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Sword Dance
82.83
Sword Dance
Concert Band/Harmonie
[Conducteur et Parties séparées]
Norsk Noteservice
Sverddansen. Par ROGERS SCOTT. The sword dance is a tradition in many cultures. ...
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Sverddansen. Par ROGERS SCOTT. The sword dance is a tradition in many cultures. The Scottish sword dances date back to the 15th century. This traditional melody captures all the excitement and energy of the sword dance through insistent rhythms, variation in dynamics and a big accelerando at the end. Articulations should be clear and crisp, and the accelerando at the end should be as fast as you dare! / Date parution : 2023-07-31/ Répertoire / Concert Band/Harmonie
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Light Of The Sword (SAKAI ITARU)
113.38
Light Of The Sword (SAKAI ITARU)
Orchestre d'harmonie
[Conducteur et Parties séparées]
-
Intermédiaire/avancé
De Haske Publications
Par SAKAI ITARU. This work takes both its name and inspiration from a lighthouse...
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Par SAKAI ITARU. This work takes both its name and inspiration from a lighthouse “Sword Cape” that keeps watch near Japan’s naval base. The piece describes how, come rain or shine, the lighthouse bids a safe journey to departing ships, guides them during their travels and eventually welcomes them home again. The music evokes many musical images - grand ships sailing by, white-capped waves, the deep blue of the ocean and the light of ‘sword cape” as it silently guides ships over the mysterious waters. / Niveau : 4 / Marche de concert / Répertoire / Concert Band ou Harmonie
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Sword Of Honour
18.92
Sword Of Honour
Orchestre d'harmonie
[CD]
De Haske Records
With Sword of Honour, Tom De Haes brings to life the noble knightGawain of King ...
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With Sword of Honour, Tom De Haes brings to life the noble knightGawain of King Arthur?s court. The composition is built around twomain themes, which express the audacity and noble character ofGawain. The varied harmonies and orchestrations of both themesreflect the many layers of these courtly qualities. Both themes cometogether towards the end of the work to form a stately closing./ Accessoire / Concert Band ou Harmonie
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Kevin Houben: Broken Sword: Fanfare Band: Score & Parts
136.50
Kevin Houben: Broken Sword: Fanfare Band: Score & Parts
Fanfare
[Conducteur et Parties séparées]
-
Intermédiaire/avancé
Scherzando
Broken Sword repose sur la légende de l'épée brisée du Roi Edouard le Confes...
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Broken Sword repose sur la légende de l'épée brisée du Roi Edouard le Confesseur ' l'épée dont la pointe fut brisée par un ange. Cette composition exigeante commence lentement avec des harmonies remuantes. Les passages qui suivent répercutent la puissance de l'épée tandis que le mouvement du milieu est calme et reflète la bienveillance de son porteur.
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Swords Against The Sea (HOSAY JAMES L)
123.23
Swords Against The Sea (HOSAY JAMES L)
Orchestre d'harmonie
[Conducteur et Parties séparées]
-
Intermédiaire
Curnow Music
Par HOSAY JAMES L.. Blackbeard and his crew of ruffian freebooters, aboard the s...
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Par HOSAY JAMES L.. Blackbeard and his crew of ruffian freebooters, aboard the ship Queen Anne’s Revenge, were the terrors of the Atlantic and the Caribbean in the early 18th century. Composer James L. Hosay captures those turbulent times in music with his vivid and exciting new tone poem, SWORDS AGAINST THE SEA. This presents an excellent opportunity for cross-curriculum teaching with history. SWORDS AGAINST THE SEA carves out new territory all its own. A rollicking sea chantey and the emotions of impending battle are described in the first two movements. Your audience will thrill to the sound and fury of battle in the final movement, as the most feared Pirate of his day finally meets his match. Go ahead! Raise your spyglass! Look ahead, look astern, look a’weather and a’lee! / Niveau : 3 / Répertoire / Concert Band ou Harmonie
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Andreas Ludwig Schulte: A Western Suite: Fanfare Band: Score & Parts
93.50
Andreas Ludwig Schulte: A Western Suite: Fanfare Band: Score & Parts
Fanfare
[Conducteur et Parties séparées]
Gobelin Music Publications
The atmosphere of the Wild West is caught in a striking and most imaginative way...
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The atmosphere of the Wild West is caught in a striking and most imaginative way by young composer Andreas Schulte in this work. A caravan of gold- and fortuneseekers launch themselves into a big adventure and begin their rush westward. The first movement desciribes these first days of buoyancy and optimism in a crisp march. Near the campfire the pioneers rest themselves and the music expresses feelings of romance nostalgia for the past and hopes for the future. A wistful melody very characteristically communicates these feelings. Relaxation takes place in the third movement which is a musical characterization of a rodeo and its attendant festivities.It is obvious that sometimes something goes wrong and this aspect can also be heard. Nevertheless the valiant rider wins in the end. With a flashback to the beginning the journey is completed musically thus giving the composition a dignified finale. Let the mystic Wild West entrance you. (Wagons ho ....!!) De sfeer van het Wilde Westen wordt door de jonge componist Andreas Ludwig Schulte op een uiterst treffende en beeldende wijze geschetst. Een karavaan van goud- en gelukzoekers stort zich in het grote avontuur en begint de grote reis naar het westen. Het eerste gedeelte beschrijft de eerste dagen van opgewektheid en optimisme in een vlotte mars. Bij het kampvuur komen de pioniers tot rust en worden gevoelens van romantiek heimwee (verleden) en hoop (toekomst) muzikaal weergegeven. Een weemoedige melodie verwoordt die gevoelens op een zeer kenmerkende wijze. De ontspanning vindt plaats in het derde deel waarin een rodeofeest muzikaal wordt verklankt. Met een flashback van het begin wordt de tocht voltooid en de compositie waardig afgesloten. Raak in de ban van het wilde westen!
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Utopia (DE HAAN JACOB)
177.46
Utopia (DE HAAN JACOB)
Orchestre d'harmonie
[Conducteur et Parties séparées]
-
Intermédiaire/avancé
De Haske Publications
Par DE HAAN JACOB. Utopia is the name of a book written by the English author Th...
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Par DE HAAN JACOB. Utopia is the name of a book written by the English author Thomas More and was published in 1516. The title is a word thought up by More himself, after the Greek language, meaning 'Nowhereland' and leading to the invention of the words utopian scheme and utopian. Utopia pictured an ideal state on an island far from the inhabited world. This idea was the basis of the composition. It makes one think of Oregon in variety of themes and style. Utopia also exists of a combination of styles that breathe the atmosphere of film music. However, Utopia sounds less American. The slow and stirring middle part for example is closer to the European romanticism: the chord signals in the brasssection remind of Wagner's music. / Niveau : 4 / Répertoire / Concert Band ou Harmonie
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Conzensus (VAN DER ROOST JAN)
118.31
Conzensus (VAN DER ROOST JAN)
Fanfare
[Conducteur et Parties séparées]
-
Intermédiaire/avancé
De Haske Publications
Par VAN DER ROOST JAN. This stately concert opener was originally written by Jan...
(+)
Par VAN DER ROOST JAN. This stately concert opener was originally written by Jan Van der Roost for a special event in which six respected wind orchestras (two Belgian and four Dutch) of different composition (two symphonic bands, two fanfare bands and two brass bands) were featured during six concerts. Each evening brought forth a performance by a symphonic band, a fanfare, and brass band, so that the audience could experience all three types of ensembles. This was indeed an original concept. The name, ConZEnSus, comes from a combination of the words, ‘Concert Cyclus’ (concert series) and ‘zes’ (Dutch for ‘six’). This leads to a new word, which refers to ‘consensus’. The general tenor of the cycle isthus immediately indicated. The richness of color of the various ensembles is revealed through an open and friendly atmosphere. During all six concerts (over a span of three years), ConZEnSus functioned as a permanent opening number for each orchestra. Thus the same musical story was portrayed in three different packages. / Niveau : 4 / Ouverture / Répertoire / Fanfare
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Utopia (DE HAAN JACOB)
177.46
Utopia (DE HAAN JACOB)
Fanfare
[Conducteur et Parties séparées]
-
Intermédiaire/avancé
De Haske Publications
Par DE HAAN JACOB. Utopia is the name of a book written by the English author Th...
(+)
Par DE HAAN JACOB. Utopia is the name of a book written by the English author Thomas More and was published in 1516. The title is a word thought up by More himself, after the Greek language, meaning 'Nowhereland' and leading to the invention of the words utopian scheme and utopian. Utopia pictured an ideal state on an island far from the inhabited world. This idea was the basis of the composition. It makes one think of Oregon in variety of themes and style. Utopia also exists of a combination of styles that breathe the atmosphere of film music. However, Utopia sounds less American. The slow and stirring middle part for example is closer to the European romanticism: the chord signals in the brasssection remind of Wagner's music. / Niveau : 4 / Musique légère originale / Répertoire / Fanfare
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Conzensus (VAN DER ROOST JAN)
118.31
Conzensus (VAN DER ROOST JAN)
Orchestre d'harmonie
[Conducteur et Parties séparées]
-
Intermédiaire/avancé
De Haske Publications
Par VAN DER ROOST JAN. This stately concert opener was originally written by Jan...
(+)
Par VAN DER ROOST JAN. This stately concert opener was originally written by Jan Van der Roost for a special event in which six respected wind orchestras (two Belgian and four Dutch) of different composition (two symphonic bands, two fanfare bands and two brass bands) were featured during six concerts. Each evening brought forth a performance by a symphonic band, a fanfare, and brass band, so that the audience could experience all three types of ensembles. This was indeed an original concept. The name, ConZEnSus, comes from a combination of the words, ‘Concert Cyclus’ (concert series) and ‘zes’ (Dutch for ‘six’). This leads to a new word, which refers to ‘consensus’. The general tenor of the cycle isthus immediately indicated. The richness of color of the various ensembles is revealed through an open and friendly atmosphere. During all six concerts (over a span of three years), ConZEnSus functioned as a permanent opening number for each orchestra. Thus the same musical story was portrayed in three different packages. / Niveau : 4 / Ouverture / Répertoire / Concert Band ou Harmonie
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Bahumba (SCIAINO PETER)
97.68
Bahumba (SCIAINO PETER)
Orchestre d'harmonie
[Conducteur et Parties séparées]
Alfred Publishing
Par SCIAINO PETER. 'Bahumba' is a nonsense word but a no-nonsense selection for ...
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Par SCIAINO PETER. 'Bahumba' is a nonsense word but a no-nonsense selection for concert band. The word stems from a sound composer Peter Sciaino heard coming from an idling car. The engine, clearly having issues, had an 'uneven' gate or pulse. He mindlessly heard the word 'Bahumba' within the sounds emerging from the struggling motor. Just like an engine, an ensemble can attain a smooth groove even if 'uneven' in terms of pulse. While the percussionists are often asked to provide this groove under the melodic lines, they ultimately break out with a feature that essentially places a percussion ensemble within the context of a concert band piece. (2:43). / Date parution : 2022-10-12/ Répertoire / Concert Band
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Old Licks Bluesed Up - Version for Concert Band
572.92
Old Licks Bluesed Up - Version for Concert Band
Orchestre d'harmonie
Norsk Musikforlag
Par AAGAARD-NILSEN TORSTEIN. The word 'old' and the title of each movement refer...
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Par AAGAARD-NILSEN TORSTEIN. The word 'old' and the title of each movement refers to music of the past. The word 'licks' comes from blues, rock and jazz. Licks can be arpeggio-figures, scales and riffs that is regularly used in improvisations. Toccata is a well known musical genre from the baroque keyboard music, a free flowing piece filled with energy. The ritornell can be described as a refrain, a recurring theme used in the ritornello form of the baroque era. / Date parution : 2023-10-31/ Répertoire / Concert Band
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Rock & Roll - Part II (The Hey Song): Marching Band: Score & Parts
57.50
Rock & Roll - Part II (The Hey Song): Marching Band: Score & Parts
Fanfare
[Conducteur et Parties séparées]
Hal Leonard
Everybody knows the word(s) to this one! Sure to get the crowd rowdy and loud!
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Andrew R. Mackereth: Hymnus: Fanfare Band: Score & Parts
144.99
Andrew R. Mackereth: Hymnus: Fanfare Band: Score & Parts
Fanfare
[Conducteur et Parties séparées]
Gobelin Music Publications
Hymnus was commissioned by the Wilhelmina Easterein Fanfare Orchestra in the Au...
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Hymnus was commissioned by the Wilhelmina Easterein Fanfare Orchestra in the Autumn of 1999 for their performance at the World Music Contest Kerkrade. The commission was the result of a collaboration between the composer and the thenmusical director Marten van der Wal. The exact meaning of the word Hymnus is not known but it is taken in this presentation to mean hymn or hymn-like. The melodic material is organic and grows from an initial unison tone. Thisinterval is gradually expanded to form the cell F E C F a semitone third fifth. The only other melodic motif is the ascending three-note pattern spanning a major third. This is the second of his compositions to use this ascending motif theother being Fanfare for a Bright New Age for Brass Band and Organ also of 2000. These characteristic intervals appear in many contrasting moods and guises throughout the piece. The opening unison notes are intended to convey as sense ofpower and magnificence like the first sounds at the dawning of the universe. After the immense power a period of stunned silence and reverence. The evolution of the hymn melody incorporates a variety of moods and atmospheres sometimes expressing much joy and celebration whilst also suggesting periods of intense savagery or prayerful contemplation. The hymn builds as the piece progresses and is finally stated in its complete form at letter W. The official worldpremiere of the work was given by Wilhelmina Easterein at the World Music Contest 2001. Whilst the composer was unable to attend in person he was able to enjoy the premier simultaneously transmitted via a mobile phone from the audience! Conductors Note The tempo indications are to be viewed as a guide rather than a literal instruction. Within the music there is an innate sense of pulse and metre lending itself to considerable rubato. Melody is king and all else is mere support and decoration careful attention must therefore be given to balance.
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John Lennon Paul McCartney: Drive My Car: Marching Band: Score & Parts
59.99
John Lennon Paul McCartney: Drive My Car: Marching Band: Score & Parts
Fanfare
[Conducteur et Parties séparées]
Hal Leonard
As heard on the recent Beatles: Love CD (the basis for the Cirque du Soleil prod...
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As heard on the recent Beatles: Love CD (the basis for the Cirque du Soleil production) this exciting opener juxtaposes Drive My Car along with brief passages of What You're Doing and The Word. An exciting and edgy way to make an impressive statement on the field.
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Martenizza (SWERTS PIET)
167.61
Martenizza (SWERTS PIET)
Orchestre d'harmonie
[Conducteur et Parties séparées]
-
Intermédiaire/avancé
De Haske Publications
Par SWERTS PIET. ‘Martenizza’ is the Bulgarian word for the month March. Thi...
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Par SWERTS PIET. ‘Martenizza’ is the Bulgarian word for the month March. This work describes an old custom in Bulgaria introduced to the composer was through Ivo Stoykov, a Bulgarian acquaintance. In accordance with tradition good friends give each other a number of white and red pennants on the 1st of March. When a stork has been spotted for the first time in March, the pennants are hung in a tree, and one can make a wish. According to the custom, friends wish each other health and happiness for the coming year. / Niveau : 5 / Répertoire / Concert Band ou Harmonie
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Madrigalum (SPARKE PHILIP)
135.07
Madrigalum (SPARKE PHILIP)
Orchestre d'harmonie
[Conducteur et Parties séparées]
-
Intermédiaire/avancé
Anglo Music
Par SPARKE PHILIP. The idea behind this work was to create an opening piece, som...
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Par SPARKE PHILIP. The idea behind this work was to create an opening piece, something to start a concert in an unusual way. The title is a portmanteau word derived from madrigal. The work indeed begins in Renaissance mood however gradually tries to shake of its modal start and, by contrasting different instrumental families, the work changes into modern clothes. Why not add a little Renaissance splendor to any concert with this unique new work? / Niveau : 4 / Pièce de concert / Répertoire / Concert Band ou Harmonie
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Persis (HOSAY JAMES L)
167.61
Persis (HOSAY JAMES L)
Orchestre d'harmonie
[Conducteur et Parties séparées]
-
Intermédiaire/avancé
Curnow Music
Par HOSAY JAMES L.. Exotic! Mysterious Middle-Eastern modalities, colorful orche...
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Par HOSAY JAMES L.. Exotic! Mysterious Middle-Eastern modalities, colorful orchestration, and a stunning 'chase' combine to make James Hosay's PERSIS (the Greek word for Persia) a very special offering for your next concert. An enchanting and poignant Oboe solo love theme (cued for Flute) is surely one of the most beautiful passages written for concert band in quite some time. PERSIS will be one of your band's most memorable performing experiences. Don't miss the opportunity to program something truly different. / Niveau : 4 / Répertoire / Concert Band ou Harmonie
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Nemu-Susato (VAN DER ROOST JAN)
187.33
Nemu-Susato (VAN DER ROOST JAN)
Orchestre d'harmonie
[Conducteur et Parties séparées]
-
Intermédiaire
De Haske Publications
Par VAN DER ROOST JAN. Commissioned by the Japan Band Clinic Committee of Yamaha...
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Par VAN DER ROOST JAN. Commissioned by the Japan Band Clinic Committee of Yamaha for the Nemu Band Directors Clinic in Nemu no Sato, May 18-20, 1997. The surprising title of this work is an indication of its content. By combining the somewhat similar names ‘Nemu no Sato’ and ‘Susato’ into a new word, Jan Van der Roost has produced a significant and interesting subject. The Yamaha corporation has extensive facilities in Nemu no Sato, Japan, including a concert hall, recording studios, hotel and so on. Concerts, workshops, clinics and other events are held here, including the annual Nemu Band Directors Clinic, which consists of numerous musical events. Jan Van der Roost served as guest conductor andspeaker in 1994. He was invited again for the 1997 clinic, this time with a composition assignment. The difficulty level of his new piece was to be Grade 2 - 3 bands. With this in mind, Mr. Van der Roost strove to create a renaissance-like sound. Simultaneously he wished to create a tribute to Tielman Susato who, like Jan Van der Roost, lived and worked in Antwerp in the 16th century. The first performance of Nemu-Susato was conducted by the composer, performed by the Tokyo Metropolitan Police Band, and took place during the Nemu Band Directors Clinic on May 19, 1997. / Niveau : 3 / Pièce de concert / Répertoire / Concert Band ou Harmonie
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Madrigalum (SPARKE PHILIP)
135.07
Madrigalum (SPARKE PHILIP)
Fanfare
[Conducteur et Parties séparées]
-
Intermédiaire/avancé
Anglo Music
Par SPARKE PHILIP. The idea behind this work was to create an opening piece, som...
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Par SPARKE PHILIP. The idea behind this work was to create an opening piece, something to start a concert in an unusual way. The title is a portmanteau word derived from madrigal. The work indeed begins in Renaissance mood however gradually tries to shake of its modal start and, by contrasting different instrumental families, the work changes into modern clothes. Why not add a little Renaissance splendor to any concert with this unique new work? / Niveau : 4 / Pièce de concert / Répertoire / Fanfare
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Festa Paesana (DE HAAN JACOB)
182.40
Festa Paesana (DE HAAN JACOB)
Orchestre d'harmonie
[Conducteur et Parties séparées]
-
Intermédiaire
De Haske Publications
Par DE HAAN JACOB. Lunteren, a village on the Veluwe (a wooded region in the Net...
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Par DE HAAN JACOB. Lunteren, a village on the Veluwe (a wooded region in the Netherlands), sets the scene annually for a village festival dominated by folklore. Festa Paesana (Italian for village festival) is set to music by several folkloric sketches. The theme in Festa Paesana is partly based on a Dutch anthem (Wien Neerlands bloed); when other lyrics are used it is also known as the Lunteren anthem. The work begins with a festive introduction, completed by chimes and drums, in which pieces of the Lunteren anthem are heard. The music then transitions to represent a horse auction. We hear horses run their first rounds in the auction ring while being whipped. The following theme is partly basedon the anthem. The tension of the traditional auction is amplified by an ever-increasing cadence, reaching its climax when the word ?Sold!? is shouted. The night ends with a majestic variation on the Lunteren anthem. The next morning, when the tower clock hits seven times, the village is awaked by the reveille of the heralds. In a fugatic version of the anthem, we can hear the village slowly come to life. This evolves with the chiming of all towers in the village; the celebration can begin. Carriages drawn by horses rumble through the village and thus, it is easy to hear when a horse hesitates or runs amuck. A traditional folk dance group then dances a whirling waltz while the audience shares their pleasure. Musicians march along the scene and take over the waltz theme in their march. Until deep in the night, the musicians are still heard playing in the streets. Meanwhile, we hear the anthem theme being played in a choral variation (in minor). The first time it is played quietly, as a preparation for Sunday. Then it is played in a celebrating way, enabling the devout village residents to remember the past pleasant celebration with satisfaction. / Niveau : 3 / Pièce de concert / Répertoire / Concert Band ou Harmonie
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Mexican Holiday (SPARKE PHILIP)
83.80
Mexican Holiday (SPARKE PHILIP)
Orchestre d'harmonie
[Conducteur et Parties séparées]
-
Débutant
Anglo Music
Par SPARKE PHILIP. Whilst making no claims to be stylistically authentic, this l...
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Par SPARKE PHILIP. Whilst making no claims to be stylistically authentic, this little piece aims to capture the infectious spirit of mariachi, a word whose origins are lost in the mists of time, but which describes not only the performers (on guitars, vihuelas, violins, trumpets and harp) but also the music itself. Their music speaks of love, passion, politics, life in the country and revolutionary heroes but is unerringly uplifting in style and immediately recognisable as the spirit of Mexico. A chance to add that Spanish flavour to your concerts. / Niveau : 1.5 / Pièce de concert / Répertoire / Concert Band ou Harmonie
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Amazonia (VAN DER ROOST JAN)
226.76
Amazonia (VAN DER ROOST JAN)
Orchestre d'harmonie
[Conducteur et Parties séparées]
-
Intermédiaire/avancé
De Haske Publications
Par VAN DER ROOST JAN. This major concert work cosists o five movements. 1st mov...
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Par VAN DER ROOST JAN. This major concert work cosists o five movements. 1st movement: La Laguna del ShimbeSituated high up in the Andes mountains in Northern Peru are the Huaringas, a group of lagoons in isolated and mysterious surroundings. The water has healing powersand for centuries traditional healers have settled there in small villages. From far the sick come to the Huaringas to be treated in nightly rituals, in which the hallucinating juice of the San Pedro cactus gives the prophet a look inside hispatient. The biggest lagoon is the “Laguna del Shimbe”, one of the countless wells of the immense Amazon stream. 2nd movement: Los AguarunasFurther downstream in Northern Peru we come across the rain tribe of Los Aguarunas. It’s a proud, beautiful andindependent race, which has never succumbed to domination, not even from the Incas. They live from everything the forest has to offer: fish, fruit, plants, . . . . They also grow some crops and live as semi-nomads. They take their fate into their ownhands and after having made contact with modern civilisation, they have integrated new elements into their lives without betraying their own ways. 3rd movement: MekaronMekaron is an Indian word meaning “picture”, “soul”, “essence”. The Indians are theorigina inhabitants of the Amazon region. They either live in one place as a group or move around a large region. They all have their own political system, their own language and an intense social life. At the same time they are master of music andmedicine. “Everywhere the white man goes, he leaves a wilderness behind him”, wrote the North American Indian leader Seatl in 1885. As a result of these contacts with the whites, the disruption of most Indian societies began. (In this century alone, 80 tribes have vanished completely). 4th movement: KêêtuajêThis is the name of the initiating ceremony of the Krahô tribe in the Brazilian state of Goias, in which young boys and girls enter adult life. They are cleansed with water, painted with redpaint and covered with feathers, after which the ritual dance holds the entire tribe spell-bound. 5th movement: Paulino FaiakanIn 1988 the Indian chiefs Faiakan and Raoni Kaiapo came to Europe to protest against the building of the Altamira dam inBrazil. As a result of the dam the Indians would be driven from their traditional land and enormous artificial would be created. The project was supported financially by, amongst others, the European Community. In February 1989 the Indian tribesaround Altamira held a protest march for the first time in their history together. Amongst other things they paid tribute tot Chico Mendez, who, murdered in 1988, was the leader of the rubber syndicate and a fierce opponent of the destruction of theBrazilian rain forest. Brazilian and world opinion was awakened. The building of the dam was -albeit temporarily - stopped. / Niveau : 6 / Pièce de concert / Répertoire / Concert Band ou Harmonie
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Operation Invictus (WEBB AMY)
72.15
Operation Invictus (WEBB AMY)
Orchestre d'harmonie
[Conducteur et Parties séparées]
Alfred Publishing
Par WEBB AMY. Operation Invictus is a rising band work that checks all the boxes...
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Par WEBB AMY. Operation Invictus is a rising band work that checks all the boxes: exciting parts for all players, commanding rhythms, and challenging, yet surmountable melodies that will leave your band feeling great about themselves and their performance. Each instrument gets to play snappy little licks that are so engaging they'll want to practice. Even the low brass gets some fanfare-like material that will sound powerful. The very word invictus is Latin for 'undefeated.' A tremendous piece at the easy level that can be played either at the beginning or end of your next concert or festival. (3:07) This title is available in SmartMusic. / Date parution : 2022-10-12/ Répertoire / Concert Band
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Amazonia (VAN DER ROOST JAN)
226.76
Amazonia (VAN DER ROOST JAN)
Fanfare
[Conducteur et Parties séparées]
-
Intermédiaire/avancé
De Haske Publications
Par VAN DER ROOST JAN. This major concert work cosists o five movements. 1st mov...
(+)
Par VAN DER ROOST JAN. This major concert work cosists o five movements. 1st movement: La Laguna del ShimbeSituated high up in the Andes mountains in Northern Peru are the Huaringas, a group of lagoons in isolated and mysterious surroundings. The water has healing powersand for centuries traditional healers have settled there in small villages. From far the sick come to the Huaringas to be treated in nightly rituals, in which the hallucinating juice of the San Pedro cactus gives the prophet a look inside hispatient. The biggest lagoon is the “Laguna del Shimbe”, one of the countless wells of the immense Amazon stream. 2nd movement: Los AguarunasFurther downstream in Northern Peru we come across the rain tribe of Los Aguarunas. It’s a proud, beautiful andindependent race, which has never succumbed to domination, not even from the Incas. They live from everything the forest has to offer: fish, fruit, plants, . . . . They also grow some crops and live as semi-nomads. They take their fate into their ownhands and after having made contact with modern civilisation, they have integrated new elements into their lives without betraying their own ways. 3rd movement: MekaronMekaron is an Indian word meaning “picture”, “soul”, “essence”. The Indians are theorigina inhabitants of the Amazon region. They either live in one place as a group or move around a large region. They all have their own political system, their own language and an intense social life. At the same time they are master of music andmedicine. “Everywhere the white man goes, he leaves a wilderness behind him”, wrote the North American Indian leader Seatl in 1885. As a result of these contacts with the whites, the disruption of most Indian societies began. (In this century alone, 80 tribes have vanished completely). 4th movement: KêêtuajêThis is the name of the initiating ceremony of the Krahô tribe in the Brazilian state of Goias, in which young boys and girls enter adult life. They are cleansed with water, painted with redpaint and covered with feathers, after which the ritual dance holds the entire tribe spell-bound. 5th movement: Paulino FaiakanIn 1988 the Indian chiefs Faiakan and Raoni Kaiapo came to Europe to protest against the building of the Altamira dam inBrazil. As a result of the dam the Indians would be driven from their traditional land and enormous artificial would be created. The project was supported financially by, amongst others, the European Community. In February 1989 the Indian tribesaround Altamira held a protest march for the first time in their history together. Amongst other things they paid tribute tot Chico Mendez, who, murdered in 1988, was the leader of the rubber syndicate and a fierce opponent of the destruction of theBrazilian rain forest. Brazilian and world opinion was awakened. The building of the dam was -albeit temporarily - stopped. / Niveau : 6 / Répertoire / Fanfare
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Luna (NISHIMURA YUKIKO)
78.87
Luna (NISHIMURA YUKIKO)
Orchestre d'harmonie
Hal Leonard
Par NISHIMURA YUKIKO. The title Luna is the Latin word for moon, which is the su...
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Par NISHIMURA YUKIKO. The title Luna is the Latin word for moon, which is the subject of this lyrical work by composer Yukiko Nishimura, originally composed for string orchestra. In a lilting waltz style, the composer has described the inspiration as imagining the sky with the moon at daytime. Nishimura\'s gift for melody shines throughout, especially in the middle section which includes lush passages in the upper winds with a delicate accompaniment. This new arrangement by the composer makes this beautiful work accessible to symphonic bands. / Date parution : 2022-09-20/ Répertoire / Concert Band
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Nemu-Susato (VAN DER ROOST JAN)
187.33
Nemu-Susato (VAN DER ROOST JAN)
Fanfare
[Conducteur et Parties séparées]
-
Intermédiaire
De Haske Publications
Par VAN DER ROOST JAN. Commissioned by the Japan Band Clinic Committee of Yamaha...
(+)
Par VAN DER ROOST JAN. Commissioned by the Japan Band Clinic Committee of Yamaha for the Nemu Band Directors Clinic in Nemu no Sato, May 18-20, 1997. The surprising title of this work is an indication of its content. By combining the somewhat similar names ‘Nemu no Sato’ and ‘Susato’ into a new word, Jan Van der Roost has produced a significant and interesting subject. The Yamaha corporation has extensive facilities in Nemu no Sato, Japan, including a concert hall, recording studios, hotel and so on. Concerts, workshops, clinics and other events are held here, including the annual Nemu Band Directors Clinic, which consists of numerous musical events. Jan Van der Roost served as guest conductor andspeaker in 1994. He was invited again for the 1997 clinic, this time with a composition assignment. The difficulty level of his new piece was to be Grade 2 - 3 bands. With this in mind, Mr. Van der Roost strove to create a renaissance-like sound. Simultaneously he wished to create a tribute to Tielman Susato who, like Jan Van der Roost, lived and worked in Antwerp in the 16th century. The first performance of Nemu-Susato was conducted by the composer, performed by the Tokyo Metropolitan Police Band, and took place during the Nemu Band Directors Clinic on May 19, 1997. / Niveau : 3 / Pièce de concert / Répertoire / Fanfare
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Attila! (Part 1 From 'sinfonia Hungarica') (VAN DER ROOST JAN)
305.64
Attila! (Part 1 From 'sinfonia Hungarica') (VAN DER ROOST JAN)
Orchestre d'harmonie
[Conducteur et Parties séparées]
-
Intermédiaire/avancé
De Haske Publications
Par VAN DER ROOST JAN. Dit stuk werd gecomponeerd in opdracht van het symfonisch...
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Par VAN DER ROOST JAN. Dit stuk werd gecomponeerd in opdracht van het symfonisch blaasorkest Kiskunfélegyhaza uit Hongarije en opgedragen aan dirigent Ferenc Jankovski, burgemeester Jozsef Ficsor en Gabriella Kiss. De wereldpremière vond plaats op 31 maart 2001 in Budapest (Hongarije) door het eerdergenoemde orkest onder leiding van de componist. Deze driedelige symfonie beschrijft de geschiedenis van Hongarije. De drie delen zijn geïnspireerd op historische sleutelfiguren, oorlogen en andere belangrijke gebeurtenissen in dit land. De symfonie werd geschreven ter gelegenheid van de millenniumviering van Hongarije in 2001. ATTILA, koning van de Hunnen, vaak ‘de gesel Gods’ genoemd, is decentrale figuur in het eerste deel, dat voornamelijk wordt gekenmerkt door angst, dreiging, agressie en wreedheid. Attila’s broer, Buda, heeft echter een heroïscher thema, terwijl zijn geliefde vrouw, Rika, een lyrische melodie heeft. Het spannende einde van dit openingsdeel illustreert de gevreesde snelheid van Attila’s troepen: ze achtervolgden hun slachtoffers en vermoordden ze allemaal! Het tweede deel gaat over ARPAD, de stichter van de Hongaarse staat. Het begint met een sfeerpassage, die het beeld oproept van zijn grootmoeder, Emese, dromend over zijn bestemming. Een van Arpad’s tegenstanders, de Bulgaarse prins Zalan, werd verdreven na een gevecht. Hierna noemde Arpad het gebied officieel ‘Magyarorszag’. Het laatste deel is genoemd naar ISTVAN, de koning die het christendom in Hongarije introduceerde en die werd gekroond door paus Silvester II op 1 januari 1001. Een vrij plechtige start leidt tot nog een martiale passage, die eindigt met een aantal luide slagen. Deze symboliseren het voorval waarbij het lichaam van de heiden Koppany in vier stukken werd gesneden, die naar de vier kastelen van het land werden gezonden als schrikwekkend voorbeeld. Na een kalm, bijna religieus intermezzo wordt het nationale volkslied van Hongarije geïntroduceerd. Dit brede, ‘grandioso’ einde heeft een symbolische betekenis: na tien eeuwen / Niveau : 6 / Pièce de concert / Répertoire / Concert Band ou Harmonie
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Strathcarron (SPARKE PHILIP)
172.53
Strathcarron (SPARKE PHILIP)
Orchestre d'harmonie
[Conducteur et Parties séparées]
-
Intermédiaire/avancé
Anglo Music
Sword Dance from Hymn of the Highlands. Par SPARKE PHILIP. Strathcarron is a mov...
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Sword Dance from Hymn of the Highlands. Par SPARKE PHILIP. Strathcarron is a movement from Philip Sparke’s Hymn of the Highlands, in which each movement reflects a different location in the beautiful Scottish highlands. Stratcarron, named after a village at the head of Loch Carron, near the Isle of Skye, takes the form of a sword dance which alternates between fast and slow tempi. / Niveau : 5 / Musique légère originale / Répertoire / Concert Band ou Harmonie
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Strathcarron (SPARKE PHILIP)
172.53
Strathcarron (SPARKE PHILIP)
Orchestre d'harmonie
[Conducteur et Parties séparées]
-
Intermédiaire/avancé
Anglo Music
Sword Dance from Hymn of the Highlands. Par SPARKE PHILIP. Strathcarron is a mov...
(+)
Sword Dance from Hymn of the Highlands. Par SPARKE PHILIP. Strathcarron is a movement from Philip Sparke’s Hymn of the Highlands, in which each movement reflects a different location in the beautiful Scottish highlands. Stratcarron, named after a village at the head of Loch Carron, near the Isle of Skye, takes the form of a sword dance which alternates between fast and slow tempi. / Niveau : 5 / Pièce de concert / Répertoire / Concert Band
172.53 EUR - vendu par LMI-partitions
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