POD Revised Version-Trio For Piano Oboe And Bassoon - Revised Version by Francis Poulenc. This new edition is based on a second manuscript by Poulenc dated 16th March 1928. Edited by Sandro Caldini in 2016. From the preface: The Trio pour piano hautbois et basson by Francis Poulenc (1899-1963) represents a milestone in the repertoire of music for double-reed instruments. It was written between March and April 1926 during a long stay in Côte d'Azur and it was immediately published by Edition Wilhelm Hansen AS Copenhagen in the same year. The composition was influenced by the composer's friendship with Igor Stravinskyand was dedicated to Manuel de Falla. I was lucky to locate a second manuscript (due to the courtesy of the American composer Ned Rorem and his niece Mary Marshall) on which this new edition is based. When I compared this manuscript with the first edition (WH19245) it became evident that there were many differences. The second manuscript is dated 16th March 1928 and clearly states Brouillon definitif (final copy)... Sandro Caldini 2016

Par TAYLOR SUE. Blow the Oboe and Blow the Bassoon are comprehensive tutors, each published in two volumes, with separate piano accompaniment books for the teacher. They combine to give students the greatest possible pleasure from the development of their musical potential. Starting off with the very basics, Sue Taylor gradually introduces more difficult material. Each volume includes studies, playing pieces, scales, arpeggios and much more. These tutor books are set as prescribed teaching material on the current AMEB (Australian Music Examination Board) manual of syllabuses for both Oboe and Bassoon. / Date parution : 2023-10-31/ Méthode / Piano

30 movie themes arranged for piano solo. Par MORRICONE ENNIO. Le compositeur italien Ennio Morricone, lauréat d'un Oscar, a composé la musique de films qui ont marqué l'histoire du cinéma. Cette anthologie rassemble 30 de ses plus belles ?uvres arrangées pour piano solo de niveau intermédiaire. Sommaire : Main Theme from Cinema Paradiso, Ancora qui from Django Unchained, Gabriel's Oboe from The Mission, The Strength Of The Righteous from The Untouchables, et bien d'autres. / Date parution : 2023-07-31/ Recueil / Piano

100 of the best songs from the silver screen arranged for piano, voice and guitar: Theme from Angela's Ashes · Beauty and the Beast · Chariots of Fire · Endless Love · Falling Slowly · Gabriel's Oboe · Hymn to the Fallen · The Music of the Night · Never Enough · Over the Rainbow · The Rose · Somewhere Out There · A Thousand Years · Unchained Melody · What a Wonderful World · and more./ Recueil / Piano/Vocal/Guitare (PVG)

10 Movie Selections. Par . Ten tunes from Tinseltown masterfully arranged by Mark Hayes for piano solo. Includes: Climb Ev'ry Mountain (from The Sound of Music) · Gabriel's Oboe (from The Mission) · God Help the Outcasts (from The Hunchback of Notre Dame) · If I Only Had a Brain (from The Wizard of Oz) · Part of Your World (from The Little Mermaid) · People (from Funny Girl) · Theme from Schindler's List · Singin' in the Rain · Somewhere, My Love (from Doctor Zhivago) · Unchained Melody. / Date parution : 2021-11-03/ Recueil / Piano

Par TAYLOR SUE. Blow the Oboe and Blow the Bassoon are comprehensive tutors, each published in two volumes, with separate piano accompaniment books for the teacher. They combine to give students the greatest possible pleasure from the development of their musical potential. Starting off with the very basics, Sue Taylor gradually introduces more difficult material. Each volume includes studies, playing pieces, scales, arpeggios and much more. These tutor books are set as prescribed teaching material on the current AMEB (Australian Music Examination Board) manual of syllabuses for both Oboe and Bassoon. / Date parution : 2023-10-31/ Méthode / Piano

For Violin, Viola and Piano (Reduced from the orchestra version). Britten was so remarkably prolific as a young composer that many of the works from his teens were put aside to await revision or completion as he rushed on to the next piece. This was particularly the case around the time of his Opus 1 Sinfonietta , composed in the summer of 1932, his second year as a student at the Royal College Of Music. The Sinfonietta was written (in less than three weeks) very soon after Britten had completed the first draft of the Double Concerto - but after finishing the Sinfonietta he went back to revise the Concerto's second movement. He started work on his Op.2 Phantasy for Oboe and String Trio a few weeks later. Although the Concerto follows the same three-movement pattern as the Sinfonietta , it is more ambitious in scale - and since the sketch is, unusually for Britten, complete in practically every detail, it is puzzling that he never made a full score of the work after finishing the composition, and seems to have made no attempt to get it performed. It is not clear if he had particular performers in mind (he was, of course, a Viola player, although he is not likely to have intended the part for himself). He showed the work to his composition teacher at the college, John Ireland, who, as Britten recorded in his diary, was 'pretty pleased' with it - but it is distinctly possible that his experience in rehearsing the Sinfonietta with a student orchestra in 1932 ('I have never heard such an appalling row!' reads another diary entry) discouraged him from going on to complete the Double Concerto in score. He was not to hear any of his orchestral works until the first performance of Our Hunting Fathers in 1936. In the absence of Britten's full score it was necessary for me to prepare the work from the sketch. But the instrumentation is so carefully indicated in the draft that the resulting score is not far from being 100% Britten - only between bars 70 and 74 of the slow movement did there seem to be any need to add anything significant to Britten's texture. The Double Concerto (Britten's manuscript title was 'Concerto In B Minor', but he referred to it in his diary, in characteristic shorthand, as '2ble Concerto') is the most recent addition to his corpus of works, mostly dating from Britten's youth and early maturity, that, since his death, have been revived after many years, or performed for the first time. Britten himself occasionally returned to his early works, and in his last years revised both the early String Quartet In D of 1931 and the opera Paul Bunyan . The Piano score published separately is not a reduction from the orchestral score, but a transcription of Britten's composition sketch, including his indications of instrumentation. The first performance of the Double Concerto was given at the 50th Aldeburgh Festival by Katherine Hunka and Philip Dukes, with the Britten-Pears Orchestra conducted by Kent Nagano, on June 15th 1997. -Colin Matthews / Violon, Alto Et Piano

Classic hymns have been arranged for the flexible “Sounds of” series. For solos and ensembles this collection brings together great hymns of the faith. Whether it's a soloist using a book (accompanied by piano orfully-orchestrated accompaniment track) or two three four players...or a full orchestra Sounds of Worship is a uniquely flexible idea for church instrumentalists! Each book includes a solo line and an ensemble line. Mixand match lines with different instruments and combinations of players. Available: Conductor's Score (with Acc. CD) Flute Oboe Trumpet Clarinet Trombone Horn Alto Saxophone Tenor Saxophone Violin Cello Bass/Tuba Percussion Piano/Rhythm Accompaniment CD.

KV271 'Jeunehomme'. Par MOZART WOLFGANG AMADEUS. Concerto For Piano And Orchestra No. 9 E-flat major K. 271 'Jeunehomme'. Piano Solo, Oboe (2), Horn (2), Violin (2), Viola, Violoncello, Double bass. The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart 's autograph manuscripts). At the same time, it also serves as an aid to authentic performances. The Barenreiter Urtext study scores are a prime example of how Barenreiter takes a musical text and transfers it into a practical format. The Barenreiter Urtext Study Scores, format 16. 5 x 22. 5cm, are ideal for musical analysis, rehearsalpurposes and even conducting. The Study Scores are distinguished by high quality paper and binding as well as an excellent layout. In this way masterworks of musical history are made available as compact sized scores at extremely affordable prices!/ Répertoire / Piano et Orchestre

Edition : Piano Reduction/Vocal Score. Urtext Edition
Editor : Engel, Hans.Heussner, Horst
Binding : stapled
Instrumentation : KlavSolo, Flute, 2 Oboe, 2 Bassoon, 2 Horn, 2 Trumpet, Kettledrum, Strings

Cyril Scott was an English composer writer and poet. He was essentially a late romantic composer whose style was at the same time strongly influenced by impressionism. His harmony was notably exotic. Scott wrote around four hundred works which include two mature symphonies three operas three Piano concertos concertos for Violin Cello Oboe and Harpsichord several overtures four oratorios as well as a mass of chamber music.During the late 1920s and early 1930s Scott recorded several of his own pieces on Piano roll. Composed in 1908 for solo Piano  DanseNegre was recorded on October 4 1928.Danse Negre is a lively little piece with a performance time of approximately 2 minutes a perfect addition to any pianists repertoire!

This sinfonia is the opening of the 12th church cantata. It was scored for oboe solo with string quartet accompaniment. The continuity of sounds in the chords formed by the strings has been in this adaptation obtained by means ofarpeggios formed entirely out of the notes contained in the chords. Sinfonia-weinen klagen sorgen zagen.

Features 16 of Bach's transcriptions for solo keyboard instruments (piano and harpsichord) of concertos for violin and other non-keyboard instruments by Vivaldi, Telemann, and others. Reprinted from the definitive Bach-Gesellschaft edition prepared by Ernst Naumann. Content :
Concerto No. 1 in D major, BWV 972 (based on a violin concerto by Antonio Vivaldi, op. 3, no. 9)
[ALLEGRO]. LARGHETTO. ALLEGRO.
Concerto No. 2 in G major, BWV 973 (based on a violin concerto by Antonio Vivaldi, op. 7, book 2, no. 2)
[ALLEGRO]. LARGO. ALLEGRO.
Concerto No. 3 in D minor, BWV 974 (based on an oboe concerto by Allessandro Marcello)
[ALLEGRO]. ADAGIO. PRESTO.
Concerto No. 4 in G minor, BWV 975 (based on a violin concerto by Antonio Vivaldi, op. 4, no. 6)
[ALLEGRO]. LARGO. GIGA: PRESTO.
Concerto No. 5 in C major, BWV 976 (based on a violin concerto by Antonio Vivaldi, op. 3, no. 12)
[ALLEGRO]. LARGO. ALLEGRO.
Concerto No. 6 in C major, BWV 977 (source unknown)
[ALLEGRO]. ADAGIO. GIGA.
Concerto No. 7 in F major, BWV 978 (based on a violin concerto by Antonio Vivaldi, op. 3, no. 3)
ALLEGRO. LARGO. ALLEGRO.
Concerto No. 8 in B minor, BWV 979 (source unknown)
[ADAGIO]-ALLEGRO. ADAGIO. ALLEGRO.
Concerto No. 9 in G major, BWV 980 (based on a violin concerto by Antonio Vivaldi, op. 4, no. 1)
[ALLEGRO]. LARGO. ALLEGRO.
Concerto No. 10 in C minor, BWV 981 (based on a concerto by Benedetto Marcello, op. 1, no. 2)
[ADAGIO. VIVACE. [LARGO]. PRESTISSIMO.
Concerto No. 11 in B-flat major, BWV 982 (based on a violin concerto by Duke Johann Ernst of Saxe-Weimar, op. 1, no. 1)
[ALLEGRO]. ADAGIO. ALLEGRO.
Concerto No. 12 in G minor, BWV 983 (source unknown)
[ALLEGRO]. ADAGIO. ALLEGRO.
Concerto No. 13 in C major, BWV 984 (based on a concerto by Duke Johann Ernst of Saxe-Weimar)
[ALLEGRO]. ADAGIO E AFFETTUOSO. ALLEGRO ASSAI.
Concerto No. 14 in G minor, BWV 985 (based on a violin concerto by Georg Philipp Telemann)
[ALLEGRO]. ADAGIO. ALLEGRO.
Concerto No. 15 in G major, BWV 986 (source unknown)
[ALLEGRO]. ADAGIO. ALLEGRO.
Concerto No. 16 in D minor, BWV 987 (based on a violin concerto by Duke Johann Erns of Saxe-Weimar, op. 1, no. 4)
[GRAVE]-PRESTO. ALLEGRO.

One of the most beautiful of all Bach's melodies is this one taken from the alto aria of the 127th Cantata and was accompanied by string quartet and oboe. As this accompaniment mainly consists of chords held by the strings thisadaptation was fraught with exceptional difficulties and it was only after three months' experiment that the adapter chose this form. Die seele ruht in Jesu händen.