honneur de Saturne les esclaves prenaient la place desmaîtres. Cette ?uvre variée de Ben Haemhouts convient pour les concours et les concerts.
22.99 GBP - vendu par Musicroom GB
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Philip Sparke: Royal Salute: Fanfare Band: Score & Parts
96.99
Philip Sparke: Royal Salute: Fanfare Band: Score & Parts
Fanfare
[Conducteur et Parties séparées]
Anglo Music
La plupart des pays ayant institué la tradition des musiques militaires ont dé...
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La plupart des pays ayant institué la tradition des musiques militaires ont développé un style de marche caractéristique. Ainsi il est relativement aisé de distinguer une marche américaine d?une marche militaire française ou une marche allemande d?une marche espagnole. À l?intérieur du cadre structurel rigide d?une marche on réussit à percevoir même les plus subtiles différences de rythme d?harmonie et de tempo qui caractérisent les traditions de chaque pays.Il existe un ou plus exactement deux styles de marche typiquement anglais : celui des marches militaires représenté par des compositeurs tels que Kenneth J. Alford et celui des marches cérémonielles ou de concert quiatteindra l?excellence avec les marches orchestrales d?Elgar et Walton entre autres.Royal Salute (?Salut royal?) est une marche de difficulté moyenne qui perpétue cette grande tradition. On y retrouve des éléments typiques : des mélodies et contremélodies amples et un trio nobilmente.
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Tournament (BULLA STEPHEN)
147.89
Tournament (BULLA STEPHEN)
Orchestre d'harmonie
[Conducteur et Parties séparées]
-
Intermédiaire
Curnow Music
Par BULLA STEPHEN. This rhapsody for concert band describes programmaticallythe ...
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Par BULLA STEPHEN. This rhapsody for concert band describes programmaticallythe period of history when knights fought bravely in suits ofshining armour. The tournament was a time of fierce joustingfor the favour of royalty as well as a duel of mortal combat. The music portrays this battle by showcasing the variousinstrumental sections, each fighting for attention with ‘calland response’ patterns. Each section of the band has its ownmoment of glory in this heroic concert work / Niveau : 3 / Répertoire / Concert Band ou Harmonie
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Norge i rødt, hvitt og blått
150.22
Norge i rødt, hvitt og blått
Ensemble de cuivres
[Conducteur et Parties séparées]
Norsk Noteservice
Par LARSSON LARS-ERIK. Norge i rødt, hvitt og blått ('Norway in Red, White and...
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Par LARSSON LARS-ERIK. Norge i rødt, hvitt og blått ('Norway in Red, White and Blue') was commissioned by the Oslo Fagott Choir (yes, that is indeed a gay men?s choir) for a concert with The Staff Band of the Armed Forces in 2015. I was given artistic licence to write a more modern and somewhat ?eclectic? arrangement for this originally Swedish melody written by Lars-Erik Larsson, which became something of a national liberation anthem when Nazi occupation ended in May 1945 ? then with new lyrics by Finn Bø, Bias Bernhoft and Arild Feldborg. After the premiere in Oslo, and a music video with Oslo Fagott Choir and The Staff Band, broadcasted by Norwegian Broadcasting Corporation (NRK) on Constitution Day during coronavirus lockdown in 2020, I was approached by many to write an instrumental version of the arrangement for concert band. This version is now available through Norsk Noteservice. Reid Gilje has made this instrumentation for Brass Band. / Date parution : 2023-07-31/ Répertoire / Ensemble de Cuivres
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Phantom Regiment (ANDERSON LEROY)
89.72
Phantom Regiment (ANDERSON LEROY)
Orchestre d'harmonie
Hal Leonard
for Band. Par ANDERSON LEROY. This work was written by Leroy Anderson in 1951 an...
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for Band. Par ANDERSON LEROY. This work was written by Leroy Anderson in 1951 and premiered by him when he recorded it for Decca. Interestingly, in 1956 the Phantom Regiment Drum and Bugle Corps of Rockford, Illinois changed their original name from the Rockford Rangers after having heard the piece played by a different corps. The music emulates the sound of distant trumpets and soldiers marching, drawing closer to the listener bit by bit. As the music gains strength, the marching and trumpets get louder and after passing the audience, it slowly fades away as they disappear into the distance again. This exclusive Southern band edition by Mark Rogers reintroduces Anderson's enchanting work to new generations of audiences. / Date parution : 2022-11-29/ Répertoire / Concert Band
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Carl Wittrock: The Power of the Megatsunami: Fanfare Band: Score & Parts
144.99
Carl Wittrock: The Power of the Megatsunami: Fanfare Band: Score & Parts
Fanfare
[Conducteur et Parties séparées]
Gobelin Music Publications
The word ‘tsunami’ is of Japanese origin. When you look it up in a ...
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The word ‘tsunami’ is of Japanese origin. When you look it up in a dictionary you will find that it means ‘a great sea wave produced by submarine earth movement or volcanic eruption’. A megatsunami is the superlative of this awesome expressionof power that nature can create and has catastrophic consequences. When Carl Wittrock completed this composition not many such big earth movements had occurred but since then we have become all too familiar with the disastrousconsequences which a tsunami may have. On the 26th of December 2004 a heavy seaquake took place near the Indonesian island of Sumatra. Tidal waves 10 meters in height ravaged the coastal regions of many countries for miles around. The tsunamitook the lives of thousands of people and destroyed many villages and towns. There are more areas which run the risk of being struck by a tsunami such as the island of La Palma one of the Canary Islands. This island is based on oceaniccrust at a fracture zone and as such is one of nature’s time bombs. The consequences of a natural calamity like a megatsunami are immense. In the case of La Palma the tidal wave will move in the direction of South America where it may reach 50km inland destroying everything on its way. In his composition Wittrock describes an ordinary day which will have an unexpected ending. Right from the beginning there seems to be something in the air the music creating an oppressiveatmosphere of impending disaster. Themes are interrupted broken off suddenly followed by silence suggesting the calm before the storm. Suddenly a short climax (glissandi in the trombone part) indicates the seaquake and the megatsunami isa fact. Hereafter follows a turbulent passage symbolising the huge rolling waves. After nature’s force has spent itself resignation sets in and the composition ends with a majestic ode to nature.
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Rob Goorhuis: Rhapsody for Tienhoven: Fanfare Band: Score & Parts
144.99
Rob Goorhuis: Rhapsody for Tienhoven: Fanfare Band: Score & Parts
Fanfare
[Conducteur et Parties séparées]
Gobelin Music Publications
‘Rhapsody for Tienhoven’ is a short concert for saxophone and fanfa...
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‘Rhapsody for Tienhoven’ is a short concert for saxophone and fanfare band. The solo part in its instrumentation distinguishes itself from the other saxophone solos.The soloist should be able to play both the alto and soprano saxophone.The piece consists of four parts which almost blend into one another.A four-tone motif (which is played a number of times by the soloist at the beginning) has been taken as the point of departure for this composition.This motif has been worked out in different ways and can be heard in a swing rhythm in the final part.This piece exacts a high standard of the soloist’s technical skills.The ‘Rhapsody forTienhoven’ was originally written for the fanfare band ‘Soli Deo Gloria’ from Tienhoven. ‘Rhapsody for Tienhoven’ is een klein concert voor saxofoon en fanfare-orkest. De solopartij onderscheidt zich qua instrumentatie van andere saxofoon-solo’s. De solist(e) moet zowel altsaxofoon als sopraansaxofoon spelen.Het stuk bestaat uit vier deeltjes die vrijwel in elkaar overlopen.Een vier-tonig motief (wordt in het begin een aantal malen door de solist gespeeld) is het uitgangspunt van deze compositie. Dit motief wordt op verschillende manieren uitgewerkt en wordt in het slot gedeelte ten tonele gevoerd in een swingritme.Dit werk stelt hoge eisen aan de technische vaardigheden van de solist.
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William Vean: The Irish Dancemaster: Fanfare Band: Score & Parts
49.99
William Vean: The Irish Dancemaster: Fanfare Band: Score & Parts
Fanfare
[Conducteur et Parties séparées]
Gobelin Music Publications
During the eighteenth century a person called 'the Dance Master' made his appear...
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During the eighteenth century a person called 'the Dance Master' made his appearance in Ireland. He was a travelling dance-teacher who moved from one village to another to teach the people there how to dance. They were often flamboyant personalities gorgeously dressed and holding a staff in one hand. In order to teach their pupils the difference between their right and left leg the dance master used to tie a small bunch of straw or hay to their leg and then would order them to either lift their 'hay-leg' or their 'straw-leg'. The dancing masters used to stay in one particular village for about six weeks (if they were not claimed by a neighbouringvillage) after which they continued their journey. Having a famous dance master gave a village a certain distinction and did not seldom lead to boasting and pride. Also on account of the popularity of Celtic music in general at the moment William Vean was inspired to writing 'The Irish Dance Master'. He 'teaches' you two dances the Reel and the Jig. In between these two dances there is a short breathing space during which a traditional Irish rhythm can be enjoyed.
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