Fünf Ausgewählte Lieder. Par MAHLER GUSTAV. Mahler for violin and piano? Why not! The violin is probably the instrument most akin to the human voice and Mahler was a prolific song writer. Georgian violinist, Lisa Batiashvili, has chosen five songs, in arrangements by Ronald Kornfeil, to enhance her own and others’ concert repertoire. She offers a selection from “Aus der Jugendzeit”, “Fahrenden Gesellen” and “Des Knaben Wunderhorn”, including the gorgeous “Urlicht”. The full-throated piano accompaniments of these originally orchestral songs will not only do the songs justice but also remind us of their use in Mahler’s symphonies where, of course, the solo violin often featured. With no huge technical demands, these arrangements can be tackled even by intermediate players and will offer students a rewarding exercise in powerful yet lyrical playing./ Répertoire / Violon et Piano

Ausgewählte Sätze. Par MAHLER GUSTAV. These technically approachable arrangements for the piano of some of Mahler's most significant works, invite us to explore the sound world of their creator./ Répertoire / Piano

Excerpts from Symphony No. 1-A series of famous works abridged and 'unlocked' for easy Piano while retaining the essence of each great work. Usually all movements are represented. This volume contains excerpts from each movement of Mahler's inspirational Symphony No 1.

Capturez la grandeur et la puissance des meilleurs thèmes musicaux très classiques dans ce jeu spécialement sélectionné des solos de piano avec CD. L'anthologie comprend des mélodies célèbres par les goûts de Schubert, Mozart et Beethoven, ainsi que quelques-uns des compositeurs ultérieurs, y compris Mahler, Tchaïkovski et Dvorak. Compléter avec des performances complètes de tous les morceaux sur CD, il s'agit d'une collection absolument indispensable pour tout amateur de musique classique, et une excellente source de répertoire pour piano inhabituelle. / Piano

Par MAHLER GUSTAV. Arrangé par S. Blet / Niveau : Elémentaire / contemporain / Répertoire / Piano

Le nom de Mahler est si rattaché au genre de la symphonie et du lied, que l'on ignore souvent qu'il se consacra intensément à la musique de chambre durant ses années d'études. Des nombreuses tentatives dans ce domaine, il ne reste qu'un quatuor à cordes, composé entre 1876 et 1878, et dont seul le premier mouvement, redécouvert dans les années 1960 et publié pour la première fois en 1973, est achevé. Même si l'on reconnaît immédiatement l'ombre de Brahms, ce mouvement de quatuor est suffisamment personnel et original - à l'instar du traitement quasiment symphonique de piano - pour qu'il soit intégré à notre série de publications Urtext. À des fins d'étude, nous publions en plus, et en annexe à notre édition, une esquisse sous forme de fragment d'un autre mouvement, un scherzo pour la même formation. / Quatuor Avec Piano

The Library Of Romantic Music is a comprehensive collection of the greatest works of the Romantic period. Featuring composers like Frédéric Chopin, Claude Debussy and Gabriel Fauré, the works represented here truly some of the most beautiful ever composed. Now they're all in one conveniently spiral-bound volume, arranged for solo Piano for your sheer playing pleasure.Like the Baroque and Classical periods before it, Romantic music existed within a broader artistic, intellectual and literary movement. Emerging in the early 19th century it reflected a time of preoccupation with things mystical, spiritual, legendary and supernatural. This collection comprises fantastic original Piano works and beautiful arrangements from all the greatest composers of this era, including: Albéniz, Berlioz, Bizet, Brahms, Chopin, Dvorák, Debussy, Elgar, Fauré, Grieg, Mahler, Liszt, Mendelssohn, Puccini, Ravel and so many more.Spanning the 19th century, the Romantic movement was a reaction to what had come before. Music proved to be a particularly rich medium of expression for a new Zeitgeist that prized individualism and spirituality. Drawing together composers whose background was as diverse as the music they created, the period proved to be a very broad church indeed. This makes The Library Of Romantic Music particularly exciting, because the extraordinarily rich and expressive music is collected here in a single volume that is durable, convenient and is sure to be a mainstay of your music stand.For a simply stunning compendium of some incredible pieces of music composed by the masters, The Library Of Romantic Music is essential. The greatest compositions from such a fantastically rich period have been collected in this single volume, perfect for pianists looking for beautiful additions to their repertoire. / Piano

from Symphony No. 5-Zen On Japanese language edition of Gustav Mahler's Adagietto from Symphony No.5 for Piano Solo.

No. 1-4. Par ULLMANN VIKTOR. Ullman‘s seven Piano Sonatas were written between 1936 and 1944. Though rediscovered as recently as 1990, they are now available in a number of recordings. Neo-classical in approach, the piano writing and the use of polytonality places them closer to Skriabin and Prokofiev than to the works of Ullman‘s teachers Arnold Schoenberg and Alois Hába – this applies also to the Piano Concerto, written during the same period. The numerous quotes from Mozart, Wagner, Mahler, and Dukas to folksongs and tunes from operettas are particulary interesting in this context./ Répertoire / Piano

Par MAHLER GUSTAV. Editeur(s) d'origine: Wittinger, Robert/ Répertoire / Violon et Piano

für Violine und Klavier. Par CHOSTAKOVITCH DIMITRI. A collection of 19 Preludes for Violin with Piano accompaniment by Russian-born composer, Dmitri Shostakovich. After an initial period of writing avant-garde works, Shostakovich wrote primarily in the Romantic idiom, drawing on the influence of Mahler, however he still combined atonality and, at times, tone rows. A collection of 19 Preludes for Violin with Piano accompaniment by Russian-born composer, Dmitri Shostakovich. After an initial period of writing avant-garde works, Shostakovich wrote primarily in the Romantic idiom, drawing on the influence of Mahler, however he still combined atonality and, at times, tone rows./ Répertoire / Violon et Piano

Hans Abrahamsen's Concerto For Piano And Orchestra was composed in 1999 by commission for the BIT-20 Ensemble. A complex and multi-layered work opening with highly minimal material and very slowly building to an ecstatic frenzy across the four movements. As the piece progresses Abrahamsen has also included some significant nods towards composers Gyorgy Ligeti (a former teacher of the composer) and Gustav Mahler.The work was premiered at the Ultima Festival in Oslo in 2000 with Anne Marie Abildskov as soloist. I Allegro Volante e nervoso II Adagio innocente e semplice III Tempo de grandegioia IV Fluente ma tranquillo Programmenote: ???The piano concerto starts entirely as I usually start with this filigree in the piano and many simultaneous layers ??? Hans Abrahamsen has explained ???The beginning is music that could continue almost minimalistically ad infinitum. But it doesn???t. Instead it has a seizure after just thirty seconds. It literally comes to a halt!???There is no programmatic structure behind the four-movement course of the concerto but a romantically minded listener may be tempted to interpret the development from a quick stalling of the familiar through the introduction (by the lyrical second movement) of something much more ???innocent and simple??? as it says - something feminine one feels like adding - to the third movement???s flashing firework display of a scherzo which draws the curtain aside for a liberating rush of joy as life after the advent of love. However the undersigned assumes full responsibility for this interpretation.The piano soloist is the undisputed main character in the concerto and plays almost constantly in the first three movements. It is only in the fourth movement that she takes a break and listens. ???The piano stirs up an anthill??? is Hans Abrahamsen???s own description ???and it becomes almost operatic! It is as if the music is about to fall right out over the edge of the abyss at the drastic general